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Wu, Sik-wah, and 胡適華. "A study of Huang Hsing." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1987. http://hub.hku.hk/bib/B3194923X.
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Wu, Sik-wah. "A study of Huang Hsing Lun Hsang Xing /." Click to view the E-thesis via HKUTO, 1987. http://sunzi.lib.hku.hk/hkuto/record/B3194923X.
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Wang, Wan-Ju. "Regards croisés sur l'espace théâtral à travers l'opéra de Pékin contemporain de Taïwan : le Roi Lear et Orlando." Thesis, Paris 10, 2016. http://www.theses.fr/2016PA100014.
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Cette étude se propose d’examiner les questions que soulève l'opéra de Pékin contemporain de Taïwan à travers deux exemples : Le Roi Lear mis en scène par Wu Hsing-Kuo et Orlando mis en scène par Robert Wilson. Ces deux spectacles en solo sont fondés sur des textes occidentaux traduits en chinois. Pour mettre en scène ces textes traduits, Wu Hsing-Kuo et Robert Wilson ont eu recours aux conventions et au jeu de l’acteur de l’opéra de Pékin. En dépit d’éléments similaires, les textes scéniques tissés par ces deux metteurs en scène diffèrent profondément. Dans le but de trouver une manière appropriée de décrire et d’analyser ce genre de spectacles métis qui sortent de leur cadre traditionnel, tout en gardant en même temps certains traits spécifiques, nous avons commencé par creuser les conceptions qui sous-tendent la forme de l’opéra chinois. Ensuite, nous avons approfondi les questions liées à la pratique ainsi que ses rapports avec les conceptions esthétiques chinoises. Dans la dernière partie de cette étude, nous nous appuyons essentiellement sur les conceptions développées dans les deux premières parties de cette thèse plutôt que sur les discussions sur la nature du théâtre interculturel pour les chercheurs occidentaux auxquelles se sont déjà référés beaucoup de chercheurs taïwanais. À travers l’analyse des deux spectacles, nous proposons une voie différente pour discuter des représentations « interculturelles », tels que les spectacles de l’opéra de Pékin contemporain de Taïwan, qui échappent aux règles et aux conventions bien établies et qui ne peuvent être jugés selon les standards habituelsThis thesis aims to examine the questions suggested by two contemporary Peking opera productions in Taiwan: “King Lear” directed by Wu Hsing-Kuo and “Orlando” by Robert Wilson. These two adaptations are both based on Western masterpieces and each of them is performed by one trained Peking opera actor. Despite the similarities that appear in the works of the Taiwanese and the American director, the results of their experimentations on the stage differ considerably between each other. In order to find appropriate way to describe and analyze this kind of performances based on the fusion of traditional as well as foreign elements, we started by researching the conceptions which associate deeply with the form of Chinese opera. Then, we delved further into the relations between the practice of Chinese opera and the Chinese aesthetics concepts. Finally, we analyzed the two examples, not through the discussions related to “intercultural theater” developed by occidental researchers and commonly referred to Taiwanese researchers, but through the conceptions that we have developed in the last two chapters of this thesis. Through this study, we expect to propose a different way to approach the theatrical productions that broke the routine and cannot be analyzed by the standard rules
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Chu, Margaret. "Chang Po-hsing (1652-1725), a Neo-Confucian statesman, educator and philosopher." Thesis, University of Oxford, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.399485.
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Pickering, Kali R. "Admicelle-Based Solid Phase Extraction of Phenols Using Dialkylammonium Surfactant in the Hydroxide Form." TopSCHOLAR®, 2008. http://digitalcommons.wku.edu/theses/15.
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A technique for admicelle-based solid phase extraction is presented in which a dialkylammonium surfactant in the hydroxide form is immobilized on silica. By converting dihexadecyldimethylammonium bromide to the hydroxide form, the surfactant is allowed to have the property of a strong base, aiding in the extraction of acidic phenols which are difficult to extract because of their differing polarities. The surfactant-silica admicelle parameters were optimized for the efficient extraction of eight phenols. Adsorbed phenols were eluted from the sorbent using small volumes of methanol. The phenols were preconcentrated from drinking water samples and were determined using high performance liquid chromatography (HPLC) coupled with a photo diode-array detector.
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David, Elise J. "Making Visible Feminine Modernities: The Traditionalist Paintings and Modern Methods of Wu Shujuan." The Ohio State University, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=osu1338316520.
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BAI, Hsing Chen [Verfasser], and Werner [Akademischer Betreuer] Buselmaier. "Identification and functional characterization of microRNAs in medulloblastoma / Hsing Chen BAI ; Betreuer: Werner Buselmaier." Heidelberg : Universitätsbibliothek Heidelberg, 2011. http://d-nb.info/117978247X/34.
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Bai, Hsing Chen [Verfasser], and Werner [Akademischer Betreuer] Buselmaier. "Identification and functional characterization of microRNAs in medulloblastoma / Hsing Chen BAI ; Betreuer: Werner Buselmaier." Heidelberg : Universitätsbibliothek Heidelberg, 2011. http://nbn-resolving.de/urn:nbn:de:bsz:16-opus-126487.
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Lin, Shih-Wang, and 林世旺. "Research of community empowerment in Chiayi Hsieh HsinGang County." Thesis, 2006. http://ndltd.ncl.edu.tw/handle/93074648001413246075.
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碩士國立高雄師範大學
地理學系
94
Lately, many people devoted to themselves to consolidate the structure from the bottom of the society, community empowerment is a new democratic revolution based on this methodology. Through the methods of community empowerment, the community residents can be organized and ways for residents to participate the public affairs will be provided, and the power of residents will be integrated. From this process, residents can learn to concern the public affairs, reasonably communicate each other, common acknowledge will be achieved. Hence, community empowerment is limited to the community, in which the residents make the decision to the public affairs through the democratic process, that is, the construction and implementation of native democracy. Owing to the particular role in history and geography, HsinGang County has bountiful cultural spots, temples, and special industries. This essay will investigate the community empowerment in HsinGang area from a view of native resident. Through the methodology of case study and furthermore interviews, to discuss the plight of local organizations that engage community empowerment, the advantages and disadvantages of their efforts, the effect and evaluation of the community empowerment that engaged in HsinGang County. This essay demonstrates that the difference in formation of the places based on different resources. The primary study of this essay is the historic temple nearby area, the secondary study is the different space formation based on the ancient industries. The difficulties in impelling community empowerment in HsinGang area will also be discussed. However, community empowerment in HsinGang area has the effects – “persistence” and “for the people” up to now.
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Zheng, Bo-Ren, and 鄭博仁. "rtzu1 pen3 shih4 tsu2 hsing4 yin2 hsing4 feng1 hsien3 chi2 ch''i2 hsiang4 kuan1 hsing4 chih1 pi4 chiao4 fen4 hsi1." Thesis, 1995. http://ndltd.ncl.edu.tw/handle/92112432837580031784.
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Ho, Hsing-Hua, and 何興華. "Hsing-Hua Ho." Thesis, 2005. http://ndltd.ncl.edu.tw/handle/67238165700843230115.
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碩士國立臺灣科技大學
工業管理系
93
Traditionally, because of the limited transparency of information system in each department, we perform the Resource Requirement Planning when received orders. In that case, the risk of receiving an order is relatively high. Unless the company has very high level inventory, the probability of “on time delivery” will be low. In this paper, we use the methods and tools called Advanced Available to Promise to enhance order promising responsiveness and order fulfillment reliability. The traditional ATP only can search for uncommitted finished goods and decide whether to give a promise to the customer or not. Now, we can promise quotes based on capabilities of supply chain. Besides, we also add some strategies in case of shortage of finished goods or supply chain resources. The major goals are (1) the improvement of on time delivery by generating reliable quotes, (2) the reduction of number of missed business opportunities by searching more alternative ATP, (3) enhancement of revenue and profitability by categorizing customer relationships.
