Relevant bibliographies by topics / Hui-Ming

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Hui-Ming'

Author: Grafiati
Published: 4 June 2021
Last updated: 18 February 2022

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Journal articles on the topic "Hui-Ming"

1

Ouyang, Yue. "Application of Huizhou Architectural Style in Modern Houses." Advanced Materials Research 838-841 (November 2013): 2883–86. http://dx.doi.org/10.4028/www.scientific.net/amr.838-841.2883.

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Huizhou architecture is a major architectural style in ancient China building history. After the Ming dynasty, along with the rose of merchants and the socio-economic development, Hui-style gardens and residential construction also developed in step. The overall layout of Hui-style buildings were naturally constructed according to the situation of the hillside and the lake. The overall appearance was formed by black tiles and white walls. The Fifth Vanke Palace combines modern elements with traditional Hui-style, fully expresses the traditional Chinese architectural culture.
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Zhang, Hua, Hui-Ming Cheng, and Peide Ye. "2D nanomaterials: beyond graphene and transition metal dichalcogenides." Chemical Society Reviews 47, no. 16 (2018): 6009–12. http://dx.doi.org/10.1039/c8cs90084a.

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Lim, Sang-Hun. "Trading Between Ming Dynasty and Joseon Dynasty in Hui Tong Guan." JEONBUK SAHAK ; The Jeonbuk Historical Journal 52 (March 31, 2018): 363–86. http://dx.doi.org/10.28975/jha.2018.03.52.363.

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An, Lu Vi. "Ottoman historical sources regarding China and the diplomatic Relations between the Ming Dynasty and the Ottoman Empire in the records of Mingshi." Science & Technology Development Journal - Social Sciences & Humanities 4, no. 2 (June 5, 2020): 346–56. http://dx.doi.org/10.32508/stdjssh.v4i2.551.

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This paper firstly investigates the perception of the Ottoman Turks on China and Chinese which was reflected in “Khitaynameh” (Book of China) by Ali Ekber and “Kitab-ı Tevarih-i Padişahan-ı Vilayet-i Hindu ve Hitây” (Book on the Histories of the Rulers of the India and China) by Seyfî Çelebi. These were two typical historical geographical works written in the 16th century, indicating the interest of the Ottoman Turks in the country and people of China during the Ming Dynasty. Both works contain valuable records of China’s topography, history, economy, social life and traditional customs. The Ottoman Turks used the term Khitay (Hitay) and Chin to talk about China in these works. Next, the paper analyzes the Chinese perception on the Ottoman Turks and explicates the origin of name Lumi (Rumi State). Then, according to the official records of the Ming Dynasty, the paper describes the major events of the relations between the Ming Dynasty and the Ottoman Empire in the 16th-17th centuries. Based on the chronicles of Mingshi (History of the Ming Dynasty), the Ottoman Turks sent their envoys seven times to China in 1524, 1527, 1559, 1564, 1576, 1581 and 1618. According to Ming shilu (Veritable Records of the Ming) and Da Ming hui dian (Collected Statues of the Great Ming), the Ottoman delegations paid visits to China for a total of 19 times. And one of the particular details recorded is that because the Ottoman Empire often sent the tributes of lions and rhinoceroses to the Ming court, the relations between the two countries during this period were expresed in a metaphorical way as “lion diplomacy”.
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Wu, Jin-an, and li-juan Zhang. "A A elememntary study of East Asian civilization –focusing on th “Gong-ming hui” and “Zi-zheng hui” of confucianism." Institute of Korean Cultural Studies Yeungnam University 74 (April 30, 2020): 217–37. http://dx.doi.org/10.15186/ikc.2020.04.30.7.

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Konstantinov, M. "Book Review:Jie-Zhi Wu, Hui-Yang Ma, Ming-De Zhou, Vorticity and Vortex Dynamics." ZAMM 87, no. 5 (May 25, 2007): 393. http://dx.doi.org/10.1002/zamm.200790012.

