Academic literature on the topic 'Human portraits'

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Journal articles on the topic "Human portraits"

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Heikkilä, Martta. "From the Self-Image to the Image Itself." Glimpse 22, no. 1 (2021): 18–22. http://dx.doi.org/10.5840/glimpse20212214.

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In this article, I examine the idea of the portrait from two viewpoints: the ‘classical’ portrait as it appears in Jean-Luc Nancy’s post-phenomenological philosophy, and the recent self-portrait photographs or ‘selfies’ on social media. First, I consider the portrait’s value in Nancy’s theories of art: for him, portraits hold an important position among the genres of visual art, since they present themselves as distinctive images by extracting the innermost force of the portrayed person. Secondly, I take up the philosophical and political implications of Nancy’s notion of the portrait vis-a-vi
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Graham, Daniel, Pamela M. Pallett, Ming Meng, and Helmut Leder. "Representation and Aesthetics of the Human Face in Portraiture." Art & Perception 2, no. 1-2 (2014): 75–98. http://dx.doi.org/10.1163/22134913-00002026.

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How do representations of the face in portraits relate to the natural face, and how does the aesthetics of portraits relate to the aesthetics of faces in photographs? Here we investigate these questions with regard to the frontal face. Frontal faces are of particular interest because they are by far the most commonly studied type of face image in psychology, yet frontal portraits have been little studied by psychologists. Using behavioral and statistical tests, we show that artistic representations of frontal female faces have representational properties that broadly match those of the natural
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Wu, Yiqian, Hao Xu, Xiangjun Tang, et al. "Portrait3D: Text-Guided High-Quality 3D Portrait Generation Using Pyramid Representation and GANs Prior." ACM Transactions on Graphics 43, no. 4 (2024): 1–12. http://dx.doi.org/10.1145/3658162.

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Existing neural rendering-based text-to-3D-portrait generation methods typically make use of human geometry prior and diffusion models to obtain guidance. However, relying solely on geometry information introduces issues such as the Janus problem, over-saturation, and over-smoothing. We present Portrait3D , a novel neural rendering-based framework with a novel joint geometry-appearance prior to achieve text-to-3D-portrait generation that overcomes the aforementioned issues. To accomplish this, we train a 3D portrait generator, 3DPortraitGAN, as a robust prior. This generator is capable of prod
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Yan, Yuchun, and Hyeon-Jeong Suk. "Affective Effect of Multi-source Portraits Under Various Illuminants on One Scene." Journal of Imaging Science and Technology 64, no. 2 (2020): 20509–1. http://dx.doi.org/10.2352/j.imagingsci.technol.2020.64.2.020509.

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Abstract When portraits taken under various illuminants are placed together, they appear disparate from each other due to observers’ chromatic adaption to each portrait locally. Because the human perception has strong attachment to the memory color of human skin, it may cause an affective effect. This study intends to identify the affective effect of viewing multiple number of portraits whose white balance are not aligned. A visual assessment was conveyed, where portraits from different sources were matched. To simulate various illuminant conditions, three alterations of white balance were pre
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Mammadova, F. "Artistic features of portrait works of people’s artist Huseyngulu Aliev." Culture of Ukraine, no. 72 (June 23, 2021): 62–70. http://dx.doi.org/10.31516/2410-5325.072.09.

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Achieving a realistic view of the image on canvas or paper is a key requirement of the portrait genre. Since the establishment of the professional school of painting, the portrait has attracted the attention of Azerbaijani artists and has been widely used in their work. Thus, in our miniatures of the Middle Ages, as well as among the paintings created in the XIX–XXI centuries, you can find beautiful, eye-catching portraits with high artistic value. Thus, the portrait has always occupied one of the main places in Azerbaijani painting. Of course, the main object of the portrait genre is a person
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Almhaithawi, Doaa, Alessandro Bellini, and Tania Cerquitelli. "Toward Unbiased High-Quality Portraits through Latent-Space Evaluation." Journal of Imaging 10, no. 7 (2024): 157. http://dx.doi.org/10.3390/jimaging10070157.