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WU, CHANG TSAILUAN, and 張彩鸞. "Liminality in Wu Hsing-kuo's Metamorphosis." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/46vn9m.
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碩士國立臺灣師範大學
英語學系
102
Wu Hsing-kuo’s Metamorphosis is a collage of numerous fragments, including animated projections through multimedia technology, and Wu’s performing of modern spoken drama, contemporary dance, and Chinese opera, Jingju and Kunqu. A variety of music is presented with recorded soundtracks, and a live orchestra offering background music, and accompanying Wu’s singing of Jingju and Kunqu arias. It is a hybrid play, and an intercultural one, based on Franz Kafka’s story, with Wu’s interpretation and a combination of Eastern and Western performing art. This production is typical of a liminal performance, based on Victor Turner’s restating the intervening phase of “transition” in Arnold Van Gennep’s three phases in a rite of passage. Turner confirms that the liminal phase is an intermediate state of being “betwixt and between, ” a state that offers a storehouse of all possibilities. Susan Broadhurst states that a liminal performance possesses two most common traits: being hybridized and intertextual. Wu’s Metamorphosis is constituted by a hybridization of cultures, the transgression of borders, the synthetic fragments, the interweaving of live music and the digital sampler, and the utilization of the latest media technology. I have read its liminality from the implications in three aspects: the projected images, the mise en scene, and the mise en abyme, plays within plays. And Wu’s personal transformation is also seriously considered, since he is the soul of the performance. His “Metamorphosis” is divided into six scenes to show different liminal space respectively. It emphasizes that human beings in this life, existing in isolation, or lost in dreams, can still cherish a hope of transformation, through death and reincarnation. This digitized performance has reached mystical dimensions and augmented narratives with the application of multimedia technology into the storytelling process. Wu describes that human beings existing in this life are undergoing the phantasmagoria of the universe, waiting to be transformed. He applies liminal music, and symbolical mise en scene to imply a memory of being isolated, the liminal time when the protagonist onstage is trapped. In the dream scene of love, transforming personae are found in Wu’s speeches and arias, indicating a combination of Eastern fictional romance in The Peony Pavilion and Western real ones between Kafka and his lovers. Wu’s mise en abymen offers the spectators a dream within a dream. It is Du Liniang’s dream put inside Gregor’s, and Kafka is in the dream with his three lovers, strongly suggesting a trapped dreamy state waiting to be awakened. He gives a moral that human beings will reach another world, through passing the thresholds of death or dream. His personal experience is an example to show that one, although trapped in the accusations of monstrous transgression, can be set free because of the final world-wide recognition. Through Wu’s own interpretation free from the frame of Kafka’s, the liminality in his Metamorphosis is conspicuously displayed.
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Lin, Pin-Syuen, and 林品軒. "The Theme of Rebellion and Structure in Wang Wen-hsing's Fiction." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/60238761313168040015.
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碩士國立臺北教育大學
台灣文化研究所
100
This thesis will explore theme of rebellion in Wang Wen-hsing’s works through three aspects:character,narration,and plot. The second chapter is “Keynote” in thesis and make a comprehensive survey to rebellion heroes in Wang’s works. In first, I will describe images of these heroes and take this as analytical model to improve its characteristics of Individualism and explain main topics and dialectic thinking of Individualism:Liberty in Wang’s works from privacy, autonomy, and dignity of man. To go a step further, I will take Psychoanalysis as method to analyze the negative consciousness which focusing on sense of guilty in Wang’s writings. The third chapter will be more theorized.It centers on “Focalizor” and “Narrator” in background of Naratology. One part of this chapter will know how “Hero” to witnesss the specific event by analyzing perspectives among roles. Another part I will present how narrator to echo the perspective of Individualist Hero (focalizor) and how to transmit other story to narrate. The fourth chapter I will analyze plot, narrative structure, signs in detail and signified in way of Semiology in groungwork of former two chapters. This chapter will reconstruct temporal order and seek for sequential ordering of author’s original intention in Wang’s well-known novel “Family Dysposition:Excerpts” and “Backed Against the Sea”. In the final result of thesis, I refer to the anarchrony meaning of two narrative line (past and present) in “Family Dysposition:Excerpts”. I interpret how “noiress” and “negative writing” impact oversimplified dualism of goodness and evil in point of view of the Film Noir and in futhur more to present dilemma of human living condition. Previos study are over-emphasis Fan Yeh and “I”, and I want to offer a new reading view to comprehend senses of rebellion of heroes.
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Lu, Xin-Liang, and 盧信良. "R2(Fe.M)17(M=Ga.A1)hsing t'an hua he chint chih pen chih tz'u hsing yan chiu." Thesis, 1995. http://ndltd.ncl.edu.tw/handle/40513206158968219839.
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WEN, HSIU-CHEN, and 温秀珍. "Venerable Master Hsing Yun's Perspective on Wealth: A Research on Venerable Master Hsing Yun Public Education Trust Fund." Thesis, 2017. http://ndltd.ncl.edu.tw/handle/gf38k7.
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碩士南華大學
宗教學研究所
105
Whether researching on Early Buddhism, Early Buddhist Schools, Mahayana Buddhism, and up to Humanistic Buddhism, one of the unavoidable topics is the issue of economy, in which the utilization and perspective on wealth are part of the discussion. This dissertation explores the perspective of wealth of Venerable Master Hsing Yun by first examine the economic evolution of Buddhist temples, the methods modern Buddhism utilizes temple income to fund for education, and the rise of Humanistic Buddhism, and how these progresses influenced Venerable Master Hsing Yun’s perspective. By careful examination of traditional Buddhist allegories, this dissertation also infers that the Buddhist perspective on wealth transform from the material to the spiritual, placing emphasis on the latter. Through this spirit, Venerable Master Hsing Yun uses the Buddha Dharma as guide and mundane dharma as tool as he builds up his perspective on wealth base on the ideas of “creating potentials through emptiness” and “creating joy through the act of giving”. In today’s prosperous economy and media-advance society, the Humanistic Buddhism that Venerable Master Hsing Yun propagates possesses a Chan master’s prajñā wisdom and a bodhisattva’s Four Immeasurable Minds. Through the Venerable Master Hsing Yun Public Education Trust Fund, Venerable Master Hsing Yun aims to propagate Buddhism in a way that benefits the people, the society and the country, in so people can experience firsthand that Buddhism cares for their wellbeing. The Venerable Master Hsing Yun Public Education Trust Fund represents an education of moral conduct and values by placing emphasis on inspiring people through the humanities. Through education as well as purified media, Venerable Master is revolutionizing the society through the power of morality and establishing a harmonious society by purifying people’s minds, as well as the society, with the power of wholesomeness and beauty. With education, the economy will develop in a positive manner. Venerable Master Hsing Yun’s perspective on wealth is an important theoretical practice of Humanistic Buddhism that incorporates Buddhism in this modern era. It provides an important example for modern propagators of Humanistic Buddhism on how to spread the Dharma.
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Hsing-ya, Cheng, and 鄭幸雅. "Viewpoints on Nature in Hsing and Taoism." Thesis, 1993. http://ndltd.ncl.edu.tw/handle/27550341841236028652.
