To see the other types of publications on this topic, follow the link: Hua hui hua.
Dissertations / Theses on the topic 'Hua hui hua'
Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles
Consult the top 50 dissertations / theses for your research on the topic 'Hua hui hua.'
Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.
You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.
Browse dissertations / theses on a wide variety of disciplines and organise your bibliography correctly.
1
Liang, Huimin. "Yue yu hui hua hua lun ti huan xin hao = The turn-shifting signals in spoken Cantonese /." click here to view the abstract and table of contents, 2001. http://net3.hkbu.edu.hk/~libres/cgi-bin/thesisab.pl?pdf=b17087259a.pdf.
Full text
2
Lee, Hak Keung. "Man hua hui yue : "Shanghai man hua" shi qi Ye Qianyu de zuo pin ji qi shou zhong, 1928-1930 /." View abstract or full-text, 2008. http://library.ust.hk/cgi/db/thesis.pl?HUMA%202008%20LEE.
Full text
3
Yang, Ji. "Chuan bo, wen hua, she hui Yingguo da zhong chuan bo li lun tou shi /." Shanghai : Fu dan da xue chu ban she, 2006.
Find full text
4
Deng, Weixiong. "The influences of the Sung academy of painting on Chinese painting Song dai han lin tu hua yuan dui Zhongguo hui hua de ying xiang /." Click to view the E-thesis via HKUTO, 1985. http://sunzi.lib.hku.hk/hkuto/record/B31948868.
Full text
5
Guo, Lixin. "Chang Jiang zhong you di qu chu qi she hui fu za hua yan jiu : 4300B.C.-2000B.C. /." Shanghai : Shanghai gu ji chu ban she, 2005. http://www.loc.gov/catdir/toc/chi0701/2007350047.html.
Full text
6
廖麗暉 and Lai-fai Liu. "Chinese temple and Chinese community in colonial Hong Kong : a case study of Man Mo Temple in Sheung Wan = Hua ren miao yu yu zhi min di de Xianggang Hua ren she hui : yi Shanghuan Wen wu miao wei yan jiu ge an." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2013. http://hdl.handle.net/10722/192998.
Full textAbstract:
The Man Mo Temple（文武廟）Compound on Hollywood Road, Sheung Wan, which comprises three blocks, namely Man Mo Temple, Lit Shing Kung （列聖宮） and Kung Sor（公所）, were built in 1847 . The Temple was built mainly for the worship of Man Cheong (God of Literature, 文昌) and Mo Tai (God of Martial Arts, 武帝). It was important assembly hall where Chinese people discussed issues and resolved disputes in early colonial period. The Temple represented the traditional social organization and religious practices of the Chinese community in the past.
The aim of this study examines the development of Man Mon Temple from 1840s to 1908. This thesis contains six main chapters. The first chapter is literature review of previous researches for Man Mo Temple, as well as presents the objectives and methodology of the thesis. The second chapter explores the reasons for its establishment. The third chapter describes the development of architecture of temple. The forth chapter describes and analyses the Guandi worship （關帝信仰）and Wenchang belief （文昌信仰）in Hong Kong. The fifth chapter evaluates the significance of Man Mo Temple on different periods. The temple provided religious service, also as sponsor the charitable work of the Chinese community. It analyses the change of the temple’s function in colonial period. The final chapter is a conclusion how the Man Mo Temple shift to accommodate changing needs of the colonial development.<br>published_or_final_version<br>Chinese Historical Studies<br>Master<br>Master of Arts
7
Kam-wah, Chow. "A study of the Chinese YMCA's contribution to education and social services in Hong Kong = Xiang gang zhong hua ji du jiao qing nian hui dui xiang gang jiao yu ji she hui fu wu zhi gong xian /." Hong Kong : University of Hong Kong, 2001. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25335169.
Full text
8
Wei, Chengsi. "Gong chan dang Zhongguo zhi shi fen zi de gong ju hua Shanghai zhi shi fen zi qun ti de she hui xue yan jiu : 1949-1978 /." online access from Digital dissertation consortium, 2001. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?3025927.
Full text
9
Wong, Ching-him Felix. "A critical study of the policies formulated and the religious culture disseminated by the Jesuits in China during the sixteenth and seventeenth centuries Shi liu, shi qi shi ji zai hua Yesu hui shi zhi zheng zhi ce lüe ji qi suo chuan bo zhi zong jiao wen hua /." Click to view the E-thesis via HKUTO, 2009. http://sunzi.lib.hku.hk/hkuto/record/B41634226.
Full text
10
He, Zhiyong. "Lun Weilian Debusiji de "zhi hui she ji lun" : dui dang dai "zhi hui she ji lun" yu "jin hua lun" de zheng lun de pi pan xing shen shi = On William Dembski's theory of "intelligent design" : a critical examination of the contemporary debate between "intelligent design" and "evolutionism" /." click here to view the fulltext click here to view the abstract and table of contents, 2006. http://net3.hkbu.edu.hk/~libres/cgi-bin/thesisft.pl?pdf=b19529417f.pdf.
Full text
11
陳慧聲 and Wai-sing Chan. "A comparison of the Cantonese pronunciations recorded in Guangzhouhua zhengyin zidian and Yueyin zhengdu zihui = "Guangzhou hua zheng yin zi dian" yu "Yue yin zheng du zi hui" Yue yu zhu yin bi jiao yan jiu." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2013. http://hdl.handle.net/10722/192954.
Full textAbstract:
Cantonese is not only a lingua franca in Guangdong province, Hong Kong and Macau but also a dialect that is widely used by overseas Chinese communities around the world. Being the most prestigious Yue dialect, Cantonese is definitely an important dialect that is worth investigating. In the past few decades, over a dozen dictionaries on Cantonese have been compiled. Among them, the Guangzhouhua zhengyin zidian 《廣州話正音字典》and Yueyin zhengdu zihui 《粵音正讀字彙》are both widely used and thus influential standards on Cantonese. Despite their importance, systematic studies on the Cantonese pronunciations given in the two dictionaries are few and far between. The present thesis is the first attempt to study the subject.
The present dissertation attempts to analyze the differences between the two dictionaries so that a comprehensive list of their differences can be obtained. The analysis is conducted with reference to the number of pronunciations given to each character; the order of listing the pronunciations; tone change; and the listing of commonly used pronunciations. The present thesis also tries to examine the differences between the two editions of Guangzhouhua zhengyin zidian and among the three editions of Yueyin zhengdu zihui. Possible reasons for such differences would also be investigated.
