Relevant bibliographies by topics / Humanistic poetry

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Humanistic poetry'

Author: Grafiati
Published: 10 March 2023

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Journal articles on the topic "Humanistic poetry"

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Codrescu, Andrei, Radu Vancu, and Laurent Milesi. "On 21st-Century Poetry and Poetics." Word and Text - A Journal of Literary Studies and Linguistics 12 (2022) (December 30, 2022): 145–50. http://dx.doi.org/10.51865/jlsl.2022.10.

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This academic interview with contemporary poet Andrei Codrescu (dating July 2022) examines several contemporary meanings of 21st-century poetry and poetics, the relevance of American poetry schools that dominated the latter half of the 20th century, effects of this post-humanistic turn on the poetic discourse(s). It also whether the public condemnation of Russian culture in general is justified or not in the aftermath of the Russian aggression against Ukraine.
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Alieva, Fatima Abdulovna, Fatyma Khamzaevna Mukhamedova, and Aigul' Muratovna Bekeeva. "Artistic system of the children’s poetic folklore of Dagestan." Litera, no. 11 (November 2020): 42–56. http://dx.doi.org/10.25136/2409-8698.2020.11.34158.

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The subject of this research is the artistic system of children's folklore of Dagestan. Based on the analysis the example of cradlesongs, play poetry, and calendar songs, the author determines their thoughtful humanistic and democratic motif, high ideological focus, and aesthetic perfection. The article covers the ideological, thematic and artistic content, and highlights the archaic elements of cradlesong poetry, which enjoys most popularity among other genres of the poetic folklore. The author’s special contribution consists in explication of specificity of artistic means and aesth
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Zhang, Jing. "Humanistic Solicitude in Robert Frost’s Out，Out." Learning & Education 10, no. 7 (2022): 243. http://dx.doi.org/10.18282/l-e.v10i7.3032.

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Robert Frost tries to save the era occupied by industrial civilization with his poetry. His poems with primitive style 
 are simple and easy to understand, but they contain rich humanistic spirit. Out, Out, for example, is a concern for the survival of 
 people living on the land. The author satirizes the materialized and spiritualized times through the way of poetry, which reflects the 
 humanistic concern conveyed by him.
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Akamov, Abusup'yan Tatarkhanovich, and Aigul' Muratovna Bekeeva. "The peculiarities of poetic language of Abdurrahman of Kakashura." SENTENTIA. European Journal of Humanities and Social Sciences, no. 4 (April 2021): 43–50. http://dx.doi.org/10.25136/1339-3057.2021.4.36468.

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This article is examines the literary style of the prominent theologian and poet Abdurrahman of Kakashura. Special attention is given to the philosophical-aesthetic principles that underlie his works. The author emphasizes the uniqueness of the poet’s worldview, imagery, and specific use of linguistic means. His poetic gives an in-depth perspective on Sufism – one of the central phenomena in the political and cultural life of the Republic of Dagestan. The works of Abdurrahman of Kakashura prevalently deliver a humanistic message, since he considered as the founder of humani
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Dr. Budhanath Pratihast. "A.K. Ramanujan’s Select Poems: A Humanistic Approach." Creative Launcher 5, no. 2 (2020): 48–53. http://dx.doi.org/10.53032/tcl.2020.5.2.05.

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Attipat Krishnaswamy Ramanujan (1929-1993), needs no introduction in the word of Indian English Poetry. His poems are liked by every person because his poems are either replete with the humanistic approach or his poem have autobiographical elements. He was a poet, translator, playwright and folklorist. He belonged to a Hindu family. He was a trilingual writer who wrote in English, Tamil and Kannada. He has interpreted some works written in Sanskrit and Tamil bases on some classical and modern variants. He had four poetry collections to his credit: The Striders (1966), Relations (1971), Second
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Semenist, Ivan. "“Misty Poetry” as a reflection of the nature of Chinese literature of the “New Period” (second half of the 20th century)." Synopsis: Text Context Media 26, no. 4 (2020): 145–50. http://dx.doi.org/10.28925/2311-259x.2020.4.5.

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The subject of the study is the formation of “Misty Poetry” trend in Chinese literature of the late 20th century. The study aims at the disclosure of the dynamics of “Misty Poetry” within modernist paradigm against the backdrop of Chinese literature of the “New Period”. The method is grounded in identification of key modernist poetics categories, perceived and transformed in the versification practice of Misty Poetry. Sociocultural contextualization method is employed to locate Misty Poetry in the post Cultural Revolution aesthetic and ideological context of China. The study results cover the
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Soule, Janis Rodgers. "2013 Society for Humanistic Anthropology Poetry AwardsFirst Place." Anthropology and Humanism 39, no. 1 (2014): 93. http://dx.doi.org/10.1111/anhu.12040.

