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Journal articles on the topic 'Human portraits'

Author: Grafiati

Published: 2 June 2025

Last updated: 31 July 2025

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1

Heikkilä, Martta. "From the Self-Image to the Image Itself." Glimpse 22, no. 1 (2021): 18–22. http://dx.doi.org/10.5840/glimpse20212214.

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In this article, I examine the idea of the portrait from two viewpoints: the ‘classical’ portrait as it appears in Jean-Luc Nancy’s post-phenomenological philosophy, and the recent self-portrait photographs or ‘selfies’ on social media. First, I consider the portrait’s value in Nancy’s theories of art: for him, portraits hold an important position among the genres of visual art, since they present themselves as distinctive images by extracting the innermost force of the portrayed person. Secondly, I take up the philosophical and political implications of Nancy’s notion of the portrait vis-a-vi

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Graham, Daniel, Pamela M. Pallett, Ming Meng, and Helmut Leder. "Representation and Aesthetics of the Human Face in Portraiture." Art & Perception 2, no. 1-2 (2014): 75–98. http://dx.doi.org/10.1163/22134913-00002026.

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How do representations of the face in portraits relate to the natural face, and how does the aesthetics of portraits relate to the aesthetics of faces in photographs? Here we investigate these questions with regard to the frontal face. Frontal faces are of particular interest because they are by far the most commonly studied type of face image in psychology, yet frontal portraits have been little studied by psychologists. Using behavioral and statistical tests, we show that artistic representations of frontal female faces have representational properties that broadly match those of the natural

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Wu, Yiqian, Hao Xu, Xiangjun Tang, et al. "Portrait3D: Text-Guided High-Quality 3D Portrait Generation Using Pyramid Representation and GANs Prior." ACM Transactions on Graphics 43, no. 4 (2024): 1–12. http://dx.doi.org/10.1145/3658162.

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Existing neural rendering-based text-to-3D-portrait generation methods typically make use of human geometry prior and diffusion models to obtain guidance. However, relying solely on geometry information introduces issues such as the Janus problem, over-saturation, and over-smoothing. We present Portrait3D , a novel neural rendering-based framework with a novel joint geometry-appearance prior to achieve text-to-3D-portrait generation that overcomes the aforementioned issues. To accomplish this, we train a 3D portrait generator, 3DPortraitGAN, as a robust prior. This generator is capable of prod

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Yan, Yuchun, and Hyeon-Jeong Suk. "Affective Effect of Multi-source Portraits Under Various Illuminants on One Scene." Journal of Imaging Science and Technology 64, no. 2 (2020): 20509–1. http://dx.doi.org/10.2352/j.imagingsci.technol.2020.64.2.020509.

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Abstract When portraits taken under various illuminants are placed together, they appear disparate from each other due to observers’ chromatic adaption to each portrait locally. Because the human perception has strong attachment to the memory color of human skin, it may cause an affective effect. This study intends to identify the affective effect of viewing multiple number of portraits whose white balance are not aligned. A visual assessment was conveyed, where portraits from different sources were matched. To simulate various illuminant conditions, three alterations of white balance were pre

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Mammadova, F. "Artistic features of portrait works of people’s artist Huseyngulu Aliev." Culture of Ukraine, no. 72 (June 23, 2021): 62–70. http://dx.doi.org/10.31516/2410-5325.072.09.

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Achieving a realistic view of the image on canvas or paper is a key requirement of the portrait genre. Since the establishment of the professional school of painting, the portrait has attracted the attention of Azerbaijani artists and has been widely used in their work. Thus, in our miniatures of the Middle Ages, as well as among the paintings created in the XIX–XXI centuries, you can find beautiful, eye-catching portraits with high artistic value. Thus, the portrait has always occupied one of the main places in Azerbaijani painting. Of course, the main object of the portrait genre is a person

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Almhaithawi, Doaa, Alessandro Bellini, and Tania Cerquitelli. "Toward Unbiased High-Quality Portraits through Latent-Space Evaluation." Journal of Imaging 10, no. 7 (2024): 157. http://dx.doi.org/10.3390/jimaging10070157.