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碩士淡江大學
中國文學研究所
81
The chater 1:The preface. Chapter 2: Theoretical Aspects of Hsing Explanation of Hsing system is mainly dealt with. Chapter 3: Co-relation of Hsing and Viewpoints on Nature The formation of viewpoints on Natuer in Hsing is oriented. Firstly, the principle of aesthetics implied from the theoretical aspects of Hsing is generally discussed. And then, the co-relation of Hsing and principle of aesthetics is described to show, in a sequence of the internal ideas of Hsing, the formation of view- points on Nature in Hsing, given its basic nature and exact meaning. Finally, the viewpoints on Nature in Hsing are clarified further, through the discrepancy and integrity of the performance of Arts and Nature. Chapter 4: Co-relation of the Viewpoints on Nature in Hsing and Taoism The analyses of the correspondence of the viewpoints on Nature in Hsing and Taoism are threefold. Firstly, the essence of Taoism is properly understood, and the Toaism -influenced Chinese aesthe- tical spirits are pointed out to rule the close relationship of Arts and philosophy in an artistic spirit of "Yoh"(遊, accessing in a random way). And then, on the ground that Arts and philosophy are mutually understandable, the correspondence of the viewpoints on Nature in Hsing and Taoism is deepiy analysed, with viewpoints on Nature in Hsing being affiliated to Taoism, by way of nihility and non-doing of subjectivity. Finally, under the precondition that the core of the Chinese culture falls on subjectivity and morality, the thesis will present by way of the argument that viewpoints on Nature in Hsing and Taoism are internally connected, and by way of the elaboration of the eventual care of the general and harmonized lives, the mutually penetrative philosophy and liberal arts, and therefore point out that Nature is philoso- phically- meaningful, which is generally required in literary arts. Chapter 5: Conclusion Basing on the above-mentioned, seven major points are concluded and exposed.
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Shan-hsing, Kuo, and 郭尚興. "Kuo Shan-hsing Directing Pinter: The Collection." Thesis, 2003. http://ndltd.ncl.edu.tw/handle/53079503042718796543.
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Lin, Chun-Chien, and 林峻堅. "《MAN T’IEN HSING》AND CHILDREN’S POETRY EDUCATION." Thesis, 2004. http://ndltd.ncl.edu.tw/handle/425m95.
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碩士國立臺東大學
兒童文學研究所
92
Children’s literature history is the fundament of the children’s literature development. For instance, it can make children’s literature development expletive by setting up areal children’s literature history. It is only through studying and analyzing to make it much clear. It was the golden period of Taiwan Children’s poetry development from 1977 to 1990.《MAN T’IEN HSING》was edited in this festival mood. She was in the end of children’s literature development. She appeared to continue the fashion of children’s poetry. She experienced the integrating and cohering process in the mid area. After three years, she changed into the bulletin of Taiwan children’s literature academy. The developing process of《MAN T’IEN HSING》is just the important history of typical areal children’s literature development. This article focuses on the period of 《MAN T’IEN HSING》. I analyze the developing process, group center, relative members, textual contents, and the furthering activities of children’s literature. I attempt to draw the growing appearance, and discusses the role and function played among children’s poetry education. Then, I find the status for 《MAN T’IEN HSING》among children’s poetry developing history. Finally, I make the reflection and suggestion of children’s poetry education and fellow poetry periodical development. Although, the children’s poetry fashion has gone, the closing mission has finished. However, the power of children’s poetry education still exists in people’s mind loving, reading, and writing poems and cumulates energy gradually.
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Wu, Ming-Ann, and 吳明安. "Studies on Optimum Harvest Date and Storage of ‘Chung Hsing No. 3’ and ‘ Chung Hsing No. 4’ Kiwifruit (Actinidia deliciosa)." Thesis, 2005. http://ndltd.ncl.edu.tw/handle/34286016818007146816.
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碩士國立中興大學
園藝學系
93
The intention of this study were to establish the data of optimum harvest maturity and the best storage condition of newly breeding ‘Chung Hsing No. 4’ and ‘Chung Hsing No. 3’ kiwifruit to benefit popularization afterward. ‘Chung Hsing No. 4’ and ‘Chung Hsing No. 3’ kiwifruit were harvested from 21 weeks after anthesis, their total soluble solid content have approached 6.5～6.6°Brix, which reaches harvesting standard of the imported kiwifruit. Average fresh weight of ‘Chung Hsing No. 4’ reaches 82.2g and average fresh weight of ‘Chung Hsing No. 3’ reaches 69.4g respectively. To compete with imported kiwifruit, the domestic kiwifruits were harvested as late as possible to obtain higher quality with higher soluble solid content. ‘Chung Hsing No. 4’ kiwifruit stored at 1℃ is proper, and its total soluble solid content have approached more than 12.2°Brix. ‘Chung Hsing No. 4’ kiwifruit that was stored at 1℃ for 140 days was still able to ripen normally, and its total soluble solid content have approached 12.6°Brix, but fruits tasted may be sourer because its titratable acid reaches 1.25％. As long as Taiwan farmers culture ‘Chung Hsing No. 4’ and ‘Chung Hsing No. 3’ kiwifruit on mountain region to product fruit with high quality, they will not only reduce dependence on the imported kiwifruit but also find a way of mountain horticulture in Taiwan.
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Su, KunChung, and 蘇冠中. "Graduate Institute of Biotechnology National Chung Hsing University." Thesis, 2004. http://ndltd.ncl.edu.tw/handle/07224502571383940564.
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碩士國立中興大學
生物科技學研究所
92
Begomoviruses are whitefly-transmitted geminiviruses that cause significant damage to dicotyledonous plants. Begomoviruses usually inflict bright yellowing symptoms on infected plants. The question how geminivirus initiated DNA synthesis and replication in differentiated cells that are in G0/G1 phase remain to be elucidated. It had been shown that geminivirus could replicate in prokaryotic organisms. Single-stranded circular DNAs of geminivirus were also found in Escherichia coli/phage M13 system in our laboratory. Since the plastids resemble prokaryotic system in plant cells, it is hypothesized that plastids may also support the replication of geminiviruses in plants, which may lead to the damage of plastids and result in the bright yellowing symptoms. The purpose of this study is to study the replication of ageratum yellow vein virus (AYVV) and tomato leaf curl virus (TLCV) in plastids of dicotyledonous plants. AYVV DNA and TLCV DNA genome genome, but not complementary-strand DNA, were detected in intact plastids of virus-infected plants by Southern-blot hybridization with a series of probes specific to TLCV DNA genome. Various AYVV or TLCV isolates were collected from different regions in Taiwan. The respective coat protein (CP) genes were cloned and sequenced. At the protein level, by means of the bioinformatics analyses, it is found that geminivirus coat proteins from many regions of Taiwan and the world may contain chloroplast transit peptides (cTP). In order to confirm the biological function, the putative viral cTP was fused to the N-terminal of GFP and cloned into the pCBSGFP vector under the control of CaMV 35S promoter. The constructs were inoculated into N. benthamiana and analyzed directly by fluorescence microscopy to confirm the biological functions of the putative cTP. However, no significant GFP signals were observed in chloroplasts by fluorescence microscopy. Western blot analyses further suggested that TLCV may not enter the chloroplasts. Therefore, in this study, it is found that TLCV and AYVV DNA genome could enter the chloroplast, but further studies are needed to elucidate the actual functions.
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Wu, Chien-Hsing, and 吳建興. "Projects for Virtual Archive : Chien-Hsing Wu’s Work." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/8sv6bz.
