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Journal articles on the topic 'Humanities -> art -> renaissance art'

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Published: 28 July 2024

Last updated: 31 July 2025

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1

Kyomugisha T., Asiimwe. "The Impact of Historical Art Movements on Medicine." NEWPORT INTERNATIONAL JOURNAL OF CURRENT ISSUES IN ARTS AND MANAGEMENT 5, no. 3 (2024): 31–35. https://doi.org/10.59298/nijciam/2024/5.3.31350.

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Art and medicine have long influenced one another, with historical art movements shaping not only aesthetic trends but also conceptions of health, disease, and human anatomy. This paper examines the intertwined evolution of art and medicine across pivotal historical periods, highlighting the Renaissance’s focus on anatomical accuracy, Romanticism’s emotional engagement with the human condition, and Modernism’s reflection of trauma from warfare and disease. The analysis considers how visual representations, from anatomical sketches to symbolic portrayals of illness, have impacted public health

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2

Mieli, Anna, and Margaret D’Ambrosio. "IRIS: Consortium of Art History and Humanities Libraries in Florence." Art Libraries Journal 30, no. 4 (2005): 26–31. http://dx.doi.org/10.1017/s0307472200014218.

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Florence in Italy, a renowned centre for art and culture, has been called a ‘living museum’ of the Italian Renaissance. Today it is also the site of a co-operative international project bringing the world’s scholarly community access to the bibliographic patrimonies of a group of special art and humanities libraries. The IRIS consortium is a unique resource for art historians, but it is also of value and use for anyone interested in the many aspects of this rich artistic period.

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Smith, Timothy B. "Renaissance Siena. Art in Context (review)." Catholic Historical Review 93, no. 4 (2007): 934–35. http://dx.doi.org/10.1353/cat.2007.0329.

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Reed, Corey. "Signifying the Sound: Criteria for Black Art Movements." Journal of Aesthetic Education 57, no. 4 (2023): 36–59. http://dx.doi.org/10.5406/15437809.57.4.03.

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Abstract “Black art” is often understood as being inherently political. In examining two major Black arts movements, the Harlem Renaissance and the Black Arts movement, many of the works attributed to those periods fit the description of “political art” but not all of them. Black art movements are not defined exclusively by similar styles or methodologies, like Expressionism or Surrealism, either. Instead, Black art movements are complex movements that blend social, political, and aesthetic criteria. In this article, I list seven conditions that I take to be jointly sufficient for a Black art

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Wood, Jeryldene M., Megan Holmes, Patricia L. Rubin, and Alison Wright. "The Practice of Art in Renaissance Florence." Journal of Aesthetic Education 35, no. 2 (2001): 107. http://dx.doi.org/10.2307/3333677.

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Squire, Michael. "Art and Archaeology." Greece and Rome 66, no. 2 (2019): 312–21. http://dx.doi.org/10.1017/s0017383519000123.

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Attributes are fundamental to the study of classical archaeology, just as they are to the discipline of art history at large. When it comes to identifying figures on an Attic vase – or for that matter the subject of a medieval fresco, Renaissance canvas, or Neoclassical statue – scholars regularly rely on the associative value of objects. Consider the ease with which we recognize ‘Heracles’ on the grounds of a club or lionskin; observe, too, how often a spiked wheel is understood to signal ‘St Catherine’, or a golden key to betoken ‘St Peter’. In all these scenarios, viewers have learned to ‘r

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(Kees-Jan) Schilt, Cornelis J. "From ancient wisdom to computational humanities." Project Repository Journal 23, no. 1 (2025): 98–101. https://doi.org/10.54050/prj23271.

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From ancient wisdom to computational humanities VERITRACE enhances our understanding of the role of ancient wisdom writings in the development of early modern natural philosophy by employing state-of-the-art digital techniques on a large corpus of early modern texts. The project charts the spread of this discourse from Renaissance Italy to early modern Europe and identifies watershed moments in the reception of these ancient wisdom writings.