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Kwon, In-yong. "Formation and Change of Li(里) in Hui-Zhou(徽州) during the Ming Period." Journal of Ming-Qing Historical Studies 13 (October 31, 2000): 121–47. http://dx.doi.org/10.31329/jmhs.2000.10.13.121.

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Ma, Xixian, Wenjun Yang, Yang Gao, Yuwen Pan, Yan Lu, Hao Chen, Dongsheng Lu, and Shuhua Xu. "Genetic Origins and Sex-Biased Admixture of the Huis." Molecular Biology and Evolution 38, no. 9 (May 22, 2021): 3804–19. http://dx.doi.org/10.1093/molbev/msab158.

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Abstract The Hui people are unique among Chinese ethnic minorities in that they speak the same language as Han Chinese (HAN) but practice Islam. However, as the second-largest minority group in China numbering well over 10 million, the Huis are under-represented in both global and regional genomic studies. Here, we present the first whole-genome sequencing effort of 234 Hui individuals (NXH) aged over 60 who have been living in Ningxia, where the Huis are mostly concentrated. NXH are genetically more similar to East Asian than to any other global populations. In particular, the genetic differentiation between NXH and HAN (FST = 0.0015) is only slightly larger than that between northern and southern HAN (FST = 0.0010), largely attributed to the western ancestry in NXH (∼10%). Highly differentiated functional variants between NXH and HAN were identified in genes associated with skin pigmentation (e.g., SLC24A5), facial morphology (e.g., EDAR), and lipid metabolism (e.g., ABCG8). The Huis are also distinct from other Muslim groups such as the Uyghurs (FST = 0.0187), especially, NXH derived much less western ancestry (∼10%) compared with the Uyghurs (∼50%). Modeling admixture history indicated that NXH experienced an episode of two-wave admixture. An ancient admixture occurred ∼1,025 years ago, reflecting the intensive west–east contacts during the late Tang Dynasty, and the Five Dynasties and Ten Kingdoms period. A recent admixture occurred ∼500 years ago, corresponding to the Ming Dynasty. Notably, we identified considerable sex-biased admixture, that is, excess of western males and eastern females contributing to the NXH gene pool. The origins and the genomic diversity of the Hui people imply the complex history of contacts between western and eastern Eurasians.
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Kwon, In-Yong. "System of Liang-Zhang(糧長) in Hui-Zhou(徽州) during the Late Ming China." Journal of Ming-Qing Historical Studies 26 (October 31, 2006): 169–92. http://dx.doi.org/10.31329/jmhs.2006.10.26.169.

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Ya-fang, Liu. "Wang Ming-hui and Blacklist Production: the Third World/Asia turn of Taiwan’s new music production." Cultural Studies 31, no. 6 (November 2, 2017): 857–76. http://dx.doi.org/10.1080/09502386.2017.1374431.

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Dissertations / Theses on the topic "Hui-Ming"

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Chen, Jiang. "Ming dai zhong hou qi de jiang nan she hui yu she hui sheng huo /." Shanghai : Shanghai she hui ke xue yuan chu ban she, 2006. http://www.loc.gov/catdir/toc/fy10pdf02/2008488426.html.

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Soh, Gary Hui Ming [Verfasser]. "Germ layer patterning via morphogen crosstalk / Gary Hui Ming Soh." Tübingen : Universitätsbibliothek Tübingen, 2020. http://d-nb.info/1227481241/34.

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Lin, Weikai. "Ming dai de jiang hai lian fang Chang Jiang jiang hai jiao hui shui yu fang wei de jian gou yu bei yu /." Yilan Xian Luodong Zhen : Ming shi yan jiu xiao zu, 2006. http://catalog.hathitrust.org/api/volumes/oclc/124057091.html.

