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Relevant bibliographies by topics / Humanities -> art -> photography

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Academic literature on the topic 'Humanities -> art -> photography'

Author: Grafiati

Published: 25 July 2024

Last updated: 31 July 2025

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Journal articles on the topic "Humanities -> art -> photography"

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Vellanki, Vivek. "Shifting the Frame: Theoretical and Methodological Explorations of Photography in Educational Research." Cultural Studies ↔ Critical Methodologies 22, no. 2 (2021): 132–42. http://dx.doi.org/10.1177/15327086211045976.

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In this article, I focus on the relationship between photography and educational research, situating this conversation at the interstices of fact/fiction, indexical/imaginary, and art/data. I ask: How has our understanding and use of photography, the camera, and the photographer been shaped by the field of qualitative research? What possibilities exist for reimagining the role of photography in educational research and practice? Drawing on a diverse body of theoretical, empirical, and artistic works, I respond to the questions by looking at three key elements shaping image-based visual researc

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Rissanen, Mari-Jatta. "Entangled photographers: Agents and actants in preschoolers’ photography talk." International Journal of Education Through Art 16, no. 2 (2020): 271–86. http://dx.doi.org/10.1386/eta_00031_1.

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Photographs taken by young children have engendered a growing amount of research across diverse academic disciplines. Photographs have been used as visual data for analysing for example children’s social relations and well-being. However, only a few studies have addressed the photographic practices of young children as means for them to explore, imagine and coexist with the surrounding world. In this article, I introduce a case study that draws on research from art education and sociology of childhood. The data were gathered in a photography workshop in a Finnish early childhood education and

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Okpoko, Chinwe, and Mpho Chaka. "Exploratory view of the synergy between photojournalism and fine-art photography." IKENGA International Journal of Institute of African Studies 23, no. 2 (2022): 1–23. http://dx.doi.org/10.53836/ijia/2022/23/2/003.

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Photojournalism uses images to tell stories and report events, while fine-art photography aims to express creative ideas and messages also through images. Although both fields express socio-political and religious ideas and reflect the past through pictures, they differ in approach. Photojournalism portrays events as they are using pictorial representations, without imputing the opinion of the journalist; fine art projects such events also pictorially, but from the vision of the artist. Thus both photojournalism and fine-art photography use photographs as a medium of expression. However, while

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Glebova, Aglaya. "Elements of Photography." Representations 142, no. 1 (2018): 56–90. http://dx.doi.org/10.1525/rep.2018.142.1.56.

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This essay traces the evolution of landscape imagery in Aleksandr Rodchenko’s photographic oeuvre, focusing especially on images produced during his journalistic trip to the White Sea-Baltic Canal, one of the first Soviet forced labor camps. Through close reading of photographs, it argues that Rodchenko’s abandonment of avant-garde aesthetics, in particular the emphasis on photography’s transformative powers and its medium-specificity, in these images did not represent a shift toward socialist realism but, rather, held critical potential in the face of contemporaneous official censure of forma

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Sarsby, Jacqueline. "Exmoor Village Revisited: Mass-Observation's ‘Anthropology of Ourselves’, the ‘Feel Good Factor’ in Wartime Colour Photography and the Photograph as Art or Social Document." Rural History 9, no. 1 (1998): 99–115. http://dx.doi.org/10.1017/s0956793300001461.

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In 1988, HTV made a series of programmes about a Somerset village called Luccombe. Their starting point was the Mass-Observation survey carried out over forty years before and described in Exmoor Village. No mention was made of the larger project - the ‘wholesome’ British export, for which the survey and perhaps even more importantly, the photographs, were commissioned. The difficulties of producing and reproducing fine-quality colour photographs at that time, however, suggest that the social investigators and the photographer were pursuing widely differing goals. The different approaches of s

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Fox, Paul. "An unprecedented wartime practice: Kodaking the Egyptian Sudan." Media, War & Conflict 11, no. 3 (2017): 309–35. http://dx.doi.org/10.1177/1750635217710676.

