To see the other types of publications on this topic, follow the link: Hugi.
Dissertations / Theses on the topic 'Hugi'
Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles
Consult the top 50 dissertations / theses for your research on the topic 'Hugi.'
Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.
You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.
Browse dissertations / theses on a wide variety of disciplines and organise your bibliography correctly.
1
Costa, Joana Seara da. "Galp Energia: huge challenges." Master's thesis, NSBE - UNL, 2010. http://hdl.handle.net/10362/10336.
Full text
2
Koumoto, K., W. S. Seo, and S. Ozawa. "Huge thermopower of porous Y_2O_3." American Institute of Physics, 1997. http://hdl.handle.net/2237/6986.
Full text
3
Tachovsky, Tara Wörner Felix. "Hugo Riemann's concept of tonality." Chapel Hill, N.C. : University of North Carolina at Chapel Hill, 2007. http://dc.lib.unc.edu/u?/etd,1337.
Full textAbstract:
Thesis (M.A.)--University of North Carolina at Chapel Hill, 2007.Title from electronic title page (viewed Apr. 25, 2008). "... in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Music." Discipline: Music; Department/School: Music.
4
Hilberer, Thomas. "Victor Hugo, Struktur und Sinn /." Bonn : Romanistischer Verl, 1987. http://catalogue.bnf.fr/ark:/12148/cb353485283.
Full text
5
Peserico, Enoch (Peserico Stecchini Negri de Salvi). "Huge networks, tiny faulty nodes." Thesis, Massachusetts Institute of Technology, 2007. http://hdl.handle.net/1721.1/40506.
Full textAbstract:
Thesis (Ph. D.)--Massachusetts Institute of Technology, Dept. of Electrical Engineering and Computer Science, 2007.Includes bibliographical references (p. 87-91).
Can one build, and efficiently use, networks of arbitrary size and topology using a "standard" node whose resources, in terms of memory and reliability, do not need to scale up with the complexity and size of the network? This thesis addresses two important aspects of this question. The first is whether one can achieve efficient connectivity despite the presence of a constant probability of faults per node/link. Efficient connectivity means (informally) having every pair of regions connected by a constant fraction of the independent, entirely non-faulty paths that would be present if the entire network were fault free - even at distances where each path has only a vanishingly small probability of being fault-free. The answer is yes, as long as some very mild topological conditions on the high level structure of the network are met - informally, if the network is not too "thin" and if it does not contain too many large "holes". The results go against some established "empyrical wisdom" in the networking community. The second issue addressed by this thesis is whether one can route efficiently on a network of arbitrary size and topology using only a constant number c of bits/node (even if c is less than the logarithm of the network's size!). Routing efficiently means (informally) that message delivery should only stretch the delivery path by a constant factor. The answer again is yes, as long as the volume of the network grows only polynomially with its radius (otherwise, we run into established lower bounds). This effectively captures every network one may build in a universe (like our own) with finite dimensionality using links of a fixed, maximum length and nodes with a fixed, minimum volume. The results extend the current results for compact routing, allowing one to route efficiently on a much larger class of networks than had previously been known, with many fewer bits.
by Enoch Peserico.
Ph.D.
6
Pinho, Bruno de Oliveira. "Direito natural em Hugo Grotius." Universidade de São Paulo, 2013. http://www.teses.usp.br/teses/disponiveis/8/8133/tde-05062013-105137/.
Full textAbstract:
Os estudos da obra de Hugo Grotius apontam a sua importância para a constituição de um conceito moderno de direito natural. A análise do conteúdo de suas principais obras políticas, De Jure Praedae Commentarius e De Jure Belli ac Pacis, permitiu a identificação de noções inspiradas no estoicismo e no ecletismo romano, principalmente de Sêneca e Cícero, sobretudo no que diz respeito ao direito natural. Além disso, a abordagem jusnaturalista do autor serve de base para fundamentar seus argumentos em defesa da possibilidade de se empreender uma guerra justa. Deste modo, uma análise do direito natural grociano requer a reflexão sobre estes dois aspectos. Com vistas a compreender a origem dos conceitos de lei natural e direito natural e as consequências que Grotius retira deles, a presente dissertação investigou a possível influência estoica e eclética na concepção de direito natural formulada por Groitus e o vínculo existente entre esta formulação e a teoria grociana da guerra e da pena.Studies of Hugo Grotius\'s work suggest its relevance for the constitution of a modern concept of natural law. The analysis of the content of his main political works, De Jure Praedae Commentarius and De Jure Belli ac Pacis, opened space for the identification of concepts inspired by the Roman stoicism and eclecticism, specially from Seneca and Cicero, mainly regarding the natural law. Moreover, the author\'s jusnaturalistic approach serves as a base to support his arguments in defence of the possibility to wage a just war. Therefore, an analysis of the Grotian natural law requires a reflection upon these two aspects. Aiming at comprehending the origin of the concepts of natural law and natural rights and the consequences Grotius retrieves from them, the present dissertation investigates a possible stoic and eclectic infuence on the conception of natural rights formulated by Grotius and the link between this formulation and the Grotian\'s theory of war and punishment.
7
Hovasse, Jean-Marc. "Victor hugo et le parnasse." Paris 7, 1999. http://www.theses.fr/1999PA070094.