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Lu, Haohan. "Cong "Shang ye dian tai ming zui feng mi" ji "Ling hui shang shi chu jiao" shi jian, kan kuang jia jing zheng yu min cui zhu yi /." click here to view the abstract and table of contents, 2005. http://net3.hkbu.edu.hk/~libres/cgi-bin/thesisab.pl?pdf=b19816571a.pdf.

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Xie, Shuxiang. "Dao jin zi ta shi xin wen bao dao de yu pian gui lü : yi Xianggang "Ming bao" she hui xin wen wei yu liao de tan tao = Discourse principles in inverted pyramid news reporting : study of the social news of Ming Pao /." click here to view the abstract and table of contents, 2001. http://net3.hkbu.edu.hk/~libres/cgi-bin/thesisab.pl?pdf=b17041193a.pdf.

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Wong, Chun-wai. "The contributions of intellectuals and Jesuit missionaries of the Late Ming and early Qing period to the compilation of the Chongzhen Lishu (Calendar Compendium of the Chongzhen Reign) Ming mo Qing chu zhi shi fen zi, Yesu Hui shi yu "Chongzhen li shu" de bian zuan /." Click to view the E-thesis via HKUTO, 2004. http://sunzi.lib.hku.hk/HKUTO/record/B38628661.

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Zhou, Xiaohan. "Elements of continuity between mathematical writings from the Song-Yuan (13th - 14th Century) Dynasties and the Ming Dynasty (15th Century) : Comparing Yang Hui's Mathematical Methods (1261 C.E.) and Wu Jing’s Great Compendium (1450 C.E.)." Thesis, Sorbonne Paris Cité, 2018. http://www.theses.fr/2018USPCC333.