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Images, texts, voices, and signals can be synthesized by latent spaces in a multidimensional vector, which can be explored without the hurdles of noise or other interfering factors. In this paper, we present a practical use case that demonstrates the power of latent space in exploring complex realities such as image space. We focus on DaVinciFace, an AI-based system that explores the StyleGAN2 space to create a high-quality portrait for anyone in the style of the Renaissance genius Leonardo da Vinci. The user enters one of their portraits and receives the corresponding Da Vinci-style portrait
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Suka Asih K.Tus., Desyanti. "Potret Sebagai Data Pribadi Yang Di Komersilkan." Jurnal Ilmiah Raad Kertha 2, no. 1 (2020): 81–100. http://dx.doi.org/10.47532/jirk.v2i1.154.

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Portraitis works of copyrighted photography with human objects. Personal data is data inthe form of personal identities, codes, symbols, letters or numbers of personal identifiers.Personal data includes personal life affairs including (history) someone's communication.Whereas in concept, personal data is not merely information about domestic sphere, but alsoinformation about professional history,professional and public life because a person'spersonal affairs also intersect with the relevant public affairs (interpesonal relationships andalso facts that occur in public spaces). Legitimacy of per
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Lu, Zhouxing (Jason). "Self-portraits." Interactions 22, no. 3 (2015): 80. http://dx.doi.org/10.1145/2754307.

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Yan, Yuchun, and Hyeon-Jeong Suk. "Skin Balancing: Skin Color-Based Calibration for Portrait Images to Enhance the Affective Quality." Color and Imaging Conference 2019, no. 1 (2019): 91–94. http://dx.doi.org/10.2352/issn.2169-2629.2019.27.17.

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Because our sensitivity to human skin color leads to a precise chromatic adjustment, skin color has been considered a calibration target to enhance the quality of images that contain human faces. In this paper, we investigated the perceived quality of portrait images depending on how the target skin color is defined: measured, memory, digital, or CCT skin color variations. A user study was conducted; 24 participants assessed the quality of white-balanced portraits on five criteria: reality, naturalness, appropriateness, preference, and emotional enhancement. The results showed that the calibra
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Maurer, A. M., and A. M. Chumakova. "The main results of using the method of composite photo portrait for the purposes of ethnic anthropology (in the works of anthropologists of Lomonosov Moscow State University)." Moscow University Anthropology Bulletin (Vestnik Moskovskogo Universiteta Seria XXIII Antropologia), no. 4, 2024 (November 18, 2024): 90–100. https://doi.org/10.55959/msu2074-8132-24-4-6.

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Introduction. One of the central tasks of ethnic anthropology is to describe the phenotypic variability in modern human populations. In recent years, the number of publications visualizing the morphological features of a human face at the population level has increased significantly. The purpose of the article is to show the latest achievements of Lomonosov Moscow State University’s anthropologists, made by using the composite photo portrait (CPP) method. Materials and methods. The material for the article was the works of the Moscow University’s anthropological scientific school in recent yea
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Dissertations / Theses on the topic "Human portraits"

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Dollar, Alena Victoria. "The Complexity of Human Nature in the Portraits of the Marginalized in Yuri Kazakov’s Village Prose." Scholarship @ Claremont, 2017. http://scholarship.claremont.edu/scripps_theses/1020.

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One of the first Village Prose writers was Yuri Kazakov. In his short stories about life in remote Russian villages, Kazakov was able to combine traditions of Tolstoy and Dostoyevsky with traditions of Turgenev and Bunin and created a unique style using psychological parallelism in lyrical prose. Through the aspects of village, nature, time, and native language, Yuri Kazakov exposed the life of the marginals. He was interested in individuals and their personal feelings and thoughts. He did not look at individuals as a part of society but rather as a part of and the creation of nature. Therefor
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Choi, Bong-lim. "Portraits de mains dans la photographie." Paris 1, 1998. http://www.theses.fr/1998PA010662.