Full textAbstract:
L'objet de cette these est de mesurer l'influence reelle de l'actualite litteraire francaise sur les derniers recueils composes par victor hugo, de la premiere serie de la legende des siecles (1859) a l'art d'etre grand-pere (1877) ; corpus auquel il convient d'ajouter william shakespeare (1864), ou hugo prend officiellement position sur les questions de poetique dont debattent ses contemporains. A travers leurs oeuvres autonomes, leurs revues ou leurs recueils collectifs, ce sont cent quarante poetes contemporains dont les liens avec hugo sont etudies - mais une place a part est reservee aux maitres du pamasse : leconte de lisle, banville et, dans une moindre mesure, theophile gautier. La premiere partie, intitulee "victor hugo et theodore de banville", met en evidence l'echange instaurepar victor hugo, pendant l'exil, entre son oeuvre et celle de banville : l'ecriture et la publication des chansons des rues et des bois en marque l'apogee. La deuxieme partie, intitulee "victor hugo et les recueils collectifs", etudie le role et la place de victor hugo dans ces recueils ou la plupart des poetes contemporains se reunissaient : les trois recueils du parnasse contemporain (1866-76),mais aussi sonnets et eaux-fortes (1869) et le tombeau de theophile gautier (1873). Alors qu'il etait absent des trois premiers, il participe aux deux derniers, d'abord par un dessin, puis par un long et unique poeme qui regle leur compte, sur leur terrain, aux poetes parnassiens. La troisieme partie de cette these, intitulee "victor hugo et leconte de lisle", etudie les liens complexes entre victor hugo et le chef du pamasse, dont il lisait les oeuvres avec attention. Leurs relations tendues s'apparentent bien souvent a une lutte, par poemes et par recueils interposes ; sans rancune, c'est pourtant a celui qui sut le mieux lui resister que victor hugo offrira son fauteuil a l'academie francaise.
8
TRAN, THU DUNG. "Le caodaisme et victor hugo." Paris 7, 1996. http://www.theses.fr/1996PA070139.
Full textAbstract:
Le caodaisme, ne en 1926 qui a ete le reve d'un monde ou se rejoindraient l'orient et l'occident a travers la sanctification de deux grands poetes : victor hugo et li tai po. La doctrine du caodaisme consiste a realiser un syncretisme religieux (les cultes traditionnels, le taoisme, le confucianisme, le bouddhisme et le christianisme). Parmi ses divinites d'origine asiatiques se trouvent egalement des figures occidentales : jesus christ, victor hugo. . . Le caodaisme est caracterise par une utilisation assez frequente des mediums comme moyen de propagation des idees. Pham cong tac, fondateur et unique dignitaire du caodaisme reussit a evoquer frequemment l'esprit victor hugo (chef spirituel de la mission etrangere de cette religion). La franc-maconnerie, la culture, la colonisation francaises et l'universalite des oeuvres de victor hugo sont des facteurs importants du choix de cet ecrivain. Entre les oeuvres de victor hugo et les messages mediumniques de l'esprit victor hugo il y a une grande difference en ce qui concerne la qualite litteraire. La sanctification de victor hugo dans le caodaisme revele les relations intimes et latentes de tous les temps entre la religion et la litterature, les deux facteurs qui ne cessent de modeler ce monde dans son evolutionThe caodaism has been a dream about a world where east and west can meet each other. Founded in 1926, the caodaism has sanctified two great poets : li tai po and victor hugo. The doctrine of caodaism consists in realizing an original religious syncretism (the vietnamese traditional religions, confucianism, taoism, buddhism and christianism). Among asian divinities, one can find occidental figures as : jesus christ, victor hugo. . . The caodaism is characterized by its frequent use of mediums as a mean of religious propagation. Pham cong tac, the caodaist founder and the only one who was able to evoke successfully the spirit of victor hugo (spiritual chief of the foreign mission of this new religion. The franc-maconnerie, the influence of the french culture and the colonial domination, the universality of victor hugo's works contributed to the choice of this writer. Between victor hugo's work and the medium's messages there is a great difference in literature quality. The sanctification of victor hugo in the caodaism reveals close and latent relations existing from time immemorial between literature and religion, these two factors that shape our world in its evolution
9
Lourenço, Emanuel António Barbosa. "Equity research - Hugo Boss AG." Master's thesis, Instituto Superior de Economia e Gestão, 2019. http://hdl.handle.net/10400.5/19388.
Full textAbstract:
Mestrado em FinançasO presente documento apresenta uma avaliação detalhada da Hugo Boss AG, e foi realizado de acordo com o Projeto de Trabalho Final do Programa de Mestrado em Finanças do ISEG. Esta Equity Research segue o formato recomendado pelo CFA Institute (Pinto, Henry, Robinson and Stowe, 2010). As informações apresentadas neste relatório apenas refletem informação pública emitida sobre a Hugo Boss AG até 30 de Setembro de 2019, pelo que qualquer evento ou circunstância após esta data não foi considerada. Hugo Boss AG é uma empresa de moda luxuosa reconhecida mundialmente principalmente pelos seus produtos de vestuário. A Hugo Boss AG foi a empresa escolhida para ser o objeto do presente projeto final de mestrado uma vez que o autor tem interesse no Mercado de Bens Pessoais de Luxo. Ao realizar uma análise detalhada sobre aos dados de gestão, finanças e risco da empresa bem como das condições do mercado e macroeconómicas, várias premissas foram consideradas para estimar o preço alvo da Hugo Boss AG no final do ano de 2020. Com o uso do método Free Cash Flow to the Firm dos Modelos de Fluxo de Caixa Descontados, nós estimamos um preço alvo de €66 para o final de 2020. Isto significa uma potencial valorização de 27% em comparação com o valor de €49.15 observado no dia 30 de Setembro de 2019, que indica um recomendação de COMPRA com Risco Médio. Outras metodologias de avaliação foram usadas para apoiar a recomendação dada no presente documento.