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This article examines Kodak photographs made by participant soldiers and photographer–correspondents working in the field for the illustrated press during the concluding phase of the 1883–1898 campaign to defeat an Islamist insurgency in the Egyptian Sudan, whose leaders sought to create a regional caliphate. It explores how the presence of early generation portable cameras impacted on image making practices on British operations, and how aspects of campaign experience were subsequently represented in Kodak-derived photograph albums. With reference to graphic art and commercial photographic pr

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Mountfort, Paul. "Dérives: Street photography as post-/Situationist practice." Australasian Journal of Popular Culture 10, no. 1 (2021): 21–38. http://dx.doi.org/10.1386/ajpc_00036_1.

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Street photography has hardly lacked for popular cultural currency, as attested by those ubiquitous black framed prints and coffee table tomes. However, it has long been a relatively marginalized genre within photography that has seen relative critical neglect even compared to other demotic forms concerned with the everyday, such as the family portrait (Bourdieu) and snapshot (Barthes). This article seeks to sketch a series of potential intersections between street photography’s antecedent, formative and breakout phases on both sides of the Atlantic and the Situationist International’s (1957‐7

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Massarente, Martina. "The Digital Platform of D.I.R.A.A.S. (UNIGE)." Studies in Digital Heritage 3, no. 2 (2020): 156–69. http://dx.doi.org/10.14434/sdh.v3i2.27441.

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This project studies photography as an instrument for artistic and historical teaching in relation to the didactic traditions of the Humanities at the University of Genoa. This research was initially based on an analysis of the corpus of glass diapositives and phototypes mostly owned by Giusta Nicco Fasola, Genoa’s first art history professor, and currently stored by D.I.R.A.A.S. (Dipartimento di Italianistica, Romanistica, Antichistica, arti e spettacolo). The corpus contextualizes Fasola's scientific and didactic interests in relation to her complex biography as a woman, professor, and polit

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Miller, Melissa. "British Theatre Collections in the Harry Ransom Humanities Research Center." Theatre Survey 39, no. 1 (1998): 63–72. http://dx.doi.org/10.1017/s0040557400003021.

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The Harry Ransom Humanities Research Center at the University of Texas at Austin has become, since the 1950s, well-known for its holdings in twentieth century literature. I offer here a brief description of the holdings in British theatre in the Theatre Arts Collection and the Manuscripts and Archives division of the Ransom Center. My secondary purpose is to suggest: and encourage corollary research in other Ransom Center holdings, such as its Art Collection and Photography and Film Collection. A listing of selected holdings follows this overview below, together with information on fellowships

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Zambenedetti, Alberto. "Emplacing Time: Photography, Location, and the Cinematic Pilgrimage." Space and Culture 23, no. 4 (2018): 548–60. http://dx.doi.org/10.1177/1206331218805381.

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Cinema, arguably the time-based medium most synonymous with modernity, is also an art form of place: cinema records place in time and, in the best circumstances, stores it through time. If, as Michel de Certeau remarked, “space is a practiced place,” then cinema is the memory of that practice; it is the archive of that transformation. Cinema, in other words, “emplaces time.” Moreover, because of its physical properties, film is also an archival object whose very existence is challenged by the passing of time. In recent years, the ways in which cinema emplaces time have become the subject of a

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Dissertations / Theses on the topic "Humanities -> art -> photography"

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Ferguson, Elizabeth. "Humans." Pitzer College, 2009. http://ccdl.libraries.claremont.edu/u?/stc,58.

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Kato, Miwako. "Views from Daily Life: A Supporting Paper for a Graduate Exhibition." [Johnson City, Tenn. : East Tennessee State University], 2001. http://etd-submit.etsu.edu/etd/theses/available/etd-0330101-110959/restricted/katoM0501.pdf.

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Mercure, Tammy. "Big Rock Candy Mountain: Photographs of the Great Smoky Mountain Tourist Towns." Digital Commons @ East Tennessee State University, 2009. https://dc.etsu.edu/etd/1815.

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The photographer discusses the work in Big Rock Candy Mountain: Photographs from the Great Smoky Mountain Tourist Towns, her Master of Fine Arts exhibition held at the Reece Museum, Johnson City, Tennessee from September 22 to December 18, 2009. The exhibition consists of 17 large-scale color Archival Inkjet Prints edited from a large body of work done in the tourist towns surrounding the Great Smoky Mountains. Topics include the historical and contemporary artistic influences on the work, examining the work of Jacques-Henri Lartigue, Weegee, Martin Parr, and Joel Sternfeld. A short history of

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Torres, Alessandra Lee Michelle. "OUT OF BODY." VCU Scholars Compass, 2006. http://scholarscompass.vcu.edu/etd/793.