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Images, texts, voices, and signals can be synthesized by latent spaces in a multidimensional vector, which can be explored without the hurdles of noise or other interfering factors. In this paper, we present a practical use case that demonstrates the power of latent space in exploring complex realities such as image space. We focus on DaVinciFace, an AI-based system that explores the StyleGAN2 space to create a high-quality portrait for anyone in the style of the Renaissance genius Leonardo da Vinci. The user enters one of their portraits and receives the corresponding Da Vinci-style portrait

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Suka Asih K.Tus., Desyanti. "Potret Sebagai Data Pribadi Yang Di Komersilkan." Jurnal Ilmiah Raad Kertha 2, no. 1 (2020): 81–100. http://dx.doi.org/10.47532/jirk.v2i1.154.

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Portraitis works of copyrighted photography with human objects. Personal data is data inthe form of personal identities, codes, symbols, letters or numbers of personal identifiers.Personal data includes personal life affairs including (history) someone's communication.Whereas in concept, personal data is not merely information about domestic sphere, but alsoinformation about professional history,professional and public life because a person'spersonal affairs also intersect with the relevant public affairs (interpesonal relationships andalso facts that occur in public spaces). Legitimacy of per

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Lu, Zhouxing (Jason). "Self-portraits." Interactions 22, no. 3 (2015): 80. http://dx.doi.org/10.1145/2754307.

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Yan, Yuchun, and Hyeon-Jeong Suk. "Skin Balancing: Skin Color-Based Calibration for Portrait Images to Enhance the Affective Quality." Color and Imaging Conference 2019, no. 1 (2019): 91–94. http://dx.doi.org/10.2352/issn.2169-2629.2019.27.17.

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Because our sensitivity to human skin color leads to a precise chromatic adjustment, skin color has been considered a calibration target to enhance the quality of images that contain human faces. In this paper, we investigated the perceived quality of portrait images depending on how the target skin color is defined: measured, memory, digital, or CCT skin color variations. A user study was conducted; 24 participants assessed the quality of white-balanced portraits on five criteria: reality, naturalness, appropriateness, preference, and emotional enhancement. The results showed that the calibra

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Maurer, A. M., and A. M. Chumakova. "The main results of using the method of composite photo portrait for the purposes of ethnic anthropology (in the works of anthropologists of Lomonosov Moscow State University)." Moscow University Anthropology Bulletin (Vestnik Moskovskogo Universiteta Seria XXIII Antropologia), no. 4, 2024 (November 18, 2024): 90–100. https://doi.org/10.55959/msu2074-8132-24-4-6.

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Introduction. One of the central tasks of ethnic anthropology is to describe the phenotypic variability in modern human populations. In recent years, the number of publications visualizing the morphological features of a human face at the population level has increased significantly. The purpose of the article is to show the latest achievements of Lomonosov Moscow State University’s anthropologists, made by using the composite photo portrait (CPP) method. Materials and methods. The material for the article was the works of the Moscow University’s anthropological scientific school in recent yea

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Stepanian-Rumyantseva, Elena V. "The Literary Portrait from Pushkin to Dostoevsky." Dostoevsky and world culture. Philological journal, no. 4 (2020): 86–104. http://dx.doi.org/10.22455/2541-7894-2020-4-86-104.

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The article explores the peculiarities of literary portraits and studies the interconnections and contrasts between painted and written portraits. The recognizability of a portrait in pictorial art is attained not only through physical resemblance but also through “artistic deformations” that the author introduces to the appearance of the portrayed. In a literary portrait, identification is achieved both by verbal and plastic detailing and by addressing the reader’s inner experience and imagination. Traditionally, the literary portrait in the Russian literature of the 19th century is based mos

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Stepanian-Rumyantseva, Elena V. "The Literary Portrait from Pushkin to Dostoevsky." Dostoevsky and World Culture. Philological journal, no. 4 (2020): 86–104. http://dx.doi.org/10.22455/2619-0311-2020-4-86-104.

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The article explores the peculiarities of literary portraits and studies the interconnections and contrasts between painted and written portraits. The recognizability of a portrait in pictorial art is attained not only through physical resemblance but also through “artistic deformations” that the author introduces to the appearance of the portrayed. In a literary portrait, identification is achieved both by verbal and plastic detailing and by addressing the reader’s inner experience and imagination. Traditionally, the literary portrait in the Russian literature of the 19th century is based mos

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Писаренко, Катерина Вікторівна. "ТИПОЛОГІЯ МОВНИХ ПОРТРЕТІВ ПЕРСОНАЖІВ У ХУДОЖНІХ ТЕКСТАХ ТРИПТИХУ «ХРЕСНА ПРОЩА» Р. ІВАНИЧУКА: ЗМІСТОВИйАСПЕКТ". Збірник наукових праць ХНПУ імені Г.С. Сковороди "Лінгвістичні дослідження", № 42 (5 квітня 2016): 150–55. https://doi.org/10.5281/zenodo.49036.