The present document is a detailed valuation of Hugo Boss AG in accordance with ISEG's Master in Finance Final Work Project. The Equity Research follows the format recommended by the CFA Institute (Pinto, Henry, Robinson and Stowe, 2010). The information presented in this report only reflects public information issued by or about Hugo Boss AG until 30th of September 2019, thus any event or circumstance after this date is not considered. Hugo Boss AG is a Fashion Company known worldwide by its luxurious products, mainly apparel products. Hugo Boss AG was the company choosen to become the subject of the present master thesis final project, once the author is interested in the Personal Luxury Market. By performing an in-depth analysis on the company's management, financials, and risks as well as overall market and macroeconomics conditions, several assumptions were made to proper estimate the Hugo Boss AG price target by the year-end of 2020. With the use of the Free Cash Flow to the Firm Method from the Discounted Cash Flow Models, we estimate a price target of €66 for 2020YE. This will lead to an upside potential of around 27% when comparing with price of €49.15 from 30th of September 2019, meaning a BUY recommendation with Medium Risk. Complementary valuation methodologies were used to support our recommendation.
info:eu-repo/semantics/publishedVersion
10
Kramp, Igna Marion. "Renovamini spiritu / Ernüwent den geist üwers gemütes : deutsche Übersetzungen als Modernisierung im späten Mittelalter /." Münster : Aschendorff, 2009. http://d-nb.info/988714779/04.
Full text
11
Stein, Marieke. "Victor Hugo orateur politique : 1846-1880 /." Paris : H. Champion, 2007. http://catalogue.bnf.fr/ark:/12148/cb41061492p.
Full textAbstract:
Texte remanié de: Thèse de doctorat--Lettres, sciences sociales et humaines--Paris 7, 2004. Titre de soutenance : Victor Hugo orateur : étude des discours politiques prononcés de 1846 à 1880.Avant-titre : "Un homme parlait au monde" Bibliogr. p. 721-736. Index.
12
Laurent-Brière, Chantal. "Victor Hugo, architecture et roman mêlés : dela représentation architecturale dans l'oeuvre romanesque de Victor Hugo." Aix-Marseille 1, 2003. http://www.theses.fr/2003AIX10090.
Full textAbstract:
L'œuvre de Victor Hugo témoigne du goût de son auteur pour l'art architectural. Les travaux de Jean Mallion ont montré l'importance des références, tous genres confondus, et analysé l'étroite imbrication entre l'écriture et l'engagement de Hugo en matière de préservation des monuments historiques. Inspirée par les recherches de Philippe Hamon, qui associent littérature et architecture au XIXe siècle dans leur commune aptitude à produire de la narrativité, notre réflexion choisit de limiter le corpus établi par Jean Mallion pour se concentrer sur la représentation romanesque de l'architecture. Avec Notre-Dame de Paris, nous étudions tout d'abord le moment où l'architecture devient matière romanesque. L'auteur bâtit avec des mots et les romans engagent un dialogue avec le savoir architectural que traduit la présence d'une toponymie et d'un lexique spécialisé, garants d'une capacité à construire l'illusion du référent. Nous approfondissons ensuite l'observation des liens entre les éléments constitutifs du genre romanesque et la description, mode majoritaire d'une mise en texte de l'art de bâtir. Le roman accorde à l'architecture une place visible dans sa propre construction et un rôle dans les notions clefs de sa poétique que sont le temps, l'espace et le système des personnages. Représentée, l'architecture est aussi représentative. Ainsi sa valeur symbolique sert-elle l'ambition du roman de mettre en scène l'Histoire, la Société et le Progrès. Le roman hugolien a pour constante d'exhiber le travail de création de son auteur. L'architecture, comme autre expression artistique, comme autre écriture, offre une médiation à cette spécularité. Nous nous intéressons à ce dispositif réflexif qui recentre l'œuvre sur elle-même et en fait un modèle absolu de l'acte créateur. Enfin, nous considérons que la maison d'exil de Victor Hugo, Hauteville House, livre architectural portant signature, appartient à l'œuvre et apparaît comme un trait d'union entre écrire et construire.
13
Arntz, Michael. "Hugo Riemann (1849-1919) Leben, Werk und Wirkung /." Köln : Concerto, 1999. http://catalog.hathitrust.org/api/volumes/oclc/47812360.html.
Full text
14
Hajas, Viktoria [Verfasser], Hugo M. [Akademischer Betreuer] Kehr, and Jan [Akademischer Betreuer] Schumann. "Motivationale Effekte von Unternehmensvisionen / Viktoria Hajas. Gutachter: Hugo M. Kehr ; Jan Schumann. Betreuer: Hugo M. Kehr." München : Universitätsbibliothek der TU München, 2013. http://d-nb.info/1044073632/34.
Full text
15
Brière, Chantal. "Victor Hugo et le roman architectural /." Paris : H. Champion, 2007. http://catalogue.bnf.fr/ark:/12148/cb41052979w.
Full textAbstract:
Texte remanié de: Thèse de doctorat--Lettres modernes--Aix Marseille 1, 2003. Titre de soutenance : Victor Hugo, architecture et roman mêlés : de la représentation architecturale dans l'oeuvre romanesque de Victor Hugo.Bibliogr. p. 639-653. Glossaire. Index.
16
Cahill, Kara. "Interpreting the gaze in Victor Hugo's Notre Dame de Paris a Lacanian approach /." Diss., Columbia, Mo. : University of Missouri-Columbia, 2008. http://hdl.handle.net/10355/6046.
Full textAbstract:
Thesis (Ph. D.)--University of Missouri-Columbia, 2008.The entire dissertation/thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file (which also appears in the research.pdf); a non-technical general description, or public abstract, appears in the public.pdf file. Title from title screen of research.pdf file (viewed on August 3, 2009) Vita. Includes bibliographical references.
17
Pierson, Angelika. "Hugo Wilhelm von Ziemssen (1829-1902)." Diss., lmu, 2006. http://nbn-resolving.de/urn:nbn:de:bvb:19-61846.
Full text
18
Stumpf, Christoph Martin Adam. "Hugo Grotius' theology of international relations." Thesis, University of Oxford, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.423338.
Full text
19
Yee, Ka-chi, and 余家智. "Keyword search on huge RDF graph." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2010. http://hub.hku.hk/bib/B46288478.