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Freedman, Luba. "Neptune in classical and Renaissance visual art." International Journal of the Classical Tradition 2, no. 2 (1995): 219–37. http://dx.doi.org/10.1007/bf02678622.

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9

Endres, Johannes. "Hans Blumenberg and Leonardo." New German Critique 49, no. 1 (2022): 67–96. http://dx.doi.org/10.1215/0094033x-9439629.

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Hans Blumenberg’s, frequently oblique, reflections on art rank among the most erudite in twentieth-century theories of art. The following investigations focus especially on his views on the visual arts as they unfold from his critical reception of Leonardo da Vinci’s art and science. At the center of such a reception stands a preeminent image concept of the Renaissance, the “window image,” and its epistemological implications, which Blumenberg counters with a skeptical attitude toward the mimetic aesthetics of images. In doing so, he contradicts Paul Valéry’s influential interpretation of Leon

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10

Donougho, Martin, and James S. Ackerman. "Distance Points. Essays in Renaissance Art and Architecture." Journal of Aesthetic Education 27, no. 3 (1993): 110. http://dx.doi.org/10.2307/3333255.

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Vicary, Grace Q. "Visual Art as Social Data: The Renaissance Codpiece." Cultural Anthropology 4, no. 1 (1989): 3–25. http://dx.doi.org/10.1525/can.1989.4.1.02a00010.

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12

Sun, Xuechen. "Exploring Paintings Related to Renaissance Religious Culture." Transactions on Social Science, Education and Humanities Research 12 (August 29, 2024): 272–76. http://dx.doi.org/10.62051/830zhy41.

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This study focuses on the study and appreciation of religious paintings in the Renaissance, the main reason for studying this aspect is that it is more interested in the collision between art and society as well as the connection between art and religion in the history of art. This aspect is also a very important part of the Renaissance, which is related to that period of history and the creative process of the painters at that time; this study mainly focuses on the analysis of religion and famous paintings in the Renaissance period; the method of literature analysis was used to find and read

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13

Innella, Giovanni, and Paul Anthony Rodgers. "The Benefits of a Convergence between Art and Engineering." HighTech and Innovation Journal 2, no. 1 (2021): 29–37. http://dx.doi.org/10.28991/hij-2021-02-01-04.

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As design practitioners researchers and educators, we constantly find ourselves shuffled between humanities and sciences. In fact, the design departments in the universities around the globe are located within the faculties of engineering, architecture, visual art, liberal are or environmental sciences, thus becoming a meeting point for academics and professionals coming from both the humanities and sciences. The synergy resulting from the varieties of backgrounds and expertise creates a fertile ground for explorations on both a conceptual and a technical level. By briefly compiling and analys

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14

Nordenfalk, Carl. "The Five Senses in Late Medieval and Renaissance Art." Journal of the Warburg and Courtauld Institutes 48 (1985): 1. http://dx.doi.org/10.2307/751209.

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15

Germ, Tine. "The Paradigm of Decline-Metamorphosis-Rebirth in Fine Arts." Ars & Humanitas 9, no. 2 (2015): 5–13. http://dx.doi.org/10.4312/ars.9.2.5-13.

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The triad of decline-metamorphosis-rebirth constantly reappears in the history of civilisation, it is current in all historical periods and cultural environments, in different areas and the most diverse contexts. Its manifestations are countless and the same is true of its interpretations. They are especially frequent in the area of art, because the evolutionary model, grounded in the idea of cyclic development comes very handy for explanations and illustrations which seek to present complicated things in a simple and clear way. The history of art, mainly in the 19th century, advocated a tripa

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Germ, Tine. "The Paradigm of Decline-Metamorphosis-Rebirth in Fine Arts." Ars & Humanitas 9, no. 2 (2015): 5–13. http://dx.doi.org/10.4312/ah.9.2.5-13.

