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Journal articles on the topic 'Hugo, Victor. Hugo, Victor, Wort'

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1

Brunet, Étienne. "Rhymes in Victor Hugo: Les Feuilles D'automne and Les Chansons Des Rues Et Des Bois." Empirical Studies of the Arts 10, no. 2 (1992): 183–92. http://dx.doi.org/10.2190/t03l-1hcv-lpd9-g8pp.

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This article is a comparative description of rhyme used in two of Victor Hugo's collections of poems, Autumn Leaves (1831), an early collection, and Songs of the Streets and Woods (1865), one of the later ones. The most frequent rhymes are ranked and briefly studied in terms of their semantic content and the grammatical categories they belong to. The last stressed vowel of each rhyme word is also examined in order to establish the dominant phonetic patterns present at line ends. Finally, the striking asymmetry in the ordering of frequent rhymes (“sombre” [dark] then “ombre” [shadow] rather tha
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2

Brussee, Albert. "Franz Liszt’s Mazeppa Sketch in His Sketchbook N6." Studia Musicologica 55, no. 1-2 (2014): 27–42. http://dx.doi.org/10.1556/6.2014.55.1-2.3.

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The Mazeppa sketch, written on pages 20–18 of Liszt’s Sketchbook N6, was composed a considerable time before the well-known study entitled Mazeppa (1841; 1851). In the past Rudolf Kókai and Dieter Torkewitz have written a few words about this composition. However, neither Kókai nor Torkewitz understood that the sketch, after a lengthy deletion, was continued on pages 19 and 18. All in all there are around 30 bars of this work, enough to reconstruct it. The result is a quite interesting, wild ‘Galop,’ most probably composed on ‘31 Mai Ecorchebeuf,’ according to the date written at the bottom of
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3

Halchuk, Oksana. "Tragic fool of French literature as a topos of identity (from Victor Hugo and Paul Verlaine artistic experience)." Synopsis: Text Context Media 26, no. 3 (2020): 73–83. http://dx.doi.org/10.28925/311-259x.2020.3.1.

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The symbol, as an archetype with inexhaustible meanings, remains a relevant object of scientific research. Especially when it comes to symbols used by different national cultures. One of such symbols, an image of the tragic fool, is quite favoured by the writers of romanticism and the turn of the twentieth century. A general interest in their artistic and aesthetic systems, the multiplicity of interpretations of archsymbols, and the specifics of their authorial and national manifestations in literature determine the relevance of this study. The subject of the study is the specifics of the imag
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4

Titaranti, Amrita, Siswantoro Siswantoro, and Dewi Rochsantiningsih. "A Study On Frustration in Fantine on Les Miserables Novel By Victor Hugo: Psychological Approach and Its Implementation." English Education 6, no. 2 (2018): 210. http://dx.doi.org/10.20961/eed.v6i2.35949.

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<p>Novel has its own richness which is worth exploring. It has many kinds of subject discussions. The subject of frustration is chosen based on Fantine, the most influential woman character in this novel. From her life, frustration as a psychological effect appears. The discussion is not only in literary discussion, but it is also used as teaching material as the tool to complete the need of literary teaching among senior high school students. The data consist of every sentence or conversation which reveal Fantine’s thought, feeling, or behavior. They are collected by reading the novel e
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5

Laberge, Yves. "Victor Hugo, Hugo journaliste." Questions de communication, no. 28 (December 31, 2015): 315–17. http://dx.doi.org/10.4000/questionsdecommunication.10193.

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6

Gervais, D. "Hugo and Victor Hugo." Cambridge Quarterly 28, no. 2 (1999): 116–49. http://dx.doi.org/10.1093/camqtly/28.2.116.

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7

Gervais, D. "Hugo and Victor Hugo." Cambridge Quarterly XXVIII, no. 2 (1999): 116–49. http://dx.doi.org/10.1093/camqtly/xxviii.2.116.

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8

Dumas, Robert. "Victor Hugo." Médium 42, no. 1 (2015): 16. http://dx.doi.org/10.3917/mediu.042.0016.

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9

Monte, Steven. "Victor Hugo." Philosophy and Literature 23, no. 1 (1999): 230–33. http://dx.doi.org/10.1353/phl.1999.0005.

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10

Stephens, B. "Victor Hugo." French Studies 63, no. 1 (2009): 66–74. http://dx.doi.org/10.1093/fs/knn176.

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11

Sicard, Monique. "Victor Hugo médiologue." Médium 31, no. 2 (2012): 16. http://dx.doi.org/10.3917/mediu.031.0016.

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12

Mentzel, Sophie. "Victor Hugo, Hernani." Studi Francesi, no. 175 (LIX | I) (April 1, 2015): 166–67. http://dx.doi.org/10.4000/studifrancesi.515.

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13

Stein, Marieke. "Victor Hugo orateur." Questions de communication, no. 10 (December 1, 2006): 391–408. http://dx.doi.org/10.4000/questionsdecommunication.7728.