It is not surprising to find that many Chinese characters are given different pronunciations in the two dictionaries as the two dictionaries use two different approaches to determine the correct Cantonese pronunciations. The pronunciations recorded in the Guangzhouhua zhengyin zidian are the Cantonese pronunciations commonly used in Guangzhou, Hong Kong and Macau, whilst those recorded in the Yueyin zhengdu zihui are mainly based on the fanqie（反切） recorded in the Guangyun《廣韻》and the Jiyun《集韻》, which were both published in Song Dynasty. Significant differences regarding the criteria of determining the correct Cantonese pronunciations are found in the 3 editions of the Yueyin zhengdu zihui. It is surprising that a tendency of giving more emphasis to the pronunciations commonly used is found in the 2nd and 3rd editions.<br>published_or_final_version<br>Chinese Language and Literature<br>Master<br>Master of Arts
12
Liu, Yuk-ling. "A comparative study of the phonetic transcriptions in Changyongzi Guangzhouhua duyinbiao and Yueyin zhengdu zihui "Chang yong zi Guangzhou hua du yin biao" yu "Yue yin zheng du zi hui" zhu yin bi jiao yan jiu /." Click to view the E-thesis via HKUTO, 2009. http://sunzi.lib.hku.hk/hkuto/record/B42926233.
Full text
13
Chow, Ping-wa Timothy. "A study of the educational activities of the Society of Jesus in Hong Kong : with special reference to the Kowloon Wah Yan College = Yesu hui zai Xianggang de jiao yu shi ye yan jiu: yi Jiulong hua ren shu yuan wei zhong xin /." View the Table of Contents & Abstract, 2005. http://sunzi.lib.hku.hk/hkuto/record/B31636640.
Full text
14
Liu, Yuxi. "Anti-melanoma effects and mechanisms of action of a Chinese medicine formula Huai-Hua-Jin-Yin-Jiu." HKBU Institutional Repository, 2020. https://repository.hkbu.edu.hk/etd_oa/802.
Full textAbstract:
Huai-Hua-Jin-Yin-Jiu, a traditional Chinese medicine (TCM) formula (SL) comprising Sophorae Flos and Lonicerae Japonicae Flos, was used for treating melanoma in ancient China. Our group has previously shown that an ethanolic extract of SL (SLE) possesses anti-melanoma effects, and that inhibiting STAT3 signaling contributes to the action mechanisms. STAT3 activation promotes the formation of an immunosuppressive microenvironment of melanoma. Regulation of the miR-let- 7/CCR7 pathway is a strategy for treating metastatic melanoma. Chrysoeriol is a flavonoid identified in SLE. The compound has anti-tumor properties, but there is no report about its effects on melanoma. The first aim of this study is to determine whether SLE inhibits melanoma progression by reprogramming tumor microenvironment; the second aim is to explore the involvement of miR-let-7a/f- CCR7 signaling in the anti-metastatic effects of SLE; and the third aim is to elucidate the anti-melanoma mode and mechanisms of action of chrysoeriol. Results showed that SLE suppresses melanoma growth and angiogenesis in mice. SLE inhibits STAT3 signaling, and alters immune cell compositions and molecules involved in STAT3 signaling in melanoma tissues. Cell co-culture experiments showed that SLE inhibits STAT3 signaling in melanoma cells and splenic lymphocytes. Over-activation of STAT3 in melanoma cells diminishes SLE's effects in altering compositions of immune cells and STAT3 signaling molecules in the co- culture system. Small RNA sequencing showed that SLE upregulates miR-let-7a/f levels in B16F10 melanomas. RT-qPCR analyses confirms these results. SLE elevates miR-let- 7a/f levels, and inhibits CCR7 (a target gene of miR-let-7a/f) signaling in melanoma cells. In a lung metastasis mouse model, SLE inhibits melanoma metastasis, elevates miR-let-7a/f levels, and suppresses CCR7 signaling. Knockdown of miR-let-7a/f diminishes the effects of SLE on CCR7 signaling and melanoma cell invasion; and overexpression of CCR7 lessens the effects of SLE on melanoma cell invasion. Chrysoeriol shows in vitro and in vivo anti-melanoma effects. Molecular dynamics and microscale thermophoresis assays demonstrate that chrysoeriol directly binds to Src. Chrysoeriol suppresses the Src/STAT3 pathway in melanoma cells and tissues. Chrysoeriol's anti-proliferative effects are diminished by STAT3 over- activation in melanoma cells. Chrysoeriol also has inhibitory effects in vemurafenib- resistant melanoma cell and animal models. RNA-seq analyses shows that syndecan-3 mRNA level is lower in vemurafenib-resistant cells than in vemurafenib-sensitive cells, and chrysoeriol reverses this vemurafenib resistance-associated downregulation. RT-qPCR and Western blotting analyses confirmed the results. In conclusion, we have demonstrated that reprograming immune microenvironment, partially mediated by inhibiting STAT3 signaling, contributes to the anti-melanoma mechanisms of SLE. Regulation of the miR-let-7a/f-CCR7 pathway is another mechanism underlying the anti-melanoma effects of SLE. Chrysoeriol is identified to be one of the active components responsible for the anti- melanoma effects of SLE. Inhibiting the Src/STAT3 pathway contributes to the anti- melanoma mechanisms of chrysoeriol. Chrysoeriol is able to overcome vemurafenib resistance in melanoma, and upregulation of syndecan-3 is involved in the action mechanisms. This study provides further pharmacological and chemical justifications for the use of the formula SL in treating melanoma, and suggests that SLE and SLE- derived compounds have the potential to be developed as modern alternative and/or complimentary agents for melanoma management
15
Chow, Ka-kin Kelvin, and 周家建. "A study of the Chinese Canadians identity and social status in comparison with other minority ethnic groups in the 20th Century = 20 shi ji Jianada Hua ren yu qi ta shao shu zu yi de she hui shen fen yu di wei bi jiao." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2014. http://hdl.handle.net/10722/202365.
Full textAbstract:
In tracing the experience of Chinese Canadians in the 20th Century, we need to look further back into its history. Most people believe that the increasing number of immigrants from Hong Kong, Taiwan and China in the 1980s and 1990s played the most important roles in the social and economic changes during the latest decades of the 20th Century. The contribution of the Chinese Canadians settlement throughout the 20th Century should also be considered as it marks the beginning of the rise of their social status and identity in Canada.
Although the Chinese Canadians earned their fame and status since the 1980s, they had been racially discriminated for more than a century. To probe into the situation, the social and political situations in the Chinese Canadian community will be meticulously analyzed and their contribution in difference aspects examined. In addition, other minority ethnic groups, such as the Japanese, Jewish and Indian, will be used as a comparison to demonstrate the change of policies towards the Chinese in Canada. In doing so, both English and Canadian Chinese newspapers will be used to illustrate the cultural difference between the “whites” and “non-whites”.
To illustrate the changes, the 20th Century will be break into three parts. In most of the pre-Second World War period, the Chinese community was isolated from the mainstream community with their activities largely confined to Chinatowns in cities, such as Vancouver, Victoria, Toronto and so on. For the Chinese living in small townships, such as Prince Rupert, Richmond and so on, their daily life will also be examined.
When Canada declared war on Japan on 7th December 1941, Canada became an ally of China during the war. A sentiment of acceptance of the Chinese in the mainstream society began to take shape. Some of the Chinese chose to contribute their efforts to Canada by joining the Canadian Armed Forces and went into battle alongside the White Canadians.
After the Second World War, Canada adopted a new policy towards the minority ethnic groups and Chinese Canadians started to enjoy political equality. In May 1947, the Canadian Government repealed the Chinese Immigration Act. In 1967, after the liberalization of the Canadian immigration policy, the Chinese, once again, were allowed to immigrate freely to Canada as an individual.
