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1

Gee, Malcolm, and Jill Steward. "Art and the modern European city: survey and conference report." Urban History 22, no. 2 (1995): 181–86. http://dx.doi.org/10.1017/s0963926800000456.

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Arguably, art history has always had an interdisciplinary vocation, though this was at times underplayed during its establishment as an academic subject. Recent intellectual trends have tended to work in the opposite sense, encouraging art historians to highlight the relationship between visual art and a range of cultural and economic discourses. This has often involved discussion of specifically urban contexts, since cities have been the principal sites for the production, distribution and interpretation of works of art, and their fabric a means by which cultural practices have been allied to
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Adil Khamees Alzahrani, Adil Khamees Alzahrani. "Critical Theory Based on the communicative function: Analytical study of contemporary experience." journal of king abdulaziz university arts and humanities 26, no. 3 (2018): 271–95. http://dx.doi.org/10.4197/art.26-3.11.

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With the rapid development in communication technology nowadays, humanities disciplines have become closer and interconnected, which led to the flourishing of interdisciplinary fields. This paper attempts to survey the relationship between modern literary criticism and communication theories; it can be said that the progress that modern linguistics have witnessed in considering the poetic function among other communication functions has contributed to frame a literary theory based on the fundamental acts of communication. The works of Arab critic Mur?d Mabr?k could serve as a good example in t
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Hewei, Tian, and Lee Youngsook. "Influencing Factors of Online Course Learning Intention of Undergraduates Majoring in Art and Design: Mediating Effect of Flow Experience." SAGE Open 12, no. 4 (2022): 215824402211340. http://dx.doi.org/10.1177/21582440221134004.

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Using technology to support learning is a major trend in the development of modern education. In the face of COVID-19, online courses play an important role. During the COVID-19 pandemic, a large number of online art design courses have been developed in China. Art design courses involve many practical investigation and skill operation links, which is a challenge of online learning. In order to explore the influencing factors of online course learning intention of art and design majors, this study compiled a questionnaire, conducted an online survey on 1,057 Chinese art and design majors throu
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WILLIAMS, HANNAH. "Artists and the city: mapping the art worlds of eighteenth-century Paris." Urban History 46, no. 1 (2018): 106–31. http://dx.doi.org/10.1017/s0963926818000251.

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ABSTRACT:Paris is renowned for artistic neighbourhoods like Montmartre and Montparnasse in the nineteenth and twentieth centuries. But for earlier periods, the art-historical picture is much vaguer. Where did artists live and work in the eighteenth century? Which neighbourhoods formed the cultural geography of the early modern art world? Drawing on data from a large-scale digital mapping project locating the addresses of hundreds of eighteenth-century artists, this article answers these crucial questions of urban art history. Following an overview of the digital project, the article explores t
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PELEVIN, MIKHAIL. "The Art of Chieftaincy in the Writings of Pashtun Tribal Rulers." Journal of the Royal Asiatic Society 29, no. 3 (2019): 485–504. http://dx.doi.org/10.1017/s1356186319000051.

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AbstractThe article surveys the views of Pashtun military-administrative elite on governance in the works of Khushḥāl Khān Khaṫak (d. 1689) and Afżal Khān Khaṫak (d. circa 1740). The texts under discussion pertain to the universal literary genre of “Mirrors for Princes”(naṣīḥat al-mulūk)and include the Khaṫak chieftains’ didactical writings in prose and verse, as well as still poorly studied documents on real politics from Afżal Khān's historiographical compilation “The Ornamented History”(Tārīkh-i muraṣṣaʿ). Rooted in the medieval Persian classics, early modern Pashto “mirrors” are distinguis
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Курьянович, Анна Владимировна, and Синхуа Ван. "Cultural code of a modern regional city: An experience of discourse description (based on street art objects in Tomsk)." ΠΡΑΞΗMΑ. Journal of Visual Semiotics, no. 3(41) (September 20, 2024): 117–37. http://dx.doi.org/10.23951/2312-7899-2024-3-117-137.