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14

Pratt, T. M., and John J. Janc. "Victor Hugo: 'Torquemada'." Modern Language Review 86, no. 4 (1991): 1031. http://dx.doi.org/10.2307/3732616.

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15

Conord, Fabien. "Victor Hugo sénateur." apropos [Perspektiven auf die Romania], no. 1 (December 12, 2018): 129–42. http://dx.doi.org/10.15460/apropos.1.1262.

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De 1876 à sa mort en 1885, Victor Hugo, l’un des écrivains français les plus célèbres du XIXe siècle, siège au Sénat. Ce mandat est très peu évoqué dans les biographies qui lui sont consacrées. Pourtant, loin d’être un temps d’effacement, cette période correspond aux derniers grands combats de l’homme politique républicain. Après une élection difficile, Victor Hugo devenu sénateur poursuit sa lutte contre le pouvoir personnel et en faveur de l’amnistie des communards. À la faveur de la victoire républicaine, il devient à la fin de sa vie une figure tutélaire de la Haute Assemblée.
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16

Rich, V. "Victor Hugo winner." Nature 325, no. 6100 (1987): 95. http://dx.doi.org/10.1038/325095e0.

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17

Krisak, L. "Victor Hugo: Letter." Literary Imagination 9, no. 3 (2007): 300–301. http://dx.doi.org/10.1093/litimag/imm073.

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18

Metzidakis, Stamos. "Victor Hugo (review)." Nineteenth Century French Studies 29, no. 3 (2001): 358–60. http://dx.doi.org/10.1353/ncf.2001.0016.

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19

Pinon, Esther. "Victor Hugo, L’Intervention." Studi Francesi, no. 170 (LVII | II) (July 1, 2013): 471–72. http://dx.doi.org/10.4000/studifrancesi.3148.

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20

Le Brun, Annie. "Victor Hugo maintenant !" Revue d'histoire du XIXe siècle, no. 47 (December 31, 2013): 25–28. http://dx.doi.org/10.4000/rh19.4537.

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21

Kaprisma, Hendra. "Kuasa Wacana dan Dialogis Tokoh “aku” dalam Le Dernier Jour d’un condamné." EDUCULTURAL: International Journal of Education, Culture and Humanities 1, no. 1 (2018): 20–26. http://dx.doi.org/10.33121/educultur.v1i1.24.

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This article discusses the work of Victor-Marie Hugo entitled Le dernier jour d'un condamné " (1829). This novel tells about a death row inmate (the "I" character) who experiences an inner struggle about his desire to be free. The power of discourse and dialogue carried out by the character in the novel is the focus of analysis in this paper. The concept of power of discourse refers to Michel Foucault's thoughts and dialogical concepts adopted from Mikhail Bakhtin. This study seeks to dismantle hidden ideas as social criticism presented by the “I” character. The words that describe the anxieti
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22

Amparo, Flávia, and Monica Gomes da Silva. "“Cuidado, leitor, ao voltar esta página!”, sobre prefácios, leitores e escritores no Romantismo brasileiro / “Beware, Reader, When You Turn this Page!”, About Prefaces, Readers and Writers in Brazilian Romanticism." O Eixo e a Roda: Revista de Literatura Brasileira 29, no. 1 (2020): 155. http://dx.doi.org/10.17851/2358-9787.29.1.155-180.

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Resumo: Este artigo objetiva identificar e refletir sobre as estratégias discursivas utilizadas nos prefácios de obras que participam da consolidação do sistema literário brasileiro no século XIX: Primeiros cantos, Lira dos vinte anos, A moreninha e Ressurreição. Busca-se estudar as imagens construídas acerca do Leitor, do Autor e da Obra nos textos introdutórios de Gonçalves Dias, Álvares de Azevedo, Joaquim Manuel de Macedo e Machado de Assis. Parte-se da concepção de paratexto desenvolvida por Gérard Genette (2009) que destaca, especialmente, o aspecto intersticial do prefácio, além do cote
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23

Sabourin, Lise. "Victor Hugo, Claude Gueux." Studi Francesi, no. 179 (LX | II) (September 1, 2016): 345–46. http://dx.doi.org/10.4000/studifrancesi.4413.

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24

Sabourin, Lise. "Victor Hugo, Marie Tudor." Studi Francesi, no. 175 (LIX | I) (April 1, 2015): 167. http://dx.doi.org/10.4000/studifrancesi.517.

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25

Mervaud, Michel. "Herzen et Victor Hugo." Revue des études slaves 78, no. 2 (2007): 187–205. http://dx.doi.org/10.3406/slave.2007.7078.

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26

Le Rider, Jacques. "Nietzsche et Victor Hugo." Romantisme 132, no. 2 (2006): 11. http://dx.doi.org/10.3917/rom.132.0011.

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27

Brucker, Nicolas. "Marieke Stein, Victor Hugo." Questions de communication, no. 13 (July 1, 2008): 354–55. http://dx.doi.org/10.4000/questionsdecommunication.1887.