With granted full citizenship, the Chinese social and political status began to change. In 1957, Douglas Jung, a Canadian born Chinese, was elected a Member of the Parliament, which can be seen as the beginning of the Chinese involvement in the political arena of the Canadian community. Since then, Chinese Canadians were able to achieve equality in the society.
Based on documentary accounts and oral history research, this thesis re-constructed the history of Canadian Chinese involvement in the 20th Century and the change of their identity and social status thereafter.<br>published_or_final_version<br>Social Work and Social Administration<br>Doctoral<br>Doctor of Philosophy
16
Liang, Jiaheng. "Lun "Zhuangzi" de "hua sheng si xiang" = The idea of "hua sheng" in Zhuang Zi /." click here to view the fulltext click here to view the abstract and table of contents, 2004. http://net3.hkbu.edu.hk/~libres/cgi-bin/thesisft.pl?pdf=b17982042f.pdf.
Full text
17
Lu, Yun. "Han Jin wen hua di li." Xi'an : Shanxi ren min jiao yu chu ban she, 1991.
Find full text
18
Wong, So-chong. "A study of Yu Hua's novelettes Yu Hua duan pian xiao shuo yan jiu /." Click to view the E-thesis via HKUTO, 2008. http://sunzi.lib.hku.hk/hkuto/record/B4071732X.
Full text
19
Lau, Siu-man. "A study of the characters in Yu Hua's novels." Click to view the E-thesis via HKUTO, 2009. http://sunzi.lib.hku.hk/hkuto/record/B42695028.
Full text
20
Chen, Zhi'e. "Bei Song wen hua shi shu lun." Beijing : Zhongguo she hui ke xue chu ban she, 1992. http://catalog.hathitrust.org/api/volumes/oclc/27065725.html.
Full text
21
余玉剛 and Yook-kong Yu. "A study of the Hua-chien-chi." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1985. http://hub.hku.hk/bib/B31207509.
Full text
22
陸秀娟 and Sau-kuen Luk. "Li Hua (? - c. 766) and his prose." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1993. http://hub.hku.hk/bib/B31211720.
Full text
23
Chen, Tongsheng. "Zhongguo shi guan wen hua yu Shi ji." Jieyang Shi : Shan tou da xue chu ban she, 1993. http://catalog.hathitrust.org/api/volumes/oclc/32222102.html.
Full text
24
Wong, Shengmiao Samuel. "Hua Yue : the Chinese Orchestra in contemporary Singapore." Thesis, University of Sheffield, 2010. http://etheses.whiterose.ac.uk/14527/.
Full textAbstract:
The purpose of this study is to construct a comprehensive and authentic picture of the Chinese orchestral scene in Singapore by piecing its history and identifying the social characteristics and relationships within Chinese Orchestras (COs) In Singapore. Specifically, the dynamic interaction of the structural characteristics and the social processes within and without the COs, as well as its impact on the musicians, the orchestra and the quality of their work are analysed. This thesis shows that the formal structures, roles and tacit rules of interaction have not enabled COs in Singapore to produce music as a collective successfully and harmoniously. The disunity within the COs can be attributed to several factors identified in the research process. At the individual level, many of the professional CO musicians perceive that they are working in an oppressive environment characterised by excessive work with little creative stimulus and pay. Even CO musicians at the amateur level, especially school CO musicians, are not fulfilled creatively due to the absence of a nurturing learning environment. They lack enjoyable performance opportunities and suffer from stressful preparations for concerts and competitions. The CO musicians' unhappiness is also exacerbated by high levels of competitiveness and cliquishness within the COs. So instead of a unified CO, each CO is divided into microcommunities that are at odds with one another. Finally, external forces such as governmental agencies, schools and the general public exert a considerable influence over the existence and the development of these COs. Because of their focus on results, prestige and image, they have fostered an environment that is antithetical to the cultivation of love of CO among CO musicians at the amateur or professional levels.
25
Han, Hua-Jing [Verfasser]. "Decisions, Behavior and Societal Challenges / Hua-Jing Han." Bonn : Universitäts- und Landesbibliothek Bonn, 2021. http://d-nb.info/1238687768/34.
Full text
26
Li, Ke. "Shi du cha ju yu xi tong you hua Zhongguo xian dai hua jin cheng zhong de qu yu jing ji /." Beijing : Zhongguo she hui ke xue chu ban she, 2000.
Find full text
27
Tsai, Yu-Tao, and 蔡羽韜. "“Hua-yin” Thought in Early Qing：The Case Study of Wang Hui and Yun Shouping." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/ybmjp5.
Full textAbstract:
碩士<br>國立暨南國際大學<br>中國語文學系<br>104<br>While the dynasties evolved from Ming to Qing, it was very shocked and astounded for the scholars and artists who witness the assaults, disorders and chaos in wartime. Upon the distinct characters and experiences, these scholars and artists chose different ways to face the arduous dilemma of dynastic identity, which refer to their dignities, self-esteem, and even living. This thesis focused on those who was called “Orthodox artist” and the viewers of their works, analyzing how they settled themselves in the troubled times by combining creating paintings with the Chinese eremitic tradition, that we called “Hua-yin”. Above those artists, Wang Hui (1632-1717) and Yun Shouping (1633-1690) are the most typical personages in this period.
Wang and Yun are both master painters in early Qing dynasty. Previous researches into these two artists mostly concentrated on their painting skills and achievements, but rarely focus on their thoughts and philosophies. Until now, there are no particular research that discussed “Hua-yin”. it is a complex term which involved multiple meanings such as “to live in seclusion by painting” or “to withdraw from real society and live in painting works” because the Chinese word “Hua” can be read as verb or/and noun at the same time. This thesis attended to demonstrate the idea of “Hua-yin” by looking into the discourse between these two artists and their relatives, friends and followers.
A main interpretation of “Hua-yin” is considering a painting as another world, where the creators and viewers can get themselves into. There are no more troubles or vexations in these fictitious, utopian worlds. As mentioned above, “Hua-yin” is a multivalent term. This thesis would go around this key term and proceed through two mainly discourse: First, it discovered that Wang and Yun left their sentiments of the worst of times into the paintings like ‘Peach Blossom Spring’ and ‘Spring in the Yangtze Delta’. In the next place, by elaborating their principle and thought on painting such as “Methodology” and “Theory of Perfection”, it revealed how Wang and Yun are detached from difficulties and perplexities in their real life.
28
Yang, Hui-Hua, and 楊慧華. "Explore Motherland Image of the Earth-Essay Yang, Hui-Hua ''s Ceramic Artistic Creations." Thesis, 2017. http://ndltd.ncl.edu.tw/handle/dv9rwm.
Full textAbstract:
碩士<br>長榮大學<br>美術學系碩士班<br>106<br>Female images are often described with adjectives such as soft, caring, kindly, delicate, tender, humble, shy or fertile, while female images in artwork are often rendered through the supple form of plants, flowers, fruit, or seeds. Fertility appears to be the origin of creativity for many artists, particularly female artists, who explore their primal instinct from personal experience before they set out to connect with the outside world.
