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Journal articles on the topic 'Humanitarian visual culture'

Author: Grafiati

Published: 3 June 2025

Last updated: 31 July 2025

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1

Nair, Gaana J. "Visual Culture, Spectatorship and Humanitarian Disaster." Journal of Creative Communications 7, no. 1-2 (2012): 121–34. http://dx.doi.org/10.1177/0973258613501064.

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Siddiqi, Anooradha Iyer. "Architecture Culture, Humanitarian Expertise:." Journal of the Society of Architectural Historians 76, no. 3 (2017): 367–84. http://dx.doi.org/10.1525/jsah.2017.76.3.367.

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Architecture Culture, Humanitarian Expertise: From the Tropics to Shelter, 1953–93 recovers a history of architecture and humanitarianism through an examination of institutions and the development of a subfield of professional practice. Charting mutual interest between major humanitarian agencies and the architecture and planning professions, Anooradha Iyer Siddiqi maps the joint construction of expertise, tying together three sets of concerns: preoccupations with the tropics and climate as anchor points for the science and rationalization behind building design, the institutionalization of hu

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Zucconi, Francesco, and Nicola Perugini. ""Enjoy Poverty": humanitarianism and the testimonial function of images." Visual Studies 32, no. 1 (2017): 24–32. https://doi.org/10.1080/1472586X.2016.1246066.

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The overlap between production of humanitarian images and interventions in contexts of natural and man-made catastrophes is growing on a global scale. An increasingly close relationship exists between image production, news production and humanitarian industry. In this article, we argue that this process is transforming the meaning of the social, political and ethical act of bearing witness. We analyse the epistemic and political implications of visual humanitarian testimony through the documentary film <em>Enjoy Poverty </em>(2008), shot in Congo by the Dutch artist Renzo Martens. Examining s

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Izmailova, E. V. "The role of visual communications in the formation of the Soviet childhood culture of 20–30 years of XX century." Vestnik of Saint Petersburg State University of Culture, no. 4 (45) (December 2020): 39–44. http://dx.doi.org/10.30725/2619-0303-2020-4-39-44.

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In modern Russia, which is gradually overcoming the post-Soviet transition period, symptoms of culture stabilization are manifesting themselves, with the emergence of its new ordered historical type. A separate direction in the implementation of the task is a targeted impact on the culture of childhood through the appropriate humanitarian technologies, the essence of which boils down to the use of special forms of influence on human consciousness and behavior. The article is devoted to the study of visual communications in the formation of Soviet childhood culture in the 20-30s of the XX centu

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Trach, Yuliа. "The Essence of the Concepts of «Visual Literacy» and «Visual Culture»: Cultural Aspects." Issues in Cultural Studies, no. 32 (November 16, 2016): 170–86. https://doi.org/10.31866/2410-1311.32.2016.155725.

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The purpose of the article – identify the nature of some of visual studies – «visual culture» and «visual literacy». The study used the method of interpretation, which helped to clarify the nature of the objects, which are present equally spiritual and physical, and artistic forms of objectivity. Scientific novelty – the essence of visual culture and visual literacy as new facilities socio-humanitarian knowledge. Results and conclusions – emphasized the content blur the concepts of «visual literacy», «visual culture», &laq

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Zaitseva, Marina L., Regina R. Вudagyan, and Alexei I. Chekmenev. "Interpretation of the Concepts of “Mass Culture” in Presentday Humanitarian Sciences." ICONI, no. 4 (2019): 53–60. http://dx.doi.org/10.33779/2658-4824.2019.4.053-060.

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The article is devoted to the analysis of the concepts of “mass culture” in present-day humanitarian scholarship. The article highlights three groups of interpretations of this concept: the pessimistic, the apologetic and the problemoriented. The characteristic features of each of the presented groups are specified. Mass culture presents a complex and multilayers phenomenon, which is relevant among large strata of the population. The main particularities of mass culture are in the blending together of numerous various cultural codes and traditions, mobility, directedness at wide strata of the

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Petrenko, Dmitry, and Lydia Starodubtseva. "AUGMENTED REALITY ART IN CONTEMPORARY VISUAL CULTURE." Journal of V. N. Karazin Kharkiv National University, Series "The Theory of Culture and Philosophy of Science", no. 69 (June 30, 2024): 6–15. https://doi.org/10.26565/2306-6687-2024-69-01.