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<em>The publication is written in the context of modern linguistics in reference to problems of human nature and its determination. The article is designat-ed a problem of terminology definitions linguistic portrait. The point of view of linguists on portray-ing are shown according to the various directions of modern linguistics The publication presents a multidimensional thematic classification of linguistic portraits of the characters based on different levels of society and human relations. The language portraits are characterized on the basis of sex, number, physical, social, mental activi

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Solina, Franc. "15 seconds of fame." Leonardo 37, no. 2 (2004): 105–10. http://dx.doi.org/10.1162/0024094041139274.

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15 seconds of fame is an interactive installation that every 15 seconds generates a new pop-art portrait of a randomly selected viewer. The installation was inspired by Andy Warhol's ironical statement that “in the future everybody will be famous for 15 minutes.” The installation detects human faces and crops them from the wide-angle view of people standing before the installation. Pop-art portraits are then generated by applying randomly selected filters to a randomly chosen face from the audience. These portraits are then shown in 15-second intervals on the flat-panel computer monitor, which

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Mersmann, Birgit. "Migrant Portraiture and Life Imaging in Fazal Sheikh’s Photodocumentaries." Imaginations Journal of Cross-Cultural Image Studies/revue d études interculturelle de l image 13, no. 2 (2022): 47–78. http://dx.doi.org/10.17742/image.tp.13.2.3.

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This article explores the role of migrant photo portraiture for life imaging by providing a close reading of two photobooks by contemporary photographer Fazal Sheikh – *A Sense of Common Ground* (1996) and *The Victor Weeps. Afghanistan* (1998). Visual storytelling is a core feature of this social and humanitarian photographer’s work, through which two main questions are addressed: how are real-life migration experiences as survival stories and personal biographies inscribed in the portraits of refugees and migrants? Which form(at)s of portraits are chosen, and which practices of portrayal are

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Pevec, Iza, and Robbie Cooper. "Staring at the Screen: Interview with Photographer Robbie Cooper." Grimace, Vol. 2, no. 1 (2017): 14–19. http://dx.doi.org/10.47659/m2.014.int.

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From the beginnings of the photography, portrait photography has had a special aura – reading one’s own facial expressions and those of others is after all a very human trait. In his project Immersion, British artist Robbie Cooper presents a specific type of portraits – portraits of people as media consumers. We are all aware of the frightening statistics of the average number of hours spent behind the screen, yet Cooper’s intention was not to moralise. A diverse spectrum of people’s expressions captured during watching various media content tells only one part of our human story. In the Immer

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de Melo Maia, Beatriz, André Mourão Lavorato-Rocha, Lara Sant'Ana Rodrigues, et al. "microRNA Portraits in Human Vulvar Carcinoma." Cancer Prevention Research 6, no. 11 (2013): 1231–41. http://dx.doi.org/10.1158/1940-6207.capr-13-0121.

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18

Perou, Charles M., Therese Sørlie, Michael B. Eisen, et al. "Molecular portraits of human breast tumours." Nature 406, no. 6797 (2000): 747–52. http://dx.doi.org/10.1038/35021093.

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Ding, Xue, Shun Han, Hong Hong Yang, Xiao Feng Wang, and Kun Wu Yang. "Human Head Portrait Feature Extraction Based on SIFT." Applied Mechanics and Materials 644-650 (September 2014): 4322–24. http://dx.doi.org/10.4028/www.scientific.net/amm.644-650.4322.

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As the number of students who attend the arts exams has been growing, each admission institutions need to score the human head portraits of art sketch with the number of ten thousand and even 100 thousand. Thus it is an innovative research on how to conduct image recognition with the help of advanced computer technology. Image Recognition Technology is to give the computer the intelligence of human vision, so that the computer can quickly and accurately recognize the object on the input images. However, in the recognition process such factors as light, rotation and shield increase the difficul

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Masse, Isabelle. "Les « portraits de portrait » de Jim Campbell : ambiguïté et traitement de l’information." RACAR : Revue d'art canadienne 39, no. 1 (2014): 52–65. http://dx.doi.org/10.7202/1026202ar.