This study explores myths, legends, reproduction worship, ecofeminism, and artwork in the hopes of connecting female images and the maternity of the Earth. The clay works centers on three topics related to earth: "origin", "incarnation", and "inclusion". There are 20 clay works in this collection, including 6 pieces of "origin" series, 8 pieces of "incarnation" series, and 6 pieces of "inclusion" series. This essay illustrates the motivations and meanings of the 20 clay works, and analyzes the structures and techniques used by the artist.
The artist intends to show people the beauty of mankind and mother natures through the series of clay works. Clay comes from the earth, and the series of clay works present the image of the withered earth. After viewing the works, the viewers may reflect their relationships with the mother natures and environment.
29
陳怡均. "A Case Study of the Late Middle-aged People Participating in Chai-Yi Hua Hui." Thesis, 2015. http://ndltd.ncl.edu.tw/handle/b4h28x.
Full textAbstract:
碩士<br>國立彰化師範大學<br>美術學系<br>103<br>This study aims to investigate why late middle-aged people are motivated to participate in a painting group Chia-Yi Hua Hui, the process of their participation, and how art learning influence participants’ lives, and further deliberate the meaning and value of art learning for late middle-aged people. Based on a case study method, this study interviewed eight members of Chai-Yi Painting Group in Yuan-lin, all of whom previously did not learn art and are retired junior or senior high school teachers, aged between 55 and 62. The research data collected include interviews, interviewees' art portfolios and the researcher’s observation records. It is hoped that this research study helps to increase awareness on the importance of art participation for late middle-aged people in helping them to live toward a more creative and dynamic life style. Research findings include:
1. The motivations of late middle-aged people participating in the painting group include: (1) encouragement from their peers, (2) pursuing art learning for self fulfillment, (3) enjoying the wonder of art after retirement, (4) recognizing the need for lifelong learning, and (5) support and encouragement from their family members.
2. The process of late middle-aged people participating in the Chia-Yi Painting Group is (1) to develop new skills or knowledge to examine suitableness for the upcoming retired life, (2) for self-improvement, (3) to create a new meaning for life and self-identity, and (4) to seize the chance to learn and enjoy what becomes of it.
3. The impacts of participating in the painting group for late middle-aged people are (1) developing keen observation which helps to find more pleasant surprises out of daily life, (2) nurturing a taste of beauty which helps to uncover everyday aesthetics, (3) enhancing art intelligence which helps to enrich daily lives, and (4) acquiring confidence when painting skills are enhanced which further strengthen the will for learning.
30
Hua, Liu Hui, and 劉蕙華. "The Image of Surrealism in City Water-Ink Painting—Creation Description by Liu Hui-hua." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/99654976662902612517.
Full textAbstract:
碩士<br>國立臺灣師範大學<br>美術學系<br>100<br>As the world enters an era of diversified post-modernism, ink painting in Taiwan faces an unprecedented challenge in thinking. Many painters are devoted to reforms of ink painting by blending East with West. Originated from psychoanalysis funded by Freud, surrealism remains substantially influential in psychiatry of the 20th century and has inspired western literature and art. Affected by the representations of dreams and subconsciousness in western surrealism and inheriting the tradition of Chinese ink painting, Taiwanese ink painting has developed its own distinctive style.
This thesis explores the painter’s urban experiences in modern daily life, which is represented in traditional Chinese ink painting yet blended with interpretations of western surrealism. It is hoped that the image of an urban city and the feelings of a city dweller can be represented through ink painting, meanwhile revoking the fading memories and reflecting the vibrancy and gaudiness, or the isolation and anxiety, experienced in a modern urban life. There are two collections in this display: Landscape in Dreams and Urban Fairy Tales. The former presents the psychological state of tranquility and desolation in contrast with the visual images of a bustle city life; the latter focuses on the connection between visual experiences and personal impressions, and it expresses the painter’s own realization of the times and the surroundings, thus developing her own painting styles.
31
Lee, Kuei-lan, and 李貴蘭. "Research on HUI-YUAN’s Method of XU HUA-YEN JING LUE SHU KAN DING JI." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/70543780689170052141.
Full textAbstract:
碩士<br>法鼓佛教學院<br>佛教學系<br>99<br>The 80-Chapters Buddhāvatajsaka-mahāvaipulya-sūtra or Hua-yen Sutra was translated in the year 699 during the Tang Dynasty. Before Fa-zang was able to complete the annotation, he passed away. His eldest disciple, Hui-yuan took over his unfinished task of checking the 60-Chapters and 80-Chapters of the Hua-yen Sutra, against the Sanskrit versions, paying particular attention to the aspects of 宗lineage and 教teachings, and eventually completed documenting his works《續華嚴經略疏刊定記》. Subsequently, due to the following reasons:
Hui-yuan re-composed the lineage as: 杜順 (Du-shun), 智儼(Zhi-yan) ,法藏 (Fa-zang), 慧苑 (Hui-yuan), 法詵(Fa-shen), 澄觀Cheng-guan, 宗密Zong-mi, and because of this, was thus expelled. In the history of Chinese documentations, such incidents are rarely written.
Hui-yuan was of the opinion that Fa-zang’s five division of Buddhism (as mentioned above) was ranked higher than the teachings of 天台 (Tian-tai)’s 藏Hinayana, 通Interrelated, 別Differentiated ,圓Perfect, mainly due to the 頓教: Immediate and Intuitive Teachings. He was questioning the principle behind the theory of Immediacy or intuitive direct teachings: since the intuitive teaching does not clearly reveal reasons of Buddhist teaching how can it be established as being able to clearly explain? If this is a teaching, what is it trying to explain ? If a teaching is void of speech/language and be termed頓Immediate and Intuitive, then, is it not true that終 final stage of Mahayana, and 圓Perfect teachings are also free from speech or language; are they not immediate teachings too? Being such how could there be five divisions of teachings? The gradual transformation of the ideas from Hua-yen sutra [that all sentient beings have the nature of the Tathāgata] and Ratnagotra-vibhāgo Mahāyānottaratantra-śāstra《寶性論》(Bao Xing Lun)’s stand [on whether consciousness is of the nature of the Tathāgata] was able to effectively classify the entire holy teachings of the Buddha into four divisions: mainly 迷真異執, 真一分半, 真一分滿, 真具分滿教. 太虛大師 (Venerable Master Tai-xu) did agree to Hui-yuan’s four-division’s all embracing teachings as it has its appropriate points. Following this, those teachings that Hui-yuan’s disagreed to such as 頓教Immediate and Intuitive Teachings’s concept of “no speech cuts off worries”, 澄觀Cheng-guan’s 即順禪宗 (accordance to Ch’an Sect), 宗密 Zong-mi’s 北宗禪雖漸調伏 (The Northern School of Ch’an belongs to the gradual adjustment), all of which do not involve speech or language, but all are within the teachings of Immediate and Intuitive頓教, were classified as 順禪宗 (in accordance to the Ch’an School) of Teachings. After the Tang Era, the 賢首Xian-shou School in comparison to the頓教Immediate and Intuitive Teachings, each had their own varied explanations.