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This thesis explores the evolution of Alessandra Torres's work, from her early performances and installations, to her latest work with surrogate bodies, as she challenges the relationship between artist and their creation, body and object, and audience and art. Examining the work of artists such as Cindy Sherman, Rebecca Horn and Marina Abramovic, Torres explores the transformative capabilities of interactive sculpture and live performance. Join Ms. Torres as she transforms herself into everything from a paintbrush to a serpent, in her ongoing exploration of the body's ability to adapt and evo

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Sauer, Amanda. "Invisible Green." VCU Scholars Compass, 2007. http://scholarscompass.vcu.edu/etd/1387.

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How is nature conceived today, a generation into the environmental movement? Many contemporary artists grapple with how to reconcile our inheritance of both a precarious natural world and the culture that created it. My work investigates the subtle intricacies of our relationship with nature. I use photography to develop a way of seeing that points to the often-unnoticed nature in front of us. In particular, my work recognizes and re-imagines nature's deep connections in the context of our ecologically changed world.

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Ferguson, Elizabeth. "It's important for me to get good light. or "things which are happening"." Pitzer College, 2008. http://ccdl.libraries.claremont.edu/u?/stc,59.

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Turner, Julia J. "Processing Nature." VCU Scholars Compass, 2017. http://scholarscompass.vcu.edu/etd/4697.

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In my artwork, I merge nature with typography. I use macro-level photography to capture details of nature, such as the pistils of a flower or the sensory hairs of an insect. I print enlargements and transfer these photos onto pages of poetic text about nature, or collage them onto canvas. Once transferred, I use multiple media to alter and enhance features of the photos. I intentionally obscure much of the text which allows me to place focus on the overall layout and design. The arrangement of lines of text and spacing of words is used to create a visual rhythm. The poetic script acts as

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Baden, Eric. "The image of the body in the works of Frederick Sommer." [Johnson City, Tenn. : East Tennessee State University], 2003. https://dc.etsu.edu/etd/838.

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Thesis (M.F.A.)--East Tennessee State University, 2003.<br>Title from electronic submission form. ETSU ETD database URN: etd-1109103-152208. Includes bibliographical references. Also available via Internet at the UMI web site.

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Dorn, Joseph. "On The Road with the VanLife Community: The Art of Storytelling in the Age of Instagram." Scholarship @ Claremont, 2015. http://scholarship.claremont.edu/cmc_theses/1087.

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This thesis analyzes the countercultural community known as VanLife. Foster Huntington coined the term VanLife in 2011, when he decided to leave his comfortable job at Ralph Lauren and detach from society. Foster and many other individuals have moved into their vans to gain more freedom and live simply. For this thesis I studied the stories about life on the road, written by VanLife participants. I examined their blogs, photographs, and Instagram accounts. I did a literary analysis of Kerouac’s famous Beat novel, On The Road, as well as Steinbeck’s travel memoir, Travels with Charley. I wanted

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Baitz, Steven. "Towards an embodied photographic practice." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2024. https://ro.ecu.edu.au/theses/2929.

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This practice-led research examines the nexus between lens-based art, technology and perception, contributing to the established field of multi-image still photography. The culminating examinable public exhibition, Disruptive Immersion, explored the embodied image using multiple exposures as a central practice method. Using the phenomenological lens of Maurice Merleau-Ponty (2012) as a theoretical perspective, this project examines a visceral approach to the sensations of walking, movement, seeing and inhabiting the world through photographic practice. Artist intentionality, an important aspec

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Books on the topic "Humanities -> art -> photography"

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Dave, Oliphant, ed. Conservation and preservation of humanities research collections: Essays on treatment and care of rare books, manuscripts, photography, and art on paper and canvas. Harry Ransom Humanities Research Center, University of Texas at Austin, 1989.

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Gulbins, Juergen. Fine art printing for photographers: Exhibition quality prints with inkjet printers. Edited by Jimi DeRouen. Rocky Nook, 2007.