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Рассматривается функциональный потенциал объектов современного стрит-арта как средства ретрансляции социально значимых ценностных смыслов, что представляется актуальным для изучения своеобразия национальной картины мира в рамках таких областей гуманитаристики, как лингвосемиотика, лингвокультурология, лингвистическая антропология, лингвоконцептология, филологическая урбанистика. Цель работы ‒ исследовать арт-объекты, присутствующие в городском пространстве в качестве урботекстов ‒ поликодовых произведений искусства, с точки зрения участия в создании культурного кода города и средства формирова
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Stanyukovich, M. V. "Ethnography, ethnobotany, and ethnolinguistics of Tropical Asia: A survey of Maclay Readings 2021–2022 and of a panel of the Radlov Readings 2023." Shagi / Steps 9, no. 3 (2023): 316–35. http://dx.doi.org/10.22394/2412-9410-2023-9-3-315-335.

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The paper presents a brief overview of three conferences organized by the Department of Australia, Oceania and Indonesia of the Museum of Anthropology and Ethnography (Kunstkamera) of the RAS, St. Petersburg, in 2021–2023, Maclay Readings 2021 and 2022 and a panel on ethnobotany at the Radlov Readings 2023. Fieldwork in the countries of Southeast Asia and Oceania is the main focus of our Department. However, since Covid restrictions reduced our possibilities for travel during that period, ethnobotany, another topic traditional for our studies, was chosen as the main theme of the conference. Al
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Frank, Förster, Ralph Großmann, Martin Hinz, et al. "Towards mutual understanding within interdisciplinary palaeoenvironmental research: An exemplary analysis of the term landscape." Quaternary International 312 (August 9, 2013): 4–11. https://doi.org/10.1016/j.quaint.2013.07.045.

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The term landscape is a crucial term for a diversity of scientific disciplines researching the Quaternary, each of which maintains different concepts and definitions. With increasing interdisciplinary research cooperation between disparate disciplines, a basis for communication has to be established. The aim of this paper is a) to survey an assortment of concepts and understandings of landscape within diverse disciplinary contexts and b) to explore the possibilities and usefulness of a common concept in an interdisciplinary palaeo-environmental research field, shared by scholars from the human
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Budiwirman, Budiwirman, Syeilendra Syeilendra, Ary Ramadhan, and Syafei Syafei. "SENI TRADISIONAL DALAM SENI MUSIK MODREN: ANALISIS BERDASARKAN NILAI PENDIDIKAN." Gorga : Jurnal Seni Rupa 12, no. 1 (2023): 108. http://dx.doi.org/10.24114/gr.v12i1.27135.

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Traditional arts that have high artistic value must always be preserved from extinction. In order to maintain the popularity of traditional art in Indonesia, it is necessary that artists, teachers, and society understand it deeply. Every fine arts artist, teacher, and community must have a sense of nationalism towards traditional art in order to be able to maintain and become a stronghold of traditional art itself. This study aims to rediscover the values of traditional culture that are spread in several regions in Indonesia with the hope that it can be absorbed into modern art so that the val
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Godina, Elena, Renat Sirazetdinov, and Marina Negasheva. "Secular Trend of Body Dimensions in Highly Qualified Wrestlers." Collegium antropologicum 46, no. 1 (2022): 9–14. http://dx.doi.org/10.5671/ca.46.1.2.

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The purpose of the paper was to study the physique of highly qualified martial art athletes engaged in different types of wrestling, and to perform a retrospective analysis of the morphological characteristics of wrestlers examined since the early 1920s. The materials of the anthropometric survey of 48 athletes engaged in different types of wrestling with qualification from the candidate for master of sports and above were used for this purpose and compared to the "control group" of young men (N = 97) who were not engaged in sports (similar to the group of athletes by age, ethnicity and percen
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WRIGHT, OWEN. "How French is frenkçin?" Journal of the Royal Asiatic Society 21, no. 3 (2011): 261–81. http://dx.doi.org/10.1017/s1356186311000320.

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It is by no means unknown, in Middle-Eastern art-music traditions, to find claims that a given rhythmic cycle was invented on a particular occasion by a particular musician, the most obvious and reliable instance being provided by ‘Abd al-Qādir al-Marāġī (d. 1435), who tells us that he was commissioned to create a new cycle to commemorate a victory. With frenkçin, then, a cycle where the very name clearly suggests some form of western derivation or inflection, it was perhaps only to be expected that we should encounter a similar narrative that pinpointed its origin, associating its creation wi
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MASLENNIKOVA, Nadezhda N., Ilzira GIBADULINA, and Elvira A. GAFIYATULLINA. "DEVELOPMENT OF SPECIAL CHEMISTRY SKILLS IN THE UNIVERSITY VOCATIONAL TRAINING SYSTEM OF THE STUDENTS." Periódico Tchê Química 17, no. 36 (2020): 1127–47. http://dx.doi.org/10.52571/ptq.v17.n36.2020.1142_periodico36_pgs_1127_1147.pdf.