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The ability or inability to perceive facial features and expressions has a direct impact on communication. In this sense, the clarity or elusiveness of the image in the experience of portraiture should influence spectatorship. It is from this perspective that American artist Jim Campbell uses scientific references to explore the effects of visual ambiguity in electronic portraits belonging to his series “Ambiguous Icons.” This article focuses on two of these portraits, namely a matching pair in which the medium significantly obfuscates the representation: Portrait of a Portrait of Harry Nyquis

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Shpak, Larisa Yu. "Anthropology and art (about some results and plans of the anthropological study of ancient and modern populations based on fine art)." Moscow University Anthropology Bulletin (Vestnik Moskovskogo Universiteta. Seria XXIII. Antropologia), no. 3 (September 15, 2022): 86–99. http://dx.doi.org/10.32521/2074-8132.2022.3.086-099.

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Introduction. The article is devoted to a retrospective review of the results of the anthropological study of fine art sources, achieved by the race research laboratory directed I.V. Perevozchikov that are currently ongoing. Materials and methods. Descriptions of materials and methods are detailed in the main articles of the team cited in the bibliography. Results and discussion. The anthropological study of fine art is a new interdisciplinary direction in anthropology; it is carried out in two directions: 1) the western european portraiture and russian portraiture, 2) the ancient sculpture an

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Yarosh, O. V. "M.P. Mussorgsky’s Vocal Compositions in the Genre of Musical Portrait." Art & Culture Studies, no. 3 (August 2022): 220–45. http://dx.doi.org/10.51678/2226-0072-2022-3-220-245.

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One of the amazing facets of M.P. Mussorgsky’s creative talent was his ability to capture vivid images of specific people: those of contemporaries surrounding him in everyday life and those associated with recreating historical figures and characters from other eras. The article considers the peculiarities of the implementation of the musical portrait genre in the composer’s music. The relevance of the topic is due to the fact that this aspect in the study of M.P. Mussorgsky’s chamber-vocal music has not attracted the attention of scholars yet. The first part of the article reveals the specifi

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Ungureanu, Cristian. "2. Persistence and the Becoming of the Pictorial Portrait." Review of Artistic Education 1, no. 24 (2022): 174–84. http://dx.doi.org/10.2478/rae-2022-0022.

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Abstract The seductive power of the Pictorial Portrait determined that, in the context of certain cultural eras, the portraits were made according to attitudes and expressions that would cover the aspects of philosophical, theological, aesthetic, or political ideals. Once it regains its place in the modern art of the 20th century, the Pictorial Portrait becomes an opportunity to explore unlimited expressive and conceptual dimensions. Artists realize that when there is an exceptional talent and it is educated on all intellectual and spiritual levels of the human being, the perspective on art ac

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Asperti, Andrea, Gabriele Colasuonno, and Antonio Guerra. "Portrait Reification with Generative Diffusion Models." Applied Sciences 13, no. 11 (2023): 6487. http://dx.doi.org/10.3390/app13116487.

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An application of Generative Diffusion Techniques for the reification of human portraits in artistic paintings is presented. By reification we intend the transformation of the painter’s figurative abstraction into a real human face. The application exploits a recent embedding technique for Denoising Diffusion Implicit Models (DDIM), inverting the generative process and mapping the visible image into its latent representation. In this way, we can first embed the portrait into the latent space, and then use the reverse diffusion model, trained to generate real human faces, to produce the most li

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de Jong, Joep C. "We Do Not See Things as They Are, But Rather as We Are." AI Practitioner 26, no. 2 (2024): 26–27. http://dx.doi.org/10.12781/978-1-907549-59-5-4.

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Creating film portraits for a Ph.D. on Appreciative Leadership, mentored by Nic Askew, has become both an art and a business Joep de Jong cherishes. He says, ‘crafting these portraits became an art and passion’. Holding unconditional space fosters profound connections. Editing, though laborious, offers deep self-discovery. Three poignant portraits emerged, each a testament to serendipity and profound human connection.

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Son, Myenghee. "Features and Functions of Sŏnwŏnjŏn of the Late Chosŏn Period Reflected in Ritual Foods and Vessels, Interior Setting, and the Enshrined Portraits." Korean Journal of Art History 312 (December 31, 2021): 35–74. http://dx.doi.org/10.31065/kjah.312.202112.002.