32
Lin, Mei-Ling, and 林美伶. "A comparison of tourists'' satisfactions and loyalty between Hui-Sun Forest Station and Hsin-hua Forest Station." Thesis, 2008. http://ndltd.ncl.edu.tw/handle/15222397078822046046.
Full textAbstract:
碩士<br>國立中興大學<br>森林學系所<br>96<br>As society progressed, personal income are raised, the consciousness of people''s leisure and recreation had been improved. People’s demands for leisure not only quantity but also quality are increasing. As the tourist personal background difference, can affect tourists’ motivations as well as the constraints. And it not only effects the satisfactions but also the tourisms’ re-travel willingness. How to make tourists satisfied and re-traveling is the most important problem for the management. This research focus on the comparison between medium elevation forest type (Hui-Sun Forest Station) and low elevation forest type (Hsin-hua Forest Station) to understand the difference. The framework was established by the consumer behavior theory. It tries to figure out the tourists’ satisfactions and loyalty. And used Importance- Performance analysis to find out the strength and weakness of the recreational areas for improved.
The purpose of this research is finding the difference of tourists’ types and influencing factors of loyalty. The total number of valid samples in Hui-Sun Forest Station was 346 and which in Hsin-hua Forest Station was 218. According to the analysis, some conclusions were made:
1. In terms of the demographic attributes, the major tourists who visited the Hui-Sun Forest Station were teenager and prime. They were usually accompanied more than five people and the first time to visit it. The sources of traveling information were mainly from friends and agencies. The major tourists who visited the Hsin-hua Forest Station were prime and older. They were usually accompanied with couple or more than five people and the more than four times. The sources of traveling information were mainly from friends and family.
2. The tourists’ loyalty of Hui-Sun Forest Station were significantly affected by motivations, society of satisfactions, facilities of satisfactions and visit times. The tourists’ loyalty of Hsin-hua Forest Station were significantly affected by tourists’ habitation, motivations, management of satisfactions, facilities of satisfactions and visit times.
3. The results of IPA analysis in Hui-Sun Forest Station which needed to improve were management of dimension (clean of toilets, quiet of environment, famed for places), facilities of dimension (numbers of toilets, interpretative facilities, medical facilities) and environment of dimension (conservation of water and soil). The results of IPA analysis in Hsin-hua Forest Station which needed to improve were facilities of dimension (numbers of toilets, medical facilities), environment of dimension (conservation of water and soil), society of dimension (quiet of other tourists) and management of dimension (clean of toilets).
33
Chang, Wei-Yin, and 張瑋尹. "Visitors’ Cognition on Forest Issues and Environmental Attitudes in Forest Recreation Areas: The Case of Hsin-Hua and Hui-Sun Forest Stations." Thesis, 2015. http://ndltd.ncl.edu.tw/handle/q2r349.
Full textAbstract:
博士<br>國立中興大學<br>森林學系所<br>103<br>Due to crowded population and high proportional mountain in Taiwan, typhoon and heavy rainfall caused mud slide and floods. Consequently, people pay much attention to environmental issues. Forest management quality and environment had close relationship, and the opinions of the people shall be involved in democratic society to avoid the obstacle in implementing relevant policies. The visitors in forest recreation areas were more intimate with forest environment; therefore, this study conduct questionnaire survey in Hsin-Hua and Hui-Sun forest stations respectively for collecting visitors’ information data. The study purpose was to compare the difference of the cognition on forest issues and environmental attitudes. Three sections were contained in questionnaire, including cognition of forest issues, natural environmental issues and socio-demographic of the visitors. This study directly cited the New Ecological Paradigm (NEP) that developed by Dunlap et al. (2000) to measure environmental issues.
This study was divided into two research spindles and five research topics. The first research spindle focused on descriptive analysis and statistics data and to compare with the cognition on forest issues and environmental attitudes and its difference in Hsin-Hua and Hui-Sun forest stations. The first research topic was to compare with the cognition on forest issues and environmental attitudes in Hsin-Hua and Hui-Sun forest stations. According to independent samples t-test, six forest issues had significantly different and accounted for half of the scale and had similar patterns in their ranking the importance between settings. Visitors ranked higher on the public welfare forest issues, and ranked lower on the economic forest issues. Another section of the difference cognition on environmental attitudes, in the 15 questions of environmental attitude scales only 5 questions had significantly different and accounted for one third of the NEP scale. Then use chi-square test to detect the socio-demographic with visitors of two forest stations results showed that the visitors'' socio-demographics were significantly different except for marital status. This study also found that visitors'' living areas were significantly different between settings (χ2=492.31, p<0.001, Cramer’s V=0.67). The third research topic was to compare with the visitors'' cognition on forest issues and environmental attitudes in different environmental experience background between Hsin-Hua and Hui-Sun forest stations. The results of independent samples t-test showed that analysis and comparison of the visitors'' cognition of two forest stations had greater differences on forest issues, but in visitors'' cognition on environmental attitudes had some differences in the “Anti-anthropocentrism”and“Rejection of exemptionalism”of NEP''s hypothesized facets.
The second research spindle was exploratory research and including two research topics, one was used the NEP scale from visitors'' survey into several groups, another was based on NEP scale items to do environmental attitude scale cognitive classification. In visitors'' groups of environmental attitude, this study used two-step cluster analysis showed that could divide into three groups in these two forest stations. From socio-demographics of two forest stations and each group by chi-square analysis showed that it couldn''t discriminate the visitors'' socio-demographics in each group from Hsin-Hua forest station but could from Hui-Sun forest station. In visitors'' cognition on forest issues, it had significantly different from each groups in these two forest stations. Finally, a part of the classification of environmental attitude by NEP scale, use of factor classification by factor analysis method showed that could classify two factors and had similar items in these two forest stations, such were“Believe in limited resources, fragility and the possibility of an ecocrisis”and“Anti-anthropocentrism and rejection of exemptionalism”two factors. The“Believe in limited resources, fragility and the possibility of an ecocrisis”factor in these two forest stations used regression analysis had the same result, and had a positive influence on forest public benefits.
34
Lee, Chia-Lin, and 李佳玲(釋仁聞). "Research on Hui-si’s Fa-hua-jing-An-le-xing-yi(The Meaning of Steadiness,Happiness and Activity in Lotus Sutra)of the Tien-Tai School." Thesis, 2007. http://ndltd.ncl.edu.tw/handle/38v6tf.
Full textAbstract:
碩士<br>佛光大學<br>宗教學系<br>95<br>ABSTRACT
Due to cultural changes in the over 2,000 years since its birth in the fifth century B.C. and its transmission around the world, Buddhism could not avoid an accumulation of relative truths added to it as later developments. These so-called developments are perhaps helpful in revealing the absolute truth of the Dharma, but they also may conceal the true nature of the dharma. So, while understanding the Dharma with a twenty-first century, globalized worldview, we should also study Buddhism’s original concerns in the footsteps of the past saints, with the classic scriptures as the foundation for the life of those seeking self-cultivation. This paper researches the explanation of one chapter of the Lotus Sutra by Tiantai Second Chinese Patriarch, Master Hui-Si, in his work, The Meaning of Steadiness,Happiness and Activity in Lotus Sutra.