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Preparing students for work in the field of education contributes to the development of school education. The basis for teaching students is made up of techniques, methods, and forms of learning by practical activity and the implementation of professional actions. The use of information and communication technology (ICT) in higher education contributes to the disclosure, preservation, and development of individual interests; the motivation; the desire for self-improvement and self-realization of students; ensuring the complexity of studying the phenomena of reality, the inextricability of the
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McLeish, Tom. "The Poetry and Music of Science: Comparing Creativity in Science and Art." Perspectives on Science and Christian Faith 75, no. 2 (2023): 140–42. http://dx.doi.org/10.56315/pscf9-23mcleish.

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THE POETRY AND MUSIC OF SCIENCE: Comparing Creativity in Science and Art by Tom McLeish. New York: Oxford University Press, 2022. 414 pages. Paperback; $16.95. ISBN: 9780192845375. *In this tour-de-force book, British physicist Tom McLeish finally comprehensively argues, in one dense volume, what so many scientists have been claiming piecemeal for centuries: that doing science often looks and feels like doing art. That is a broad, amorphous statement, of course, and scientists have not done a very good job of fully understanding this idea or selling it to the rest of the world. This carefully
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Lee. "Skepticism about Modern Art." Journal of Aesthetic Education 54, no. 1 (2020): 35. http://dx.doi.org/10.5406/jaesteduc.54.1.0035.

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Siraeva, M. N. "Humanitarian learning environment of the regional university as an object of monitoring and management." Vestnik of Minin University 12, no. 1 (2024): 3. http://dx.doi.org/10.26795/2307-1281-2024-12-1-3.

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Introduction. Modernization of modern higher education determines new requirements to the structure of university learning environment as a part of educational space and social environment of students and updates its humanitarian component. The strategy of training humane centered individual is documented in the fundamental documents of the world's leading universities and presupposes an adequate mechanism for assessing the quality of this environment and its key subjects. At the same time, in the context of the implementation of the concept of academic leadership, national ideas in the field
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Khrenov, Nicolai A. "Modern art history as a human science in a situation of cultural turn." Journal of Flm Arts and Film Studies 11, no. 1 (2019): 82–98. http://dx.doi.org/10.17816/vgik11182-98.

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Intensive development of knowledge in the 20th century, including the emergence of new sciences and humanities, constantly creates a problematic situation in the sphere of art, shifting arts designation to what in the philosophy of science is known as normal science. This is associated with the idea of art as a science that has reached a stage of maturity and consistency and, therefore, complies with its norms. The concept of art as normal science is characterized by a certain degree of conservatism, as it presupposes arts self-protection against deviations from the established methodology.&#x
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Khrenov, Nicolai A. "Modern art history as a human science in a situation of cultural turn." Journal of Flm Arts and Film Studies 11, no. 2 (2019): 102–15. http://dx.doi.org/10.17816/vgik112102-115.

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Intensive development of knowledge in the 20th century, including the emergence of new sciences and humanities, constantly creates a problematic situation in the sphere of art, shifting arts designation to what in the philosophy of science is known as normal science. This is associated with the idea of art as a science that has reached a stage of maturity and consistency and, therefore, complies with its norms. The concept of art as normal science is characterized by a certain degree of conservatism, as it presupposes arts self-protection against deviations from the established methodology.&#x
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Khrenov, Nikolai A. "Modern art history as a human science in a situation of cultural turn." Journal of Flm Arts and Film Studies 11, no. 3 (2019): 94–106. http://dx.doi.org/10.17816/vgik11394-106.

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Intensive development of knowledge in the 20th century, including the emergence of new sciences and humanities, constantly creates a problematic situation in the sphere of art, shifting arts designation to what in the philosophy of science is known as normal science. This is associated with the idea of art as a science that has reached a stage of maturity and consistency and, therefore, complies with its norms. The concept of art as normal science is characterized by a certain degree of conservatism, as it presupposes arts self-protection against deviations from the established methodology.&#x
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Khrenov, Nikolay. "Modern Art History As a Human Science in a Situation of Cultural Turn." Journal of Flm Arts and Film Studies 11, no. 4 (2019): 98–113. http://dx.doi.org/10.17816/vgik11498-113.