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Mes études concernent deux problèmes à travers les portraits de mains dans la photographie : l'un théorique l'autre historique. Le premier qui a, pourtant, une réelle validité historique consiste à savoir comment la figuration de mains peut entrer dans la définition du genre portrait, en d'autres termes, comment la main peut se substituer au visage. Le second pourrait se formuler de la façon suivante : à quelles conditions historiques et à quelles adhésions de systèmes iconographiques les portraits de mains peuvent-ils se produire? Mes études essaient d'abord de reconstituer la signification d
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Ryu-Paganini, Naeyoung. "L'oeuvre de Yun Duseo (1668-1715), peintre-lettré coréen à l'époque "prémoderne"." Thesis, Strasbourg, 2017. http://www.theses.fr/2017STRAG032/document.

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L’œuvre de YUN Duseo (1668-1715), peintre lettré ayant vécu lors de la dernière monarchie coréenne, reflète la forte sinisation de la société de l’époque. Cette œuvre est un fruit de la civilisation du « monde chinois », et interroge les principes esthétiques et le statut de la peinture dérivés de la doctrine néo-confucéenne, doctrine elle-même ici associée à des doctrines souvent considérées comme opposées, le taoïsme et le bouddhisme. YUN Duseo invente une peinture « pré-moderne » qui met en valeur de manière nouvelle des figures humaines, les portraits en particulier, et donne une nouvelle
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Donnachie, Karen Ann. "The Human Use of the Human Face: The Photographic Self-­Portrait in the Age of the Selfie." Thesis, Curtin University, 2015. http://hdl.handle.net/20.500.11937/48541.

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Karen Ann Donnachie's research explores the phenomenon of the selfie as a vehicle for the mass projection of self and the effect it has on contemporary notions of identity, society and photography. During her practice-led research, Donnachie created electronic, algorithmic and Internet artworks including self-made and self-programmed ‘selfie’ cameras. This thesis maps the complex genre of the selfie between performance, narcissism, social tic, intrinsic desire for self-projection and a quest for authenticity and human connection.
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Fonseca, Raquel. "Portrait et photogénie, photographie et chirurgie esthétique." Paris 8, 2009. http://www.theses.fr/2009PA083107.

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Ce travail est inséparable d'une longue pratique du portrait et a été fédéré par le concept esthétique fondateur de photogénie. Ceci nous a conduit à chercher en dehors de la photographie, plus précisément en chirurgie esthétique, les applications possibles de ce concept esthétique là où l'art n’existe pas. Le problème qui détermine cette réflexion est fondé sur le désir de transformation de l'apparence animé par le concept de photogénie. Le portrait photographique permet de centrer la réflexion sur la photogénie comme valeur esthétique de l'image photographique et, plus précisément, sur ses r
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Broeckmann, Andreas. "A visual economy of individuals : the use of portrait photography in the nineteenth-century human sciences." Thesis, University of East Anglia, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.326514.

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Fajardo, Montaño Daniel. "La visualidad rostri-publicitaria. Máscaras trans-humanas. De la fotografía del rostro a la transformación urbana de las personas en mercancía." Doctoral thesis, Universitat Politècnica de València, 2021. http://hdl.handle.net/10251/171744.

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[ES] "La visualidad rostri-publicitaria. Máscaras trans-humanas, de la fotografía del rostro a la transformación urbana de las personas en mercancía.", coloca en el centro del análisis el fenómeno urbano que se da con la presencia masiva, repetitiva y persistente de publicidad que utiliza rostros fotografiados como parte de su estrategia comercial. Asume que en la urbanidad se vive una guerra simbólica que tiene como antecedente siglos de utilización del poder de las imágenes como instrumento de domesticación ideológica. Entiende a la ciudad no solo desde su materialidad como la suma de sus ed
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Murphy, Alexandra Christina. "An exploration into the photo-transformation of the human form, through a research of its contemporary influential imagery and diversity within our culture." Thesis, Rhodes University, 1996. http://hdl.handle.net/10962/d1002212.

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The purpose of this study is to look at how the figure is imaged through the photographic medium today. Through this purpose I aim to explore the individual expression of the photographer in his photographic medium; the expression of the figure within the medium and the diverse practises of this medium in society - to build up an awareness and understanding of the diverse representations of the human form. The general aims of study are: 1 - to study how these three photographers choose to photograph the figure, through their technical, compositional and individual approach. 2 - to show how div
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Silva, Leandro Sebastian Pereira da. "Utilização do esboço para recuperação de imagens de faces humanas." Universidade de São Paulo, 2012. http://www.teses.usp.br/teses/disponiveis/18/18152/tde-30012013-080502/.