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Sŏnwŏnjŏn (璿源殿, Hall of Jade Source) stands out from other royal portrait halls within the late Chosŏn period on account of its unofficiality. This comes through in its rites, ritual foods and vessels, interior setting, and the enshrined portraits. Sŏnwŏnjŏn was an informal sacred hall where royal family members could personally present offerings and worship before portraits of late Chosŏn kings in the inner court. Birthday tea rituals (誕辰茶禮), which drew on non-Confucian traditions, were established as the representative rite of this hall. Unlike many other ritual halls at the time, these tea

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McCullough, A. "Comprehensive molecular portraits of human breast tumours." Yearbook of Pathology and Laboratory Medicine 2013 (January 2013): 286–88. http://dx.doi.org/10.1016/j.ypat.2012.10.013.

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Halchuk, Oksana. "Pictorial portraits of the nation: Ilya Repin’s «Own» and «Others»." Vìsnik Marìupolʹsʹkogo deržavnogo unìversitetu. Serìâ: Fìlologìâ 15, no. 26-27 (2022): 46–55. http://dx.doi.org/10.34079/2226-3055-2022-15-26-27-46-55.

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The article examines the problem of representing the collective portrait of the nation in the language of painting. The relevance of such a study is determined by the need for identification, which is especially acute in war conditions: the distinction between "own" and "foreign" is a necessary condition for national self-identity and the unity of the human community as a nation. Ilya Repin's painting work was chosen as the object of analysis. The goal is to determine the typological features of the collective portrait of the nation based on Repin's canvases. Achieving the set goal is realized

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Özkazanç, Zeynep. "Gazing With Animals: Auto-portraits Of Surrealist Women Artists." Feminist Tahayyul Akademik Arastirmalar Dergisi 4, no. 2 (2023): 226–57. http://dx.doi.org/10.57193/feminta.2023.226.

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Surrealist women artists have produced a multitude of works that transcend traditional gender and societal roles, presenting visions that blur the boundaries between humans and animals. These works challenge binary distinctions and hierarchical relationships, disrupting social norms and prompting a reimagining of human animal interactions. The self-portraits created by surrealist women, in which they depict themselves alongside animals, establish visual vocabularies that represent women and animal subjects in a non-anthropocentric manner based on interspecies companionship. This companionship

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Lotman, Iúri. "O retrato." Estudos Semióticos 20, no. 1 (2024): 1–23. http://dx.doi.org/10.11606/issn.1980-4016.esse.2024.221773.

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The sight of the human face has always exerted a powerful attraction on us. Whether in painting or photography, in cinema or theater, the representation of the human figure awakens in the viewer a varied range of emotions that range from the simple identification of a person to the inexhaustible mystery of the work of art in museums, passing through the history of customs and the religious function of icons. Lotman warns us that precisely because portrait is the simplest genre, it is also the most sophisticated: “The portrait is a kind of double mirror: in it art is reflected in life and life

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Salmia, Tiina. "Marcello the Dog and More-Than-Human Family in Elina Brotherus's Self-Portraits from the Series Carpe Fucking Diem." TRACE ∴ Journal for Human-Animal Studies 7 (April 7, 2021): 46–68. http://dx.doi.org/10.23984/fjhas.99338.

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This article examines the possibilities of visual culture to open new perspectives on interspecies relations by analyzing self-portraits from visual artist Elina Brotherus’s photography series Carpe Fucking Diem (2011–2015). Brotherus has suggested that this series talks “about a failure to have a family with kids and give normality the finger”. The self-portraits can be seen to address this “failure” to have a normative nuclear family, while simultaneously questioning the desirability of the norm itself through Brotherus’s relationship with her pet dog, dachshund Marcello. The article explore

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Khudayberdievich, Babadjanov Akhmadjan. "The Role of Physiognomics in Teaching Students to Draw Portraits." Emergent Journal of Educational Discoveries and Lifelong Learning (EJEDL) 3, no. 1 (2024): 12. http://dx.doi.org/10.47134/emergent.v3i1.38.

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In the article, it is true that a teacher of fine arts should have high technical knowledge in drawing portraits in the field of pencil drawing, and also have sufficient knowledge in the field of psychology thought about. This study investigates the role of physiognomics in the instruction of portrait drawing to students. Physiognomics, as the study of facial features and character, has long been believed to be a tool for understanding and capturing human expressions. However, its practical application in teaching portrait drawing has not been fully explored. The research employs a qualitative

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Nasrat, Shady, Taewoong Kang, Jinwoo Park, Joonyoung Kim, and Seung-Joon Yi. "Artistic Robotic Arm: Drawing Portraits on Physical Canvas under 80 Seconds." Sensors 23, no. 12 (2023): 5589. http://dx.doi.org/10.3390/s23125589.