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AYAZ, JINDWADA AYAZ, and Ramzan Tahir. "U-2 YOUSUF HASSAN KI GHAZAL MEIN TABQATI AUR SMAJI SHAOOR." Al-Aijaz Research Journal of Islamic Studies & Humanities 5, no. 3 (2021): 14–24. http://dx.doi.org/10.53575/u2.v5.03.14-24.

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One of the striking and significant name of Ghazal poetry during the decade of seventies was Yousaf Hassan. He chose capitalistic mindset and social discrimination in Pakistani society as a permanent subject of his Ghazal. His poetry offers a critique of the materialization of social relations. He aims to posit mutual compassionate empathy and high humanistic values as the characteristic features of an individual. His poetic work Aye Dil Aye Darya comprises of remarkable verses which represent the perception about social as well as class discrimination. The striking feature of this representat
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AYAZ, JINDWADA AYAZ. "YOUSUF HASSAN KI GHAZAL MEIN TABQATI AUR SMAJI SHAOOR." Al-Aijaz Research Journal of Islamic Studies & Humanities 5, no. 3 (2021): 14–24. http://dx.doi.org/10.53575/arjish.005.03.0335.

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One of the striking and significant name of Ghazal poetry during the decade of seventies was Yousaf Hassan. He chose capitalistic mindset and social discrimination in Pakistani society as a permanent subject of his Ghazal. His poetry offers a critique of the materialization of social relations. He aims to posit mutual compassionate empathy and high humanistic values as the characteristic features of an individual. His poetic work Aye Dil Aye Darya comprises of remarkable verses which represent the perception about social as well as class discrimination. The striking feature of this representat
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Karaali, Gizem. "Can zombies write mathematical poetry? Mathematical poetry as a model for humanistic mathematics." Journal of Mathematics and the Arts 8, no. 1-2 (2014): 38–45. http://dx.doi.org/10.1080/17513472.2014.926685.

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Dissertations / Theses on the topic "Humanistic poetry"

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Santos, Alessandro Barnabé Ferreira. "Jorge de Sena e a Peregrinação Infecta: das paisagens poéticas que se (não) dão a ver." Universidade de São Paulo, 2017. http://www.teses.usp.br/teses/disponiveis/8/8150/tde-30012018-190912/.

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Jorge de Sena figura como personalidade poética de difícil enquadramento nas searas de produção poética da década de 40 a 60 em Portugal. Não tendo sido um poeta presencista ou neorrealista, nem surrealista ou sequer aderindo fielmente ao fingimento poético de Fernando Pessoa, o poeta português forja uma poética própria a partir da ideia de testemunho e de metamorfose esta avultando como resultado poético do ato ético-estético da poesia, através da simbiose entre sujeito empírico e sujeito poético. Esta dissertação tem por objetivo investigar a (não) figuração de paisagens poéticas relacionad
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Thiemann, Susanne. "Vom Glück der Gelehrsamkeit : Luisa Sigea, Humanistin im 16. Jahrhundert /." Göttingen : Wallstein, 2006. http://deposit.ddb.de/cgi-bin/dokserv?id=2746414&prov=M&dok_var=1&dok_ext=htm.

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Lima, Ricardo da Cunha. "A presença clássica na poesia neolatina do humanista português Antônio de Gouveia." Universidade de São Paulo, 2007. http://www.teses.usp.br/teses/disponiveis/8/8143/tde-06122007-113357/.

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Esta tese trata da obra poética neolatina publicada em Lyon, França, nos anos de 1539 e 1540, pelo humanista português Antônio de Gouveia, consistindo em duas centenas de epigramas e mais quatro cartas de amor em versos. Foram feitos o estabelecimento do texto latino, com o cotejo de diferentes edições, e a tradução para o português, acrescida de notas e comentários. Foram feitas diversas análises, de cunho poético, para examinar os procedimentos estilísticos de composição da obra e para verificar a presença da literatura clássica no texto renascentista. A existência de duas diferentes edições
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Wu, Chunfeng. "François Cheng dans son temps : pour une création humaniste." Thesis, Toulouse 2, 2013. http://www.theses.fr/2013TOU20132.