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Jürgen, Gulbins, ed. Fine art printing for photographers: Exhibition quality prints with inkjet printers. 2nd ed. Rocky Nook, 2008.

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1947-, Deal Joe, and J. Paul Getty Museum, eds. Between nature and culture: Photographs of the Getty Center. J. Paul Getty Museum, 1999.

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Rigney, Ann, and Thomas Smits. The Visual Memory of Protest. Amsterdam University Press, 2023. http://dx.doi.org/10.5117/9789463723275.

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Social movements are not only remembered in personal experience, but also through cultural carriers that shape how later movements see themselves and are seen by others. The present collection zooms in on the role of photography in this memory-activism nexus. How do iconographic conventions shape images of protest? Why do some images keep movements in the public eye, while others are quickly forgotten? What role do images play in linking different protests, movements, and generations of activists? Have the affordances of digital media made it easier for activists to use images in their memory

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Barbara London; Jim Stone; John Upton. Photography. Pearson Education (US), 2016.

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Portraiture and Photography in Africa. Indiana University Press, 2013.

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Ang;, Tom. Digital Photography an Introduction. Dorling Kindersley US, 2018.

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The Digital Photography Workflow Handbook. Rocky Nook, 2010.

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Photographs, Museums, Collections: Between Art and Information. Bloomsbury Publishing Plc, 2015.

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Book chapters on the topic "Humanities -> art -> photography"

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Delgado-Fernandez-Baca, Amara Tais, María Chávez-Chuquimango, and Eliana Gallardo-Echenique. "Photography as a Therapeutic Art Medium According to the Perspective of Peruvian Art-Therapy Specialists." In Atlantis Highlights in Social Sciences, Education and Humanities. Atlantis Press International BV, 2023. http://dx.doi.org/10.2991/978-94-6463-254-5_13.

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Zhu, Chenyi. "The Influence of the Current Art Market on the Creation of Photographic Art: Taking NFT as an Example." In Advances in Social Science, Education and Humanities Research. Atlantis Press SARL, 2024. http://dx.doi.org/10.2991/978-2-38476-297-2_81.

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Dias, Yara Toledo. "The Verbal Language of the Visual Arts: A Multidimensional Analysis of the Discourse Around Sally Mann’s Photography." In Digital Humanities Looking at the World. Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-48941-9_8.

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García, Christina M. "Coda." In Corporeal Readings of Cuban Literature and Art. University Press of Florida, 2024. http://dx.doi.org/10.5744/florida/9781683404330.003.0007.

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This brief coda takes a photographic series by Carlos Garaicoa to repose the main theoretical interventions of the book and uses the series as a point of departure for future scholarship. The coda establishes connections between the Cuban writers and artists discussed in the book and contemporary Caribbean artistic trends, specifically the reanimation of trash. The coda suggests that by exploring Caribbean artistic practices that very purposefully challenge the logic of instrumentality, alternative paths might be imagined and forged to current economic, political, and ontological orders impose

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Jones, Therese. "Moving Pictures." In Teaching Health Humanities, edited by Olivia Banner, Nathan Carlin, and Thomas R. Cole. Oxford University Press, 2019. http://dx.doi.org/10.1093/med/9780190636890.003.0017.

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In health humanities classrooms, visual materials such as documentary films, photographs, and even YouTube videos often serve as accessible texts for the analysis and discussion of individual experiences of illness and disability or as evocative illustrations of issues such as access to care or end of life. Such works can foster empathic responses, sharpen critical thinking, and develop communication skills in health professions students. Visual materials can also serve as openings for students to critique the culture of healthcare itself and as opportunities for them to identify disparities,

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Wang, Orrin N. C. "Chthonic Michael." In Techno-Magism. Fordham University Press, 2022. http://dx.doi.org/10.5422/fordham/9780823298471.003.0008.

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Land art like Robert Smithson’s Spiral Jetty asserts an auto-chthonic existence whereby sexual difference is erased and beings come from an earth that is one, never two. Land art also asks to be photographed, creating an archive of images that secures a totalizing identity out of such photography, much like the structuralism theorized by Lévi-Strauss promised, and arguments for big data in the humanities claim to realize. Wordsworth’s poem, Michael, contains a ruined sheepfold that like the auto-chthonic character of land art gestures toward a unitary sense of being unriven by sexual differenc

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Morton, Christopher. "Photographs are to think with." In The Anthropological Lens. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198812913.003.0001.