Full text
20
Provoost, Michelle. "Hugh Maaskant : architect van de vooruitgang /." Rotterdam : 010 publ, 2003. http://catalogue.bnf.fr/ark:/12148/cb389964264.
Full text
21
Tießler-Marenda, Elke. "Einwanderung und Asyl bei Hugo Grotius /." Berlin : Duncker & Humblot, 2002. http://catalogue.bnf.fr/ark:/12148/cb39257590v.
Full text
22
Rieben, Pierre-André. "Délires romantiques Musset, Nodier, Gautier, Hugo /." Paris : J. Corti, 1989. http://catalogue.bnf.fr/ark:/12148/cb35019449w.
Full text
23
Kohnle, Armin. "Abt Hugo von Cluny (1049 - 1109) /." Sigmaringen : J. Thorbecke, 1993. http://catalogue.bnf.fr/ark:/12148/cb355878594.
Full text
24
Sentis, Melendo Santiago. "Hugo Alsina y el derecho Procesal." Pontificia Universidad Católica del Perú, 2015. http://repositorio.pucp.edu.pe/index/handle/123456789/116624.
Full text
25
Flores, Diego do Nascimento Rodrigues. "Machado de Assis, tradutor de Hugo." Universidade Federal do Espírito Santo, 2007. http://repositorio.ufes.br/handle/10/6444.
Full textAbstract:
Made available in DSpace on 2016-12-23T14:34:13Z (GMT). No. of bitstreams: 1
Diego do Nascimento Rodrigues Flores.pdf: 1313512 bytes, checksum: 8ddb71f117deaa3a9e7bc650872aa9df (MD5)
Previous issue date: 2007-11-23Le Machado de Assis de qui cette dissertation s occupe, le Machado de Assis traducteur, sera examiné ici avec le but d aller en direction d un profil de sa personnalité traductrice. De cette façon, à cette étape de notre recherche on a attribué la tache d examiner le seul roman traduit en entier par l écrivain du dix-neuvième siècle, Les travailleurs de la mer, par Victor Hugo. On a visité, premièrement, les auteurs qui théorisent la traduction avec le dessein de trouver des arguments qui soutinssent la forme que cette étude critique devrait prendre. On a adopté comme référentiel théorique basilaire l oeuvre d Antoine Berman, dont la proposition pour une critique des traductions est analysé dans un des chapitres de ce travail, à partir duquel on a tracé la méthode qu on utiliserait dans l étude de la traduction de Machado. Le pas suivant a été celui d esquisser un profil du traducteur avec l aide d études que nous ont précédé et aussi de textes de Machado lui même. On a fait ça avec l objectif d étudier sa traduction en considerant les informations qu on ait réussi à trouver sur la relation entre Machado de Assis e la traduction. Néanmoins, avant de placer côte à côte l original et la traduction, on a consacré un chapitre à l analyse du roman en question, ce que nous a aidé à déterminer quels morceaux du roman seraient choisis pour l analyse de la traduction, réalisé plus tard dans le chapitre suivant. On est ainsi arrivé à l étude critique de la traduction de Machado, en utilisant encore deux autres traductions du roman, avec l idée de comparer les décisions de Machado avec celles des autres traducteurs. Ce qu on a essayé de trouver quand on a comparé original et traduction n a pas été les décisions « fautives » ou « correctes » du traducteur, mais évaluer ses décisions en tenant compte de ce que l original proposait, même quand le traducteur s est clairement écarté de ce que Hugo avait écrit. Quand on a observé le jeune Machado de Assis en action, on a perçu que même face à des difficultés innombrables, le traducteur a non seulement réalisé un travail mémorable, mais aussi il a démontré qu il était un professionel aussi compétent que conscient, un traducteur qui ne s esquivait pas de modifier ce qu il croyait nécessaire, bien que ça ne signifiait pas laisser de coté l auteur original, et que, par surcroît, il y a eu une syntonie croissante entre auteur et traducteur pendant le travail.
O Machado de Assis do que esta dissertação se ocupa, o Machado de Assis tradutor, será aqui examinado com o propósito de caminhar na direção de um perfil de sua índole tradutória. Desta forma, coube a esta etapa examinar o único romance traduzido na íntegra pelo escritor oitocentista, Les travailleurs de la mer, de Victor Hugo. Visitamos, primeiramente, autores que teorizam a tradução com o intuito de encontrar argumentos que embasassem a forma que este estudo crítico deveria tomar. Adotamos como referencial teórico basilar a obra de Antoine Berman, cuja proposta para uma crítica tradutória é analisada em um dos capítulos deste trabalho, e a partir da qual traçamos o método a ser utilizado no estudo da tradução de Machado. O passo seguinte foi tentar esboçar um perfil do tradutor com base em estudos que nos antecederam, bem como textos do próprio Machado. Fizemo-lo com o objetivo de estudar sua tradução levando em consideração os dados que conseguíssemos levantar a respeito da relação de Machado de Assis com a prática tradutória. Antes, contudo, de colocar lado a lado original e tradução, dedicamos um capítulo à análise do romance em questão, o que nos ajudou a determinar quais trechos da obra seriam eleitos para análise, levada adiante no capítulo seguinte. Chegamos assim ao estudo crítico da tradução de Machado, utilizando ainda outras duas traduções da mesma obra, com o intuito de comparar as decisões de Machado com a de outros tradutores. O que procuramos quando comparamos original e tradução não foram os erros ou acertos do tradutor, mas avaliar suas decisões tendo em vista aquilo que o original propunha, mesmo quando o tradutor se desviava claramente do que escrevera Hugo. Ao observarmos o jovem Machado de Assis em ação, percebemos que mesmo diante de inúmeras adversidades, o tradutor não só realizou um trabalho memorável, como mostrou ser um profissional tão competente quanto consciente, que não se eximia de fazer as alterações que julgasse necessárias, embora isso não significasse deixar o autor original de lado, e que, além do mais, houve uma crescente sintonia entre autor e tradutor no decorrer do trabalho
26
Provata, Despina. "Victor Hugo en Grèce (1840-1902)." Paris 4, 1995. http://www.theses.fr/1994PA040332.