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No segmento criminal, uma ferramenta digital capaz de comparar informações sobre suspeitos criminais, restringindo a lista de potenciais criminosos, representa um grande avanço tecnológico. O desafio é conseguir recuperar imagens similares em banco de dados a partir do retrato falado de um suspeito, sendo assim possível localizar as imagens de criminosos no banco de faces da polícia. A importância desse desafio deve-se ao fato que na maioria dos casos, o retrato falado gerado, a partir da descrição verbal de testemunhas é o ponto de partida para o desfecho de muitas investigações. Em vista dis
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FERRAMOSCA, Irene Sabrina. "Door to door waste collection: indirizzi valoriali dei cittadini." Doctoral thesis, Università degli studi di Bergamo, 2013. http://hdl.handle.net/10446/28793.

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L’interesse per i problemi di natura ambientale e la scarsità di discariche hanno spinto verso la necessità di creare nuove leggi anche in Europa per la salvaguardia del Pianeta. Ciò ha indirizzato verso il riciclaggio come alternativa ai metodi tradizionali di smaltimento dei rifiuti. L’introduzione del servizio di differenziazione porta a porta a Lecce, una città del sud Italia, ha mosso la curiosità di indagare sulle relazioni tra cittadini e ambiente, attraverso l’individuazione dei valori personali che incidono sulle predisposizioni personali e che possono trasformare gli atteggiamenti i
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Books on the topic "Human portraits"

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Kristine, Lisa. A human thread. Migration Editions, 2002.

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1953-, O'Bireck Gary Michael, and O'Bireck Sheila A, eds. Human portraits and behavioral inquiries. Canadian Scholars' Press, 2002.

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Wright, Alison. Face to face: Portraits of the human spirit. Schiffer Publishing, 2013.

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Bergin, Mark. Draw portraits and the human figure. Book House, 2012.

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Red, Grooms, Katonah Museum of Art, Norton Museum of Art, and Gibbes Museum of Art (Charleston, S.C.), eds. The human comedy: Portraits by Red Grooms. Katonah Museum of Art, 2002.

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K, Adjibolosoo Senyo B.-S., ed. Portraits of human behavior and performance: The human factor in action. University Press of America, 2001.

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Cayford, George. Drawing figures and portraits. Search, 1986.

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Weinstein, Martin E. The human face of Japan's leadership: Twelve portraits. Praeger, 1989.

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Eisenmann, Charles. Monsters: Human freaks in America's gilded age : the photographs of Chas. Eisenmann. ECW Press, 2002.

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Welsh, Eduardo. Portraits, figures, couples, groups. Modern Chinese Art Foundation, 2001.

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Book chapters on the topic "Human portraits"

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Wyld, Lynda, Ramsey Cutress, and Jenna Morgan. "Comprehensive Molecular Portraits of Human Breast Tumours." In 50 Landmark Papers every Breast Surgeon Should Know. CRC Press, 2024. http://dx.doi.org/10.1201/b23352-21.

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Hodne, Lasse. "Unit 2 Lesson: Portraits as Faces." In Neuroaesthetics. Springer International Publishing, 2024. http://dx.doi.org/10.1007/978-3-031-42323-9_6.

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AbstractPortraits have been a part of human civilization for thousands of years. According to the famous Roman historian and naturalist, Pliny the Elder (AD 23/24–79), the first painting ever made, was a portrait. It was presumably invented by the daughter of a man called Butades, a potter from Sicyon in Greece. To preserve the memory of her beloved who was going away for a while, she decided to trace the profile of his head from the shadow cast on a wall.
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Rezaei, Mahdi. "Artistic Rendering of Human Portraits Paying Attention to Facial Features." In Lecture Notes of the Institute for Computer Sciences, Social Informatics and Telecommunications Engineering. Springer Berlin Heidelberg, 2012. http://dx.doi.org/10.1007/978-3-642-33329-3_11.