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Intensive development of knowledge in the 20th century, including the emergence of new sciences and humanities, constantly creates a problematic situation in the sphere of art, shifting arts designation to what in the philosophy of science is known as normal science. This is associated with the idea of art as a science that has reached a stage of maturity and consistency and, therefore, complies with its norms. The concept of art as normal science is characterized by a certain degree of conservatism, as it presupposes arts selfprotection against deviations from the established methodology.&#x0
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Hitchcock, Michael, and Herbert P. Phillips. "The Integrative Art of Modern Thailand." Journal of the Royal Anthropological Institute 1, no. 4 (1995): 840. http://dx.doi.org/10.2307/3034971.

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Friend, Miles Edward, and Theodore F. Wolff. "The Many Masks of Modern Art." Journal of Aesthetic Education 27, no. 2 (1993): 121. http://dx.doi.org/10.2307/3333420.

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Squire, Michael. "Art and Archaeology." Greece and Rome 67, no. 2 (2020): 270–80. http://dx.doi.org/10.1017/s0017383520000121.

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Mosaics have not fared well in the hands of classical archaeologists. Modern viewers have traditionally treated them as panel-paintings laid out on the floor: consider how mosaics are frequently displayed on museum walls, for example, or how book reproductions perpetuate the ideal of a ‘vertical’ bird's-eye view. Scholars, too, have been quick to identify mythological subjects, homing in on ‘figurative’ motifs. But we still lack an adequate framework for approaching more ‘ornamental’ components – or for challenging that segregation in the first place.
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Squire, Michael. "Art and Archaeology." Greece and Rome 68, no. 1 (2021): 148–58. http://dx.doi.org/10.1017/s0017383520000327.

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I am no doubt showing my prejudice, but I didn't expect a book on Greek acroteria to make for such exciting lockdown reading. Because of their position high up on temple buildings, extant sculpted materials tend to be fragmentary – and hence pushed to the literal and metaphorical corners of modern-day museums. Look to scholarly publications, moreover, and there is a tendency towards classificatory catalogues, markedly less in the way of theoretical discussion (whether about architectural and cultic framing, for example, historical aesthetics, or the intersection between ‘ornamental’ and ‘figur
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Fawsitt, John. "Reading in the Humanities in the Mobile Digital Age." International Journal of Public and Private Perspectives on Healthcare, Culture, and the Environment 2, no. 2 (2018): 54–62. http://dx.doi.org/10.4018/ijppphce.2018070104.

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This speculative submission tries to delineate the possible existence of a clash between fulfilling a mission towards developing the cognitive and intellectual abilities of learners via reading and the introduction of mobile technology or M-Learning techniques into university education along with a survey of the possible forces that act to bring this about and how these trends follow the general tendency of intellectual and habitual behaviour in modern society. Whether they are in harmony or whether they run against them.
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Duan, Lian. "Meta-Art History: Introduction to a Narratological Study of Art History." Signs and Media 1, no. 2 (2021): 142–56. http://dx.doi.org/10.1163/25900323-12340008.

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Abstract This article outlines a narratological study of art history, discussing how to tell the story of art while telling the story. With this twofold purpose in mind, the author in this article draws the grande ligne of a narrative model on the one hand and proposes a historical argument about modern Chinese art on the other. The former aims at breaking down the boundary between intrinsic and extrinsic studies of art history, whereas the latter aims at proposing a main thesis about modern Chinese art. For the main thesis, the author argues that the development of Chinese art in the twentiet
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Squire, Michael. "Art and Archaeology." Greece and Rome 68, no. 2 (2021): 329–41. http://dx.doi.org/10.1017/s0017383521000127.

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For many, the era of COVID-19 has been short of colour. All the more reason, perhaps, to welcome this round-up's starter for ten: a multihued survey of polychromy in Roman portraiture. Facing the Colours of Roman Portraiture is a book that really does lend itself to being judged by its cover: as we turn the volume from back to front, a marble portrait magically metamorphoses between battered original and technicolour reconstruction.
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Cohen, Joshua I. "Modern African art and apartheid." Journal of Southern African Studies 46, no. 1 (2019): 189–91. http://dx.doi.org/10.1080/03057070.2020.1696034.