Full textAbstract:
Le but de cette these est de definir l'image que la grece se faisait de hugo et la place que son oeuvre occupait dans la vie culturelle et intellectuelle du pays au xixeme siecle. Dans la premiere partie est examine l'accueil que lui reserva la presse hellenique. Le point de depart est une multitude de textes varies : des articles bioraphiques et ou critiques sur hugo et son oeuvre, des traductions de ses oeuvres en grec presentees en feuilleton, et un grand nombre d'entrefilets communiquant des nouvelles diverses. La fortune des oeuvres de hugo en grece est traitee dans la deuxieme partie. Il s'agit d'etudier les traductions integrales ou partielles, la place de son oeuvre dans les manuels scolaires grecs ainsi que la presence de ses drames sur les scenes grecques. Enfin, dans la troisieme partie est signalee l'influence de son oeuvre et de sa pensee sur la litterature neohellenique du xixem siecle qui se manifeste par des poemes qui lui sont dedies, des similitudes dans la maniere d'envisager les questions politiques et intellectuelles et par des analogies, voire des imitations.
27
Vidal, Jean-Pierre. "L'épique dans l’oeuvre de Victor Hugo." Montpellier 3, 2006. http://www.theses.fr/2006MON30007.
Full textAbstract:
Au-delà de ses seules épopées, le caractère épique de l’écriture de Hugo est unanimement reconnu : cette étude tente d’expliquer cette prégnance de l’épique. L’épique, et non l’épopée, tant Hugo refuse tout cloisonnement générique, en particulier dans le cas de l’épopée, puisque la totalisation épique concerne aussi bien le champ de la représentation, élargi jusqu’à l’immensité cosmique, que la fusion des genres. Une réflexion sur la généalogie épique de Hugo semble donc pertinente pour cerner les enjeux esthétiques et idéologiques de sa relation aux paradigmes du genre, Homère restant malgré tout le plus cité. Cet axe permet en outre d’associer épique et grandeur, mais une grandeur que Hugo cherche à démocratiser. Naît de ce fait une crise de l’épique : la transformation de critères morphologiques (longueur, narrativité) ou narratologiques (refus de l’impersonnalité) est le révélateur d’une mise en cause beaucoup plus fondamentale des « valeurs » épiques (le sublime par exemple), surtout après le coup d’Etat de Napoléon III, catalyseur d’une satire de l’épopée traditionnelle. La dénonciation de la guerre, jugée archaïque et mortifère, en est le signe fort. Toutefois, la position hugolienne est plus complexe, et son projet épique plus ambivalent que l’annonce d’une nouvelle épopée, dans William Shakespeare, ne pourrait le laisser penser. La prégnance de l’épique et les tensions qu’elle révèle (par rapport à des formes comme l’idylle notamment) ne sont-elles pas en fait l’indice d’une vision du monde ambiguë, où le combat, élargi aux dimensions cosmiques, reste matriciel ?This study tries to explain the importance of epic writing in Hugo’s works. Epic writing and not epic poems, because Hugo always refuses to disconnect literary genres, in particular in the case of the epic. In fact, epic totalisation concerns not only representation itself (including a cosmic immensity) but also a kind of generic fusion. That’s why it is important to analyse Hugo’s epic genealogy, in order to understand the aesthetic and ideologic dimension of his relation with epic paradigmatic authors, in particular Homere. This question also highligths the link between epic writing and greatness, even if Hugo wants to democratize this one. Here is the spring of an epic crisis: the transformation of morphologic features (length or narrativity) and also narratologic choices (Hugo contests impersonnality) are the evidence of a critic about epic traditional notions (for instance the sublime), above all after Napoleon III’s putsch. Hugo especially criticizes war, which is described as an archaic and disastrous reality. Nevertheless, Hugo’s thought about this subject is very ambiguous, and the description of a new epic style, in William Shakespeare, is not really confirmed by his works: many problems or contradictions suggest that struggle (also in a cosmic meaning) is a very important feature, which could explain the importance of an epic writing in Hugo’s works
28
Csajko, Karen Diane. "Hugo Grotius and the liberal tradition." PDXScholar, 1987. https://pdxscholar.library.pdx.edu/open_access_etds/3711.
Full textAbstract:
One approach in contemporary international relations theory is the moralist position. Most moralists argue that obligations which an individual has toward the state and toward persons qua fellow citizens should not override the obligations which every individual has toward other persons qua members of humanity. Essential to a moralist approach is the idea that every individual shares some feature, such as rights, which is universal to all men and incontrovertible by any body. Many moralists base their theory upon the thought of Hugo Grotius, equating Grotius ' s thought with their own moralist approach.
This thesis argues that Grotius does not present a universal ethic and that his thought does not serve as a foundation for contemporary moralist theory. Individualist elements of Grotius's thought which do uphold a universalist ethic should not be viewed in isolation; his natural law argument includes a notion of community as well as individual rights. Grotius accommodates individualism and community in what I call a Grotian "conciliation."
To argue that Grotius's theory is one of conciliation, I analyze his discussions of society and contend that throughout his discussions Grotius identifies man as an individual with obligations to respect the rights of all others as well as a citizen with obligations to the superior rights of the sovereign. I then compare Grotius's thought to that of Immanuel Kant in order to demonstrate that the accommodation found in Grotius is not equivalent to Kant's universalist ethic. To equate his thought to Kant's thought, or to any other universalist ethic, is to attribute concerns to Grotius which are not necessarily addressed in his theory. Not only may this do an injustice to the different concerns by Grotius, but it overlooks the possibility that Grotius's conciliation may offer an alternative to, rather than a substantiation of, the moralist approach in international relations theory.
