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Dissertations / Theses on the topic 'Humanism ; In motion pictures'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Leung, Jason Cham Sum. "Posthumanism, singularity, and the anthropocene : a thematic perspective on posthuman science fiction." HKBU Institutional Repository, 2019. https://repository.hkbu.edu.hk/etd_oa/713.

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When speaking of the future of the human, our attention is often on human beings themselves as a species and their capability to survive in the face of the changes of the world. Our understanding of the human body, space and even our connection with technoscience are vastly transformed by the changes brought by the close and interconnected relationship of human and technology in the contemporary world. From Donna J. Haraway's cyborg to N. Katherine Hayles and Cary Wolfe's discussions on posthumanism, it is undeniable that we have already entered the age of the posthuman. Science fiction as a f

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2

Dye, Charles Eugene. "Now and all are important a post-structural critique of humanism, Aldo Leopold's "The Land Ethic," and Disney/Pixar's "Wall-E" /." Thesis, Montana State University, 2008. http://etd.lib.montana.edu/etd/2008/dye/DyeC1208.pdf.

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Feelings of hopelessness and meaninglessness have become hallmarks of American society. As a filmmaker and film educator it is clear I share a responsibility to address these defining issues. Using some of the ideas of Zygmunt Bauman, Jacques Derrida, Neil Evernden, Claude Levi-Strauss, Bill Nichols, Nell Noddings, JoseÌ Ortega y Gasset, Edward Said, and Erwin Straus, I observe this problem to be a result of dispassionate humanism-a machineworld story considered appropriate in the current social construction. From this critical perspective, I then analyze Aldo Leopold's The Land Ethic

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3

Blasco, Pablo Gonzalez. "Educação médica, medicina de família e humanismo: expectativas, dilemas e motivações do estudante de medicina analisadas a partir da discussão sobre produções cinematográficas." Universidade de São Paulo, 2002. http://www.teses.usp.br/teses/disponiveis/5/5144/tde-31082009-085309/.

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O presente trabalho é um estudo da utilidade que o Cinema oferece como recurso na Educação Médica inserido num contexto humanístico, na sistemática acadêmica da Medicina de Família. O autor desenvolve, na primeira parte da obra, uma extensa fundamentação da pesquisa através de uma reflexão sobre as diversas realidades que rodeiam o médico que, sendo também educador, propõe-se ensinar atitudes e valores humanísticos aos alunos. O itinerário reflexivo percorre as várias situações onde se descreve o encontro com o Paciente, com o Aluno, com a Medicina de Família e, finalmente, com o Humanismo, pa

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4

Keeve, Frederick Henry. "A Phenomenological Study of the Experience of Humanist, Spiritual, and Transpersonal Films on Positive Organizational Behaviors in the Workplace." ScholarWorks, 2016. https://scholarworks.waldenu.edu/dissertations/2320.

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A solution is needed to counteract violent news, Internet, and other negative media images and management behaviors in the workplace, in order to boost engagement and prosocial behaviors at work. The purpose of this phenomenological study was to explore the attitudes of working professionals toward prosocial behaviors and employee engagement in the workplace as affected by transpersonal Hollywood films. An organization's ability to survive is directly related to empowerment and innovation. Classic films provide a gateway for transpersonal experiences that could change behavior and thoughts. Pe

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5

Marchesan, Aline Ariana Alcântara Anacleto. "Entram em cena as tecnologias de subjetivação: corpos e desejos na cinematografia brasileira pela ótica de diretoras de cinema no período de 2002 à 2012 e suas implicações para (des)construção dos gêneros." Universidade Estadual Paulista, 2016. http://repositorio.utfpr.edu.br/jspui/handle/1/2724.

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Em cenário brasileiro, os estudos de gênero se consolidam no final da década de 70, com fortalecimento dos movimentos feministas que possuíam reivindicações específicas do universo feminino. Ao longo dos anos, esta luta por direitos de igualdade, construiu uma significativa representação da imagem da mulher na sociedade, que busca ultrapassar a imagem tradicional e estereotipada, advinda de forças patriarcais e machistas. A construção dessa mudança é o resultado de muitas elaborações críticas e teóricas por parte da comunidade acadêmica que, interessada nos estudos culturais e pós-estruturalis

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6

Silva, Junior Nelson. "Ciência e cinema: um encontro didático pedagógico em Anjos e Demônios e O Nome da Rosa." Universidade Tecnológica Federal do Paraná, 2018. http://repositorio.utfpr.edu.br/jspui/handle/1/2998.