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Cette étude consiste à mettre en lumière la double dimension du temps chez François Cheng. Partant du principe qu’il est un homme de dialogue, on ne peut que remarquer sa situation particulière dans son époque. En effet, il est à la fois contemporain des grandes remises en cause révolutionnaires de l’humanisme littéraire et des voix comme celles d’Yves Bonnefoy ou de Philippe Jaccottet C’est ainsi que nous nous proposons, dans notre première partie, de mettre en parallèle l’œuvre poétique de François Cheng avec les diverses voix de la poésie française de la deuxième moitié du XXe siècle. Pour
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Evans-Cockle, Matthew. "Humanist method and the prophetic office of English poetry in the works of Edmund Spenser and John Milton." Thesis, University of British Columbia, 2016. http://hdl.handle.net/2429/60298.

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Erasmus’s Renaissance humanist grammatical hermeneutics changed the way theology was conceived and practiced. The literary critical resources Erasmus brought to theology from the study of the classical poets, however, were not only powerful agents of change within Reformation theology. They were also retrieved for poetry by early modern authors. Key Erasmian concepts and perspectives relating to both bonae litterae and sacrae litterae as well as to secular pedagogy and rhetorical theology were assimilated by English culture and provided important foundational elements within the early modern p
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Junior, Delphim Rezende Porto. "Preceptivas humanistas e musicais na tratadística quinhentista: um estudo das representações retóricas do exercí­cio musical no renascimento italiano." Universidade de São Paulo, 2018. http://www.teses.usp.br/teses/disponiveis/27/27157/tde-12072018-172351/.

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O debate humanista das práticas artísticas no Renascimento italiano fomentou especialmente no século XVI uma das mais complexas e profícuas elaborações textuais da produção tratadística da música. A contextualização teórica daquela prática musical bem como a investigação do papel dos seus artífices profissionais e diletantes, objetivos dessa pesquisa, pretende situar analiticamente a partir das publicações quinhentistas impressas em língua italiana e latina o exercício e a formação epistêmica do antigo músico. Fundamental ferramenta para a compreensão dos tratados tanto escritos por músicos pr
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Jeridi, Sihem. "Les enjeux humanistes du dialogue entre poésie et peinture dans Les écrits sur l'art de Francis Ponge." Thesis, Paris 10, 2018. http://www.theses.fr/2018PA100064.

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Francis Ponge a entrepris un dialogue avec la peinture en vue d’interroger les fondements d’une telle interférence telle qu’elle se manifeste dans le cadre parisien du 20ème siècle. Ce rapport conçu par le poète comme une alliance participe de l’instauration d’une philosophie humaniste qui clame son attachement au réel comme principe majeur de la création artistique et poétique. L'unité thématique et technique qui régit les textes repose sur des rapprochements systématiques qui concernent plusieurs aspects : parallélisme des pratiques, convergence des visions de l'art, unicité de la définition
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Garnier, Sylvain. "Érato et Melpomène ou les sœurs ennemies : langage poétique et poétique dramatique dans le théâtre français de Jodelle à Scarron (1553-1653)." Thesis, Paris 4, 2017. http://www.theses.fr/2017PA040148.

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L'expression poétique semble inhérente au théâtre classique. Pourtant, les pièces de la seconde moitié du XVIIe siècle, en particulier les tragédies, sont le fruit de principes « réguliers » qui ont cherché à dépoétiser le théâtre et ont largement réussi dans cette entreprise. Pour rendre compte de ce processus, il est nécessaire de retracer l'histoire de la poésie au théâtre depuis la naissance de la tragédie humaniste, au milieu du XVIe siècle, jusqu'à l'instauration de ce que la postérité appellera le classicisme. Il apparaît ainsi que l'élocution lyrique s'est progressivement déplacée au f
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Guillaume, Catherine. "Devenir lecteur des référents culturels dans l'œuvre du poète européen Guillermo Carnero." Thesis, Orléans, 2018. http://www.theses.fr/2018ORLE1161.

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Le poète européen Guillermo Carnero, dit ‘novísimo’, publie ses premiers poèmes dans l’Espagne du franquisme tardif des années 70 du siècle dernier et se fait alors connaître du grand public par son oeuvre phare Dibujo de la muerte. Auteur de onze livres, il poursuit l’élaboration de son oeuvres piralaire jusqu’au dernier recueil en date, Carta florentina, publié en 2018, tout en conduisant une carrière universitaire en tant que professeur de littérature à l’université d’Alicante. Souffrant d’une réception souvent figée par les figures de réception imposées de l’historiographie littéraire, la
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Kern, Matthias. ""L'amour du peuple" : esthétique populiste et imaginaire du populaire dans la culture française de l'entre-deux-guerres." Thesis, Paris, EHESS, 2019. http://www.theses.fr/2019EHES0152.