29
Wang, Liqun. "Animated exploring of huge software systems." Thesis, University of Ottawa (Canada), 2003. http://hdl.handle.net/10393/26410.
Full textAbstract:
There are many software visualization tools available today to help software engineers to explore software systems. However, when a system is huge, some of these tools do not satisfy the exploration requirements. The big problem is that the techniques the tools use do not provide an effective display and access mechanism to handle huge information spaces within the limitations imposed by available screen space.
To alleviate the problem, this thesis describes methods that help users to explore huge software systems. In particular, we apply dynamic browsing incorporating such details as an extra result box mechanism, plus pattern based searching to help users to handle large query results. Then the thesis introduces the algorithms we apply to generate the layouts. We propose the radial angle model to visualize the internal structures of rooted trees. Also we apply the spring model to visualize the external structures among rooted trees. Next, the thesis describes various animation methods we use to smooth the transitions, track the focus of exploration, clarify unexpected results, and illustrate complex operations. In addition, we modify traditional camera animation, and propose an animation timing scheme 'slow-in fast-out' to exaggerate the reality. Next, the thesis describes a series of experiments we conducted to assess the effectiveness of the browsing, layout algorithm and animation techniques we implemented. Finally the thesis describes how we use the analysis of the experiment results to guide our future research.
30
Härter, Andreas. "Der Anstand des Schweigens : Bedingungen des Redens in Hofmannsthals "Brief" /." Bonn : Bouvier, 1989. http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=001220356&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA.
Full text
31
Melny, Ina [Verfasser], Hugo M. [Akademischer Betreuer] Kehr, and Claudia [Akademischer Betreuer] Peus. "Fear-Induced Self-Control Depletion / Ina Melny. Gutachter: Hugo M. Kehr ; Claudia Peus. Betreuer: Hugo M. Kehr." München : Universitätsbibliothek der TU München, 2013. http://d-nb.info/1059857162/34.
Full text
32
Schlabitz, Matthias [Verfasser], Hugo M. [Akademischer Betreuer] Kehr, and Oliver [Akademischer Betreuer] Alexy. "Organizational Visions and Followers’ Motives / Matthias Schlabitz. Gutachter: Hugo M. Kehr ; Oliver Alexy. Betreuer: Hugo M. Kehr." München : Universitätsbibliothek der TU München, 2013. http://d-nb.info/1046404652/34.
Full text
33
Seeber, Bernhard [Verfasser], Hugo [Akademischer Betreuer] Fastl, and Georg [Akademischer Betreuer] Färber. "Untersuchung der auditiven Lokalisation mit einer Lichtzeigermethode / Bernhard Seeber. Gutachter: Georg Färber ; Hugo Fastl. Betreuer: Hugo Fastl." München : Universitätsbibliothek der TU München, 2003. http://d-nb.info/1058593501/34.
Full text
34
Seeber, Bernhard U. [Verfasser], Hugo [Akademischer Betreuer] Fastl, and Georg [Akademischer Betreuer] Färber. "Untersuchung der auditiven Lokalisation mit einer Lichtzeigermethode / Bernhard Seeber. Gutachter: Georg Färber ; Hugo Fastl. Betreuer: Hugo Fastl." München : Universitätsbibliothek der TU München, 2003. http://d-nb.info/1058593501/34.
Full text
35
Straumann, Benjamin. "Hugo Grotius und die Antike : römisches Recht und römische Ethik im frühneuzeitlichen Naturrecht /." Baden-Baden : Nomos Verl.-Ges, 2007. http://www.gbv.de/dms/spk/sbb/recht/toc/52793156X.pdf.
Full text
36
Meindl-Weiss, Jutta. "Eine vergessene Heilige : Studien zur "Martina" Hugos von Langenstein /." Frankfurt am Main : P. Lang, 2002. http://catalogue.bnf.fr/ark:/12148/cb39142825n.
Full text
37
König, Christoph. "Hofmannsthal : ein moderner Dichter unter den Philologen /." Göttingen : Wallstein, 2003. http://catalogue.bnf.fr/ark:/12148/cb39122298s.
Full text
38
Günther, Timo. "Hofmannsthal : ein Brief /." München : W. Fink, 2004. http://catalogue.bnf.fr/ark:/12148/cb40088818b.
Full text
39
Laumann, Klaus Josef [Verfasser], Hugo [Akademischer Betreuer] [Gutachter] Fastl, and Klaus [Gutachter] Diepold. "Über Methoden zur Qualitätsbeurteilung von virtuellen Kopfhörern / Klaus Josef Laumann ; Gutachter: Hugo Fastl, Klaus Diepold ; Betreuer: Hugo Fastl." München : Universitätsbibliothek der TU München, 2016. http://d-nb.info/1139843761/34.
Full text
40
Hölbling, Markus. "A HUG OF LIGHT." Thesis, KTH, Ljusdesign, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-297945.
Full textAbstract:
This project is an elaboration of how luminaire design can provide for fundamental human needs. Visual needs in terms of task performance, orientability and visual comfort; emotional needs in terms of soothing feelings of safeness and cosiness; and biological needs in terms of circadian rhythm and resetting of our biological clock in the morning. These needs are tested through three bedroom scenarios named focus, contemplation and dawn, each with their own demands and desires on lighting qualities. I have submerged into desired lighting qualities and atmosphere in a bedroom context; into how circadian rhythm can be promoted through lighting design; into how the perception of space can be effected through light; into how responsible use of natural resources can be achieved; and finally into what the impact and consequences of the design intervention are. The investigation is performed in a generic bedroom situation without daylight considerations. A prototype has been produced in order to perform observations and measurements. Through the investigation I can state that luminaire design is able to provide for visual, emotional and biological needs. By simultaneously working with light qualities and shape of the luminaire, and having formulated the specific scenarios focus, contemplation and dawn, qualitative observations and experience could be supplemented by quantitative measurements and drive the design process forward towards intended lighting effects, characteristics and impacts on the human body and mind.