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Acompanha: Ficha instrumental para o uso de filmes em sala de aula<br>O Cinema enquanto forma de representar e perceber o mundo e o homem, além de importante linguagem artística, tornou-se elemento determinante para a comunicação de massa do século XX. Como tal passou a se apropriar das diferentes áreas do conhecimento, no intuito de criar roteiros e narrativas que aproximassem a poética artística cinematográfica dos fenômenos cotidianos da natureza e da existência humana, aproximando a Arte Cinematográfica de uma suposta realidade. Essa relação permite a criação de filmes que, além do puro e

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7

Tancetti, Barbara. "Uma câmera toda delas - a mulher nos filmes de Petra Costa: um estudo junguiano." Pontifícia Universidade Católica de São Paulo, 2018. https://tede2.pucsp.br/handle/handle/20974.

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Submitted by Filipe dos Santos (fsantos@pucsp.br) on 2018-04-06T12:54:42Z No. of bitstreams: 1 Barbara Tancetti.pdf: 2299574 bytes, checksum: fcc2838cb3e3b8cb2180d4696be8de1b (MD5)<br>Made available in DSpace on 2018-04-06T12:54:43Z (GMT). No. of bitstreams: 1 Barbara Tancetti.pdf: 2299574 bytes, checksum: fcc2838cb3e3b8cb2180d4696be8de1b (MD5) Previous issue date: 2018-03-09<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES<br>The motivation for this study derives from the reflections instigated by Virginia Woolf's "A Roof of One's Own," written in the 1920s, and b

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8

Cazdyn, Eric M. "Problem cinema : culture, capital and form in Japan /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 1998. http://wwwlib.umi.com/cr/ucsd/fullcit?p9908497.

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9

Chan, Kim-mui Eileen. "Postmodernity and recent Hong Kong cinema /." Hong Kong : University of Hong Kong, 1995. http://sunzi.lib.hku.hk/hkuto/record.jsp?B18539191.

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10

Carbonaro, Joseph. "Enabling church members to evaluate the moral content of feature films." Theological Research Exchange Network (TREN), 1997. http://www.tren.com.

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11

Tam, Siu-yan Xavier. "Between penumbrae and shadow contextualizing transnational queer Chinese cinemas /." Click to view the E-thesis via HKUTO, 2010. http://sunzi.lib.hku.hk/hkuto/record/B44142663.

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12

Van, Liew Maria. "Democratic women : gender, national discourse and the cinema of post-Franco Spain /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 1997. http://wwwlib.umi.com/cr/ucsd/fullcit?p9820983.

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13

Wang, Qi. "Writing against oblivion personal filmmaking from the forsaken generation in post-socialist China /." Diss., Restricted to subscribing institutions, 2008. http://proquest.umi.com/pqdweb?did=1619151901&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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14

Restoule, Jean-Paul. "How "Indians" are read the representation of aboriginality in films by native and non-native directors /." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ30998.pdf.

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15

Craddolph, Hayden V. "Developing a community of independent film/video producers to foster creation, marketing, and distribution of digital media." online access from Digital Dissertation Consortium, 2006. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?EP21256.

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16

Yang, Jing. "The construction of the Chinese woman in 1990s American cinema." Click to view the E-thesis via HKUTO, 2010. http://sunzi.lib.hku.hk/hkuto/record/B43813185.

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17

Lau, Tsz-wan Christal. "Ethics in the production of Hong Kong movies." Click to view the E-thesis via HKUTO, 2007. http://sunzi.lib.hku.hk/HKUTO/record/B39559105.

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18

Williams, Danielle E. Winn J. Emmett. "Local motion picture exhibition in Auburn, for 1894-1928 a cultural history from a communication perspective /." Auburn, Ala., 2004. http://repo.lib.auburn.edu/EtdRoot/2004/SUMMER/Communication_and_Journalism/Thesis/willide_31_Williams.pdf.

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19

Szaloky, Melinda Terezia. "Mutual images transcendental reflections on cinema and the aesthetic between Kant and Deleuze /." Diss., Restricted to subscribing institutions, 2009. http://proquest.umi.com/pqdweb?did=1906570811&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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20

Zhu, Ying. "From art to commerce : Chinese cinema in the era of reforms /." Digital version accessible at:, 2000. http://wwwlib.umi.com/cr/utexas/main.

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21

Ming, Kee-ying Thomas. "An analysis of the filmic : a philosophical grounding for film aesthetics /." [Hong Kong] : University of Hong Kong, 1993. http://sunzi.lib.hku.hk/hkuto/record.jsp?B15949941.

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22

Tiburzi, Brian M. "The fifth generation Chinese cinema's "great leap forward" /." online access from Digital Dissertation Consortium, 2007. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?1445180.