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碩士國立臺北藝術大學
美術學系碩士班創作組
105
My works are motivated by self-exploration. By creative methods which reform personal empirical memory, I convert my curiosity about time and memory into a medium that transforms life experiences. Projects that I''ve worked on since 2009 have been a self-searching journey. "Get Dolled Up" is an exploration of identity through the transformation of gender. For the series "Family Memories", "Black Hand","Iron Sky", I returned to my father''s auto repair factory in my hometown, Nantou, Puli,to seek for old memories of the family industry, and to further reflect onreinterpretation and transformation. By using traditional repairing techniques to transform scrapped vehicles into a sofa, I explore the possibility of continuing and improving the industry. In "Iron Tree", agricultural tools handed down in the family were reassembled and embedded in wood to convey the vitality of the traditional family. In these works, I use a lot of "domestic objects" to inscribe the memories of my own family. When these objects are sequentially spread out, we will discover that they,in fact, interweave the histories of the average middle-class family in the context ofTaiwan''s modernization. "The Endless Ties of Love" was a solo exhibition project that took place at the Taipei Fine Arts Museum. Apart from extending the discussions and concerns in my projects between 2011 and 2016, it was also a process of converting one''s rite of passage into an object for viewing, and an attempt to transform individual relationships into an aesthetic form, addressing the significance of the solo exhibition as a medium for self-expression. It was an endeavor to see the first solo exhibition as not only a retrospective, representation or re-contextualization, but also as part of life, and to draw more life experiences through the facilitation of the museum''s public mechanism. The publication will concentrate on the works in between 2011 to 2016, ruminating on keywords such as self-observation / family / memory / recovery / recycle / everyday objects / ritual and others. In order to instigate possible discussions and dialogues between the individual and history, it is an attempt to extract a context regarding the self and the intertwined relationship with the era and environmental change through creative practice.
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CHANG, YIN-CHUAN (SHI ZHI-JI), and 張茵荃（釋知紀）. "A Study of Venerable Master Hsing Yun's Generosity." Thesis, 2019. http://ndltd.ncl.edu.tw/handle/a3fakn.
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碩士南華大學
宗教學研究所
107
The objective of this research is for all to understand the true meaning of Generosity, its value and contribution to the modern society through Venerable Master Hsing Yun's interpretation and application of Generosity. With the hope of sharing Venerable Master Hsing Yun's ideology of Generosity, a method to actualize Generosity in our daily life could be formulated, helping readers to solve life's problems. The outline of second chapter traced back the ideology of Generosity from Buddhist classics and texts, where Generosity is practiced in different aspects of daily life, spanning from food, clothing, shelter to living. Most of the content was based on charity and salvation. In teachings of the Buddha, generosity entails giving more than is required. It involves relinquishment of clinging. Generosity entails relinquishing some aspects of one's self-interest, and thus is a giving of one's self. The outline of third chapter summarizes Venerable Master Hsing Yun's ideology of Generosity (Giving without Notions) into three points: (1) The principles of 'Pure Giving' is not to fixate on notions. The giver should ensure that when we give, our minds are filled with joy, open and genuine. As we give, the giver's mind should be wholesome, with no thought of any sort of reward coming from the gift after it has been given either. (2) To 'Give without Bias or Discrimination': When there is no favouritism or partiality, the positive karmic effects of Giving is vast. We must be able to look upon all living beings as we coexist as one in order to inwardly destroy any miserly attitudes and outwardly perform beneficial deeds; to help us foster a mind of equality that can accept all living beings and foster a world of Harmony without conflict. (3) To interpret 'Giving as a method of Upaya'(skilful means), where the notion of Giving is adapted to suit the needs of modern society, reaching out to people from different walks of life, where Giving is more readily accepted and applied in daily life The outline of fourth chapter seeks to investigate the highlights of Venerable Master Hsing Yun's application of Generosity. From the conventional material generosity, emotional generosity and dharma generosity, Venerable Master Hsing Yun combine all kinds of generosity in his application, and manages to help the receiver to transcend from being a receiver to a giver. Using the medium of Culture and Media in his Dharma propagation, the area of influence of Venerable Master Hsing Yun's Generosity is boundless, without the limitation of time and space. It teaches one to build affinity with others through differents means, benefitting all sentient beings. The outline of chapter five concludes the three main significances of Venerable Master Hsing Yun's application of Generosity. Firstly, modernity: Venerable Master Hsing Yun illustrates the points of modernity in Buddhism with the modernity of language, the use of modern facilities and answering to the needs of all beings, bringing people confidence, joy, hope and convenience, serving as a role model to the modern people. Secondly, adaptability: Venerable Master Hsing Yun's Dharma activities, not only serve the needs of Dharma propagation to people from different walks of life; it also brings people to practice wholesomeness, a breath of fresh air in the re-enginnering of the society. Thirdly, practicality: Formulating a way to practice Generosity where one could easily apply and realize in their daily life, forming an invaluable life experience for them.
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Chia-Yu, Liu, and 劉家妤. "Process of Master Hsing Yun's Conversion and Commitment." Thesis, 2009. http://ndltd.ncl.edu.tw/handle/99639198972288658469.
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碩士玄奘大學
宗教學系碩士在職專班
97
As many religions are highly developed in Taiwan, taking Buddhism for example, until now there are 4 major branch : Foguangshan, Ciji, Fagushan, and Zhongtaishan. The earliest developed is Foguangshan, and it affects Taiwanese Buddhism deeply. The client of the study is Master Xingun, the founder of Foguangshan. The study focuses on his life and religious history with the historical method. The major materials are from Master Xingun’s memoir, and his biography is subordinate. The life is divided into the childhood, the youth, the adult, and the senior, according to the human developmental history. Among them, the psychology of his life term, the development of the society, the growth and decline of the society network, and the influence over the culture are analyzed. Moreover, these are tried to understand, why was he converted to be Buddhism? and how did he devote himself to the religion after beening a young monk ? The findings of the research are presented as follow: 1)The Master was nervous and stressed because of the poor family, the years of war, and his father's missing in the wars. 2)The Master explained the misery of the war by the Buddhism's cause and effect. 3)The Master stared to know Buddhism because he was close to his grandmother, and then he became a monk due to the monk's dignified looking. 4)The Master had been the monk accidentally when he followed his mother to look for his father. 5)After not close to the family, the Master treated his masters as the parents, and the junior and senior fellows as the brothers. 6)The Master became the propagator of Buddhism by the master's teaching, contacting the monastic life and Buddhism, learning from the education of the Buddhism college, and the experience with studying Buddhism. 7)Before his mid-life, he cooperated or devoted himself closely with the Buddhist group. After his mid-life, with his own Buddhist rite, he devoted himself more than before to his ideal. 8)With the strict Buddhism education, the Master more cherished the care and concern of the masters and the Buddhists. Furthermore, he provided many opportunities to lead to interactions among all kinds of people, hoping to propagate Buddhism and to benefit people. 9)With the strict Buddhist life and demanding, the Master got rid of the restrictions on himself and the rules. With the magnificent Buddha dharma, he could study by himself to spread Buddhism and help people.
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Chang, Rui-He, and 張瑞和. "A study on Yuanlin Hsing-Hsien poetry association." Thesis, 2007. http://ndltd.ncl.edu.tw/handle/65216180635781608856.