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Okubo, Masashi, and Satoshi Nobuta. "Proposal of Avatar Generating Method by Composition of the Portraits Made by Friends." In Human Interface and the Management of Information. Information and Interaction Design. Springer Berlin Heidelberg, 2013. http://dx.doi.org/10.1007/978-3-642-39209-2_58.

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Laws, Ben. "An Introduction to Nonreligious Asylum Seekers." In Asylum and Nonreligion. Springer Nature Switzerland, 2024. https://doi.org/10.1007/978-3-031-71765-9_1.

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AbstractThis book examines the challenges of nonreligious asylum seekers, based on two years of fieldwork in Sweden, The Netherlands, and Norway. It highlights the unique difficulties they face, such as being incorrectly assimilated with religious converts, evidencing their non-belief, and the stereotypes that undermine their claims. Despite international human rights protections, nonreligious individuals often struggle within asylum systems due to biases and inadequate guidelines. The study provides detailed case portraits and analyses institutional processes, offering insights into the emoti
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Sakellaridou, Elizabeth. "Humane Realism: Consolidation of the New Image." In Pinter’s Female Portraits. Palgrave Macmillan UK, 1988. http://dx.doi.org/10.1007/978-1-349-09220-8_6.

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Dreidemy, Lucile. "A Dictator with a Human Face?" In The Political Portrait. Routledge, 2020. http://dx.doi.org/10.4324/9781351187152-6.

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Canfield, John V. "Self-Portrait, Ink on Paper." In Becoming Human. Palgrave Macmillan UK, 2007. http://dx.doi.org/10.1057/9780230288225_6.

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Schweitzer, Marlis. "Consuming Celebrity." In The Retro-Futurism of Cuteness. punctum books, 2017. https://doi.org/10.21983/p3.0188.1.07.

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In a shelf in the vaults of the Folger Shakespeare Library sit several snuffboxes bearing the image of Master William Henry West Betty, the child actor who dominated the British stage be-tween 1803 and 1806 (figs. 1 and 2). Small, pretty, and delicate, these snuffboxes are undeniably “cute,” in keeping with the as-sociation of cuteness with fragility, empathy, and desire (Merish 187). Like other cute objects, they invite human touch despite their vulnerable materiality, as if to say, “Hold me carefully or I will break.” The tiny portraits painted onto the ivory lids en-hance the boxes’ cutenes
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Hellberg, Fredrik. "Thoughts on Meta-Virtual Solipsism." In The Funambulist Papers, Volume 1. punctum books, 2013. https://doi.org/10.21983/p3.0053.1.22.

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INT. LIFE EXTENSION OFFICE - DAYDavid Aames and McCabe sit and wait in a warm wood-pan-eled office, proposals in hand. A glimpse shows words like ‘re-evolve’ and ‘re-experience’, peppered with colorful photos of simple, life-affirming portraits of everyday life. It’s a well-ap-pointed, well-marketed organization.McCabe regards David as the victim of a lunatic’s scam.Injustice fuels McCabe.DEARBORNThe DNA codes of the human body have been broken. Soon, heart ailments, cancer and so much more will be a thing of the past. Very simply: your anguish, your discontent... even your death is no longer
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Conference papers on the topic "Human portraits"

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Gao, Fei, Lingna Dai, Jingjie Zhu, et al. "Human-Robot Interactive Creation of Artistic Portrait Drawings." In 2024 IEEE International Conference on Robotics and Automation (ICRA). IEEE, 2024. http://dx.doi.org/10.1109/icra57147.2024.10611451.

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Mohanty, Vikram, David Thames, Sneha Mehta, and Kurt Luther. "Supporting Historical Photo Identification with Face Recognition and Crowdsourced Human Expertise (Extended Abstract)." In Twenty-Ninth International Joint Conference on Artificial Intelligence and Seventeenth Pacific Rim International Conference on Artificial Intelligence {IJCAI-PRICAI-20}. International Joint Conferences on Artificial Intelligence Organization, 2020. http://dx.doi.org/10.24963/ijcai.2020/660.