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23

Galt, Rosalind. "Redrawing the map of Europe space, history and spectacle in new European cinema /." [S.l. : s.n.], 2002. http://books.google.com/books?id=kV9ZAAAAMAAJ.

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24

Gulledge, Jim. "A search for myth and metanarrative in films popular among college students an alternative model for Christian evaluation /." Online full text .pdf document, available to Fuller patrons only, 2004. http://www.tren.com.

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25

Berrien, John P. "The portrayal of the clergy in selected American films from the 1930's to the 1970's." Theological Research Exchange Network (TREN) Access this title online, 1989. http://www.tren.com.

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26

Luce, Micah. "The cinema and the church experiential [koinonia] in audience and congregation /." Theological Research Exchange Network (TREN), 2008. http://www.tren.com/search.cfm?p051-0115.

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27

Suen, Pak-kin. "Filming gay representations : male homosexuality in Hong Kong and Taiwanese cinema /." Hong Kong : University of Hong Kong, 2000. http://sunzi.lib.hku.hk:8888/cgi-bin/hkuto%5Ftoc%5Fpdf?B23242036.

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28

Potter, George Alexander. "Iphone to IMAX: the social implications of screen size." Thesis, Montana State University, 2008. http://etd.lib.montana.edu/etd/2008/potter/PotterG1208.pdf.

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Screen size changes the way the moving image affects viewers and specific content is more likely to be influential if screened on the most appropriate media type. The ever-increasing popularity of portable devices, like the iPhone, means that viewers are watching more content on smaller screens than ever before. At the same time, movie theatres and Imax screens are still as popular as ever and seeing something on the big screen holds some kind of magic for the viewer. This fact has not been lost on environmental filmmakers who are increasingly finding ways of using different sized screens to p

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29

Dawson, Harold. "The commodification of tragedy a critical examination of contemporary film /." Huntington, WV : [Marshall University Libraries], 2007. http://www.marshall.edu/etd/descript.asp?ref=786.

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30

Falicov, Tamara Leah. "The contemporary Argentine film industry, 1983-1998 : state cultural policy within a global market /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 1999. http://wwwlib.umi.com/cr/ucsd/fullcit?p9956448.

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31

Kunkle, Daniel James. "No brute images the need for a Reformed and transcendental approach to the movies /." Theological Research Exchange Network (TREN), 2000. http://www.tren.com.

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32

Lee, Tain-dow. "Reforming film study at the level of higher education in Taiwan, the Republic of China /." The Ohio State University, 1986. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487265143147137.

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33

Schweitzer, Dennis C. "Ton & traum : a critical analysis of the use of sound effects and music in contemporary narrative film /." Ohio : Ohio University, 2004. http://www.ohiolink.edu/etd/view.cgi?ohiou1108483481.

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34

Lee, Christina H. P. "Beyond the pink : (post) youth iconography in cinema /." Access via Murdoch University Digital Theses Project, 2005. http://wwwlib.murdoch.edu.au/adt/browse/view/adt-MU20050930.124547.

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35

Yeung, Yuk-ngan. "Gender representation in films." Hong Kong : University of Hong Kong, 2002. http://sunzi.lib.hku.hk/hkuto/record.jsp?

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36

Noble, Fiona. "Post-transition transitions : childhood, performance and immigration in post-Franco Spanish cinema." Thesis, University of Aberdeen, 2015. http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?pid=227226.

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37

Tam, Siu-yan Xavier, and 譚兆仁. "Between penumbrae and shadow: contextualizingtransnational queer Chinese cinemas." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2010. http://hub.hku.hk/bib/B44142663.

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38

Sanz, Javier 1983. "Aproximación neurocinemática al corte como articulador fílmico." Doctoral thesis, Universitat de Barcelona, 2020. http://hdl.handle.net/10803/669227.

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El objetivo de esta tesis es caracterizar el cambio de plano por corte en la edición cinematográfica como articulador del discurso fílmico. Para conseguir nuestro objetivo nos basamos en analizar los mecanismos cognitivos del espectador que observa el film, a través del análisis de sus respuestas neuronales registradas por medio del electroencefalograma. Caracterizar el cambio de plano por corte como articulador cinematográfico desde las reacciones neuronales del espectador requiere comprobar que, al mismo tiempo que se producen patrones de reacción neuronal debidas a la percepción del input d

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39

Athique, Adrian Mabbott. "Non-resident cinema transnational audiences for Indian films /." Access electronically, 2005. http://www.library.uow.edu.au/adt-NWU/public/adt-NWU20060511.140513/index.html.