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In recent years, the field of robotic portrait drawing has garnered considerable interest, as evidenced by the growing number of researchers focusing on either the speed or quality of the output drawing. However, the pursuit of either speed or quality alone has resulted in a trade-off between the two objectives. Therefore, in this paper, we propose a new approach that combines both objectives by leveraging advanced machine learning techniques and a variable line width Chinese calligraphy pen. Our proposed system emulates the human drawing process, which entails planning the sketch and creating

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Rosado, Pilar, Rubén Fernández, and Ferran Reverter. "GANs and Artificial Facial Expressions in Synthetic Portraits." Big Data and Cognitive Computing 5, no. 4 (2021): 63. http://dx.doi.org/10.3390/bdcc5040063.

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Generative adversarial networks (GANs) provide powerful architectures for deep generative learning. GANs have enabled us to achieve an unprecedented degree of realism in the creation of synthetic images of human faces, landscapes, and buildings, among others. Not only image generation, but also image manipulation is possible with GANs. Generative deep learning models are inherently limited in their creative abilities because of a focus on learning for perfection. We investigated the potential of GAN’s latent spaces to encode human expressions, highlighting creative interest for suboptimal solu

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Papangelo, Pamela, Martina Pinzino, Susanna Pelagatti, Maddalena Fabbri-Destro, and Antonio Narzisi. "Human Figure Drawings in Children with Autism Spectrum Disorders: A Possible Window on the Inner or the Outer World." Brain Sciences 10, no. 6 (2020): 398. http://dx.doi.org/10.3390/brainsci10060398.

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Background: Tests based on human figure drawings (HFD) have captured the attention of clinicians and psychologists for a long time. The aim of the present study was to evaluate the performance of HFD of children with autism spectrum disorders (ASDs) relative to typically developing (TD) controls. Methods: All children were asked to draw three human figures (man, woman, self-portrait) and were evaluated with a neuropsychological battery. HFD were scored according to the Maturity Scale, and correlative approaches testing maturity against neuropsychological scores were applied. Results: ASDs pres

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de Jonge, Hans Laurens. "Depicting Race." Nuncius 38, no. 1 (2023): 165–92. http://dx.doi.org/10.1163/18253911-bja10053.

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Abstract This paper explores the background and historical context of a newly discovered mid-nineteenth-century portrait of Aquasi Boachi and Kwame Poku, two princes from present-day Ghana who came to the Netherlands in 1837. The portrait—recently acquired by Rijksmuseum Boerhaave—appears to originate from the collection of the Dutch naturalist and physical anthropologist Jan van der Hoeven (1801–1868) the author of one of the fist books on the anthropology of African people to be published in the Netherlands (1842). I will show the portrait was part of a broader anthropological collection, wh

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Ramos, José Artur. "O Auto-Retrato como Consciência da Nossa Vida." Philosophica: International Journal for the History of Philosophy 21, no. 42 (2013): 93–105. http://dx.doi.org/10.5840/philosophica2013214225.

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Departing from the work of Georg Simmel on Rembrandt, we try to characterize self-portrait as a moment of inner confrontation and of inner inquiry on our inner self and individuality. All self-portraits are pervaded by the ephemeral character of life, where death is constantly present. The self-portrait is born from the drawing and the drawing develops it in a continuity where the past juts out in the present. The human face is the sum of a duration that moulds its traits, its expression and its variation in a tension that brings the past to a present that is now remade. Thus, the self-portrai

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Maurer, Andrey Markovich. "Composite photographic portrait as a tool for visualizing local anthropological variants (using the example of Bashkir men photographic materials)." Moscow University Anthropology Bulletin (Vestnik Moskovskogo Universiteta. Seria XXIII. Antropologia), no. 3 (September 14, 2021): 5–16. http://dx.doi.org/10.32521/2074-8132.2021.3.005-016.