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碩士國立雲林科技大學
漢學資料整理研究所碩士班
95
Abstract Changhua is county where literature has prospered. However, attention has been paid only to Chanhua city and Lugang which are located in the north of Changhua. Compared to the attention these two places have got, southern Changhua have long been forgotten. Nowadays literature during the time Taiwan was ruled by Japan, was easily accessible and it led scholars to realize that southern Chanhua was an important area. For example, the Tian-Chung Lan poetry association（田中蘭社）was established in Ming-Zhi（明治）year 36(1903) and Pai-tou lo-hsi poetry association（北斗螺溪吟社）was established before Ming-Zhi 44(1911). They were almost in the same time with the three well-known big poetry clubs. Besides, people were mistaken in the year of the establishment of Yuanling Hsing-Hsien poetry association（興賢詩社）. Little have people known about its history, too. Thus people often questioned why Yuanling Hsing-Hsien poetry association was able to survive when most Taiwanese poetry associations all closed because of lack of more newer good poets to devote themselves in them. Not only did it not end, but grew, like a big magnet, that it attracts poets from neighboring county and finally became a poetry association that ranged the area of two counties. The Yuanling Hsing-Hsien poetry association was established in Hsing-Hsien college（興賢書院）, which was a place where used to teach students and offer sacrifices to gods or ancestors in Ching dynasty（清代）. However, it ceased to function after Taiwan was sized by Japan. In the middle of Japanese domination period, assimilation policy and ‘Japanese Expansionist Policies’ were carried out to make people assimilated to Japanese culture. During this time, the Hsing-Hsien poetry association set up in Ta-Cheng （大正）year 13(1924) continued to serve the function of spreading Chinese culture and standing against Japanese culture. One of the main founders of Hsing-Hsien poetry association was Huang Pu Zao（黃溥造）. He was hired by Hsing-Hsien college to teach Chinese in Lan-Zhai（蘭齋塾學a private school）。Based on the foundation of Hsing-Hsien college，he established Hsing-Hsien poetry association and recover the previous Wen-Chang-Ji（文昌祭），a ritual to offer sacrifices to Wen-Chang god. Predecessors in the field of poetry were invited to help hold the joint poetry intonation meeting. Connection between poets was built. Those poets then became the source of the poetry judges in Japanese domination time. Works from members of Hsing-Hsien poetry association were amassed to form The One Hundred Issues of Poetry Collection of Hsing-Hsien poetry association. This has set an ideal and example for the later gathering every ten years. For worrying that students will neglect their study, alone held the「Lan-Zhai Issues」for a total of six years during Japanese occupation and postwar period, despite the severe condition that politics and society were still in disorder and impossibilities for the poetry clubs function. These efforts help to strengthen students’ continuous devotion and mastering in Chinese poetry and maintain the intimate affection among members in the school of Lan-Zhai（蘭齋）. The lifeblood thus was able to be sustained till the 90s. The model of Huang Pu Zao has guided the development of modern poetry clubs even now. After Huang Pu Zao passed away, Zhan-Zuo-Zhou（詹作舟）、Lai-Jian-Men（賴劍門）、Chen-Mu-Chuan （陳木川）succeeded to be the leader, individual contributing profoundly to the development of in various times. The signs of the connection between early Hsing-Hsien poetry association and the local area can still be traced from distich、horizontal inscribed board and inscriptions left in Yuanlin temples. The influence on Changhua area can also be seen from the interaction existing among each poetry clubs. Hsing-Hsien poetry association has its unique value in the literature history of Changhua that worth our recognition.
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Cho, Ching-Fen, and 卓清芬. "The study of literature of Nalan Hsing-te." Thesis, 1993. http://ndltd.ncl.edu.tw/handle/38687829198774199040.
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I-LI, WANG, and 汪義麗. "THE STUDY ON THE THOUGHT OF "WU-HSING"." Thesis, 1995. http://ndltd.ncl.edu.tw/handle/z7r67w.
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Chen, Hsin-Fu, and 陳信甫. "Rebuild "Street-Community"-A Case Study Participatory Design Of Da-hsin Rd. In Hsinkang." Thesis, 1998. http://ndltd.ncl.edu.tw/handle/45422288782431626633.
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碩士淡江大學
建築學系
86
This thesis is an action research I applied to study the participatory design of Da-hsin Rd. in Hsinkang. In this case, I find the same two problem which have existed in any street in Taiwan. First, all the streets as a type of public space and as part of the bureaucratic system are out of the local people''s control and power. Second, the government, though with much power and responsibility, fail tl manage and make the most of these streets. As a result, all the streets, occupied by private purpose, lose their proper functions for public use. My purpose in this study is to recover the original role of the streets as public space through the community participation to replace the now-prevailing street construction system. The significance is not only spatial but also social. It has something to do with the redefinition of street and the reallocation of the space resource. Initially, my team encounters big objection, for our proposal bring up the conflicts between private benefits and public use, but later on, most of the residents favor our proposal in the hope of enhancing the humble image of Da-hsing Rd.. During the conflict, I find that local people see the street as their self-owned benefit domain. The unequal power relationship in the community make the design process be led by the property owners and the senior males. With the lack of proper alternative strategy raised by the professional team, the traditional social relationship remains the same. Accordingly, the community participation as a force to reconstitute the public space is not very fruitful, and it is in actuality the true dilemma we find in the common conflicts between private benefits and public use of the streets.
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Lin, Chung-Yi, and 林忠義. "Experimental Investigation on the Characteristics of Wind Screen - HSINTA Coal Storage Yard." Thesis, 1996. http://ndltd.ncl.edu.tw/handle/39810273990306252431.
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Ya-TingChang and 張雅婷. "A Research on Chen Hsing-Wan’s Art Creation Works." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/78883860107772702886.
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LO, CHI-CHUNG, and 駱奇宗. "Hsing Tian Temple Master Hsuan Kung's Preaching And Practice." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/77546756454758291703.
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Lee, Xing-Hong, and 李幸宏. "The Chung-Hsing Chinese Integrated Again - Emacs Chinese Environment." Thesis, 1997. http://ndltd.ncl.edu.tw/handle/87939528992937075093.
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Pan, Hsinglu, and 潘欣如. "Ecriture feminine －A discussion on Pan,Hsing Lu’s creations." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/8vz57g.
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碩士國立臺灣藝術大學
造形藝術研究所
99
According to the creation flow, as well as the work end product presents, angles and so on account in own words and individual initiative goal, divides into the introduction, the creation idea, the scientific theory discussion, the matter of form, the method skill as well as the conclusion altogether six big chapters the present paper. One. Introduction Mainly proposed that a person to negative writing and the feminine subject's attention, and has the inseparable relations with the growth background, and also summary explanation present paper research construction. Two. Creation idea in view of individual initiative primitive motive and goal, carries on the recollection, and take this as the datum, takes development of as well as datum of the establishment following research step the work creation. Three. Scientific theory discussion Using the literature adduction, is dialectical and is auxiliary, causes the individual initiative negative writing work, has the significance and the value. Therefore, explanation, the analysis as well as is right by the literature and the work ratio of regarding the literature, can also take advantage of the vein, the creation pursues the history for individual the possible localization. Four. Matter of form In view of individual work, process, basic document as well as explanation of the related background information the written creation. Also penetrates the style and the image preliminary study, carries on the analysis the work. Five. The method skill mainly narrates individual creation way, to faces again from the human body symbol to the bodily involvement space by the humorous interest carries on the creation. Six. Conclusion Finally visits once more whether individual really can complete regarding a feminine artistic worker, after the vanguard and has both conservatively in the modern Taiwan society, went out one to have dashes the strength negative writing the new turning point, but such pattern to audience, society, whether could bring the impact and the value back coupling, the province thinks! And embarks from this, for individual creation, will pursue in the future the long-time creation turning point and the standpoint.
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Ko, Hsing-Ting, and 柯幸葶. "Ko,Hsing-Ting Master Degree Recital and Graduation Concert." Thesis, 2017. http://ndltd.ncl.edu.tw/handle/5arz4j.