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40

Crilly, Shane. ""Gods in our own world" representations of troubled and troubling masculinities in some Australian films, 1991-2001 /." Connect to this title online, 2004. http://hdl.handle.net/2440/37939.

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The dominance of male characters in Australian films makes our national cinema a rich resource for the examination of the construction of masculinities. This thesis argues that the codes of the hegemonic masculinities in capitalist patriarchal societies like Australia insist on an absolute masculine position. However, according to Oedipal logic, this position always belongs to another man. Masculine yet 'feminised,'identity is fraught with anxiety but sustained by the 'dominant fiction' that equates the penis with the phallus and locates the feminine as its polar opposite. This binary relation

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41

Haygood, Ashley. "The rise of controversial content in Film." Lynchburg, Va. : Liberty University, 2007. http://digitalcommons.liberty.edu.

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42

Ray, Radharani. "The rhetoric of postcolonialism Indian middle cinema and the middle class in the 1990s /." Access restricted to users with UT Austin EID, 2001. http://wwwlib.umi.com/cr/utexas/fullcit?p3035171.

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43

Cui, Shuqin. "A cross-cultural analysis of gender and representation in Chinese new cinema." online access from Digital Dissertation Consortium access full-text, 1996. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?9624592.

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44

Inocencio, Jessica Lynn. "The hybridization of African identities in African film." Thesis, Nelson Mandela Metropolitan University, 2007. http://hdl.handle.net/10948/828.

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This paper traces the construction of African identities in A Reasonable Man (South Africa 1999), Chikin Biznis: The Whole Story (South Africa 1998), Fools (South Africa/France 1997), Hyènes (1992), Le cri du coeur (Burkina Faso/France 1994), Pièces d'Identités (France/Congo/Belgium 1998), Une couleur café (France 1997), and Xala (Senegal 1975) based on an analysis of race, ethnicity, tradition, modernization, Westernization, and cultural hybridity theories; as a way of contextualizing African history in general, this paper also explores the significance of colonialism, postcolonialism, and fo

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45

Haywood, Keene McDonald. "Beyond Words: The Use of the Non-Verbal Genre in Natural History Filmmaking." Thesis, Montana State University, 2007. http://etd.lib.montana.edu/etd/2007/haywood/HaywoodK0807.pdf.

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Natural history filmmaking has a history that begins with the advent of cinematography as a form of artistic and documentary expression. Natural history filmmaking has increasingly used techniques of fiction, drama and anthropomorphizing to represent the natural world in storytelling. This paper will examine the use of the nonverbal form of filmmaking as an alternative style that can be used to effectively document natural history using a more lyrical, poetic and often more thoughtful style. This work examines previous works in the non-verbal genre and discusses how this style compares with hi

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46

Kellett, Ian Alexander. "Remote Outreach Cinema Campaign: (R.O.C.C.)." Thesis, Montana State University, 2006. http://etd.lib.montana.edu/etd/2006/kellett/KellettI0806.pdf.

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This thesis proposes strategies for the making and exhibition of films that amplify conservation values and efforts in rural communities. The films support and promote the missions of local leaders and the agendas of respected environmental agencies. The filmmaking strategies entail identifying existing conservation values as experienced through broad themes such as quality of life, economics and community development. By focusing on the collaborative process of making and projecting a film, these strategies serve to inspire innovative solutions promoting responsible stewardship of the land an

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47

Burge, Eric William. "Sound Design for Non-fiction Film and Video: A Discussion of Methodology, Perception, and Ethics." Thesis, Montana State University, 2007. http://etd.lib.montana.edu/etd/2007/burge/BurgeE1207.pdf.

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Traditional documentary films, particularly science and natural history works, presume to authentically or legitimately convey accurate representations of historical events that actually occurred at a prior time. Factual and convincing representations are not necessarily congruent, and a film's merit of authenticity is often based on the perceived validity of the visual content represented. While visual imagery dominates a presentation's general delivery, a film's sound design is a fundamental structural element that is often overlooked or less scrutinized with regard to factual or accurate re

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48

Luk, Siu-leng. "The dialogics of representation : Shanghai in contemporary Hong Kong films /." Click to view the E-thesis via HKUTO, 2004. http://sunzi.lib.hku.hk/HKUTO/record/B38628752.

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49

明奇英 and Kee-ying Thomas Ming. "An analysis of the filmic: a philosophical grounding for film aesthetics." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1993. http://hub.hku.hk/bib/B31212578.

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50

Lee, Sin-man. "Adaptation of Hong Kong films in 1990's." Hong Kong : University of Hong Kong, 2000. http://sunzi.lib.hku.hk/hkuto/record.jsp?B22199172.

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