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Based on individual images of Bashkir men from literary sources (early 20th century) and on the basis of our own photographs of the end of the 20th century, composite photographic portraits (full-face, in profile) were compiled using the "FaceOnFace" computer program. Based on the high similarity of composite photographic portraits, two samples (from the beginning and the end of the 20th century) of initial photographs of Bashkir men were combined into a single corpus (N = 85). Individual photographs corresponding to the descriptions of the South Siberian (N = 40) and Ural (N = 20) minor races

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Mukhammadjonova, Guzalkhan. "PSYCHOLOGICAL ANALYSIS FROM PORTRAIT." CURRENT RESEARCH JOURNAL OF PHILOLOGICAL SCIENCES 02, no. 05 (2021): 79–84. http://dx.doi.org/10.37547/philological-crjps-02-05-18.

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The article examines the issue of the portrait of a creative person and its role in psycho-psychological analysis on the basis of the interpretation in literature of the great thinker, sheikh, a great representative of mystical literature, the poet Ahmad Yassaviy. Methods of creating portraits and experiments in this area are interpreted on the form of comparative-analytical method. The combination of images of the hero and his biography highlights the creative human psyche. The monologues, in particular, highlight the artistic-aesthetic and artistic-conceptual role of monologue-memory and mon

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Aguilar, Laura. "Human Nature." Boom 5, no. 2 (2015): 22–27. http://dx.doi.org/10.1525/boom.2015.5.2.22.

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Laura Aguilar’s Nature Self Portraits treat the human body as another feature in landscapes. In the series, Aguilar positions herself in the center of her photographs, nude, often with her back to the camera. The curve of her back echoes the rocks, her black hair in the wind recalls the thin fingers of desert trees. The photographs are at once playful and beautiful, peaceful and provocative. This photo essay includes work from Aguilar’s series, plus a similar work by California photographer Judy Dater, which influenced Aguilar.

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Bandelt, H. J., P. Forster, B. C. Sykes, and M. B. Richards. "Mitochondrial portraits of human populations using median networks." Genetics 141, no. 2 (1995): 743–53. http://dx.doi.org/10.1093/genetics/141.2.743.

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Abstract Analysis of variation in the hypervariable region of mitochondrial DNA (mtDNA) has emerged as an important tool for studying human evolution and migration. However, attempts to reconstruct optimal intraspecific mtDNA phylogenies frequently fail because parallel mutation events partly obscure the true evolutionary pathways. This makes it inadvisable to present a single phylogenetic tree at the expense of neglecting equally acceptable ones. As an alternative, we propose a novel network approach for portraying mtDNA relationships. For small sample sizes (&lt; approximately 50), an un

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Markulyak, Larysa Vasylivna. "Means of Character Portraying in Mykhailo Kotsiubynsky's Literary Works." Vìsnik Marìupolʹsʹkogo deržavnogo unìversitetu. Serìâ: Fìlologìâ 14, no. 24 (2021): 36–43. http://dx.doi.org/10.34079/2226-3055-2021-14-24-36-43.

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The article examines a portrait as a means of creating a character in the works of Mykhailo Kotsiubynsky, an outstanding Ukrainian writer of the fin de sièclе period. It is traced that an important category of poetics is the portrayal of a character. It helps to better understand the writer's intention, to reveal his creative individuality, to understand the problems of prose. Various types of portraits are identified, and the features of portraying in the novels of M. Kotsiubynsky's works are analysed. It is proved that the portrait is an emphasis on the anthropocentrism of fiction. The signi

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Prasetyo, Martinus Eko, Shierly Everlin, and Winnie Winnie. "VISUAL ANALYSIS OF LEE JEFFRIES’ INSTAGRAM PHOTOGRAPHS." Capture : Jurnal Seni Media Rekam 14, no. 1 (2022): 49–60. http://dx.doi.org/10.33153/capture.v14i1.4491.

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Instagram is a social media platform for publishing photographic works. Lee Jeffries, one of the most renowned portrait photographers, consistently exposes his works to the general public, including through the social media platform Instagram. His photographic works are considered highly interesting and unique due to their capacity to transmit social messages. Lee Jeffries consistently captures photographs of homeless people worldwide to convey social messages to his audience. This motivates the authors to discuss the meaning of visual messages in Lee Jeffries' works. The study employed a qual

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Zhao, Yan Tao, Bo Zhang, Xu Guang Zhang, Xiao Li Li, Mei Ling Fu, and Si Yuan Feng. "Action Recognition Based on Motion Representing and Reconstructed Phase Spaces Matching of 3D Joint Positions." Applied Mechanics and Materials 333-335 (July 2013): 675–79. http://dx.doi.org/10.4028/www.scientific.net/amm.333-335.675.