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Chapter 1 sets out the main arguments and contexts of the book. It begins with a discussion of why using the photographic archive to explore the fieldwork on which Evans-Pritchard’s celebrated writings was based is so transformative. It discusses the relationship between anthropology and colonialism in the 1920s and 1930s, and Evans-Pritchard’s equivocal positioning within this as someone directly funded by the colonial administration and yet having a critical relationship to it. It explores the way in which Evans-Pritchard sought to move anthropology away from the natural sciences and towards

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Ribeiro, Daniela Maria. "O recenseamento dos documentos fotográficos do Fundo José Mesquita e Herdeiros como contributo para a sua conservação preventiva." In Ensaios e práticas de museologia. FLUP-DCTP-MMUS, 2022. http://dx.doi.org/10.21747/978-989-9082-16-8/112022a2.

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This text describes the census process of photographic documents from the José Mesquita e Herdeiros Fund, which is under the protection of the Portuguese Centre of Photography. This was one of the tasks developed during the internship carried out within the framework of the Master in Museology at the Faculty of Arts and Humanities of the University of Porto. The methodology adopted for the development of the census is presented and the results are shared in terms of information regarding the constitution of the photographic species of the fund, identifying the support materials, formats and ph

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Levy, Thomas E., Connor Smith, Kristin Agcaoili, et al. "At-Risk World Heritage and Virtual Reality Visualization for Cyber-Archaeology." In Digital Cities. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190498900.003.0008.

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In this chapter, the issue of at-risk cultural heritage in the Middle East is addressed through the application of cyber-archaeology tools for data capture and dissemination. Working with an economic model to create a Heritage Asset District in the environs of Jerusalem, virtual reality for personal head-mounted devices and immersive CAVE platforms are used to help create high-value cultural heritage attractions designed to attract visitors to the district, thereby generating economic benefits. In the case study presented here, the district focuses on the Kidron Valley, which has its origin ne

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Kammen, Michael. "Culture and the State in America." In In the Past Lane. Oxford University PressNew York, NY, 1997. http://dx.doi.org/10.1093/oso/9780195111118.003.0002.

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Abstract During 1989-90 the National Endowment for the Arts (NEA) underwent a fierce attack because it indirectly funded allegedly anti-Christian work by Andres Serrano and a Robert Mapplethorpe photographic exhibition considered pornographic by some.* In 1991 a revisionist, didactic display of Western art at the National Museum of American Art (part of the Smithsonian Institution) aroused congressional ire, yet that latter episode now seems, in retrospect, a fairly calm fracas compared with the controversy generated in 1994-95 by “The Last Act, “ a long-planned exhibition concerning the end o

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Conference papers on the topic "Humanities -> art -> photography"

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Svansson, Einar. "THE BEAUTY OF GARBAGE_ART OF PHOTOGRAPHY MEETS ENVIRONMENTALISM." In 11th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2024. SGEM WORLD SCIENCE, 2024. https://doi.org/10.35603/sws.iscah.2024/vs10.21.

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Artists and university professors face an increasingly complex environment. There is access to abundance of information and the AI revolution helps everyone to deliver more detailed and structured knowledge. This is an opportunity to try new methods and novel combinations in the artistic and learning processes and use more diverse ideas and methods. We want to highlight the development in recent years in our personal life in Iceland in the use of photography in this context. It all started in the Covid-19 pandemic crisis with lockout and exile at home. The parents of the university professor f

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Safronova, Anna. "FEATURES OF THE VISUAL LANGUAGE OF DOCUMENTARY PHOTOGRAPHY IN UKRAINIAN PHOTO BOOKS DEDICATED TO REVOLUTIONARY EVENTS IN UKRAINE." In 9th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2022. SGEM WORLD SCIENCE, 2022. http://dx.doi.org/10.35603/sws.iscah.2022/s08.09.