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Le discours qui insiste sur une « rupture » entre les mathématiques de la période Song-Yuan et celles de la période Ming est très répandu dans les écrits historiques consacrés aux mathématiques en Chine. Cette thèse analyse le processus et les raisons de l’apparition de ce genre de discours, et montre que la représentation en forme de « rupture » ne se présente que lorsque les observateurs examinent les mathématiques depuis certaines perspectives. Cette thèse est consacrée à la recherche d'éléments de continuité entre les mathématiques des Ming et celles des Song et des Yuan. Les Neuf chapitres sur les procédures mathématiques (ci-après, Les Neuf chapitres) ont représenté un ouvrage très important au cours de l’ensemble de ces périodes. L'achèvement des Neuf chapitres, tel que transmis par la tradition écrite, date de quelque part entre le premier siècle avant notre ère et le premier siècle après notre ère. Les Méthodes mathématiques (1261) de Yang Hui et le Grand Compendium (1450) de Wu Jing sont de précieux écrits mathématiques rédigés au cours des deux périodes examinées. Ils sont basés sur Les Neuf chapitres et leurs commentaires antérieurs. Pour ce qui concerne la question de la continuité entre textes mathématiques, ma thèse propose des études de cas comparant ces deux livres, qui montrent que Wu Jing a systématiquement repris des parties du texte des Méthodes mathématiques pour compiler le Grand Compendium. La manière selon laquelle Wu Jing a extrait des passages dans chaque chapitre de Yang Hui pourrait être utilisée pour récupérer en partie le texte de Yang Hui. En ce qui concerne la continuité des idées mathématiques, tout d’abord, l’organisation et l’ordre des problèmes du texte ancien tel que revus par Yang Hui sont des résultats essentiels du traitement des Neuf chapitres par l’érudit des Song. Wu Jing les a repris lorsqu'il a organisé les problèmes du Grand Compendium. Par ailleurs, Yang Hui a beaucoup insisté sur les « méthodes mathématiques ». Il en a ajouté de nouvelles et en a modifié d’autres qui provenaient des Neuf chapitres. Wu Jing a compris ces modifications et les a adoptées dans son Grand Compendium. En même temps, certains concepts et termes mathématiques, ainsi que l’utilisation de diagrammes, relatifs aux méthodes mathématiques qu’avait introduits l’érudit des Song, ont également été intégrés dans le Grand Compendium. Toutes ces découvertes montrent que Les Neuf chapitres qui ont circulé sous la dynastie des Ming avaient largement intégrés les réflexions et le travail de l’érudit des Song
The discourse of “break” between the mathematics of the Song-Yuan period and that of the Ming period is quite widespread in the historical writings dealing with mathematics in China. This thesis analyzes the process and the reasons of the shaping of this kind of discourse and suggests that discourses that insisted on a “break” only appeared when observers looked at mathematics from certain viewpoints. This thesis is devoted to finding elements of continuity between the mathematics of the Ming dynasty and that of the Song-Yuan time period. The Nine Chapters on Mathematical Procedures (thereafter, The Nine Chapters) represented a very important book during these two periods. The completion date of The Nine Chapters in the form that was handed down is placed somewhere between the first century B.C.E. and the first century C.E. Yang Hui’s Mathematical Methods (1261 C.E.) and Wu Jing’s Great Compendium (1450 C.E.) are extant and precious mathematical writings from the two periods considered, which were based precisely on The Nine Chapters and its ancient commentaries. With respect to the continuity of mathematical text between these two books, my dissertation offers case studies that show that Wu Jing systematically took parts of the text of Mathematical Methods to compile Great Compendium. The rule by which text was extracted from each chapter could be used to partly recover Yang Hui’s text. With respect to the continuity of mathematical ideas, firstly, the arrangement and the order of problems are essential results of the Song scholar’s treatment of The Nine Chapters. They were taken up by Wu Jing when he arranged problems in Great Compendium. Secondly, Yang Hui laid a great emphasis on “mathematical methods”. He added some new mathematical methods and also changed some methods in The Nine Chapters. Wu Jing understood these changes and adopted them in his Great Compendium. Meanwhile, some mathematical concepts and terms, and the use of diagrams, relating to these mathematical methods that the Song scholar introduced, were also absorbed into Great Compendium. All these findings prove that The Nine Chapters that circulated in the Ming dynasty had been largely permeated by the thoughts of the Song scholar
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Chao, Zui-Yin, and 趙子瑩. "The Madrasa of Hui-Ming in China during Ming and Ching Dynasty." Thesis, 1997. http://ndltd.ncl.edu.tw/handle/63505326996759782540.

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Ming-Hui, Chen, and 陳明惠. "A Ultimate Accumulation Of Quality And Energy - Creation By Chen Ming-Hui." Thesis, 2003. http://ndltd.ncl.edu.tw/handle/73826169186539402573.

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碩士
國立高雄師範大學
美術系碩士班
91
This thesis embarks on an investigation by the repeated accumulation of the mass of media and the energy of the body to form a "fullness." After the anxiety of "tightness," this is a deconstruction with an extremely light and free attitude. The early work "Mass of Consciousness" piled up distinguishable concrete objects, used generous quantities of thick blackness, and pondered the issue of multiplicity. I extracted single elements in later works, such as lines, to enter an even purer stacking, which led to the creation of the "Silent Dust" series. As far as I am concerned, stacks not only employ large quantities of massive media and inject the energy of the body, but also add up the linearity of time and seek after the mental dilution of every brushstroke. I take an extremely heavy mass of substance to correspond to the weightiness of life. But the ultimate result of the accumulation of mass and energy is just the pursuit of release into a state of freedom and grace. As a consequence, after sublimation, "Silent Dust" carries all the odds and ends of consciousness in compressed form, and in the end chooses to confront "heaviness" with "lightness," and return to the everyday world. Moreover, this thesis seeks to employ the "stacking" behavior and use of "lines" in my works to explore the characteristics seen in the works of female artists. I then discuss women's creative force via the asphalt in the "Brew Ink" concept, and finally gradually interpret the approach of my works after returning to level of women's relationship with art, while inquiring into the creative style and psychological form of most women artists.
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Hsieh, Chu-ying, and 謝菊英. ""Sexagenary cycle Match to Five Elements As Symbols" in "San Ming Tong Hui"." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/96253940633577811046.