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The triad of decline-metamorphosis-rebirth constantly reappears in the history of civilisation, it is current in all historical periods and cultural environments, in different areas and the most diverse contexts. Its manifestations are countless and the same is true of its interpretations. They are especially frequent in the area of art, because the evolutionary model, grounded in the idea of cyclic development comes very handy for explanations and illustrations which seek to present complicated things in a simple and clear way. The history of art, mainly in the 19th century, advocated a tripa

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17

Richardson, John Adkins, and J. V. Field. "The Invention of Infinity: Mathematics and Art in the Renaissance." Journal of Aesthetic Education 33, no. 3 (1999): 112. http://dx.doi.org/10.2307/3333708.

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18

MOUTSOPOULOS, Evangelos. "Philosophy Embracing Humanities." WISDOM 9, no. 2 (2017): 40–42. http://dx.doi.org/10.24234/wisdom.v9i2.187.

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This paper discusses the following points of the history of philosophy and modern life. The emergence of philosophy – the longing for wisdom – in Ancient Greece as the historical point of formation of human rational reasoning. The formation of the ideal of kalokagathia – the art of fine speeches – as the main factor that initiated studia humaniora in Roman culture and the tradition of humanities in present days. The Greek language and literature as carriers of wisdom of Antic world that gave birth to Neoplatonism and Christian philosophy and mysticism. The rehabilitation of Aristotle’s Organon

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19

Perry, Marilyn. "Wealth, Art, and Display: The Grimani Cameos in Renaissance Venice." Journal of the Warburg and Courtauld Institutes 56 (1993): 268. http://dx.doi.org/10.2307/751376.

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20

Guenther, Peter W., and Jeffrey Chipps Smith. "New Perspectives on the Art of Renaissance Nuremberg: Five Essays." German Studies Review 9, no. 3 (1986): 638. http://dx.doi.org/10.2307/1429919.

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21

Frischer, Bernard. "Art and Science in the Age of Digital Reproduction: From Mimetic Representation to Interactive Virtual Reality." Virtual Archaeology Review 2, no. 4 (2011): 19. http://dx.doi.org/10.4995/var.2011.4544.

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<p>This paper places the digital humanities generally and virtual archaeology in particular into the larger context of the evolution of the arts and sciences from antiquity through the Middle Ages and Renaissance to the present, postmodern period.The argument is made that the basis of virtual reality representations of cultural objects is not primarily mimetic but interactive and that in this sense virtual archaeology reflects larger trends in contemporary science and the arts.</p>

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22

Krieger, Ela. "On “Perspective(s)” and Empathy in Art Education." Journal of Aesthetic Education 57, no. 1 (2023): 74–84. http://dx.doi.org/10.5406/15437809.57.1.05.

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Abstract When teaching the use of perspective, art teachers usually begin with the linear perspective of the Italian Renaissance with the intent of providing pupils with practical tools to create spatial illusion in their drawings. Perspective, however, is and can be much more than a technique for constructing pictures. Given that perspective-taking is one of the central aspects of empathy, the teaching of this topic can serve as a tool for improving openness and empathy among school children. The transformative power of art education makes this possible. The current article suggests a method

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Spivey, Nigel. "Art and Archaeology." Greece and Rome 60, no. 2 (2013): 338–41. http://dx.doi.org/10.1017/s0017383513000168.

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‘And verily so excellent he was in this perspective, that a man would say, his even, plaine, and flat picture were embossed and raised work.’ Philemon Holland's endearing 1601 translation of Pliny's Natural History (35.50) is one of the earliest documented references in English to ‘perspective’, understood as ‘the art of delineating solid objects upon a plane surface so that the drawing produces the same impression of apparent relative positions and magnitudes, or of distance, as do the actual objects when viewed from a particular point’ (OED). The passage relates to a Sicyonian painter called

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24

Decheva, Prolet. "Trace the Untraceable: Online Image Search Tools for Researching Late Antique Art." Heritage 4, no. 4 (2021): 4076–104. http://dx.doi.org/10.3390/heritage4040225.

