Academic literature on the topic 'Hsingan'

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Journal articles on the topic "Hsingan"

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Imai, Joen. "A Study of Ch'ien-hsing's P'u-ti-hsing-i." JOURNAL OF INDIAN AND BUDDHIST STUDIES (INDOGAKU BUKKYOGAKU KENKYU) 35, no. 1 (1986): 112–14. http://dx.doi.org/10.4259/ibk.35.112.

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Chang, Chung-Hsing. "Dr. Chung-Hsing Chang." Nishi Nihon Hifuka 78, no. 5 (2016): 537–38. http://dx.doi.org/10.2336/nishinihonhifu.78.537.

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Herschbach, Dudley R., and James L. Kinsey. "George Hsing Kwei." Physics Today 59, no. 4 (April 2006): 88. http://dx.doi.org/10.1063/1.2207056.

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Shun, Kwong-loi. "Mencius on Jen-hsing." Philosophy East and West 47, no. 1 (January 1997): 1. http://dx.doi.org/10.2307/1400247.

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Aoki, Takashi. "On the Fa-chieh-hsing-lung." JOURNAL OF INDIAN AND BUDDHIST STUDIES (INDOGAKU BUKKYOGAKU KENKYU) 36, no. 2 (1988): 732–39. http://dx.doi.org/10.4259/ibk.36.732.

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Ferrari, Rossella. "Asian Theatre as Method: The Toki Experimental Project and Sino-Japanese Transnationalism in Performance." TDR/The Drama Review 61, no. 3 (September 2017): 141–64. http://dx.doi.org/10.1162/dram_a_00678.

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In 2012, Zuni Icosahedron (Hong Kong), Za-Koenji Public Theatre (Tokyo), and the Jiangsu Kun Opera Theatre (Nanjing) initiated the Toki Project, an intercultural platform devoted to the transmission of kunqu and noh through contemporary performance. Originating from a Shanghai Expo 2010 commission, Toki provides a theatrical application of Chen Kuan-hsing’s influential notion of “Asia as method.” As epitomized by the yearly One Table, Two Chairs performances at Nanjing’s Toki Arts Festival, Toki partakes in Asia as method’s effort toward “decolonization, deimperialization, and de-cold war” through aesthetic and epistemological deconstruction, endorsing a dialogic model of intercultural performance as inter-Asian relation.
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Bloom, Irene. "Mencian Arguments on Human Nature (Jen-hsing)." Philosophy East and West 44, no. 1 (January 1994): 19. http://dx.doi.org/10.2307/1399803.

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MacCormack, Geoffrey. "The Lü Hsing: Problems of Legal Interpretation." Monumenta Serica 37, no. 1 (January 1986): 35–47. http://dx.doi.org/10.1080/02549948.1986.11731182.

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Young, Daisy. "Reviewer Acknowledgements for Business and Economic Research, Vol. 9, No. 1." Business and Economic Research 9, no. 1 (April 8, 2019): 331. http://dx.doi.org/10.5296/ber.v9i1.14622.

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Business and Economic Research (BER) would like to thank the following reviewers for reviewing manuscripts from December 1, 2018, to March 1, 2019. Their comments and suggestions were of great help to the authors in improving the quality of their papers. Many authors, regardless of whether BER publishes their work, appreciate the helpful feedback provided by the reviewers. Macrothink Publishing appreciates the following reviewers’ rigorous and conscientious efforts for this journal. Each of the reviewers listed below returned at least one review during this period. Alina IaniogloAriel Soto CaroCorina M RadulescuEddie John FisherGerasimos T. SoldatosHengky Sumisto HalimMahmoud M. SabraMamta SinghNana Osei-BonsuRoderikus A. TrihatmokoSantosh B. ManjegowdaYu HsingZi-Yi Guo
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Barrett, T. H. "Pa Chou : Pa Chou wen-ts‘un,. 518 pp. Taipei: Hsinwen-feng, 1985." Bulletin of the School of Oriental and African Studies 51, no. 2 (June 1988): 406–7. http://dx.doi.org/10.1017/s0041977x00115502.