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Kisin, Eugenia, and Fred R. Myers. "The Anthropology of Art, After the End of Art: Contesting the Art-Culture System." Annual Review of Anthropology 48, no. 1 (2019): 317–34. http://dx.doi.org/10.1146/annurev-anthro-102218-011331.

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We focus on the anthropology of art from the mid-1980s to the present, a period of disturbance and significant transformation in the field of anthropology. The field can be understood to be responding to the destabilization of the category of “art” itself. Inaugural moments lie in the reaction to the Museum of Modern Art's 1984 exhibition “Primitivism” in 20th Century Art, the increasing crisis of representation, the influence of “postmodernism,” and the rising tide of decolonization and globalization, marked by the 1984 Te Maori exhibition at the Metropolitan Museum in New York. Changes invol
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Mutasa, David. "Modern Shona Poets and their Art: A Preliminary Survey." Language Matters 28, no. 1 (1997): 142–70. http://dx.doi.org/10.1080/10228199708566124.

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Verpooten, Jan, and Siegfried Dewitte. "The Conundrum of Modern Art." Human Nature 28, no. 1 (2016): 16–38. http://dx.doi.org/10.1007/s12110-016-9274-7.

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Mathews, Peter D. "Embodied Art: A Reading of A. S. Byatt’s ‘Body Art’." English: Journal of the English Association 68, no. 263 (2019): 344–63. http://dx.doi.org/10.1093/english/efz033.

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Abstract This article examines the idea of an embodied art in A. S. Byatt’s short story ‘Body Art’. In order to contextualize this concept, the essay begins with a survey of Byatt’s earlier explorations of the link between mind and body, as well as an analysis of the small amount of secondary material relating to ‘Body Art’, a text that has received little critical attention. The article then explores the story’s ties to Dutch vanitas painting, a tradition that is intimately linked to the study of anatomy. The vanitas tradition shows how medicine and art were once a unified field, and explores
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Rasmussen, Briley. "Museum as Métier: Victor D'Amico and the Museum of Modern Art." Journal of Aesthetic Education 57, no. 4 (2023): 60–75. http://dx.doi.org/10.5406/15437809.57.4.04.

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Abstract Although Victor D'Amico's pedagogy and legacy are well known within the field of art education, discussions of his work often disregard the context in which he worked for over thirty years—The Museum of Modern Art. This essay examines D'Amico's key projects, considering how they were supported by and in collaboration with his museum colleagues. The result was a unique legacy steeped in a pedagogy of modern art and museum education. As a conclusion, this essay looks at the training of art educators and museum educators as requiring different kinds of foundational work and an acknowledg
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Adams, Jeff. "Editorial: Afro Modern and Art Education." International Journal of Art & Design Education 29, no. 2 (2010): 92–95. http://dx.doi.org/10.1111/j.1476-8070.2010.01656.x.

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Gloe, Donna. "Art in nursing: A quilt journey." Journal of Applied Learning in Higher Education 05, Fall (2013): 49–59. http://dx.doi.org/10.57186/jalhe_2013_v5a4p49-59.

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The “art of nursing” was the culminating assignment for student group reflection and gained insight about their assigned vulnerable population as represented in a quilt block created. To learn about their assigned vulnerable population, the students begin with a windshield survey. The windshield survey results were recorded in a blog where the similarities and differences are discussed. The blog provides the basis for a group Wiki paper describing the challenges and opportunities of each of the vulnerable populations. Art can play a significant role in the modern caring sciences. It can touch
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Harrist, Robert E., and Gordon S. Barrass. "The Art of Calligraphy in Modern China." Journal of the American Oriental Society 123, no. 2 (2003): 406. http://dx.doi.org/10.2307/3217700.

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Erjavec, Aleš. "Art and Aesthetics: From Modern to Contemporary." Diogenes 59, no. 1-2 (2012): 148–57. http://dx.doi.org/10.1177/0392192112469472.

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Demessie, Mekuria Kelkay. "Art object – an integral component of shaping the architectural environment of a modern city." Scientific journal “Library Science Record Studies Informology” 26, no. 1 (2024): 40–48. http://dx.doi.org/10.63009/cac/1.2024.40.