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碩士國立臺北藝術大學
管絃與擊樂研究所
105
Hsing-Ting Ko Master Degree's Recital 1.Georg Philipp Telemann : 12 Fantaisie No.8 2.Max Meyer-olbersleben: Fantaisie-Sonate for Flute and Piano,Op.17 3.Georges Enesco : Cantabile et Presto 4.Philippe Gaubert: Nocturne et Allegro Scherzando 5.Ch.M.Widor: Suite Op.34 for Flute and Piano Hsing-Ting Ko Graduation Concert 1.Carl Phillipe Emmanuel Bach：Hamburg sonata in G Major ,Wq.133 2.John Rutter : Suite Antique 3.John Sebastian Bach : Flute Sonata BWV1031 4.Chang Chi-Jen： For flute Solo「Di Yun」 5.Francois Borne : ”Carmen”Fantasy
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吳國宏. "A study of Sun Hsing-yen’s(1753-1818) scholarship." Thesis, 2005. http://ndltd.ncl.edu.tw/cgi-bin/gs32/gsweb.cgi/login?o=dnclcdr&s=id=%22094CHU00045001%22.&searchmode=basic.
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Shu-Ming, Hsu, and 許淑閔. "Hung Hsing-Fu’s concern about farmers and country life in his fictionHung Hsing-Fu’s concern about farmers and country life in his fiction." Thesis, 2006. http://ndltd.ncl.edu.tw/handle/r427j6.
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碩士國立臺東大學
語文教育學系碩士班
94
During 1970s and 1980s, country literature was relatively noticeable in Taiwan. Hung Hsing-Fu’s work caught readers’ attention with his unique style. Hung was born in a miserably poor farmer family in Er-Lin, Changhua County and he was the only one who received education. He laughed at himself that he could neither do laborious work nor distinguish different grains. He closely observed farmers’ life and understood their happiness and sadness. He experienced how an agricultural economy in Taiwan was transformed into an industrial one. Meanwhile, he also witnessed the decline of farm and the change of values. Hung started literary writing while he studied in teacher’s college. His literary types include fiction, poetry, prose and literary criticism. The best known work of Hung’s is his fiction as not only the country life is portrayed but also the interpersonal relationships in the country life which occupies quite a lot space in his work. His feelings, familiarity and understanding about the interpersonal relationships in the country life vivify his work, which is full of sympathy, tolerance and consideration. The touching wording in his fiction has moved a lot of readers. Reflection and sympathy can be seen everywhere in his fiction. All the stories tell the prosperity and decline of the land and the tracks of early explorers. Nowadays the farmers insisting to live in their land and the damage to farms are not concerned any more. Country literature has been neglected for a long time. All those factors make Hung’s concern about country people and their life more meaningful. This thesis is to analyze Hung Hsing-Fu’s concern about country people and life, the country life issues and his point of view on the interpersonal relationships in the country life. Reflecting the country life in which Hung used to live and re-representing his in-depth views can be expected in this thesis. Finally, how meaningful the country literature is for an era will be manifested.
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mei, Chen shu, and 陳淑梅. "The description of the countryside in Hung Hsing-fu’s novels." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/40598550285950222734.
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GUNWUK, KIM, and 金根郁. "A Study OF HU-WU-FENG's Theory of HSIN-HSING." Thesis, 2006. http://ndltd.ncl.edu.tw/handle/75237130269505324343.
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博士中國文化大學
哲學研究所
94
HU-WU-FENG played an important role in the history of chinese philosophy. His thought of HSIN-HSING THEORY was not only accord with the subject-time of his times but also profound and heartily. It had a great merit in the development of SONG-MING LI THEORY thought. So the thesis tries to expound this issue in the first place, then analyzes his and ZHU-XI's thought detailly, and examines and estimates all of them at last.
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Tsai, Chao-chih, and 蔡朝枝. "A study of an le hsing in T'ien-T'ai buddhism." Thesis, 1997. http://ndltd.ncl.edu.tw/handle/42850229112421078409.
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TSAI, HSING-YING, and 蔡幸穎. "A Gaze of Tanbi─Creative Discourse of Tsai Hsing-Ying." Thesis, 2019. http://ndltd.ncl.edu.tw/handle/8686cr.
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碩士國立臺中教育大學
美術學系碩士班
107
Starting from the discussion about female bodies and social relations, this study discusses how disturbed women, who were restricted by regulations and viewed by other people, express their own lust by converting the subject and object in a visual way. In a traditional gaze context, it is most common that the male focuses gaze on the female. In a current environment, we force this gaze exposed in public via various ways. The anxiety of gender drives me to create a space that I can easily manipulate and control. By flipping the relationship between subjects (who gaze) and objects (who are gazed), we erase the females and keep the males in the image, and a space of gaze for merely males is created accordingly. Through the gaze of viewers, male teenagers in the image became the objects. Decorated with flowers, the feminization of male body represents a harmless image. By the ink painting, I merged its soft tones into the skin texture of these boys in the hope of projecting more imagination of feminine lust on their male bodies and making myself retreat to an absolutely safe space to gaze.
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Liu, Hung-Hsiang, and 劉宏祥. "A Study of the FU HSING KANG College (1950~1970)." Thesis, 2006. http://ndltd.ncl.edu.tw/handle/zjc6hd.
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碩士國立中央大學
歷史研究所
94
A Study of the FU HSING KANG College (1950~1970) Abstract The establishment of the FU HSING KANG College was a significant policy after the central government moved to Taiwan and which is still lack of a systematic study and which is what this dissertation intends to do. Basing upon the abundant historical archives as my research sources, I firstly investigate into the historical context in which the FU HSING KANG College was established, then I proceed to analyze the contents of its curricula, with special attention to the cultivation and extension of the spirit of the FU HSING KANG College, and lastly I would make an assessment of the long term impact, if there is any, of the political work system upon the armies, politics and the society. Chapter One is the synopsis of the dissertation and literature review. Chapter Two is the historical context in which the FU HSING KANG College was established, meanwhile making a comparison which the Chinese Communist Party in terms of the political work system in the armed forces. Chapter Three is the analysis of the contents of its curricula, with special attention to the cultivation and extension of the spirit of the FU HSING KANG College. Chapter Four focuses on the possible long term impact of the political work system in the armed forces, politics and society, and whether the impact is positive or negative. Chapter Five is the conclusion which consists of the summary of the research results of the dissertation and a description of the significance and influences of the political work system in the military history of the R.O.C..
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Hsu, Jeng-Bin, and 徐正彬. "Fire Simulation of a Bungalow in Chung-Hsing New Village." Thesis, 2009. http://ndltd.ncl.edu.tw/handle/13076406031503633544.
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碩士元智大學
機械工程學系
97
People stay in their own residence for more than twelve hours every day. Residential fires often cause high risk of fire disasters. Taiwan is a high population density country where most buildings are closely adjacent, that makes the difficulty for firefighters to do their rescue, thus lead to serious human casualties and property losses. This dissertation studies the aged military dependants’ villages where most part of houses are of single-storey double or single-unit made of bricks and wooden structure which are combustible in the fire. In addition, due to the aged electric wires, residents have no ownership can not make a proper improvements to the houses, etc. increasing the possibility of fire disasters and the complexity of fire rescue. Most residents are of aged veterans who lack fire-prevention and escape concepts/knowledge. As most buildings are the sort of single-storey houses and installed with metal grating windows for burglary prevention which has made escape more difficult. For avoiding or reducing the possibility of such disasters, a fire study for military dependants’ villages should be necessary. The FDS (Fire Dynamics Simulator) software developed by NIST is employed in this research to conduct fire simulation. To simulate the fire model established according to the data provided from Fire Inspect Division of Fire Bureau and media press for exploring the changes of high temperature, carbon dioxide density and air layer heights and then to setup the model by changing the parameters, such as interior decoration materials, increasing or decreasing heat release rate of main fire source and analysis on how relevant parameters influence the fire disaster. Hopefully, this research can offer reference values for fire-prevention engineering and reduce personnel casualty rates and property damages.
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Huang, Chia-Wen, and 黃佳雯. "The Biography and Works of Hsieh,Hsing-Lou(1887-1938)." Thesis, 2007. http://ndltd.ncl.edu.tw/handle/58373376523669555730.