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Identifying people in historical photographs is important for interpreting material culture, correcting the historical record, and creating economic value, but it is also a complex and challenging task. In this paper, we focus on identifying portraits of soldiers who participated in the American Civil War (1861-65). Millions of these portraits survive, but only 10-20% are identified. We created Photo Sleuth, a web-based platform that combines crowdsourced human expertise and automated face recognition to support Civil War portrait identification. Our mixed-methods evaluation of Photo Sleuth on
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Clarke, Rachel, Peter Wright, Madeline Balaam, and John McCarthy. "Digital portraits." In CHI '13: CHI Conference on Human Factors in Computing Systems. ACM, 2013. http://dx.doi.org/10.1145/2470654.2481348.

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Jalal, Ghita, Nolwenn Maudet, and Wendy E. Mackay. "Color Portraits." In CHI '15: CHI Conference on Human Factors in Computing Systems. ACM, 2015. http://dx.doi.org/10.1145/2702123.2702173.

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Meng, Meng, Mingtian Zhao, and Song-Chun Zhu. "Artistic paper-cut of human portraits." In the international conference. ACM Press, 2010. http://dx.doi.org/10.1145/1873951.1874116.

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Chen, Hong, Ziqiang Liu, Chuck Rose, Yingqing Xu, Heung-Yeung Shum, and David Salesin. "Example-based composite sketching of human portraits." In the 3rd international symposium. ACM Press, 2004. http://dx.doi.org/10.1145/987657.987673.

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Barness, Jessica, and Steven McCarthy. "Performing Human Pixels in Glitched: Portraits of Transformation." In 9th Conference of the International Committee for Design History and Design Studies. Editora Edgard Blücher, 2014. http://dx.doi.org/10.5151/despro-icdhs2014-0071.

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Dedeurwaerder, Sarah, Christine Desmedt, Emilie Calonne, et al. "Abstract LB-180: Epigenetic portraits of human breast cancers." In Proceedings: AACR 102nd Annual Meeting 2011‐‐ Apr 2‐6, 2011; Orlando, FL. American Association for Cancer Research, 2011. http://dx.doi.org/10.1158/1538-7445.am2011-lb-180.

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Flores-Saviaga, Claudia, Christopher Curtis, and Saiph Savage. "Inclusive Portraits: Race-Aware Human-in-the-Loop Technology." In EAAMO '23: Equity and Access in Algorithms, Mechanisms, and Optimization. ACM, 2023. http://dx.doi.org/10.1145/3617694.3623235.

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Shi, Yang, Yechun Peng, Shengqi Dang, Nanxuan Zhao, and Nan Cao. "Personalizing Products with Stylized Head Portraits for Self-Expression." In CHI '24: CHI Conference on Human Factors in Computing Systems. ACM, 2024. http://dx.doi.org/10.1145/3613904.3642391.

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Reports on the topic "Human portraits"

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DiGiano, Amelia. Portraits of a Planet in Crisis. Montana State University, 2025. https://doi.org/10.15788/1751923055.

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The climate crisis makes my future, and the future of humanity, feel alarmingly precarious. I started to develop this series as a way of documenting this sensation, the chronic fear associated with climate change. But as I began approaching people to include in the project, it became clear that we do not all conceptualize climate change in the same way. To some it feels existential, but to others it feels fabricated and to many, it feels entirely beyond human control. Portraits of a Planet in Crisis explores and documents this broad spectrum of human stories that transpire within stories of en
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Yatsymirska, Mariya. MODERN MEDIA TEXT: POLITICAL NARRATIVES, MEANINGS AND SENSES, EMOTIONAL MARKERS. Ivan Franko National University of Lviv, 2022. http://dx.doi.org/10.30970/vjo.2022.51.11411.

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The article examines modern media texts in the field of political journalism; the role of information narratives and emotional markers in media doctrine is clarified; verbal expression of rational meanings in the articles of famous Ukrainian analysts is shown. Popular theories of emotions in the process of cognition are considered, their relationship with the author’s personality, reader psychology and gonzo journalism is shown. Since the media text, in contrast to the text, is a product of social communication, the main narrative is information with the intention of influencing public opinion
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