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碩士
華梵大學
東方人文思想研究所
101
Numerology is one of the most profound historic significance and widely disseminated in theory of Chinese traditional culture. Chinese numerology with its ingenious multiple application in many ways of ancient culture have been concerned as a indicate of life and respect it as a rule of living especially during the period fromearly Qin Dynasty to Qing Dynasty. “San Ming Tong Hui” was published in Ming Dynasty by Wan, Man-Ying. In the first volume“The Good and Bad Luck of the Five Elements and Sexagenary cycle”,he applied the theory from “Li,Xu-Zhong’s numerology ”,which came from Tang Dynasty. By considering of all kind of theory, both theoretical and practical, “San Ming Tong Hui” has become a master piece in numerology with highly recommendation by the leaner of the later years. This thesis is focus on the Ideas of “Sexagenary cycle Match to Five Elements As Symbols”in“San Ming Tong Hui”.The discussion is based on Bazi to forecast ones fortune. By using Sexagenary cycle Match to Five Elements ,so called “Na Yin”,with each five elements match to the ten Heavenly Stems and the twelve Earthly Branches, we can have thirty combinations ,which carried the characters of each Five Elements and indicates the good and bad luck, correspond to one’s stages of lifetime in Sexagenary cycle. Thus, we can tell a man’s fortune to be rich or poor, high or low, just through one’s Bazi, which formed into four pairs of“Na Yin”.That is the importance of the “Na Yin” fortune-telling system that concerned to ones aspect in he or her whole life.
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Books on the topic "Hui-Ming"

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Hui ming. [Beijing: Beijing zhong xian tuo fang ke ji fa zhan you xian gong si, 2012.

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Ming xing, ming xing, hui. Taibei Shi: Tian yuan tu shu you xian gong si, 1988.

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Er nü ming ming hui dian. Tainan shi: Xin hong chu ban she, 2002.

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Xing ming hui dian. Xianggang: Qian kun chu ban she, 1990.

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She hui ming liu. Nanchang: Jiangxi ren min chu ban she, 1986.

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Shi ming hui jiao. Ji'nan: Qi Lu shu she, 2006.

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Shiwu Zhong Hua gong shang zong hui. Hui yuan ming ce. Sibu, Sarawak, Malaysia: Shiwu Zhong Hua gong shang zong hui, 2005.

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Ming hua hui zhen. Taibei Shi: Guo li gu gong bo wu yüan, 1992.

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Laozi, ed. Sheng ming de da zhi hui, Laozi: Sheng ming deda zhi hui. Shijiazhuang Shi: Hebei Sheng xin hua shu dian fa xing, 1988.

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Zhang, Quan. Qiping shi xuan ming hui yin hui dian. Taizhong Shi: Xin qi ye shi jie chu ban she, 1985.

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Book chapters on the topic "Hui-Ming"

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"Settling in China: The Hui during the Ming Dynasty." In China's Muslim Hui Community, 49–64. Routledge, 2013. http://dx.doi.org/10.4324/9781315027265-10.

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"China and Islam before the Ming Dynasty." In China's Muslim Hui Community, 33–48. Routledge, 2013. http://dx.doi.org/10.4324/9781315027265-9.

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"Farming Technologies for Sugarcane Production in Upland Fields Yang-Rui Li,Xiu-Peng Song, Jian-Ming Wu,Chang-Ning Li,Qiang Liang, Xi-Hui Liu, Wei-Zan Wang,Hong-Wei Tan, and Li-Tao Yang." In Sustainable Sugarcane Production, 23–38. Apple Academic Press, 2018. http://dx.doi.org/10.1201/9781351047760-10.

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