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碩士國立成功大學
台灣文學研究所
95
Hsieh Hsing-Lou (1887-1938) was one of the important classical poets in Taiwan during the Japanese occupation period. He had gone through the cession of Taiwan in 1895. In his early years he already joined the 「Southern Society」 that was one of the three large poem societies in the Japanese occupation period. He also went to Japan to pursue his study in 1915 and became a two generations scholar and he was good at both new and old literature. During his period in Japan, he joined the 「Hsin Min Society」 and following this he joined the 「Taiwan Culture Association」 striving for social reform. After he returned to Taiwan in 1926, he changed to devote his full effort in advocating for lantern riddles instead and he created the 「Hsing Lu Wen Fu Society」. Being a 「two generations scholar」 possessing both new and old learning accomplishment and virtue of patience and when facing with the change of the era, Hsieh Hsing-Lou was unwilling to claim himself as an old adherent of the past dynasty and changed to oppose Japan with an active attitude. After his return to Taiwan he popularized lantern riddles and contributed his mind and effort in the preservation of Chinese culture. Therefore, through the introduction on the family background and life of Hsieh Hsing-Lou, this thesis clarifies the cultivation of the old learning disposition of Hsieh Hsing-Lou. Through the analysis on the Chinese poems, the thesis attempts to explain how a traditional intellectual can stride across old and new literature and conduct positioning on him in the literature history of Taiwan.
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Kuo, Chih-Lin, and 郭智琳. "A research for impaired liver function in Fu-Hsing Taoyuan." Thesis, 2003. http://ndltd.ncl.edu.tw/handle/u4nw22.
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Jin-Jie-Chang and 張晉傑. "On Deposition Length of Debris-flow at Hsia-Hsinkai tribe,Kaohsiung, Taiwan,in 2009 Morakot Typhoon." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/27926957209424259997.
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碩士國立高雄應用科技大學
土木工程與防災科技研究所
99
In August 2009, the Morakot Typhoon caused a significant destructive damage in southern Taiwan and triggered a large number of mountains to collapse within Sinfa village and Liugui District near Kaohsiung City. In Hsia-Hsinkai Tribe, a large amount of landslides caused soil and gravel runoff, part amounts of which flowed into the Laonong River. A total of 30 buildings were buried, meantime 4 people died, and 24 people were missing. The research techniques used for this work includes field investigation, laboratory tests, stereographic projection, slope stability analysis and a Close-Range Photogrammetry technique to build disaster DEM topographic factor analysis. In addition, material properties and topographic variations were used to investigate the effect of the pore water pressure at the slip surface along the flow area on the deposited length. Finally a series of laboratory tests were performed and intended to verify the effect of water pressure on the length of the accumulation. The results showed that the high rainfall intensity of 1,190 mm/day as well as cumulative rainfall reached 2,461 mm could be main factors to give the result in the serious disaster event. After the ArcGIS Slope analysis, it is found that disaster areas can occur up to 92% in the future. By the way all of the tested soils obtained from the in-site are classified as SW-SM according to the USCS (Unified Soil Classification System) and the plasticity index (PI) ranging from 0.3 to 9% is lower than the expected. In addition the stability analysis of eight in-situ locations showed that the safety factors are below the unstable state. Once the study area is exposed under the heavy rain or typhoon, the disaster can be happened again. In order to study the pore water pressure within the flows, a revised equation was already developed. We find that the corrected value of m can reach to a reasonable result when the measured are compared with the calculated. According to experiment flume data, the water existed will increase the deposition length. It is confirmed the increase of the water pressure supplied in the bottom of the supply water pressure can generate extend of the deposition length.
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Ling, Hsu Pei, and 許珮鈴. "A Study of the Elementary Educational Thoughts of T’ao Hsing Chih." Thesis, 2007. http://ndltd.ncl.edu.tw/handle/76148078525350982366.
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碩士臺北市立教育大學
國民教育研究所
95
The study is intended to investigate T’ao Hsing Chih’s educational concepts for children, as well as how does he urge China to step into modernization. At first, the study is stated the last years of Ch’ing dynasty suffering impact from the Great World Powers of the western countries, so intellectuals are aroused opinions to save their country. Thus that caused the education for commonalty indirectly. As an important representative leader to promote commonalty education, T’ao Hsing Chih’s ultimate ideal is to establish a democratic society. And this ideal should be reached by cultivating people into citizen via commonalty education in a democratic society to save the country. He understood the abuse of education in China, and therefore proposed the new education position. He took life education as the core and carried on the reform to Chinese education. Secondly, each person has different views to the definition to children, and therefore those views can affect the way of education for children. This study describing the educational condition in Ming Dynasty and Ch’ing Dynasty and John Dewey's concepts toward children is explained the views of China and the western countries to children. This study is finally proposed T’ao Hsing Chih’s thoughts for child as five characteristics, including active learning, thinking, individual differences, equal rights to get education and being the future master in the country. To set the educational aims, to choose the teaching materials, to arrange the teaching activities let children be influenced subtly via the education activity not merely developing individual potentials but learning the abilities to adopt oneself in the future society so that make country prosperous and powerful. Finally, analyzing from the objective historical fact, T’ao Hsing Chih’s education contributes deeply plant in people's heart. His sacrifice and enthusiasm for the reform of education in his country are still worth admiring or reflecting.
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HUANG, MEI-CHU, and 黃美珠. "A Study of Lufeng Hakka Dialect Spoken in Kuo-hsing Township." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/34479735090191287593.
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碩士國立中央大學
客家語文研究所
101
A Study of Lufeng Hakka Dialect Spoken in Kuo-hsing Township Abstract This thesis deals with the status quo of the Hakka dialect spoken by the “Mainland Hakkas (waisheng kejiaren)” who migrated from Xiasha下砂, Lufeng 陸豐County, Guangdong to Kuo-hsing Township, Nantou in 1948. Although Hakka people account for more than 75 percent of population in Kuo-hsing Township, the encroachment by Taiwanese and Mandarin causes the use of both the local and Mainland Hakka dialects to diminish. The language situation, phonology and lexicon of the Lufeng dialect are thoroughly described in this thesis and we will compare the differences in the phonology and lexicon of Kuo-hsing Lufeng dialect with Hailu Hakka in Northern Taiwan and modern Luhe Hakka in Guangdong. For example, Lufeng dialect possesses two series of sibilants ts- and t-, and *g- 羣母 does not participate in the sound change k’- > h-, and it has certain unique lexical items.
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Fu-Cung, Tung, and 唐福春. "The Case Study of Crisis Management-The Chung-Hsing Security Case." Thesis, 2001. http://ndltd.ncl.edu.tw/handle/98567169303335647669.
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碩士大葉大學
工業關係研究所
89
ABSTRACT “The Chung-Hsing Security Case” is the most important event of crisis management in the 2000 Taiwan President Election. Because the independent candidate James Song and his election team neglected the negative influence of “The Chung-Hsing Security Case” and managed the crisis improperly, electors’ support for James Songs, who was forecasted to have more chance to win the election, decreased according to the election inquire and this event also made the situation for Song to compete bitterly with the other two candidates from KMT and DPP. Later on, James Song’s son Chung-Yuang Song was exposed to buy real estate in the U.S.A. and Song’s election team did not separate this crisis from “The Chung-Hsing Security Case”. Two crises combined and lashed the election. The details of “The Chung-Hsing Security Case” were complicated. The case involved with Ex-President Lee’s love-hatred relationship with James Song and KMT members’ quarrels relating with the suspicion of corruption. The managing process of “The Chung-Hsing Security Case” filled with the dramatic change and the developing result of the case influenced the president election and the whole country. Therefore, we can see the importance of crisis management. This is a case study of crisis management taking “The 0Chung-Hsing Security Case” for example. This study will divide “The Chung-Hsing Security Case” into several crisis periods, incubation, explosion, settlement and returning to normality and discuss the case in the subjects of important event, crisis organizat- ion, crisis strategy and crisis communication to understand the situations of crisis management. I wish to contribute to the fields of academic research and real-world knowledge through the composit -ion of this essay. The study takes the methods of case study and content analysis and includes the wide-range of data. It especially focuses on the imperfection of James Song’s and his team members’ crisis management and offers suggestions, such as establishing the group of crisis management, making crisis management plans, enforcing crisis communication and setting up crisis promulgation lines, to the enterprise members and politicians. Therefore, they can learn from the lessons of the case and re-set crisis management into action.