Through the ages, the main interpretation of the Lotus Sutra has been that the prominent feature of its thought is the chapter of “expedient means.” However, Hui-Si instead selected “the course of ease and bliss " as the representative for integral Dharma gate lotus practice devoid of distinguishing features, and used this to construct the basis for the overall blueprint of cultivation in the lives of people working towards becoming attaining Buddhahood –The Meaning of Steadiness,Happiness and Activity in Lotus Sutra. This work is formed by the profound interaction between Hui-Si’s own life experience and the Lotus Sutra classic teachings. This paper will analyze the three major elements of this interpretation – Buddha nature, concentration and forbearance. These three major elements are used as the paper’s structure, separated into chapters, by discussing in turn the thoughts and arguments revealed by Hui-Si in this work and the intention of the overall structure of the work. There are three directions of research:
1. Searching for the source of the scriptural and ideological basis of the three major elements in the thought of Hui-Si’s Meaning of Steadiness,Happiness and Activity in Lotus Sutra, and interpreting this scriptural basis as the foundation for further addressing places where individual, unique interpretation can be found.
2. Analyzing principles of the interrelationships between the three major elements in Hui-Si’s Meaning of Steadiness,Happiness and Activity in Lotus Sutra.
3. Discussing interaction between the three major principles and Hui-Si’s life experiences.
With The Meaning of Steadiness,Happiness and Activity in Lotus Sutra, Hui-Si constructed the basis for a blueprint for practice. What makes it most accessible is that this classic may be called the Buddha’s teaching for the masses in the last days. Hui-Si interpreted this sutra as though Buddha was teaching the Dharma personally. To this day, The Meaning of Steadiness,Happiness and Activity in Lotus Sutra is still an accessible way to explain the Lotus Sutra to contemporary masses, giving today’s scholars matters for self-reflection.
35
DAI, CHENG-JIA, and 戴成家. "Antihepatotoxic principles of Taiwan folk medicines V "Ye-xia-zhu" and "Huai-hua"." Thesis, 1991. http://ndltd.ncl.edu.tw/handle/25959530248952600327.
Full text
36
Chang, Ching-Yi, and 張靜怡. "Effects on methotrexate pharmacokinetics by coadministration of Huaihua and Huai-Hua-San in rats." Thesis, 2006. http://ndltd.ncl.edu.tw/handle/95652180501600688211.
Full textAbstract:
碩士<br>中國醫藥大學<br>藥學系碩士班<br>94<br>Huaihua, a Chinese herb, is the flower bud of Sophora japonica L. Huai-Hua-San is a Chinese formula consists of Huaihua, Ceboye (Platycladus orientalis L.), Jingjie (Schizonepeta tenuifolia L.) and Jhihke (Citrus aurantium L.). They are used as hemostatics and astringents by Chinese clinicians, and are rich in rutin, a bioactive flavonoids. Rutin, after oral administration is hydrolyzed via enterobacteria into absorable aglycone, quercetin, and then metabolized into sulfates and glucuronides circulating in the blood stream.
Methotrexate (MTX), a folate analogue, is used as an anticancer agent for the treatment of many cancers and immunological diseases with narrow therapeutic window. It has been reported that MTX is substrates for multidrug resistance proteins (MRPs) including MRP1 through 4 and organic anion transporters (OATs). The transport and efflux of sulfate and glucuronide metabolites were reported to be associated with transporters including MRP2 and OATs. Therefore, we infer that rutin-containing herbs might interact with MTX through competition for transporters.
This study investigated the effects of rutin (80.0 mg/kg) as well as decoctions of Huaihua (SJ, 3.0 g/kg) and Huai-Hua-San (HHS, 12.0 g/kg) on the pharmacokinetics of MTX in rats. Animals were given MTX (5.0 mg/kg) alone, and coadministered with single dose of rutin, SJ and HHS, respectively. On the other hand, rats were predosed with six oral doses of SJ (1.5 g/kg ; 3.0 g/kg) twice a day and seventh dose of SJ (1.5 g/kg; 3.0 g/kg) given 0.5 h before (as predosing group) and 1 h after oral MTX (5.0 mg/kg) (as postdosing group). Blood samples were withdrawn via cardiopuncture at specific time points after the last dosing. Serum MTX concentrations were assayed by fluorescence polarization immumoassay method. Parallel designs were used for all the studies.
The results showed that coadministration of single dose of rutin, SJ and HHS increased the AUC0-t by 299%, 115% and 379%, as well as increased the MRT by 455%, 266% and 231%, respectively, although SJ did not reach significant level. For multiple doses of SJ, the predosing group significantly increased the AUC0-t by 370% and 732%, increased the MRT by 542% and 640%, for 1.5 g/kg and 3.0 g/kg, respectively, and a mortality of 3/7 (43%) for dosing of 3.0 g/kg. For the postdosing group (3.0 g/kg), the AUC0-t and MRT of MTX were significantly increased by 515% and 436%. No significant difference was shown for the two different dosing types.
The systemic exposure of MTX was markedly enhanced by coadministrations of SJ, HHS and rutin, whether given single dose, multiple doses, predoseing or postdosing. Therefore, patients treated with MTX should avoid concurrent use rutin or Chinese herbs containing rutin in order to ensure the safety.
37
HSIEH, CHAO, and 解超. "Studies on the Da Hua Temple of Dou Huan Ping." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/10040681709016687382.
Full textAbstract:
碩士<br>玄奘大學<br>宗教學系碩士在職專班<br>101<br>ABSTRACT
The Da Hua Temple of Dou Huan Ping is the oldest temple to worship the Lords of the Three Mountains in Miao Li County. The Temple has been established for more than 200 years. This thesis will study the history of the Da Hua Temple, the major and minor lords worshiped, the sacrifice activities, architecture styles of the Temple, and the fideism, in order to manifest its special characteristics of the Temple.
There are five chapters in this thesis. The first chapter is the objectives of this study and the bibliography used. Chapter two will describe the development of Dou Huan Ping area and the history of Da Hua Temple. Special interest will go to the reason and origin to worship the Lords. Chaper three will discuss the sacrifice activities and services the Temple provides. Chapter four will focus on the temple organization, and Chapter five will study the translocation, architecture styles, space disposition and historical relics and tablets.
The Da Hua Temple had become the faith and village development center since its establishment. The religious ceremony to worship the gods and the palankeen offering had also become the integrated force to unite the local people. The Temple not only witnessed the cultural development of the early Hakka inhibitants in Dou Huan Ping, but also accompanied the growth of many Miao Li residents. It is also the people that help spreading and passing down the faith and meaning of the Da Hua Temple.
38
HUNG, WEI-TING, and 洪瑋廷. "The Explore and Interpretation of ＂Lan Hua Hua＂." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/97e5qe.