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The article considers the artistic strategies of augmented reality (AR) art in the context of the «spatial turn». It is proposed to consider augmented reality art separately from the theories of culture that have developed around the phenomenon of virtual reality. The thesis is substantiated that the art of virtual reality was reflected within the framework of postmodernist theories that proceeded from the understanding of culture through the theory of the simulacrum. Instead, the art of augmented reality must be understood through the latest theories of culture that rely on post-discursive fa

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Pinto, S. "Radical Sensations: World Movements, Violence, and Visual Culture / Humanitarian Violence: The US Deployment of Diversity." American Literature 87, no. 1 (2015): 209–11. http://dx.doi.org/10.1215/00029831-2865355.

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Mamoona Khan. "Metamorphosis of Aesthetic Visual Culture, an Aftermath of War." PERENNIAL JOURNAL OF HISTORY 2, no. 2 (2021): 187–209. http://dx.doi.org/10.52700/pjh.v2i2.71.

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Creative brains are kept only by sensitive creatures, and the most empathetic are of those associated with visual arts fields, affected even by a minor stir in their surroundings, which is reflected in their creative endeavours. They sub consciously interpret their time. Unpleasantness of war or situations analogous to war have always left a negative mark on their aesthetic interpretations. History is replete with such examples. But the most stunningly heinous transgressions were exercised by modern mechanisms of war that violated ethics par human perception. The era shattered beliefs of man o

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Polenova, A.L. "Inter-Korean cultural and humanitarian cooperation at the present stage." East Asia: Facts and Analytics, no. 2 (July 2, 2022): 47–55. https://doi.org/10.24412/2686-7702-2022-2-47-55.

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The cooperation of the DPRK and the Republic of Korea (ROK) in the spheres of culture, sports and science is a crucial component of relations between these countries. The latest decade, which began with Kim Jong-un coming to power in the DPRK, included some rewarding and diverse cultural and humanitarian events such as the Olympic warming of 2018, when the world witnessed an activation of interKorean diplomatic dialogue. The article provides examples of both successful and failed joint initiatives in cultural and humanitarian spheres. Among them are symbolically important performances of

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Mankovska, Ruslana, and Svitlana Havryliuk. "Theoretical Fundamentals of Museum Visuality." Scientific Papers of the Vinnytsia Mykhailo Kotsyiubynskyi State Pedagogical University. Series: History, no. 37 (2021): 93–100. http://dx.doi.org/10.31652/2411-2143-2021-37-93-100.

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Based on modern visual discourse, the article views the issues of theoretical and methodological content related to museum visuality, analyzes scientific approaches and methods involved in visual culture, focuses on the features of visualization and decoding of museum space, the specifics of its modeling and interpretation of visual structures. The article aims to analyze the theoretical foundations of museum visuality, which involves solving the problem of identifying the specifics of theoretical and methodological tools for the study of visuality in museology and necessitated by the developm

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M.Y., Temirbekova, Myrzakhmetova A.Zh., and Vasiliev D.V. "The phenomenon of visuality in the modern British-American scientific space." Bulletin of the Karaganda university History.Philosophy series 111, no. 3 (2023): 121–28. http://dx.doi.org/10.31489/2023hph3/121-128.

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In this article the phenomenon of visuality in modern Anglo-American academic space is studied. Special attention is paid to highlighting the phenomenon of visual turn in research, namely, why visual culture attracted the attention of scientists of the twentieth century and how visuality conquered various socio-cultural spaces. Visual rotation and the privilege of vision over other sense organs (oculocentrism) and the emergence of new technologies are analyzed. The penetration of the visual into cultural theory and the spread of images in culture itself are called the “visual turn” (sometimes

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Gladkova, D. V., and D. Yu Dorofeyev. "A visual-acoustic duet of painting and music in medieval aesthetics." E3S Web of Conferences 266 (2021): 05006. http://dx.doi.org/10.1051/e3sconf/202126605006.

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The purpose of this work is to study the visual and acoustic relationship of painting and music in the Middle Ages. When writing the article the authors focused on modern sources and used such important for the socio-humanitarian sciences methods of research as comparative, phenomenological, semiotic, art history, cultural studies and visual anthropology, which determined the interdisciplinary nature of the study, which focuses of the aesthetic specificity of the perception of the phenomenal image. The significance of the study lies in the fact that the results obtained allow to better underst

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Puchkov, Mykyta. "The concept of “artistic system” in visual culture and the movie poster as a phenomenon of social and cultural communication: Before posing a problem." МISТ: Art, history, modernity, theory 18 (November 29, 2022): 106–13. http://dx.doi.org/10.31500/2309-7752.18.2022.273493.