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Shaping the image of a modern city, its aesthetic and artistic qualities, improving its appearance and attracting the attention of residents and guests of the city to his certain parts with the help of traditional, modern and exclusive art objects is an up-to-date question. The main purpose of the research was to theoretical materials, explored art object characteristics, functions, role in modern city architecture, and residents’ attitudes towards art object use in urban spaces. The research program included the following stages: preparatory, research and summarising with the integrated use o
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Koptseva, Natalya P. "Regional Art Studies in Modern Russia (Introductory Article)." Journal of Siberian Federal University. Humanities & Social Sciences 15, no. 1 (2022): 04–08. http://dx.doi.org/10.17516/1997-1370-0872.

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The introductory article reveals the principles of forming a science direction, dedicated to the theory and history of arts, for the journal of the Siberian Federal University «Humanities & Social Sciences». To analyze the topical problems of regional scientific schools of contemporary Russian art history, several principles were chosen: geographical (when studies are presented by regions where the corresponding scientific schools are developing), historical (in accordance with the problems characteristic of one or another significant era in the history of world and domestic art), conceptu
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Mohamed, Enas Dahi Ahmed. "Decoupage Art in the Modern Egyptian Painting." Dirasat: Human and Social Sciences 50, no. 3 (2023): 73–91. http://dx.doi.org/10.35516/hum.v50i3.5384.

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Objectives: This research aims to trace the history and techniques of decoupage art as a medium in contemporary Egyptian painting. It explores how decoupage enhances tactile values and achieves visual richness in artworks. Additionally, it examines the tactile qualities of decoupage in Egyptian pictorial works through descriptive analysis of selected pieces by contemporary artists. The hypothesis suggests that the use of decoupage art enriches visual and tactile experiences in contemporary Egyptian figurative painting. The significance of this study lies in shedding light on a novel approach t
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Pachev, Plamen. "SME policies in Southwest region (empirical survey results)." Economic Thought journal 60, no. 1 (2015): 115–27. http://dx.doi.org/10.56497/etj1560105.

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In 2013, within the framework of the internal university research (Art. 64, Art. 65a, Art. 90 and Art. 91 of the Law on Higher Education, in accordance with Regulation 9 / 08.08.2003, Art. Rilski" in Blagoevgrad was conducted a survey of small and medium-sized companies in the South-West planning region. The aim was to analyze the entrepreneurial attitudes and assessments of entrepreneurs and other respondents with regard to the "Small and Medium Business" sector on the effectiveness of the policy for its support. Data in 246 of the over 300 surveys distributed were assessed as representative.
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Belov, Dmytro. "Research of Comics in Modern Humanities." Ukrainian Journal on Library and Information Science, no. 8 (December 20, 2021): 27–50. http://dx.doi.org/10.31866/2616-7654.8.2021.247583.

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The growing popularity of comics in Ukraine and worldwide increases scientific attention to this type of information product. The article is devoted to generalising the leading tendencies in the Comics Study and researching comics in modern humanities. Based on the study devoted to comics professional publications, profile resources of world comics research centres and the current state of understanding the phenomenon of comics magazines and Internet resources, application of review-analytical, historical-chronological, dialectical, socio-communication, and content analysis methods has been de
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Croizier, Ralph. "Art and Society in Modern China—A Review Article." Journal of Asian Studies 49, no. 3 (1990): 587–602. http://dx.doi.org/10.1017/s0021911800051494.

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Until recently, modern Chinese art attracted little scholarly attention, either in China or in the West. Western art historians might occasionally glance at the more traditional kinds of painting in the twentieth century, but their serious publications were on the great periods of Chinese art, Ming or before. The contemporary China-watchers—social scientists and modern period historians—trained their gaze on the harder stuff of politics and economics, ideology and organization. In the United States and the West in general, art seemed to slip through the crack between ACLS- and SSRC-funded rese
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Olenina, O., O. Protsenko, and Y. Pichuhina. "The status of art in the modern digital space." Culture of Ukraine, no. 78 (December 23, 2022): 18–29. http://dx.doi.org/10.31516/2410-5325.078.02.

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The article examines the status of art in the digital space that is based on the study of technologically determined changes in the three main vectors of the system: production, consumption and circulation of art. In this context, the research task related to the definition of aspects of transformation and diversification of the art system in the formation of digital culture of modern society is relevant and scientifically determined, which ultimately gives us an understanding of the status of art in modern digital space. The multifaceted nature of the proposed research topic foresees the use
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Petrochko, Zhanna, and Olesya Tatarenko. "USE OF ART TECHNIQUES TO PREVENT TEENAGER AGGRESSION IN MODERN CONDITIONS." Social work and social education, no. 2(9) (October 26, 2022): 218–29. http://dx.doi.org/10.31499/2618-0715.2(9).2022.267351.