Full textAbstract:
碩士<br>中國文化大學<br>中國音樂學系<br>106<br>It could be said that folk music comes from the people. This genre of music is often a reflection of the local communities. From this music, we often see the life of those who resonate with it. The style of the folk music is contingent on where it has originated; different areas with different histories, traditions, language, religions, and economic statuses result in a multitude of folk music styles.
Many of the Erhu compositions draw inspiration from Chinese folk music. It’s one of the most direct genres of music in terms of resonating with its people. Folk music aims to reach the hearts of the people using the simplest and most direct way. Often times, the audiences don’t require elaborate ensemble-like music compositions to feel the music.
As the Chinese language is a more linear language, one may come to realize that the Chinese folk songs are more linear in composition and performance. With only two strings, the music appears to be more direct than many others.
The Lan Hua Hua Ballad in this thesis is one of the most iconic Erhu pieces. This song comes from the Xiabei Xin Tian You’s Lan Hua Hua series. Xin Tian You, otherwise known as Shun Tian You, is a type of Mountain Song. Xin Tian You is affected by the mountainous regions of Xiabei. Similar to other Mountain Songs, Xin Tian You’s performance style is more emotionally charged and is not limited to one single major key or theme. The folk song Lang Hua Hua incorporated these unique attributes to depict a tragedy of a forced marriage in its beautiful Xin Tian You melody. The author used information gathering from a variety of sources, movies, musical performance pieces to complete this thesis.
This thesis will be broken into six parts as follows: Introduction, Overview of Xiabei Folk Song, Composer biography and works, The Qin School Erhu, Lan Hua Hua Ballad performance analysis and conclusion.
39
CHEN, RONG-HUA, and 陳榮華. "CHEN, RONG-HUA." Thesis, 1985. http://ndltd.ncl.edu.tw/handle/19701736747214260454.
Full text
40
Ho, Hsing-Hua, and 何興華. "Hsing-Hua Ho." Thesis, 2005. http://ndltd.ncl.edu.tw/handle/67238165700843230115.
Full textAbstract:
碩士<br>國立臺灣科技大學<br>工業管理系<br>93<br>Traditionally, because of the limited transparency of information system in each department, we perform the Resource Requirement Planning when received orders. In that case, the risk of receiving an order is relatively high. Unless the company has very high level inventory, the probability of “on time delivery” will be low.
In this paper, we use the methods and tools called Advanced Available to Promise to enhance order promising responsiveness and order fulfillment reliability. The traditional ATP only can search for uncommitted finished goods and decide whether to give a promise to the customer or not. Now, we can promise quotes based on capabilities of supply chain. Besides, we also add some strategies in case of shortage of finished goods or supply chain resources. The major goals are (1) the improvement of on time delivery by generating reliable quotes, (2) the reduction of number of missed business opportunities by searching more alternative ATP, (3) enhancement of revenue and profitability by categorizing customer relationships.
41
CHEN，Te-hsin and 陳德馨. "A Study of Mei-Hua Hsi-Shen P''u." Thesis, 1996. http://ndltd.ncl.edu.tw/handle/35201203067757402465.
Full text
42
Lin, Pei-Yi, and 林貝憶. "The Analysis and Interpretation of Wang Zhixin’s national vocal music “Lan Hua Hua”." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/4299eu.
Full textAbstract:
碩士<br>國立臺灣藝術大學<br>中國音樂學系<br>102<br>Wang Zhixin's national vocal music works are significant and popular on vocal music circle in China nowadays. Its feature and elements all have innovations of national charm, literary value and vocal skill. Taking Wang’s representative works－”Lan Hua Hua” for examples, the researcher analyzed the correlation of song’s composition, theme and accompaniment with the collection of bibliographies and videos, and comprehension of singing. The descriptions of character or scenes all were designed by Wang’s originality himself. The researcher wants to search for its inner, and feels the differences of affectional edifying and styling charm because of his deliberate works for discussing with the features of music-style and the analysis of singing interpretation. Even to improve the connotation and performance on musical arts.
The research collected bibliographies, musical analysis, vocal craftsmanship and others about discussing with the meaning and representativeness of this song, including the vocal craftsmanship of songs and explaining.
Studies show that the key of works style was affected by Wang Zhixin’s consideration in music; it also leads the direction of development on national vocal music. The researcher wants to discuss that what manner Wang takes on music writing. Furthermore, to understand the construction and the emotion for assisting the researcher knows the overtones, value of arts, inheritance on reinforcing of singing skill and explaining.
43
Pan, Jo-jung, and 潘若蓉. "A Study on Hua Guofeng." Thesis, 2010. http://ndltd.ncl.edu.tw/handle/19235196507132273716.
Full textAbstract:
碩士<br>國立中央大學<br>歷史研究所碩士在職專班<br>98<br>Hua Guofeng had attended the Chinese Communist Party (CCP) to participate in the anti-Japanese guerrillas in Shanxi and to engage in propaganda activities since he was 17 years old. With the army moving south in 1949, he acted as a Party secretary of Xiangtan county in Mao Zedong''s hometown. This job brought him good luck. Hua Guofeng made a full implementation of the agricultural line proposed by Mao Zedong. Because of his contribution to the construction of Shaoshan, Mao Zedong''s hometown, he was promoted by Mao Zedong and became the Hunan provincial cadres. Later, Hua was transferred in Beijing and assumed work of national importance. He played some part in investigating the Lin Biao Incident. When the fourth National People''s Congress of the Communist Party of China was taken place in mid-January 1975, he acted as the Chinese deputy prime minister as well as minister of public security. After Zhou Enlai was died in January 1976, he was promoted to vice chairman of central committee and also acting as prime minister on February 7th. After Deng Xiaoping was fight off, Hua was promoted to the first vice chairman and prime minister, a position only below Mao Zedong. After Mao Zedong was died in September 9th, 1976, the formation of antagonistic struggle within the CCP pushed Hua Guofeng and Ye Jianying, the joint military veteran camp, Wang Dongxing, Wu Der, and others together to arrest the Jiang Qing group in an efficient way. After Mao delivered the note "with you in charge, my heart is at ease" to Hua, the maximum power was fully controlled by Hua Guofeng, who was then declared as a Mao Zedong''s successor. After that, he fulfilled the political implementation of the "two whatevers" to maintain the cult of personality. Meanwhile, he also resisted the return of Deng Xiaoping and implemented the economic "Foreign Leap Forward." However, Deng Xiaoping sought to force Hua’s hand in various ways by means of repeatedly advocating "Practice is the Sole Criterion for Testing Truth" during his return. This strategy made Hua’s group lost ground. As a result, Hua had to be reviewed in the Third Plenum of the Eleventh Central Committee. At the same time, Deng Xiaoping still kept pushing Hua in order that Hua’s power was completely eliminated in the Fifth Plenum of the Eleventh Central Committee of the CCP. Therefore, Hua lost his position of prime minister in the Third Session of the Fifth National People''s Congress. To the end, on the basis of “Resolution on certain questions in the history of our party since the founding of the People’s Republic of China”, several events were used for the exchange of chips, for example, Hua Guofeng was blamed for his mistakes and Jiang Qing group was accused not to touch the Tiananmen Incident. Finally, in the Sixth Plenum of the Eleventh Central Committee of the Communist Party held in June 1981, Hua resigned the chairman of the CCP as well as the chairman of the Central Military Commission. The power was then formally transferred to Deng Xiaoping, and China had then entered into Deng’s era.