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La production culturelle de l’entre-deux-guerres se distingue par un intérêt renouvelé pour la représentation des enjeux sociaux qui troublent la vie quotidienne de la population française : le travail et la misère dans un espace de plus en plus urbanisé deviennent les sujets primordiaux dans la littérature, la photographie et le cinéma, notamment pendant la période entre 1928 et 1939. Face à la crise financière, les grèves ouvrières et l’essor du Front populaire, le champ artistique réagit avec un renouveau des formes de représentation réaliste qui doit aboutir à l’interrogation de la nature
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Books on the topic "Humanistic poetry"

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A key to the treasure of the Hakīm: Artistic and humanistic aspects of Nizāmī Ganjavī's Khamsa. Leiden University Press, 2011.

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A Ciceronian sunburn: A Tudor dialogue on humanistic rhetoric and civic poetics. University of South Carolina, 2006.

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Attallah, Fahmy. Beauty of being: Psychological tips for holistic wellness of the person as a whole--mind, body, spirit, and soul. Chapman University Press, 1999.

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Michael, Rothberg, and Garrett Peter K, eds. Cary Nelson and the struggle for the university: Poetry, politics, and the profession. State University of New York Press, 2009.

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Cassidy, Jacques. Man, the human feelings dimension: "poetry, music, and freedom" and other lectures : advanced considerations in aesthetics of the human feelings that inspired-- the great humanistic or religious poetry and song : a series of classroom lectures in the humanities from his greater work, Of man, the island and the continent. Gateway Press, 1997.

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Bet, Cherrington, ed. Facing the world: Ananthology of poetry for humanists. Pemberton, 1989.

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Galand-Hallyn, Perrine. Les yeux de l'éloquence: Poétiques humanistes de l'évidence. Paradigme, 1995.

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Sesto, Prete, and Desgraves Louis, eds. Ausone, humaniste aquitain. Société des bibliophiles de Guyenne, 1986.

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Fonnker créoloceltique: Exploration de la pensée humaniste métissée. Editions JFR/Grand Ocean, 2005.

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1487-1527, Vecerius Conrad ca, Vecerius Conrad ca 1487-1527, Vecerius Conrad ca 1487-1527, Loutsch Claude, and Melchior Myriam, eds. Humanistica Luxemburgensia: La Bombarda de Barthélemy Latomus [et] les Opuscula de Conrad Vecerius. Éditions Latomus, 2009.

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Book chapters on the topic "Humanistic poetry"

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Bogotch, Ira. "International Humanistic Challenges to Educational Leadership in Prose and Poetry." In Educational Leaders Without Borders. Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-12358-5_9.

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Schulenberg, Ulf. "“The Humanistic State of Mind”." In Pragmatism and Poetic Agency. Routledge, 2021. http://dx.doi.org/10.4324/9781003214205-4.

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Schulenberg, Ulf. "“The Humanistic State of Mind”." In Pragmatism and Poetic Agency. Routledge, 2021. http://dx.doi.org/10.4324/9781003214205-4.

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Olson, Emelie, and Kurtuluş Öztopçu. "IMAGES OF WOMEN IN THE POETRY OF EARLY TURKISH MYSTICS AND THE STATUS OF WOMEN IN TURKISH SOCIETY." In Humanist and Scholar, edited by Heath W. Lowry and Donald Quataert. Gorgias Press, 2010. http://dx.doi.org/10.31826/9781463230081-002.

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De Gregorio, Mario. "«Un arancio in gennaio». La Vita del beato Giovanni Colombini di Feo Belcari da racconto agiografico a testo di lingua." In Le vestigia dei gesuati. Firenze University Press, 2020. http://dx.doi.org/10.36253/978-88-5518-228-7.10.

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Composed between 1448 and 1449, the Vita del beato Giovanni Colombini by Feo Belcari was printed for the first time in 1477 and was destined to growing publishing success over the following centuries both as an independent text and in miscellany dedicated to the blessed. It will be the third edition of the Accademia della Crusca Vocabolario, published in 1691, to increase its affirmation by admitting the entire poetic and prose work of Belcari among the privileged references for the Tuscan vernacular and the Italian language. A recognition that will lead to a Veronese edition of the work in 1817, edited by authoritative scholars of Italian humanistic literature, which will condition many reprints of the work during the first half of the nineteenth century and which will persist even later, when it will be included in series very different, between religious and linguistic / literary interests.
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Pavlincová, Helena. "Dopisy Jana Patočky Robertu Konečnému." In Filosofie jako životní cesta. Masaryk University Press, 2019. http://dx.doi.org/10.5817/cz.muni.p210-9458-2019-5.