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In the article, using the example of studying a movie poster for a non-fiction movie, it is proposed to pose the problem (in general) of forming an artistic system of social and cultural communication as a basic model of creating an expressive visual and meaningful message. It is shown that the flow of visual information (“street art”) within a short period of time gains popularity, attracts attention, and is able to influence the formation of certain features of a person’s daily and artistic outlook. Embodied mainly in the form of a poster, which with the help of digital technologies acquires

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Tatar, Tõnis. "THE POSSIBILITY OF A BRIDGE. PERSPECTIVES AND LIMITATIONS OF NEUROAESTHETICS." Baltic Journal of Art History 17 (May 15, 2019): 151–70. http://dx.doi.org/10.12697/bjah.2019.17.06.

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In the traditional study of humanities non-humanitarian inputinto the study of culture has usually been rejected. According tohumanist theories, only the meanings and values derived fromhistory and culture can be attributed to art. Recently a disciplineknown as neuroaesthetics has risen to the fore from among thevarious disciplines that use non-humanitarian methods to approachthe subject of aesthetics. Triggered by the invention of varioustechnological devices (EEG, fMRI, PET), neuroaesthetics is nowbeing used to tackle the role of the brain in the processes of creation,reception and even thin

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Shumylovych, Bohdan. "Cinematic Culture During the War in Ukraine: Surviving the Year of Brutalities." Images. The International Journal of European Film, Performing Arts and Audiovisual Communication 34, no. 43 (2023): 111–26. http://dx.doi.org/10.14746/i.2023.34.43.7.

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   Russia’s war against Ukraine has brought a humanitarian catastrophe to Europe and disrupted previously established cultural practices and rituals. One such practice has been the making and watching of films, constituting a further blow to the Ukrainian film industry, which has already experienced modifications caused by the VoD (video-on-demand) business mode and the coronavirus crisis. This study intends to highlight how the culture of cinema changed in the cities of Ukraine in 2022 that suffered and are still suffering from shelling and fighting. Its findings are based o

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Tabarintseva-Romanova, K. M. "The Italian model of humanitarian diplomacy." Diplomaticheskaja sluzhba (Diplomatic Service), no. 12 (December 7, 2022): 458–70. http://dx.doi.org/10.33920/vne-01-2206-05.

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Тhe term humanitarian diplomacy is undergoing a number of changes in the political discourse of international relations. Already, various states and international organizations are investing in it with diff erent content. In this article, we will look at how Italy, the ancestor of the modern diplomatic system, puts into practice humanitarian diplomacy in the broad sense of the term. If initially the concept of "humanitarian diplomacy" meant only "providing humanitarian assistance to vulnerable segments of the population during a confl ict and victims of natural or man-made disasters", today it

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Bartosh, N. Yu. "VI International Interdisciplinary Scientific Conference “Metamorphoses of Culture: Donum didacticum. Didactic Code in the Culture of the 18th – 20th Centuries” at NSU." Vestnik NSU. Series: History and Philology 21, no. 9 (2022): 128–31. http://dx.doi.org/10.25205/1818-7919-2022-21-9-128-131.

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The report presents the analysis of leading topics and individual reports of the VI International Interdisciplinary Scientific Conference “Metamorphoses of Culture”, held as part of the international forum “Heritage” at the Humanitarian Institute of Novosibirsk State University on November 19–20, 2021. The conference was dedicated to the problems of didactic code transformation in the culture of contemporary and the most recent times. The main discussion raised questions about the didactic culture code from the 18th until the 20th century. A special subject of consideration was the conceptual

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Shaygozova, Zhanerke, and Larisa Nehviadovich. "Clothes as a marker of otherness in traditional Kazakh culture." Bulletin of the L.N. Gumilyov Eurasian National University. Historical Sciences. Philosophy. Religion Series 148, no. 3 (2024): 135–56. http://dx.doi.org/10.32523/2616-7255-2024-148-3-135-156.

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The concept of “otherness” is derived from the word “other”, non-identical. The problem of otherness in humanitarian science has attracted the attention of researchers since long ago and has been considered from a variety of perspectives. In the opinion of the authors of the article, the visual expression of otherness is the least developed issue in science, but it is clothing (costume) and the image as a whole that reflects it most vividly and distinctively. The main focus of this article is the reflection of otherness in clothing, viewed through the prism of Kazakh culture. In order to compa

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Grynyshyna, Maryna. "Stage Performance in the System of New Humanitarian Knowledge." Bulletin of KNUKiM. Series in Arts, no. 45 (December 17, 2021): 167–73. https://doi.org/10.31866/2410-1176.45.2021.247389.