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28

Niderst, Alain. "Victor Hugo à Jersey." Études Normandes 34, no. 3 (1985): 25–33. http://dx.doi.org/10.3406/etnor.1985.2639.

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29

Sabourin, Lise. "Victor Hugo, Lucrèce Borgia." Studi Francesi, no. 155 (LII | II) (October 1, 2008): 475–76. http://dx.doi.org/10.4000/studifrancesi.8977.

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30

Le Rider, Jacques. "Nietzsche et Victor Hugo." Romantisme 36, no. 132 (2006): 11–20. http://dx.doi.org/10.3406/roman.2006.6456.

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31

Tison, Guillemette. "Victor Hugo à Lille." Nord' N°75, no. 1 (2020): 101. http://dx.doi.org/10.3917/nord.075.0101.

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32

Gameson, Richard. "Hugo Victor, enlumineur normand." Cahiers de civilisation médiévale 44, no. 174 (2001): 121–38. http://dx.doi.org/10.3406/ccmed.2001.2797.

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33

Tilby, M. "VICTOR HUGO AND PERLINPINPIN." French Studies Bulletin 34, no. 129 (2013): 91–94. http://dx.doi.org/10.1093/frebul/ktt027.

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34

Sabourin, Lise. "Victor Hugo, William Shakespeare." Studi Francesi, no. 189 (LXIII | III) (December 1, 2019): 589. http://dx.doi.org/10.4000/studifrancesi.21436.

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35

Rosa, Guy. "Victor Hugo Louis-Philippard ?" Cahiers de l'Association internationale des études francaises 38, no. 1 (1986): 267–82. http://dx.doi.org/10.3406/caief.1986.1982.

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36

Cox, Fiona. "Victor Hugo,Claude Gueux." French Studies 70, no. 4 (2016): 605–6. http://dx.doi.org/10.1093/fs/knw235.

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37

Guyard, Marius-François. "Renan et Victor Hugo." Études Renaniennes 63, no. 1 (1986): 7–13. http://dx.doi.org/10.3406/renan.1986.1327.

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38

Vignest-Amar, Romain. "Victor Hugo et Juvénal." Bulletin de l'Association Guillaume Budé 1, no. 3 (1999): 335–56. http://dx.doi.org/10.3406/bude.1999.1962.

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39

Truel, Myriam. "Victor Hugo, un écrivain populaire ?" Revue des études slaves 86, no. 3 (2015): 307–18. http://dx.doi.org/10.4000/res.720.

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40

Darcos, Xavier, and Xavier Darcos. "Victor Hugo, l’école et nous." Commentaire Numéro 120, no. 4 (2007): 992. http://dx.doi.org/10.3917/comm.120.0992.

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41

Malyshev, Oleksandr. "Victor Hugo. FIGHT THE DEMOUNTERS." City History, Culture, Society, no. 5 (November 8, 2018): 175–87. http://dx.doi.org/10.15407/mics2019.05.175.

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The following article by Victor Hugo "Fight The Demounters" is a translation from the French original publication: Hugo V. Guerre aux démolisseurs // Revue des Deux Mondes. Période Initiale. Volume 5. 1832. pp. 607–622.
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42

Nurnberg, Monica, and Theophile Gautier. "Victor Hugo: Choix de textes." Modern Language Review 96, no. 3 (2001): 829. http://dx.doi.org/10.2307/3736789.

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43

Hovasse, Jean-Marc. "Marieke Stein, Victor Hugo l’universel." Studi Francesi, no. 165 (LV | III) (December 1, 2011): 659. http://dx.doi.org/10.4000/studifrancesi.5066.

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44

Millet, Claude. "L’épique à l’épreuve (Victor Hugo)." Romantisme 172, no. 2 (2016): 13. http://dx.doi.org/10.3917/rom.172.0013.

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45

Chaléat, Franck. "Cusset (Allier). Place Victor Hugo." Archéologie médiévale, no. 49 (December 20, 2019): 271–72. http://dx.doi.org/10.4000/archeomed.25120.

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46

Hovasse, Jean-Marc. "Les copeaux de Victor Hugo." Genesis, no. 45 (December 5, 2017): 17–35. http://dx.doi.org/10.4000/genesis.2963.

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47

Mahtab, Rounak. "Victor Hugo: The Versatile Romantic." Indian Journal of Applied Research 2, no. 2 (2011): 96–97. http://dx.doi.org/10.15373/2249555x/nov2012/36.

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48

Kirton, W. J. S., and Michel Grimaud. "Victor Hugo: Approaches critiques contemporaines." Modern Language Review 81, no. 2 (1986): 488. http://dx.doi.org/10.2307/3729759.

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49

Rosa, Guy. "Victor Hugo, vicomte et gueux." Romantisme 20, no. 70 (1990): 7–24. http://dx.doi.org/10.3406/roman.1990.5695.

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50

Sabourin, Lise. "Victor Hugo, Marion de Lorme." Studi Francesi, no. 191 (LXIV | II) (August 1, 2020): 423. http://dx.doi.org/10.4000/studifrancesi.31983.

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