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The contribution contains 11 unpublished letters of Jan Patočka from 1935–1967 supplemented with the author’s comments and explanations. The addressee of the letters, the nature of which is friendly and rather private, was the Brno philosopher, poet and psychologist Robert Konečný. The author devotes the introduction to the illumination of the origins of the letters and the description of the lives of both friends, whose actions, thought and unquestionable moral authority make them integral figures of the humanist tradition of Czech philosophy.
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Deveson, Aaron. "“And No One Talks of National Rebirth”: Liberal Humanist Interventionism in the Post-Imperial Space of D.J. Enright’s Poetry." In Geocriticism and Spatial Literary Studies. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-96494-8_9.

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Marsh, David. "Poggio and Alberti Revisited." In Atti. Firenze University Press, 2020. http://dx.doi.org/10.36253/978-88-6453-968-3.08.

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The careers of the Curial secretaries Poggio Bracciolini (1380-1459) and Leon Battista Alberti (1404-1472) reveal many parallels. In 1437-1438 the Este court of Ferrara, where Eugenius IV convoked a church council, provided a focal point for their friendship. It was to the Ferrarese canon Francesco Marescalchi that Poggio dedicated Book 1 of his Latin epistles (1436), and Alberti his Hundred Apologues (1437). Both men were inspired to critiques of contemporary society by the Greek satirist Lucian, and both indulged in composing brief witticisms that expose human vice: Poggio in his Facetiae (Jests) and Alberti in his Apologi (Fables) and Vita (Autobiography). From Lucian, they also learned to dramatize human foibles on the imagined stage of the theatrum mundi, or theater of the world: Poggio in his dialogues, and Alberti in both the Intercenales and Momus. Despite such literary affinities, their approach to ethical questions differed, especially concerning the validity of allegory, which Poggio rejected but Alberti embraced. As a tribute to his colleague, Alberti dedicated Book 4 of his Intercenales to Poggio; he prefaced the work with an ironic Aesopic fable that asserts the superiority of recondite scientific research over commonplace humanistic studies. Eventually, Alberti’s status as an outsider in Florence was reflected in the deterioration in his relations with Poggio. The rift was widened in 1441, when Alberti organized the Italian poetic competition called the Certame Coronario that was held in the Florence cathedral on October 22. Poggio was a member of the jury that, to Alberti’s chagrin, refused to declare a winner.
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Čale, Morana. "Mediazioni e contaminazioni del modello dantesco nelle Montagne di Petar Zoranić (1508-1569?)." In Biblioteca di Studi di Filologia Moderna. Firenze University Press, 2022. http://dx.doi.org/10.36253/979-12-2150-003-5.04.

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The present paper is dedicated to 16th-century Croatian author Petar Zoranić’s (Zadar / Zara, 1508 – 1569?) direct and mediated echoing of Dante’s oeuvre. Zoranić’s pastoral novel Planine (Mountains) belongs to the consistent tradition of reuse, quotation and translation that the Italian poet’s legacy has enjoyed in Croatia from the 14th century to the present day. Building on the work of the humanist writer Marko Marulić (Marcus Marulus Spalatensis, Split / Spalato, 1450-1524), who aspired to do for the Croatian vernacular what Dante did for the Italian volgare, Zoranić adapted Dante’s example to his own purposes not only in the promotion of the Croatian language and literature, but also in the celebration of the beauty, history and cultural heritage of his homeland. A true connoisseur of Dante’s original, the author from Zadar was also competent in the art of appropriation and creative reemployment of the Commedia’s various aspects, an exercise inaugurated by Boccaccio, and practiced by 15th and 16th-century men and women of letters. My contribution will focus on the modalities through which the text of Planine transforms the materials derived from Dante by mixing them with elements from other prestigious literary sources, in their turn heirs or precursors of Dante, such as works by Virgil, Ovid, the Church doctors, the Roman de la rose, Petrarch’s Trionfi, the Decameron and the early narrative production by Boccaccio, Arcadia by Sannazaro and, according to my hypothesis, the Hypnerotomachia Poliphili (Polifilo’s Dream) by Francesco Colonna.
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Ramachandran, Ayesha. "Spenser." In The Oxford History of Poetry in English. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780198830696.003.0026.