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The purpose of the article is to highlight the concept of the New Humanitarian Knowledge as a complex, multidiscipline and adaptive system. The research methodology provides analysis of the problem field of the postculture and identification of its little-studied gaps; it also defines performance as one of the most striking phenomena of the postculture; finally, it helps to establish motivations for studying the history and practice of stage performance in the context of the New Humanitarian Knowledge. The scientific novelty of the study is determined by significant changes in cultural and art

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Kruvko, Tatiana V. "THE REPRESENTATION OF POSTHUMAN SUBJECTIVITY IN MODERN SCIENCE-FICTION ON THE EXAMPLE OF THE TV SERIES “LOVE. DEATH & ROBOTS”." Articult, no. 2 (June 2024): 82–95. http://dx.doi.org/10.28995/2227-6165-2024-2-82-95.

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Today, the conversation about the impact of technology on humans is a common place. In humanitarian theory, there is a growing number of approaches that develop new ways to describe a person in a technologized culture. Special attention is paid to it by posthumanism, based on the experience of critical analysis of culture, it offers a description of alternative, posthuman subjectivity. Where is also a reflection on changing human relations with the environment in visual art. Although mass screen culture has transformed and moved away from big screens to gadgets for private viewing, it has not

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Grin, Julia, and Olena Lobach. "METHOD COMPONENT OF THE CULTURE-DEFENSE PEDAGOGICAL CONCEPT OF V. SCHEPOTIEV (1880–1937)." Aesthetics and Ethics of Pedagogical Action, no. 14 (September 9, 2016): 107–14. http://dx.doi.org/10.33989/2226-4051.2016.14.171596.

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Method component of pedagogical conception of culture protection by V. Schepotiev – the first rector of Poltava folk education Institute, professor of Ukrainian literature and philology, art critic, ethnographer, archivist and artist – is partially observed. The aim of pedagogical concept of the scholar is in national culture of young generation forming by the means of Ukrainian culture, because this generation is responsible before the offspring and is to be capable to culture protection activity providing.The classification of methods given includes two groups: 1) Pedagogical (traditional an

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Lazutkina, Elena M. "On the mechanisms of influence on speech practice in the era of war on the defeat of consciousness." Journal of Psycholinguistic, no. 2 (July 7, 2024): 90–103. http://dx.doi.org/10.30982/2077-5911-2024-60-2-90-103.

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Russian language preservation in modern geopolitical conditions is the subject of the article: during the war to defeat consciousness in everyday speech communication, there is a struggle for the preservation of the Russian language, culture, and mentality of the nation. The article says that the national language is preserved only through the use of a literary language. The author shows the mechanisms of influence on speech use by artificially forming the evaluative background of an utterance in order to influence the motivational aspect of a linguistic personality – its pragmaticon.The artic

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Lukyanenko, O., and K. Krepak. "THE PRACTICAL COMPONENT OF THE PROFESSIONAL HUMANITARIAN SPECIALIST TRAINING WHILE STUDYING THE HISTORY OF MUSIC ART." Ukrainian professional education, no. 11 (December 29, 2022): 57–65. http://dx.doi.org/10.33989/2519-8254.2022.11.275540.

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The research is designed to reveal the specifics of the practical component of the professional training of future specialists in the humanitarian field while studying the history of music art. Emphasis is placed on the first block study – the history of primitive music, one of the little-studied and controversial components of the subjects of art history and culture studies cycles. The article analyzes the main theories of the origin of music and offers options for constructing the practical part of the disciplines, illustrating each scientific explanation with appropriate audio and visual ma

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Salmin, Leonid. "Happy in the place?" проект байкал, no. 73 (October 21, 2022): 56–61. http://dx.doi.org/10.51461/pb.73.10.

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According to the humanitarian urbanistics, one of the most important indicators of the quality of life in a modern city is the level of happiness of its population. The article seeks to clarify the meaning of the relationship of the city and urban culture with the concept of happiness, with historical changes in the happiness images and their place in the contemporary practices of urban life. An attempt is made to analyze the mythopoetic discourse of happiness in the context of the city.

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Mishustina, A. B. "AUDIENCE PRACTICIES OF THE TV SERIES CONSUMPTION." UKRAINIAN CULTURAL STUDIES, no. 2 (5) (2019): 80–87. http://dx.doi.org/10.17721/ucs.2019.2(5).15.

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The article is devoted to the analysis of the audience practices of the TV series as a type of visual culture of Postmodern. Parameters of the transformation of Modern visual practices in the context of the series presenting as a culture industry and their role in changing the anthropological model are considered. The significance of the consumption of TV series as a type of postmodern cultural industry, which produces a human as a TV series-viewer, is postulated. Such visual means of the serial industry as spoilers, suspense, Easter eggs, which are producing postmodernist types of visual inte

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Lydon, Jane. "An Australian Politics of Indistinction: Making Refugees Visible." New Formations 106, no. 106 (2022): 100–117. http://dx.doi.org/10.3898/newf:106.06.2022.