44
楊連洲. "Evalution of Chang-hua coast." Thesis, 1991. http://ndltd.ncl.edu.tw/handle/00956306825732843886.
Full text
45
Liao, Chia-Hua, and 廖珈嬅. "Chia Hua Liao Bassoon Recital." Thesis, 2019. http://ndltd.ncl.edu.tw/handle/b236d9.
Full textAbstract:
碩士<br>臺北市立大學<br>音樂學系<br>107<br>The recital of this field selected four lesser tracks of the bass tube, but the representative works, although less played, but the music is very expressive and has very soft lines.
The concert is divided into classical, romantic and modern music as the whole concert. The style of the modern work Nino Rota is difficult to interpret, because each variation has different dance styles. The composer is also a master of the Italian soundtrack, so the style is very versatile and the whole track is very dramatic.
The technique uses the vibrato technique, as well as the fast-sounding sound group. The performance of this concert is vivid, showing the unique sound and difficulty skills of the bass tube.
46
Shih, yai, and 施雅怡. "The Research of “Lan Hua Hua ”of Chinese Bamboo Flute Works by Zhang Yong-Ming." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/60981722437036063510.
Full textAbstract:
碩士<br>國立臺灣藝術大學<br>戲劇學系表演藝術碩士班<br>99<br>The "Lan Hua Hua" musical piece of the Chinese Bamboo Flute discussed in this thesis was re-created by Zhang Yong-Ming in 1992, according to the musical theme, storyline, of the northern Shaanxi folksong "Lan Hua Hua", and the same name "the Ballade of Lan Hua Hua" of the chinese Erhu which was created and Composed by Guang Ming.
On the basis of using the primitively musical background of "Lan Hua Hua" of the northern Shaanxi folksong as a starting point, Chapter 3 studies the musical characteristic of Shaanxi, causing by its unique physical environment, social culture, and life style.
Second, Chapter 4 explains the creation concept of "the Ballade of Lan Hua Hua" of the chinese Erhu composed by Guang Ming, and then analyzes the "Lan Hua Hua" musical piece of the Chinese Bamboo Flute which was re-created by Zhang Yong-Ming.
In addition to explore and discuss the musical background and the creation concept of the "Lan Hua Hua", Chapter 5 also analyzes the musical form of “Lan Hua-Hua” of the Chinese Bamboo Flute through following different perspectives : musical form, melody feature, tempo, rhythm, etc.
Then, Chapter 6 discusses how to apply the performance skills of Chinese Bamboo Flute to interpretate the "Lan Hua Hua" music well. At last, Chapter 7 summarizes all the facts during this research and presents the final conclusion of this thesis.
47
吳佩茹. "The Research on the Variant Characters on《Ming Cheng Hua Kan Ben Shuo Chang Ci Hua》." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/66768458947253313043.
Full text
48
WANG, LI-EN, and 王利恩. "The Study on “Chung Hua Early Childhood Book Series” and “Chung Hua Early Childhood Picture Books”." Thesis, 2005. http://ndltd.ncl.edu.tw/handle/46060637252429648405.
Full textAbstract:
碩士<br>國立臺東大學<br>兒童文學研究所<br>93<br>This study attempts to analyze “Chung Hua Early Childhood Book Series” and “Chung Hua Early Childhood Picture Books” separately planned and published by Chung Hua Editing Division of Children’s Readings in the 70s and 90s. These two series books influenced by the rising waves of valuing children’s education were respectively committed to promoting and developing local early childhood picture books in Taiwan. These two series can be regarded representing different historical meanings for the early childhood literature in Taiwan. The styles and characteristics of these two series are quite different from each other which are worth discussing and analyzing. It is expected that this study can provide an opportunity for the people engaged in the field of picture books to explore the creation of such local picture books by presenting the essence and importance of these two series. Hopefully, such precious “cultural properties” will be preserved forever.
This research paper is divided into six chapters. Chapter I: Introduction. In this chapter, the background and motives, purposes and questions, methods and steps, ranges as well as limitations of this study are described and explained.
Chapter II: “Chung Hua Early Childhood Book Series” and “Chung Hua Early Childhood Picture Books”. The purpose of this chapter is to introduce the origin of these two series books. Descriptions of related current situations and profiles of the writers are also made. Through such descriptions, the historical records of those senior local writers for children’s literature are expected to keep. In addition, reviews on picture books are sourced for analyzing the development directions of picture books. Four major items including text, images, the relations between images and text as well as patterns are organized based on those referenced book reviews. In Chapter III and IV, the four major items are taken as the structure for discussing and analyzing “Chung Hua Early Childhood Book Series” and “Chung Hua Early Childhood Picture Books”. Part of the original text and pictures in these two series are also presented in Chapter III and IV.
Chapter V: Comparative Research. Two more factors including historical background and analysis orientation are added to discuss the differences between these two series. It is thought that “Chung Hua Early Childhood Book Series” established the foundation of local picture books while “Chung Hua Early Childhood Picture Books” are the integration of traditional and new cultures and thoughts.
Chapter VI: Conclusions. At the end, it states how these two series books representing official publication are inseparably an embodiment of the transformation process of picture books in Taiwan. “Chung Hua Early Childhood Book Series” and “Chung Hua Early Childhood Picture Books” have outlined families, material life, social changes and economic growth in Taiwan in the 70s and 90s. Those books help pre-school children to establish basic concepts in peoples and nationality. Thus, those books are considered with the greatest contribution to the development of children’s literature in Taiwan.
49
Lu, Nan-Hua, and 盧南樺. "A study of Yu Hua''s Hua-che from a Narrative Perspective." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/94s7pm.
Full textAbstract:
碩士<br>國立中山大學<br>中國文學系研究所<br>106<br>This article discusses narration in fiction and attempts to construct a more complete and systematical narrative approach for <i>Hua-che</i>. The discussion includes the narrative perspective, narrative time, narrative plots, narrative structure, and the analysis of characters and dialog. Although Mr. Yu Hua has written so many works, this essay focuses on <i>Hua-che</i> to discuss its distinctive narrative style, including its point of view transitions and plot elaboration.
The core plot development is linear, and as mentioned above, the character analysis applies the theory of characteristics from E.M. Forster. Whether round or flat characters, they are all deeply presented. The structure of the environment is based on social background and supplemented with the natural environment and material products, which are both subordinate in the story. As the character activities evolve, the presentation approach remains clear, specific and vivid. Finally, the story environments are mostly implied using similes and metaphors. This essay discusses the literary capabilities required for the ideal reader. A narrative model is also established to study the narrative skills and approaches when the narrator is central to the narration.
50
Masterson, Ian. "Hua Ka Nalu: Hawaiian Surf Literature." 2010. http://hdl.handle.net/10125/24270.
Full text