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Jean, Zhao Sue, and 趙淑真. "Venerable Master Hsing Yun’s Interpretation on the Concept of Humanistic Buddhism." Thesis, 2005. http://ndltd.ncl.edu.tw/handle/49468545424417907038.
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碩士佛光人文社會學院
宗教學研究所
93
Abstract Gadamer’s Hermeneutics emphasized that a text in different time and by different interpreters will result in multi perspectives with different meanings. With such a theoretical basis, the main objective of this paper is to explore contemporary Humanistic Buddhist practitioner Venerable Master Hsing Yun’s interpretation of “Humanistic Buddhism”, its characteristics, and the wisdom displayed while putting it into practice. Contemporary Hermeneutics scholar Hans-Georg Gadamer (1900-2002) advocated understanding is true, different and creative understanding. Therefore, its goal is not to find the scope and method to explain but the coincidence of understanding between historical texts and the interpreter in the course of understanding. Hence, using the development of the concept of “Humanistic Buddhism” as background, with the developments of various Buddhist Orders in modern Taiwan, this paper examines how Venerable Master Hsing Yun, also well-known as “the Practitioner of Humanistic Buddhism”, interprets the concept of “Humanistic Buddhism” and while facing the same text – Buddhist scriptures, what has emerged from this understanding and explanatory process. As the purpose of understanding is to apply, how does Venerable Master Hsing Yun practice his understanding of “Humanistic Buddhism”? How does he promote Buddhism’s wisdom of living and achieve the goal of practicing the Buddha’s teachings in this world? In other words, the two main objectives of this paper is to explore how Venerable Master Hsing Yun interprets the concept of “Humanistic Buddhism” and how he examines his application and practice of such an interpretation. Research methods such as analysis of original texts, analysis of past research, in-depth interview and participatory observation have been used in this paper to achieve these objectives. This paper consists of three parts. The first part consists of the research motives, the theoretical basis, the research methods and the review of the past research to establish the necessity of this study. The second part examines and analyses past researches in order to understand the cause of the birth of Humanistic Buddhism so we can clarify the origin of this concept. The third part explores the characteristic of understanding and wisdom of application (phronesis) of “Humanistic Buddhism” by Venerable Master Hsing Yun, through analysis, contrast and comparison of Buddhist scriptures, relevant writings of Venerable Master Hsing Yun, five characteristics of his understanding of “Humanistic Buddhism” are established. Moreover, Hermeneutics has pointed out the missions of interpretation are composed of concept and practice. Hence through discussing the practice and religious wisdom of Venerable Master Hsing Yun, this paper observes his characteristic of practice. Finally, this paper includes the following results: 1. The development of Humanistic Buddhism concept is not created by anyone or any regions. It is the fundamental concept of the Buddha. 2. The understanding of “Humanistic Buddhism” by Venerable Master Hsing Yun consists of interpretation to carry on the past and to open a way for future development. 3. Five characteristics of understanding the “Humanistic Buddhism” of Venerable Master Hsing Yun are: (1) the basic understanding of returning to the fundamental concept of the Buddha. (2) positioning the Bodhisattvahood practice by self benefit and benefit others in this world (3) emphasizing on the practice in this human world and in this life (4) setting up a Buddhist way of living and happiness in religious practice (5) integration of respect and tolerance. 4. The goal of “Humanistic Buddhism” practice by Venerable Master Hsing Yun is to direct the understanding, to establish the right view, teaching methods, and the middle way of living for putting it into practice. 5. The interpretation of “Humanistic Buddhism” by Venerable Master Hsing Yun contains the wisdom of application and the real understanding of “restoring the fundamental concept of the Buddha and reforming to suit the modern times”, and hence explores the new way of the development of Humanistic Buddhism.
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HSU, Pei-Yu, and 許佩瑜. "The Life Story of Hsing: a Child Bride’s Inferiority to Resilience." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/h2975g.
Full textAbstract:
碩士國立臺灣師範大學
教育心理與輔導學系在職進修碩士班
101
This research aimed to understand the life story of a child bride. The researcher’s own grandmother was the research subject in this study. Being a young female in the 21st century, the researcher probed her grandmother’s story as a child bride with a rigorous academic focus and a qualitative psychology orientation. As for the research approach, narrative analysis was used to have conversations with the subject and to analyze the collected data. In the reciprocal conversations with the subject as well as the texts, the researcher not only had a closer look of her grandmother’s life story, but also presented how a child bride born in the 1930s developed mental toughness and resilience through her sense of inferiority against her restrained family culture and the historical background. Through in-depth interviews, the researcher’s grandmother was led into the journey of her own life story as a child bride. The grandmother and the granddaughter together experienced the subject’s life contexts, in which the subject originally came from a prestigious and affluent family but ended up as a child bride struggling in Tamsui for more than 70 years. The subject’s unique identity as a child bride has deeply influenced her childhood, school learning, marriage, family, and self-esteem. It is hoped that this study could truly present the subject's extraordinary experiences and how she interpreted them. Moreover, the researcher tried to understand how the subject's identity as a "child bride" accompanied her through the ups and downs in her life. Lastly, through the close and sincere conversations and accompany between grandmother and granddaughter, the researcher hopes to have a closer relationship with her own grandmother, and also to fulfill her grandmother's wish of having her life story being "completely listened to and reserved". Besides unfolding the process of how a granddaughter having closer relationship and deeper understanding of her grandmother, this study attempts to take a female as the subject of narrative inquiry with the intention to present the the subject's life essence. This way, readers could have a clear look of the unbending and multifaceted nature developed from the tortures and miseries in contemporary child brides' lives.
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Tsai, Hsing-Fang, and 蔡幸芳. "Wetlands Female Thinking-Elaboration of Painting Conception by Hsing-Fang Tsai." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/3f436s.
Full textAbstract:
碩士國立臺中教育大學
美術學系碩士班
102
This thesis entitled “Wetlands ‧Female Thinking” focuses on the elaboration of female thinking adopted from the idea of “Écriture feminine” brought by post-feminist Hélène Cixous , The concepts of my artworks are expressed by the metaphorical motifs in the paintings, combinations of plants and female organs. The thesis includes the analysis of the series artworks of “Wetlands” in the following perspectives: painting conception, formal style, artistic technique, and meaning of artworks. Based upon the critical reading of the relevant documentations, I understand the historical context of feminism and feminist claims. Furthermore, I gain the insight into female artists’ struggles in breaking through the limits of social expectation. They transformed the innate feminine characteristics, inner personalities and the forms of their bodies into the symbols in artworks. Travelling from daily life to art world, their spirits were represented by art works. I adopt my characteristics as the symbols of “Écriture feminine” and represent these features in my paintings. Inspired by my female life experiences and the analysis of documentations, I develop the unique symbols to represent my self-consciousness and artistic ideas in the works. In the final chapter, I conclude my experiences in art-making and medium, and also expect myself to enhance my style and value in artworks in the future.