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In this article I examine how the competing positions and claims of Australian citizens, First Nations people and refugees are negotiated visually in the global public sphere. Australian perspectives on struggles over citizenship and semi-porous borders must be understood within a history of nation-building, regional relations and the ideology of Whiteness. How does visual culture constitute categories of inclusion and exclusion? Visual strategies that define and contest the place of Indigenous Australians, as well as refugees seeking to come to Australia have been criticised for depicting the

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Bresler, Mikhail. "Specifics of perception of historical and cultural heritage by generation Z in the conditions of network existence." E3S Web of Conferences 420 (2023): 06018. http://dx.doi.org/10.1051/e3sconf/202342006018.

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The paper focuses on the issues of intercultural interaction in terms of the generational perception of various styles of musical and visual culture. Contrary to established opinion, Generation Z perceives various genres of art not through the prism of the determination of the youth subculture but as a cultural information array in general. The opposition of supporters of various musical and visual genres and styles of fine art is not typical for a significant part of Generation Z, which is associated with the features of the generation “living” in the digital environment and the specifics of

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Melik-Gajkazyan, Irina. "Semiotic Diagnostics of the Trajectory Splitting between a Dream of the Past and Dream of the Future." ISTORIYA 13, no. 4 (114) (2022): 0. http://dx.doi.org/10.18254/s207987840021199-7.

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All areas of humanitarian and social knowledge include the study of the interactions between the individual, society and culture. Such an interaction is considered in the article through the prism of the phenomenon of a dream. In society, among the forces are acting there, a collective dream has a special power. In culture, the collective dream creates two forms: myth (dream of the past) and utopia (dream of the future). The measure of adherence to the forms of the collective dream and/or the degree of independent interpretation of the symbolism of myth and utopia becomes a characteristic of t

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Oganezov, Aleksandr E. "Interdisciplinarity and Collaborative Filmmaking in Anthropological Cinema." Observatory of Culture 15, no. 6 (2018): 682–92. http://dx.doi.org/10.25281/2072-3156-2018-15-6-682-692.

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Anthropological cinema is the most representative form of visual anthropological research, due to which it can be considered a kind of calling card of visual anthropology. It is confirmed by facts from the history of the scientific discipline and by constant, continuous interest in anthropological films both from researchers and from the audience. This is caused by variety of different factors, though the key ones are the “visual turn” in the 20th century culture, the development of cinema and television, mostly in the second half of the 20th century, and the media-oriented socio-cultural dire

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Tsichla, Dr Markella-Elpida. "200 Years since the Greek Revolution: HUMANISTIC PHILHELLENISM and Its Main Characteristics in the Visual Arts (1821-2021)." World Journal of Education and Humanities 4, no. 1 (2022): p25. http://dx.doi.org/10.22158/wjeh.v4n1p25.

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Philhellenism was a movement, its origins dating back to ancient times, that played a key role in the 19th century and the outbreak of the Greek Revolution in 1821. The contribution of military philhellenism to the liberation struggle of the Greeks is well known, but equally important was the humanitarian philhellenism, manifested in the arts, literature and science and influenced the public opinion of Europe and America, preparing the ground for the perception of this Struggle as a Sacred Struggle against oppression and barbarism. The images painted by famous and anonymous artists back then r

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Elkina, Elena L. "Synthesis as a Basis for Learning in the Creative Design School “Senezh”." Общество: социология, психология, педагогика, no. 5 (May 28, 2025): 141–45. https://doi.org/10.24158/spp.2025.5.16.

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The article examines the innovative experience of the Senezh design school, considers synthesis as a basis for conducting special disciplines, teaching methods. Creative design and the theme of freedom of creativity are extremely relevant in the modern world, the artistic concept of the design of the Senezh studio is a special ma-terial, the foundation for many design studies. The post-industrial, digital world is moving towards humanitarian culture, towards art and free creativity, which makes the legacy of the Senezh studio increasingly relevant. The theme of “Problems of Design” is relevant

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Morozova, Irina V., and Victoria I. Zhuravleva. "VIII Zverev International Conference at RSUH: “America’s Hinterland in Literature, Politics, and Culture”." Literature of the Americas, no. 14 (2023): 465–78. http://dx.doi.org/10.22455/2541-7894-2023-14-465-478.