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This paper presents an efficient and novel framework for human action recognition based on representing the motion of human body-joints and the theory of nonlinear dynamical systems. Our work is motivated by the pictorial structures model and advances in human pose estimation. Intuitively, a collective understanding of human joints movements can lead to a better representation and understanding of any human action through quantization in the polar space. We use time-delay embedding on the time series resulting of the evolution of human body-joints variables along time to reconstruct phase port

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Barabanschikov, V. A., E. A. Lupenko, and A. S. Shunto. "Observer’s Vision of a personality of a Human, who is Depicted on an Artistic Portrait or a Photograph." Experimental Psychology (Russia) 12, no. 3 (2019): 5–18. http://dx.doi.org/10.17759/exppsy.2019120301.

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Different observers’ visions of the personality of one and the same human, depicted on an artistic portrait or a photograph, where investigated experimentally. The observers’ estimations obtained by a well known method of “Personality Difference”, were used as the analytic tool. The collected data witness, that different methods of presentation lead to different vision of one and the same personality. A considerable individual variability of significantly different scale estimations’ body and quantity depending on the estimated person was discovered. According to the factor analyses, the perso

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Fu, Qian, Linlin Liu, Fei Hou, and Ying He. "Hierarchical vectorization for facial images." Computational Visual Media 10, no. 1 (2023): 97–118. http://dx.doi.org/10.1007/s41095-022-0314-4.

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AbstractThe explosive growth of social media means portrait editing and retouching are in high demand. While portraits are commonly captured and stored as raster images, editing raster images is non-trivial and requires the user to be highly skilled. Aiming at developing intuitive and easy-to-use portrait editing tools, we propose a novel vectorization method that can automatically convert raster images into a 3-tier hierarchical representation. The base layer consists of a set of sparse diffusion curves (DCs) which characterize salient geometric features and low-frequency colors, providing a

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Choi, Yoon Pyo, Hyo Sup Shim, Ming-Qing Gao, Suki Kang, and Nam Hoon Cho. "Molecular portraits of intratumoral heterogeneity in human ovarian cancer." Cancer Letters 307, no. 1 (2011): 62–71. http://dx.doi.org/10.1016/j.canlet.2011.03.018.

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Lyashenko, Vyacheslav. "Phase Analysis of the Data Dynamics from the Tourism Sector." Journal of Asian Multicultural Research for Economy and Management Study 1, no. 2 (2020): 61–66. http://dx.doi.org/10.47616/jamrems.v1i2.66.

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The tourism industry covers various areas of economic activity. Tourism has various areas and directions of its implementation. One of the significant areas of tourism is international tourism. International tourism influences and reflects different spheres of human economic activity. This type of economic activity can have a non-linear nature of the processes that describe it. To analyze and identify such processes, the concept of a phase portrait is used. The paper reveals the features of nonlinear dynamics of processes in the field of tourism. We used real data to construct individual phase

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Morozov, V. A. "The general human model and the economic human model." Management and Business Administration, no. 3 (October 19, 2022): 146–54. http://dx.doi.org/10.33983/2075-1826-2022-3-146-154.

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This article is devoted to the study of modern approaches to the formation and understanding of human portraits and modeling of a general model — a human schema. The ideas of scientific schools about the economic man and the evolution of the model of his development are considered. The methods of formation of a modern economic person in the context with other subsystems of society are investigated. The author expands the understanding of the subsystems of society on the basis of: organizational approach and modern requirements for its integration and diversification; development of STP; compat

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Tsai, Yu-Shiuan, Li-Heng Hsu, Yi-Zeng Hsieh, and Shih-Syun Lin. "The Real-Time Depth Estimation for an Occluded Person Based on a Single Image and OpenPose Method." Mathematics 8, no. 8 (2020): 1333. http://dx.doi.org/10.3390/math8081333.

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In recent years, the breakthrough of neural networks and the rise of deep learning have led to the advancement of machine vision, which has been commonly used in the practical application of image recognition. Automobiles, drones, portable devices, behavior recognition, indoor positioning and many other industries also rely on the integrated application, and require the support of deep learning and machine vision. As for these technologies, there is a high demand for the accuracy related to the recognition of portraits or objects. The recognition of human figures is also a research goal that h

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