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The purpose of the article is to analyze the features of the visual language of documentary photography and the actual ways of its presentation in the media space on the example of Ukrainian photo books dedicated to revolutionary events in Ukraine. The main problems of modern photojournalism connected with the development of digital technologies are presented, the value of a photo book as an independent project of a photographer is argued, since commercial photojournalism is largely determined by the narratives of its customer. The issues of the transformation of the language of photography bo

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Song, Xia. "The Application of Computer Post-Processing Technique in the Abstract Photography Art Expression." In 2015 International Conference on Education Technology, Management and Humanities Science (ETMHS 2015). Atlantis Press, 2015. http://dx.doi.org/10.2991/etmhs-15.2015.296.

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Susanto, Eko, Yasraf Piliang, and Setiawan Sabana. "A New Discourse about Moving Photography as a Static Visual Narration." In Proceedings of the 1st Conference of Visual Art, Design, and Social Humanities by Faculty of Art and Design, CONVASH 2019, 2 November 2019, Surakarta, Central Java, Indonesia. EAI, 2020. http://dx.doi.org/10.4108/eai.2-11-2019.2294887.

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Sustaita, Dr Antonio. "Breached Walls in Mexico: Art, violence and public space in Teresa Margolles’ Walls." In 5th World Conference on Arts, Humanities, Social Sciences and Education. Eurasia Conferences, 2024. http://dx.doi.org/10.62422/978-81-968539-1-4-004.

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With the title Psychobuildings Martin Kippenberger published in 1988 a peculiar photography book. It deals with architectural structures that are incomplete, either because they are not finished or because they have been subjected to a demolition process. Such buildings, which conjure up eccentric and idiosyncratic spaces, could be thought of as psychotic because of the ruptures caused in the regulated fabric of the modern urban landscape. In 2008 (May 28-August 25) the exhibition Psycho Buildings was held at The Hayward, (London, U.K.). The participating artists aimed to reanimate and explore

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Ramirez-Figueroa, Carolina, Emma Cheatle, and Luis Hernan. "Climate Health/care: A Low Carbon-points Pedagogy." In 2021 ACSA Teachers Conference. ACSA Press, 2021. http://dx.doi.org/10.35483/acsa.teach.2021.11.

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Positionality. As three creative and humanities practitioners, teachers and theorists, we propose a climate health/ care pedagogy to engage with the intersections of design and health. Our approaches range from creative-biological methods, to narrative, creative writing, photography, micro-histories and instrument making as means to speculate on the existence of different people, animals and places of health, the biosocial, and the way that technology configures contemporary health anxieties. We use these tools to reflect on the state of the thesis “curriculum” at the UK institutions where we

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Mehmetali, Bekir. "Examples of the wonderful poetic image in ancient Arabic poetry." In VII. International Congress of Humanities and Educational Research. Rimar Academy, 2023. http://dx.doi.org/10.47832/ijhercongress7-7.

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Arabic poetry, ancient and modern, remains a feature distinguished by the Arabs, and a distinguishing mark for which they were known, as it flows on the tongues of their poets the flow of water in the river, and flows from their mouths the flow of fresh water from the spring, as it is twittering on their tongues, and hymns that delight the speaker, the listener, the narrator, the reader, and the student Alike, he is the flame that ignited in their world hundreds of years ago, and is still glowing in every country of theirs, and in every age. The Arabic poetry that we are talking about is nothi

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Petenji Arbutina, Sibila, and Ivana S. Mišković. "PERSONAL PHOTOGRAPHY AS A MEDIUM OF COMMUNICATION IN VISUAL TRAVEL PROPAGANDA." In Arts & Humanities Conference, Venice. International Institute of Social and Economic Sciences, 2016. http://dx.doi.org/10.20472/ahc.2016.001.012.

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Rouska, Vasiliki. "The Human Traumas in Fazal Sheikh’s Photography." In The IAFOR International Conference on Arts & Humanities – Hawaii 2024. The International Academic Forum(IAFOR), 2024. http://dx.doi.org/10.22492/issn.2432-4604.2024.34.

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Bing, Hao. "To investigate the impact of technological development on photographic art." In 2014 2nd International Conference on Advances in Social Science, Humanities, and Management. Atlantis Press, 2014. http://dx.doi.org/10.2991/asshm-14.2014.84.

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