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The review outlines the major topics of the conference on the American Studies held by RSUH in April 2023. Оn the one hand, the US hinterland, is proud of the reputation of true America with its family values and religious traditionalism as opposed to multicultural and cosmopolitan large urban centers. On the other hand, it often sees itself as a territory associated with the decline of morality, loneliness, poverty, and racial intolerance. The conference organizers proposed to conduct an interdisciplinary study of the problems associated with the life of the American hinterland; to show its s

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Yıldız, İbrahim. "Visualization of the Israeli-Palestinian War in Digital Media: An Analysis of Anadolu Agency Infographics." Filistin Araştırmaları Dergisi, no. 17 (June 30, 2025): 129–66. https://doi.org/10.34230/fiad.1667594.

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As a visual method of communicating news, infographics are employed to convey news about politics, economy, sports, culture and arts, as well as news about extraordinary periods such as war, natural disasters, and epidemics. The succinct and concise presentation of information, supported by visual elements, facilitates more effective communication of news related to periods of war that result in humanitarian crises and social consequences for the public. The problem of this study is to examine the manner in which the Israeli-Palestinian war, which commenced on October 7, 2023, is represented t

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Sofia, Adib. "RETORIKA IMAJI FILANTROPI ISLAM MODERN DALAM PRANGKO AMAL MUHAMMADIYAH." Jurnal Sosiologi Agama 15, no. 2 (2021): 149. http://dx.doi.org/10.14421/jsa.2021.152-01.

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In pre-independence era until several decades after, stamps become very precious things either functionally or conceptually. At that time stamps functioned not only as the proof of payment for sending letters or documents but also as the fundraising tool or usually called charity stamps. Muhammadiyah charity stamps issued in Dutch East Indies period have become the modern Islamic philanthropic icons. Until their 80 years of existence in 2021, these stamps are still being discussed and performed in various media. Therefore, this writing is trying to reveal the meaning of stamps in several stage

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Mastrothanasis, Konstantinos, and Theodore Grammatas. "Reception of the values of the Aeschylus drama and mnemonic imprints by ancient tragedy spectators." Open Research Europe 2 (November 3, 2022): 124. http://dx.doi.org/10.12688/openreseurope.15179.1.

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Background: Ancient Greek tragedy remains today a special dramatic genre that expresses the concept of the classic through time, perhaps better than any other form of art and culture, representing, as a theatrical expression, the vision of the conception and expression of values of a particular era. In this context, the purpose of the present research is to study the humanitarian values of European culture, as they are expressed in ancient Greek drama, and to highlight the way in which these values are projected through modern drama and are impressed on the spectators. Methods: To achieve this

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Zolotareva, L. R., and Y. A. Zolotareva. "Heritage of al-Farabi in art-culturaland pedagogical understanding." Pedagogy and Psychology 42, no. 1 (2020): 196–206. http://dx.doi.org/10.51889/2020-1.2077-6861.25.

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The relevance of the scientific article is due to the significant date of 2020 – the 1150th anniversary of the birth and 1060th anniversary of the death of Abu Nasr Ibn Muhammad al-Farabi-an outstanding thinker-scientist of the East, philosopher, encyclopedic, great humanist. At the world art history classes on the theme «Culture of the Arab-Muslim East», at creative seminars on the history of arts of Kazakhstan, the image of al-Farabi, recreated in the visual arts, and his humanitarian heritage are discussed. Al-Farabi is the author of commentaries on the writings of Aristotle (hence his hono

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Dzhumaylo, O. A. "New books on comics." Practices & Interpretations: A Journal of Philology, Teaching and Cultural Studies 8, no. 2 (2023): 148–67. http://dx.doi.org/10.18522/2415-8852-2023-2-148-167.

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The review analyzes current issues and approaches in the academic study of comics on the material of generalizing scholar books published in 2020– 2022. The focus is on two dictionaries of key concepts in the field of comics studies (“Keywords for Comic Studies”, “Key Terms in Comics Studies”) and two collective monographs of a systematizing bent (“Comics Studies: a Guidebook”, “More Critical Approaches to Comics”). In addition, the monograph “Comics as a Research Practice: Drawing “Narrative Geographies Beyond the Frame” is discussed as an example of interdisciplinary (humanitarian geography

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Vorobiova, Olga Y. "The historic city in modern culture: culturological discourse and legal status." Verhnevolzhski Philological Bulletin 4, no. 27 (2021): 220–30. http://dx.doi.org/10.20323/2499-9679-2021-4-27-220-230.