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In the context of digital humanities and access to cultural heritage online, this paper explores the discoverability of Late Antique material in some searchable museum collections and in some major archaeological and art historical image and object databases. It follows an exploratory approach by using simple keyword searches, such as ‘late antique’ or ‘byzantine’, and comparing the results with chronological searches when a date or period filter is available. Although Late Antique material often comprises a smaller number of objects compared to more popular periods like the Roman and the Rena

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25

Tolibovich, Parpiyev. "The Philosophical Essence of Humanism In The Renaissance." Pubmedia Social Sciences and Humanities 2, no. 3 (2025): 7. https://doi.org/10.47134/pssh.v2i3.357.

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In this article, the authors explore the philosophical nature of Renaissance humanism. According to the authors, humanism is not a monolithic movement, but a complex and multifaceted intellectual and cultural phenomenon that arose in response to the political, social, and cultural changes of that time. The authors explore key themes and concepts that have shaped humanistic thought, including the importance of individualism, reason, and the pursuit of knowledge, as well as the relationship between humanism and religion. It also examines the influence of the humanities on other fields of intelle

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26

Eric L. Saak. "Art and the Augustinian Order in Early Renaissance Italy (review)." Catholic Historical Review 94, no. 4 (2008): 818–19. http://dx.doi.org/10.1353/cat.0.0177.

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27

Debra Higgs Strickland. "The Jew in the Art of the Italian Renaissance (review)." Catholic Historical Review 95, no. 4 (2009): 822–23. http://dx.doi.org/10.1353/cat.0.0485.

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28

Dupré, Sven. "Book Review: Astrology in the Renaissance: Influences: Art, Optics, and Astrology in the Italian Renaissance." Journal for the History of Astronomy 45, no. 1 (2014): 132–34. http://dx.doi.org/10.1177/002182861404500111.

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29

Tokaz, John. "St. Joseph in Italian Renaissance Society and Art: New Directions and Interpretations (review)." Catholic Historical Review 90, no. 4 (2004): 781–82. http://dx.doi.org/10.1353/cat.2005.0079.

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30

Shelley E. Zuraw. "The Renaissance Pulpit: Art and Preaching in Tuscany, 1400–1550 (review)." Catholic Historical Review 94, no. 4 (2008): 817–18. http://dx.doi.org/10.1353/cat.0.0174.

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31

Bailin, Sharon. "Invenzione e Fantasia: The (Re)Birth of Imagination in Renaissance Art." Interchange 36, no. 3 (2005): 257–73. http://dx.doi.org/10.1007/s10780-005-6865-3.

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32

Markov, Alexander V. "GIOTTO IN RUSSIAN POETRY: NEGATIVITY, DESIGN AND CONSTRUCTION OF SOCIETY." PHILOLOGICAL STUDIES 18, no. 1 (2020): 170–81. http://dx.doi.org/10.17072/1857-6060-2020-18-1-170-181.

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The perception of Giotto’s heritage in Russian literature and culture has always been directly linked not only with the concept of the Renaissance and the development of Western culture, but with a special interest in writing practice and in the ambition of the narrative presented as innovative style to create communities. The main topic of the poetic thought was the transition from community to society, in other words, from community to church, so Giotto's status as a genius was always supported with statements about other geniuses who directly, but rather indirectly, made this transition. De

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Samuel Y. Edgerton. "The Art of Executing Well: Rituals of Execution in Renaissance Italy (review)." Catholic Historical Review 96, no. 2 (2010): 344–45. http://dx.doi.org/10.1353/cat.0.0701.

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34

Savitska, Olena. "Highlights on the Theory and Practice of Chromatology and Its Application in the Art of Hairdressing." Culture and Arts in the Modern World, no. 21 (July 22, 2020): 251–63. https://doi.org/10.31866/2410-1915.21.2020.208264.