41
Hardel, Frédéric. "Rhétorique abolitionniste des romans de Victor Hugo." Thesis, McGill University, 2004. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=79944.
Full textAbstract:
The death penalty occupies an essential place in Victor Hugo's work, notably in his narrative work where he emphasizes the rhetoric resources in attempts to convince his reader of the necessity of abolishing this practice which he considers "barbaric". This memoir suggests a reading of this rhetoric, concentrating on various specific Hugolian arguments and suggesting a global vision of his reasoning. The first chapter demonstrates that the opposition between law and his application lies at the root of the judicial criticism according to Hugo, from which also stems the question of death penalty to begin with. We then study the genesis and the functioning of multiple arguments depicting the consistency and persistency of Hugo's reasoning, these arguments being interpreted from novel to novel. Finally, in the third chapter, we analyze history's role as a meta-argument of the abolishment; the historical development often structuring the opposition of Hugo's theory regarding the excessive use of capital punishment.
42
Lomas, G. C. J. (Gabriel Charles Jacques). "The Huli language of Papua New Guinea." Australia : Macquarie University, 1989. http://hdl.handle.net/1959.14/22313.
Full textAbstract:
Thesis (PhD) -- Macquarie University, School of English and Linguistics, 1989.Bibliography: leaves 385-393.
Introduction -- Traditional Huli society -- Segmental phonology -- Prosodies -- Verbs -- Adverbials -- NominaIs -- Word complexes -- Group complexes -- Semantic patterns -- Linguistic and social change -- Texts.
This thesis describes the language of the Huli speech community of the Southern Highlands of Papua New Guinea. The first chapter situates the speech community in its historical setting, and refers to previous, mainly non-linguistic, studies. The second chapter situates the commuity in its geographical and 'traditional' setting, recording putative migrations and dialectal variations. The third chapter describes segmental phonology at a level of detail not previously given in accounts of the language, while the fourth chapter presents a tentative exploration of prosodic features. The fifth chapter describes verbs, the sixth adverbials, and the seventh nominals: in each instance there is an emphasis on morphology and morphophonemic processes hitherto unrecorded for Huli. The eighth chapter describes word complexes, and the ninth group complexes, using a systemic-functional approach that establishes a descriptive framework that indicates useful insights into the pragmatics of the language. Chapter ten selects and explores, in varying degrees, semantic features that are typologically interesting, while chapter eleven re-focusses the thesis on sociolinguistic issues. The twelveth chapter presents a dozen texts, which it interprets and comments on in the light of linguistic and sociological descriptions presented previously. The appendices that follow give the data bases for some of the descriptions given in the thesis body. The body of the thesis is concerned with describing the language as it is being created and used by living, real, people. Hence, the language forms at each level are described and interpreted in relation to their functions in creating meaning. This has necessitated presenting in some detail phonological and morphological data that need to be described if the language is to be seen as the growing, changing expression of the living society that uses and creates it.
Mode of access: World Wide Web.
xviii, 452 leaves, ill
43
McKinney, David LeRoy. "Interpreting the Organ Works of Hugo Distler." Diss., The University of Arizona, 2006. http://hdl.handle.net/10150/194024.
Full textAbstract:
The document examines Hugo Distler’s organ solo works within the context of performance. Chapter One contains relevant biographical information primarily based on the work of Ursula Herrmann. Chapter Two discusses the cultural, academic, and career influences on Distler’s compositional output. Chapter Three has analyses of select organ works and a discussion as to how these relate to performance. Chapter Four provides information about the playing and physical execution of Distler’s music at the organ console, with much of the information coming from primary sources written by Distler himself. Distler was born out of wedlock in Nürnberg. His early childhood was fraught with bad experiences. Under the guardianship of his maternal grandparents, he attended a Gymnasium and a music academy. When he was later unable to complete his studies at the Leipzig Conservatory, his teachers provided him with excellent recommendations, and Distler became the new organist at St. Jakobi in Lübeck in 1931. In this new environment, he became famous as a church musician, organist, conductor, and composer - the par excellence of German music. His other positions were in academia in Stuttgart and Berlin, and he eventually became a full professor. Due to the repression by the Nazi party, constantly being overworked, and the impact of his early childhood upon his psyche, Distler committed suicide on All Saints Day, November 1, 1942. Distler became the first person to compose music for the organ in a modern style that was suited for the sound of the Baroque organ. His organ music is based on vocal techniques, experiments with rhythm, uses a variety of scales and modes, and is generally pentatonic. The ideology of clarity in Distler’s works is of utmost importance. It should be apparent that this dictates the performer’s choices regarding how to interpret them. Registration, tempi, and articulation are servants to the composition. Performers of his music need to remain cognizant of this.
44
Dunnan, Donald Stuart. "The preaching of Hugh Latimer : a reappraisal." Thesis, University of Oxford, 1991. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.315881.
Full text
45
Rosa, Guy. "Victor Hugo le droit à la parole /." Lille 3 : ANRT, 1988. http://catalogue.bnf.fr/ark:/12148/cb37600846w.
Full text
46
Lomas, G. C. J. "The Huli language of Papua New Guinea." Phd thesis, Australia : Macquarie University, 1989. http://hdl.handle.net/1959.14/22313.
Full text
47
Grandemange, Thierry. "Les chansons d'Arnold et Hugo de Lantins." Thesis, Tours, 2008. http://www.theses.fr/2008TOUR2019/document.