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Dissertations / Theses on the topic "Hsingan"

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Wu, Sik-wah, and 胡適華. "A study of Huang Hsing." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1987. http://hub.hku.hk/bib/B3194923X.

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Wu, Sik-wah. "A study of Huang Hsing Lun Hsang Xing /." Click to view the E-thesis via HKUTO, 1987. http://sunzi.lib.hku.hk/hkuto/record/B3194923X.

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Wang, Wan-Ju. "Regards croisés sur l'espace théâtral à travers l'opéra de Pékin contemporain de Taïwan : le Roi Lear et Orlando." Thesis, Paris 10, 2016. http://www.theses.fr/2016PA100014.

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Cette étude se propose d’examiner les questions que soulève l'opéra de Pékin contemporain de Taïwan à travers deux exemples : Le Roi Lear mis en scène par Wu Hsing-Kuo et Orlando mis en scène par Robert Wilson. Ces deux spectacles en solo sont fondés sur des textes occidentaux traduits en chinois. Pour mettre en scène ces textes traduits, Wu Hsing-Kuo et Robert Wilson ont eu recours aux conventions et au jeu de l’acteur de l’opéra de Pékin. En dépit d’éléments similaires, les textes scéniques tissés par ces deux metteurs en scène diffèrent profondément. Dans le but de trouver une manière appropriée de décrire et d’analyser ce genre de spectacles métis qui sortent de leur cadre traditionnel, tout en gardant en même temps certains traits spécifiques, nous avons commencé par creuser les conceptions qui sous-tendent la forme de l’opéra chinois. Ensuite, nous avons approfondi les questions liées à la pratique ainsi que ses rapports avec les conceptions esthétiques chinoises. Dans la dernière partie de cette étude, nous nous appuyons essentiellement sur les conceptions développées dans les deux premières parties de cette thèse plutôt que sur les discussions sur la nature du théâtre interculturel pour les chercheurs occidentaux auxquelles se sont déjà référés beaucoup de chercheurs taïwanais. À travers l’analyse des deux spectacles, nous proposons une voie différente pour discuter des représentations « interculturelles », tels que les spectacles de l’opéra de Pékin contemporain de Taïwan, qui échappent aux règles et aux conventions bien établies et qui ne peuvent être jugés selon les standards habituels
This thesis aims to examine the questions suggested by two contemporary Peking opera productions in Taiwan: “King Lear” directed by Wu Hsing-Kuo and “Orlando” by Robert Wilson. These two adaptations are both based on Western masterpieces and each of them is performed by one trained Peking opera actor. Despite the similarities that appear in the works of the Taiwanese and the American director, the results of their experimentations on the stage differ considerably between each other. In order to find appropriate way to describe and analyze this kind of performances based on the fusion of traditional as well as foreign elements, we started by researching the conceptions which associate deeply with the form of Chinese opera. Then, we delved further into the relations between the practice of Chinese opera and the Chinese aesthetics concepts. Finally, we analyzed the two examples, not through the discussions related to “intercultural theater” developed by occidental researchers and commonly referred to Taiwanese researchers, but through the conceptions that we have developed in the last two chapters of this thesis. Through this study, we expect to propose a different way to approach the theatrical productions that broke the routine and cannot be analyzed by the standard rules
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Chu, Margaret. "Chang Po-hsing (1652-1725), a Neo-Confucian statesman, educator and philosopher." Thesis, University of Oxford, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.399485.

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Pickering, Kali R. "Admicelle-Based Solid Phase Extraction of Phenols Using Dialkylammonium Surfactant in the Hydroxide Form." TopSCHOLAR®, 2008. http://digitalcommons.wku.edu/theses/15.