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The article discloses the problem of younger teenagers’ aggressiveness prevention in current challengeable times. The purpose of the article is to determine the benefits of using art therapy during a crisis period, as well as highlight using art techniques in the prevention of aggressiveness among younger teenagers in general secondary education institutions. Theoretical (analysis, synthesis, systematization, generalization) and empirical (survey of children aged 11-12) methods were used to prepare the article.The prevention of aggressiveness among younger teenagers is defined as a direction o
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Lipoglavšek, Marjana. "Art libraries in Slovenia." Art Libraries Journal 20, no. 1 (1995): 22–23. http://dx.doi.org/10.1017/s0307472200009202.

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Present day Slovenia has inherited a number of historic libraries and collections, one of which provided the foundations of the National and University Library at Ljubljana, the major library for arts and humanities. There are also a number of specialised art libraries within and outside the University of Ljubljana, including the library of the University’s Department of Art History, the Library of the Academy of Fine Arts, and the libraries of the National Museum, the Museum of Modern Art, and the Museum of Architecture, all in Ljubljana. Slovenian libraries have been or are being automated a
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Spivey, Nigel. "Art and Archaeology." Greece and Rome 64, no. 2 (2017): 204–7. http://dx.doi.org/10.1017/s0017383517000122.

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Visitors to modern Istanbul struggle to imagine how the city as created by Constantine appeared. But the elongated promenade now usually indicated as Sultan Ahmet Parki, but also known as the At-meidam (‘Horse-Square’), is vaguely conceivable as the ancient Hippodrome, the centre of public life in imperial Constantinople; and of the numerous monuments that once adorned this area, a trio persists along the site of the ‘spine’ of the ancient racetrack. Two obelisks are still conspicuous; between them lurks the ‘Serpent Column’, which was already a piece of antiquity when Constantine had it remov
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Corredor, Eva L., Peter Burger, Christa Burger, Loren Kruger, and Nicholas Walker. "The Ambiguous Status of Art in Modern Society." New German Critique, no. 60 (1993): 171. http://dx.doi.org/10.2307/488671.

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Belov, Dmytro. "Research of Comics in Modern Humanities." Ukrainian Journal on Library and Information Science, no. 8 (December 20, 2021): 27–50. https://doi.org/10.31866/2616-7654.8.2021.247583.

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The growing popularity of comics in Ukraine and worldwide increases scientific attention to this type of information product. The article is devoted to generalising the leading tendencies in the Comics Study and researching comics in modern humanities. Based on the study devoted to comics professional publications, profile resources of world comics research centres and the current state of understanding the phenomenon of comics magazines and Internet resources, application of review-analytical, historical-chronological, dialectical, socio-communication, and content analysis methods has been de
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Keller, Vera. "Art Lovers and Scientific Virtuosi?" Nuncius 31, no. 3 (2016): 523–48. http://dx.doi.org/10.1163/18253911-03103005.

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Since Walter Houghton’s influential 1942 article, the English virtuoso has played a large role in the early modern histories of art, of science, and of relationships between them. This emphasis has obscured alternatives, such as the “lover.” This essay challenges the historiographical predominance of the Royal Society virtuoso through a brief survey of the relative uses of virtuoso and “lover” (also liefhebber, Liebhaber and amator) in England in the first half of the seventeenth century. It then offers the counterpoint of the socially and disciplinarily inclusive concept of philomathia develo
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Yasin, Agus, Cecep Sobar Rochmat, Sofia Putri Syahida, Anastasya Safira, and Shabrina Tazakka. "IMPROVING ARABIC SPEAKING SKILLS THROUGH LANGUAGE ART EXHIBITION." Abjadia : International Journal of Education 9, no. 1 (2024): 247–53. http://dx.doi.org/10.18860/abj.v9i1.27053.

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The purpose of this study was to determine the application of the Language Art Exhibition event at Modern Islamic Boarding School Darussalam Gontor for Girls First Campus and the effect of the Language Art Exhibition event on the speaking skills of grade 2. This type of research is quantitative research with a survey method at Modern Islamic Boarding School Darussalam Gontor for Girls First Campus. Researchers want to know the effect of Language Art Exhibition as variable X on Arabic speaking skills as variable Y. Based on the data generated, it can be concluded that this event has an effect o
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