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Providing an overview of Edmund Spenser’s ‘shorter poems’, this chapter places them in a dialogic relationship to The Faerie Queene and to each other, highlighting their revolutionary treatment of genre and poetic self-presentation. It highlights Spenser’s practices of generic innovation, imitation, multilingual intertextual allusion, translation, and his persistent interest in the appropriate place of poetry in the sociopolitical world. Focusing both on literary technique and the cultural politics of Elizabethan poetry, the chapter demonstrates how Spenser’s poetry reflects on the writing of epic, lyric, and court poetry. Most of all, it argues that the shorter poems are where Spenser gleefully flaunts his learning, his humanistic commitments, and the pleasure of poetic play—characteristics that locate him amongst the foremost European poets of his generation.
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Conference papers on the topic "Humanistic poetry"

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Jaffari, Sayed Ibne Ali. "Historical Poetry For Humanistic Education." In 9th ICEEPSY - International Conference on Education and Educational Psychology. Cognitive-Crcs, 2019. http://dx.doi.org/10.15405/epsbs.2019.01.79.

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Yu, Wenjing, and Changlin Wu. "Reading Classical Poetry and Humanistic Quality Education for College Students." In Proceedings of the 2018 5th International Conference on Education, Management, Arts, Economics and Social Science (ICEMAESS 2018). Atlantis Press, 2018. http://dx.doi.org/10.2991/icemaess-18.2018.128.

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Ngo Thi Thanh, Quy, and Minh Nguyen Thi Hong. "Vietnamese Proverbs: Values Preserved in Modern Society." In GLOCAL Conference on Asian Linguistic Anthropology 2020. The GLOCAL Unit, SOAS University of London, 2020. http://dx.doi.org/10.47298/cala2020.4-4.

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Vietnamese proverbs has created long-lasting values which are being passed on to the modern society with numerous passions. These values include humanistic values confirming the human position in life. They also comprise social values and human philosophy as well as aesthetic values. Therefore, typical proverbs of the Viet people which have beem transferred to the younger generations via literary works such as Việt điện u linh (A collection of Vietnamese misteries) in the 14th century, Lĩnh Nam chích quái (A selection of the Viet extraordinary stories) in the 15th century are still being passe
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Marculescu, Corina. "INSPIRE, CONNECT, PERSUADE: MIX TECHNOLOGY AND ART IN TEACHING PRESENTATION SKILLS." In eLSE 2013. Carol I National Defence University Publishing House, 2013. http://dx.doi.org/10.12753/2066-026x-13-011.

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Do what you love. Inspire your audience. Have fun. These are some of the secrets behind the power and the success of Steve Jobs's presentations. As Communication Coach Carmine Gallo points out, while most presenters simply convey information, Jobs inspires; his presentations inform, engage, astound and electrify the audiences. My paper, too, was inspired by Steve Jobs, one of the most extraordinary speakers of our time, as were my EFL seminars and my students (Business and Engineering majors) when watching his videotaped 2007 speech unveiling the iPhone and his famous, memorable Commencement S
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Мир-Багирзаде, Ф. А. "Oriental symbolism of the ballet "Seven beauties" based on the poem by Nizami Ganjavi." In Современное социально-гуманитарное образование: векторы развития в год науки и технологий: материалы VI международной конференции (г. Москва, МПГУ, 22–23 апреля 2021 г.). Crossref, 2021. http://dx.doi.org/10.37492/etno.2021.91.54.086.

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автор исследует творческие интерпретации произведения поэта-гуманиста Низами Гянджеви (XII в.) из цикла «Хамсе» «Семь красавиц». Поэт, был подлинным эрудитом, знатоком не только коранических текстов, истории, античной и мусульманской философии, но и астрономии. Данная статья – попытка проследить ориентальную символику образов Гянджеви в одной из творческих интерпретаций поэмы «Семь красавиц», через призму хореографического и сценографического искусства. Метод исследования – семиотический анализ, объект исследования – балет «Семь красавиц», объединивший достижения современной европейской хореог
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Cohen, Tzachi. "POETRY FOR THE DOCTORS A PHENOMENOLOGICAL DESCRIPTION OF A HUMANISTICS' BASED STUDYING PROCESS AS A NECESSARY AND BASIC STEP IN DEVELOPING AN ADVANCED PROFESSIONAL TRAINING PROGRAM." In 16th International Technology, Education and Development Conference. IATED, 2022. http://dx.doi.org/10.21125/inted.2022.0414.

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