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A technique for admicelle-based solid phase extraction is presented in which a dialkylammonium surfactant in the hydroxide form is immobilized on silica. By converting dihexadecyldimethylammonium bromide to the hydroxide form, the surfactant is allowed to have the property of a strong base, aiding in the extraction of acidic phenols which are difficult to extract because of their differing polarities. The surfactant-silica admicelle parameters were optimized for the efficient extraction of eight phenols. Adsorbed phenols were eluted from the sorbent using small volumes of methanol. The phenols were preconcentrated from drinking water samples and were determined using high performance liquid chromatography (HPLC) coupled with a photo diode-array detector.
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David, Elise J. "Making Visible Feminine Modernities: The Traditionalist Paintings and Modern Methods of Wu Shujuan." The Ohio State University, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=osu1338316520.

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BAI, Hsing Chen [Verfasser], and Werner [Akademischer Betreuer] Buselmaier. "Identification and functional characterization of microRNAs in medulloblastoma / Hsing Chen BAI ; Betreuer: Werner Buselmaier." Heidelberg : Universitätsbibliothek Heidelberg, 2011. http://d-nb.info/117978247X/34.

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Bai, Hsing Chen [Verfasser], and Werner [Akademischer Betreuer] Buselmaier. "Identification and functional characterization of microRNAs in medulloblastoma / Hsing Chen BAI ; Betreuer: Werner Buselmaier." Heidelberg : Universitätsbibliothek Heidelberg, 2011. http://nbn-resolving.de/urn:nbn:de:bsz:16-opus-126487.

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Lin, Shih-Wang, and 林世旺. "Research of community empowerment in Chiayi Hsieh HsinGang County." Thesis, 2006. http://ndltd.ncl.edu.tw/handle/93074648001413246075.

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碩士
國立高雄師範大學
地理學系
94
Lately, many people devoted to themselves to consolidate the structure from the bottom of the society, community empowerment is a new democratic revolution based on this methodology. Through the methods of community empowerment, the community residents can be organized and ways for residents to participate the public affairs will be provided, and the power of residents will be integrated. From this process, residents can learn to concern the public affairs, reasonably communicate each other, common acknowledge will be achieved. Hence, community empowerment is limited to the community, in which the residents make the decision to the public affairs through the democratic process, that is, the construction and implementation of native democracy. Owing to the particular role in history and geography, HsinGang County has bountiful cultural spots, temples, and special industries. This essay will investigate the community empowerment in HsinGang area from a view of native resident. Through the methodology of case study and furthermore interviews, to discuss the plight of local organizations that engage community empowerment, the advantages and disadvantages of their efforts, the effect and evaluation of the community empowerment that engaged in HsinGang County. This essay demonstrates that the difference in formation of the places based on different resources. The primary study of this essay is the historic temple nearby area, the secondary study is the different space formation based on the ancient industries. The difficulties in impelling community empowerment in HsinGang area will also be discussed. However, community empowerment in HsinGang area has the effects – “persistence” and “for the people” up to now.
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Zheng, Bo-Ren, and 鄭博仁. "rtzu1 pen3 shih4 tsu2 hsing4 yin2 hsing4 feng1 hsien3 chi2 ch''i2 hsiang4 kuan1 hsing4 chih1 pi4 chiao4 fen4 hsi1." Thesis, 1995. http://ndltd.ncl.edu.tw/handle/92112432837580031784.

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Books on the topic "Hsingan"

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Satomi, Ichikawa. Hsing hsing hui chia le. Tʻai-pei hsien Chung-ho shih: Hsiao niu chin kuo chi wen hua yu hsien kung ssu, 1997.

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Tsʻung hsüeh hsing kʻan hsing ko. Tʻai-pei shih: Nuan liu chʻu pan she, 1999.

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McNeil, James W. Hsing-i. Burbank, CA: Unique Publications, 1990.

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Xu, Daran. Jen hsing tao. Tʻai-pei shih: Hsin ti chʻu pan she, 1985.

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Akagawa, Jirō. Lien mu hsing ching vs. chan hsing kuan chu. Tʻai-pei shih: Huang kuan wen hsüeh chʻu pan yu hsian kung ssu, 1992.