Full textAbstract:
Arnold et Hugo de Lantins, deux compositeurs franco-flamands actifs dans les années 1420-1430, nous ont laissé un ensemble de 32 chansons, dont trois sont d'attribution douteuse. Comme ni les documents historiques ni les données paléographiques ne permettent d'attribuer de ces trois chansons à l'un ou à l'autre, une tentative d'attribution ne peut que reposer sur des critères stylistiques. L'analyse repose sur la reconnaissance de l'organisation des voix en un duo indépendant auquel est adjoint un contraténor secondaire, et en second lieu, sur la distinction entre le contrepoint simple et le contrepoint fleuri. Grâce aux règles énoncées par les théoriciens, il est possible de retrouver le niveau du contrepoint simple en procédant par réductions successives. Ce n'est que dans un second temps que sont abordés les éléments du contrepoint fleuri qui constituent le style proprement dit : éléments rythmiques, harmoniques et mélodiques auxquels est ajouté un développement sur l'imitation. La relation entre la structure poétique et la structure musicale s'appuie sur le modèle prosodique proposé par Graeme Boone. Ce modèle nous permet de montrer comment les articulations poétiques s'organisent par rapport aux articulations musicales, notamment dans le cadre des entrées en imitation. La relation entre la structure poétique et la structure musicale s'appuie sur le modèle prosodique proposé par Graeme Boone; Ce modèle nous permet de montrer comment les articulations poétiques s'organisent par rapport aux articulations musicales, notamment dans le cadre des entrées en imitation. Il ressort que les deux chansons "Chanter ne scay" et "Mon doulx espoir" sont stylistiquement très proches et attribuables à Hugo de Lantins, tandis que les données sont plus difficiles à interpréter pour "ung seul confort". Une extension de la méthode propose de nouvelles attributions mises en doute par les chercheursArnold and Hugo de Lantins, two Franco-Flemish composers florishing between 1420 and 1430, have left us a set of thirsty-two songs, three of which are from doubtful ascription. As neither historical documents nor paleographical data can helps to credit one or the other composer with those three songs, an attempt for an ascription will only rest on stylistic criteria. The analysis firstly rests on the assertion of the organisation of the voices in an independent duet to which a secondary contratenor is added, and secondly, on the distinction between simple and florid counterpoint. On the basis of rules stated by theoreticians, it is possible to reach the level of simple counterpoint by means of successive reductions. It is only in a second phase that the elements of florid counterpoint - which make up style so to speak - are dealt with : rhythmic, harmonic and melodic elements, as well as imitation to which a chapter is devoted. The relation between the poetical and musical structures rests on Graeme Boone's prosodic pattern. This pattern allows us to show how poetical articulations are arranged in relation to musical articulations, particularly in the context of entries in imitation. What emerges is that both songs "Chanter ne scay" and "Mon doulx espoir" are very close on a stylistic level and attributable to Hugo de Lantins, whereas the data for "Ung seul confort" are more difficult to interpret. An extension of the method suggests new ascriptions for the anonymous songs of fascicule III of the Oxford manuscript, and confirms some other ascriptions once questioned by scholars
48
Zhang, Yingxuan. "Lire Victor Hugo, une rhétorique du romantisme." Paris 4, 2008. http://www.theses.fr/2008PA040239.
Full text
49
Ntsobé, Njoh André-Marie. "Victor Hugo, romancier : les apprentissages 1818-1829." Paris 10, 1985. http://www.theses.fr/1985PA100287.
Full text
50
Dufief, Véronique. "Victor Hugo et le désir de savoir." Paris 7, 1994. http://www.theses.fr/1994PA070084.
Full textAbstract:
A quel type de savoir la litterature donne-t-elle acces? sur quels criteres fonder la validite d'un tel savoir? l'oeuvre de victor hugo est l'occasion privilegiee de nourrir une telle reflexion. Le desir de savoir apparait en effet comme l'un de ses moteurs fondamentaux, et donne lieu a une representaion mythographique multiforme et paradoxale. Quatrevingt-treize, la foret mouillee, la fin de satan : trois textes appartenant a la production de la maturite, empruntes aux trois grands genres litteraires - roman, theatre, poesie - permettent d'envisager la libido sciendi selon trois grands axes : politqiue, erotique, metaphysique. L'exegese se fonde sur trois approches principales : 1) l'analyse du champ semantique du songe et du savoir conduit a definir des notions hugoliennes capitales dans l'apprehension du rapport poetique au monde - vision, contemplation, intuition. 2) l'etude de la configuration des personnages permet de preciser la nature intersubjective du rapport au savoir et le statut du sujet connaissant en litterature : collectif, plurivoque, celui-ci se construit par le dialogue, la decouverte de l'autre, qu'il s'agisse d'autrui (le frere ennemi au sein de la cite, l'autre sexe sur le plan erotique, dieu enfin, dans le domaine metaphysique), ou de l'alter ego du sujet, plus ou moins terrifiant, monstrueux, a proportion de la cons cience qu'on a de son "double". 3) l'attention portee aux images enfin, oxymore et metaphore, amene a faire la part entre un usage fantasmatique, destructeur, et un usage fecond, createur, de l'imagination, a preciser la portee ethique de la demarche spirituelle hugolienne, qui vise a reconcilier savoir et sagesse. Plus qu'une approche epistemologique, il faut donc plutot parler ici d'une contribution a une gnoseologie de la litterature, dont le propos est de definir les rapports entre morale et poesieWhat do we learn when reading literature? knowledge which is of a certain king : it requires a description and its validity may be questionned. Victor hugo's work raises these problems in acute form and enables us to examin them : the desire for knowledge is one of the main themes in his production. In three texts, from the author's maturity, a novel, quatrevingt-treize, a play, la foret mouillee, an unfinished epic poem, la fin de satan, hugo's libido sciendi is studied from three points of view : political, erotic and metaphysical