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The article aims to define the essence of the concept «historic city» in contemporary humanitarian knowledge. The article is based on analyzing the legal and culturological discourses on the historic city. Historical and cultural research method allows us to identify the reasons for the definition «historic city» to appear and trace the process of its development and transformation. The author focuses on the legal context in which the process of understanding the category of «historic city» goes through the search for and justification of unified criteria and signs of «historicity» of the city

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Kruglova, Т. А. "“AFTER-WAR” AND “POST-WAR”: VALUE-ORIENTED AND FUTURE-FOCUSED CONTENT OF THE SOVIET CULTURE FROM 1945 TO THE 1960s (WITH A FOCUS ON ART)." Вестник Пермского университета. История, no. 3 (2024): 144–54. http://dx.doi.org/10.17072/2219-3111-2024-3-144-154.

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The article discusses the concept of “post-war situation” developed in the Soviet Union from 1945 until the late 1960s, focusing on the value-oriented and future-focused tendencies. The author challenges the understand-ing of this period as coherent one, as presented in Russian socio-humanitarian literature and public discourse. The complex semantics of this concept is outlined: it refers to the period after the end of the World War II (post-war time), which has a clear boundary between the two opposing social orders (war and peace) and is therefore relatively brief. However, in most historica

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Kon, Vyacheslav. "Lars von Trier’s Apocalyptic Consciousness in the Anthropology of the House That Jack Did Not Build." Ideas and Ideals 16, no. 1-2 (2024): 429–54. http://dx.doi.org/10.17212/2075-0862-2024-16.1.2-429-454.

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The subject of the study is the concept of the historical hero as a victor of the gods and his role in contemporary Western cultural heritage, with a focus on the reinterpretation of Scandinavian culture in the works of Lars von Trier. The research methodology is based on the analysis of Hollywood’s reception of neo-European rationalism and the ideas of individualism and free will in European culture. The author examines the inﬂuence of the implementation of freedom without morality on the exploration of the idea of the Übermensch (superman) and discusses unresolved questions in this context.

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Цорос, Алтман Валерьевич, and Эльза Петровна Бакаева. "Kalmyk Shrines: Part 4 of the Documentary Film “Secrets of the Kalmyk Steppe: From the Life of the Kalmyks and Tatars”." ТРАДИЦИОННАЯ КУЛЬТУРА, no. 4 (November 25, 2021): 61–72. http://dx.doi.org/10.26158/tk.2021.22.4.005.

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В статье рассматривается часть документального фильма, снятого в начале 1920-х гг. швейцарской экспедицией. Благодаря фильму Августа Керна сохранились визуальные материалы о культуре и быте калмыков в эпоху перехода от кочевой жизни к оседлой. Исследование показало, что создание фильма “Die Geheimnisse der Kalmückensteppe. Aus dem Leben der Tataren und Kalmücken” (Тайны калмыцкой степи. Из жизни калмыков и татар) было связано с актуальным направлением гуманитарного кино начала 1920-х гг., создававшегося при поддержке организаций Международного комитета Красного Креста. А. Керн снимал фильм, яв

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Hordiienko, N. M. "Sociological archetypology: analysis of theoretical and methodological principles and postmodern practices in Ukraine." Ukrainian Society 81, no. 2 (2022): 32–41. http://dx.doi.org/10.15407/socium2022.02.032.

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The author substantiates conceptual and methodological principles based on a comprehensive analysis of the theoretical and scientific status of sociological archetypology within the system of modern socio-humanitarian knowledge. These principles are represented in the conceptual system comprising the following central provisions: general orientation of scientific research in the area of sociological archetypology on society as a collective subject, whose vital activity at the implicit level of the collective unconscious is primarily determined by archetypes; the dialectic character of transfor

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DROBYSHEVA, Elena E. "Toward the Methodology of the Humanities: Transformation of Research Approaches in the Architectonics of Culture." International Journal of Cultural Research, no. 2 (2023): 6–19. http://dx.doi.org/10.52173/2079-1100_2023_2_6.

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The article deals the analysis of the methodological base of the humanities and specific concepts used in the study of the dynamic aspects of the functioning of culture. It is stated that in connection with the expansion of the empirical base of socio-humanitarian research and the growing trend of interdisciplinarity in them, it seems necessary to constantly revise the applied methodologies and clarify the boundaries and functionality of a particular method. The study of sociocultural architectonics in general, and its dynamic aspects in particular, requires the correlation of scientific vocab

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Ivonina, Liudmila. "The Triumph of Peace: International Congresses and European Society in the Time of Courts and Alliances." ISTORIYA 13, no. 1 (111) (2022): 0. http://dx.doi.org/10.18254/s207987840018801-0.