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Yin, Shilin. San kuo hsing wang. Shen-yang shih: Liao-ning shao nien erh tʻung chʻu pan she, 1989.

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ju, Wen guo shu, ed. Hu ho shuang hsing. Tʻai-nan shih: Wen kuo shu chü, 1996.

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Wang, Qixiang. Chʻin Han hsing tʻi. Shen-yang: Liao-ning shao nien erh tʻung chʻu pan she, 1989.

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Yin, Shilin. San kuo hsing wang. Shen-yang shih: Liao-ning shao nien erh tʻung chʻu pan she, 1989.

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Pien hsing fang kʻuai. Tʻai-pei shih: Min sheng pao she, 1985.

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Book chapters on the topic "Hsingan"

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Fazlıoğlu, İhsan, Mercè Comes, Josep Casulleras, Miquel Forcada, Julio Samsó, Emilia Calvo, Tamar M. Rudavsky, et al. "I‐Hsing." In The Biographical Encyclopedia of Astronomers, 575. New York, NY: Springer New York, 2007. http://dx.doi.org/10.1007/978-0-387-30400-7_9173.

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So, Francis K. H. "Wang Wen-hsing’s Religious Dimension: A Catholic Perspective." In The Catholic Church in Taiwan, 175–94. Singapore: Springer Singapore, 2017. http://dx.doi.org/10.1007/978-981-10-6668-9_9.

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Poon, Kai Chung. "A discussion on Master Hsing Yun's idea in university whole person education." In Whole Person Education in East Asian Universities, 92–105. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003137252-7.

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Hong, Guo-Juin. "Tracing a Journeyman’s Electric Shadow: Healthy Realism, Cultural Policies, and Lee Hsing, 1964–1980." In Taiwan Cinema, 65–86. New York: Palgrave Macmillan US, 2011. http://dx.doi.org/10.1057/9780230118324_4.

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Ramasubramanian, K. "Sino-Indian Interaction and the Great Chinese Buddhist Astronomer-Mathematician I-Hsing (ad 683–727)." In Gaṇitānanda, 563–74. Singapore: Springer Singapore, 2019. http://dx.doi.org/10.1007/978-981-13-1229-8_56.

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"Hsing’an Complex." In Geological Formation Names of China (1866–2000), 431. Berlin, Heidelberg: Springer Berlin Heidelberg, 2009. http://dx.doi.org/10.1007/978-3-540-93824-8_3040.

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"Hsinchan Sandstone." In Geological Formation Names of China (1866–2000), 430. Berlin, Heidelberg: Springer Berlin Heidelberg, 2009. http://dx.doi.org/10.1007/978-3-540-93824-8_3033.

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"Hsingshan Formation." In Geological Formation Names of China (1866–2000), 431. Berlin, Heidelberg: Springer Berlin Heidelberg, 2009. http://dx.doi.org/10.1007/978-3-540-93824-8_3047.

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"Hsingshan Shale." In Geological Formation Names of China (1866–2000), 432. Berlin, Heidelberg: Springer Berlin Heidelberg, 2009. http://dx.doi.org/10.1007/978-3-540-93824-8_3048.

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"Hsinkao Formation." In Geological Formation Names of China (1866–2000), 432. Berlin, Heidelberg: Springer Berlin Heidelberg, 2009. http://dx.doi.org/10.1007/978-3-540-93824-8_3052.

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Conference papers on the topic "Hsingan"

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Zhang, Guoqing. "An Approach to Marketing Implementation with the Perspective of Wu Hsing." In 2016 1st International Symposium on Business Cooperation and Development. Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/isbcd-16.2016.15.

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Qingxin, Fan, Yu Yang, Qiu Wei, and Peng Xuexuan. "The Construction of Low-Carbon Economy Evaluation Index Systemin Ta Hsing-an Ling Region." In 2013 Fourth International Conference on Digital Manufacturing & Automation (ICDMA). IEEE, 2013. http://dx.doi.org/10.1109/icdma.2013.335.

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