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The formation of the first state system in Europe took place from the conclusion of the Peace of Westphalia in 1648, as a result of the Thirty Years&apos; War (1618-1648), to the Utrecht (1713) and Rastatt-Baden (1714) Congresses which finished the end of the war of the Spanish Succession. The legal fixation of the Westphallian system was accompanied by its public perception and acceptance. First of all, this was demonstrated by International Congresses, which were not only a common negotiation process, but also a place of representation of the significance and culture of each state. In fa

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Ibragimov, Zaur S. "The formation and stages of development of interstate activities of the Heydar Aliyev Foundation." SocioEconomic Challenges 6, no. 3 (2022): 148–56. http://dx.doi.org/10.21272/sec.6(3).148-156.2022.

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Since the founding of the Heydar Aliyev Foundation in 2004, this institution has been actively involved in large-scale international cultural relations. The purpose of creating this fund was to preserve and popularize the legacy of the national leader of the Azerbaijani people, Heydar Aliyev, to convey the truth about Azerbaijan to the world community, and to familiarize with its history, culture, and spiritual values. The purpose of this article is to determine the stages of formation and development of the Heydar Aliyev Foundation, to analyze the directions of its multi-vector activity and t

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Sozina, Elena K. "The Far Side of the Moon (Rusina, Yu.A. (2019) Samizdat v SSSR: Teksty i Sud’by [Samizdat in the USSR: Texts and Lives]. St. Petersburg: Aleteyya; Yekaterinburg: Ural State University. 204 P.)." Tekst. Kniga. Knigoizdanie, no. 24 (2020): 192–98. http://dx.doi.org/10.17223/23062061/24/10.

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The review is written on a 2019 book Samizdat in the USSR: Texts and Lives by Yu.A. Rusina. The author of the book discusses a relevant problem of the recent history of the country and analyses the phenomenon of samizdat (self-publishing) in the second part of the 20th c. Three main definitions in the conception of samizdat are given: samizdat as (1) a cultural phenomenon of “another”, “different” culture which supplements official culture; (2) a phenomenon of self-organization of society in the cultural sphere, self-reflection of society and its informational activity; (3) a historical source

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Fytsyk, Larysa, and Igor Fytsyk. "INTEGRATION OF UKRAINE INTO THE CULTURAL SPACE OF EUROPE IN THE CONTEXT OF FULL-SCALE WAR (CASE STUDY OF POLISH CITIES)." European Historical Studies, no. 29 (2024): 244–57. http://dx.doi.org/10.17721/2524-048x.2024.29.17.

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The article examines the peculiarities of Ukraine’s integration into the cultural space of Europe in the conditions of Russia’s full-scale invasion of Ukraine. Using the example of the largest Polish cities, it argues that despite the war, Ukraine deepens cultural cooperation with EU countries. The article emphasizes that cooperation between Ukraine and Poland is particularly fruitful and indicative of Ukraine’s successful cultural integration into the EU. Polish cities serve as the main platforms for this process, creating significant opportunities for Ukrainian artists and cultural figures t

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Dinata, I. Komang Rio Saputra, Cokorda Gde Raka Swendra, and Ni Ketut Pande Sarjani. "PENCIPTAAN KARYA MENGGUNAKAN ILUSTRASI DENGAN KONSEP ANALOGI." AMARASI: JURNAL DESAIN KOMUNIKASI VISUAL 3, no. 02 (2022): 116–22. http://dx.doi.org/10.59997/amarasi.v3i02.1694.

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The implementation of the Independent Learning Program - Independent Campus (MBKM) is a policy of the Minister of Education and Culture of Indonesia, at the Indonesian Art Institute Denpasar gives students space to choose one of eight MBKM programs, including; student exchange; internship/work practice; teaching assistance; humanitarian projects; entrepreneurial activity; independent study/project; as well as building a thematic real work village/college. Sin and Sun Sewing Syndicate is a company engaged in the creative field, which raises traditional Japanese concepts, especially on Boro and

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Lukyanenko, O. "THE INVOLVEMENT OF STAKEHOLDERS IN THE FORMATION OF GENERAL AND PROFESSIONAL COMPETENCES OF PEOPLE WHO HAVE RECEIVED EDUCATION IN THE HUMANITARIAN FIELD OF KNOWLEDGE." Ukrainian professional education, no. 16 (October 31, 2024): 17–26. http://dx.doi.org/10.33989/2519-8254.2024.16.314201.

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The article analyzes the place and role of stakeholders in the system of professional training of cultural studies. It was determined that among the general and professional competencies of the bachelor and master of cultural studies, the state standard of higher education in the specialty defines the ability to communicate in a foreign language, which directly affects the ability to use various sources of information, analyze cultural policy in foreign institutions. It is described how the training of specialists who are able to popularize knowledge about culture and disseminate information o

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