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The development of chromatology as a scientific basis for the art and design practices has been analysed in this article. The purpose of the article is to study chromatology as a complex of scientific knowledge that had been formed for thousands of years and today is a theoretical and practical basis for solving various creative tasks, including the art of hairdressing. The research methodology is based on the analysis of the formation and development of the science of colour as a phenomenon that contains essential information for science and art, including colour design. The historical and co

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Katz, Evgeni A,. "Bridges between Science and Art: The Case of Fullerenes." ECS Meeting Abstracts MA2025-01, no. 14 (2025): 1086. https://doi.org/10.1149/ma2025-01141086mtgabs.

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The specialization in art and science led to the appearance of new disciplines and sub-disciplines. It became impossible for an artist or for a scholar to comprehend many fields, although the links between these could help the developments significantly. This is also a problem in university education since reality is not divided into departments like the universities. As a result, we have “two cultures”: art and humanities vs. science and technology. This talk aims to link art and science by using several bridges []. One of the bridges is the discovery of C60, a third variety of carbon in the

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Kodera, Sergius. ":Ficino and Fantasy: Imagination in Renaissance Art and Theory from Botticelli to Michelangelo." History of Humanities 8, no. 1 (2023): 151–53. http://dx.doi.org/10.1086/724101.

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37

Meissen, Randall. "Francisco Pacheco’s Book of True Portraits: Humanism, Art, and the Practice of “Visual History”." Representations 145, no. 1 (2019): 32–54. http://dx.doi.org/10.1525/rep.2019.145.1.32.

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Francisco Pacheco (1564–1644), the foremost Spanish art theorist of his generation, worked on his manuscript Libro de verdaderos retratos (Book of true portraits) for more than forty years. This essay addresses how the visual cultures of Pacheco’s Seville, especially the city’s reimagined imperial Roman past, Catholic Counter-Reformation image praxis, and visual conventions of Renaissance humanism, shaped his conception of how an illustrious past could be recovered and shown.

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Dignam, Christopher, Lisa K. Pennington, and Assma Daifallah. "Beyond the Acronym: Interconnections of STEAM, the Humanities, and Digital Citizenship." International Journal on Social and Education Sciences 6, no. 3 (2024): 452–80. http://dx.doi.org/10.46328/ijonses.686.

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This study examines interdisciplinary and transdisciplinary interconnections within STEAM (Science, Technology, Engineering, Art, and Mathematics), the humanities, and their collective impacts on civilizations over time. This study includes a comprehensive overview of STEAM education and its integration with historical context and explores relationships beyond the acronym of STEAM itself, with an emphasis on STEAM advancements, the humanities, and digital citizenship for contemporary learners. The role of humanities in relation to STEAM is considered for delving into the historical background

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Md. Nadimuddaula, Md Nadimuddaula. "Invisible Influence of Deities on the Culture, Art, and Lifestyle in Mangrove Forest Settlements: The Curious Case of Bonbibi." Journal of Social Sciences Research, no. 82 (April 24, 2022): 31–34. http://dx.doi.org/10.32861/jssr.82.31.34.

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Stories in paintings are not only creative imaginations but often are reflections of life. Since religion and culture are two pivotal parts of human evolution, art and literature are intertwined with these two aspects of life. If we look back in history, we would observe that the Renaissance period remarkably brought and celebrated religion and religious figures in arts. This paper explores the deep convergence among art, life, religion, and culture in the settlements of the South Coastal belt of Bangladesh. This work at first brings out how religious beliefs and disbeliefs have shaped culture

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Lüthy, Christoph. "Book Review: Renaissance Art and the Scientific Revolution: The Heritage of Giotto's Geometry: Art and Science on the Eve of the Scientific Revolution." Journal for the History of Astronomy 23, no. 3 (1992): 227–29. http://dx.doi.org/10.1177/002182869202300316.

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Rawat, Waseem, and Zenghui Wang. "Deep Convolutional Neural Networks for Image Classification: A Comprehensive Review." Neural Computation 29, no. 9 (2017): 2352–449. http://dx.doi.org/10.1162/neco_a_00990.

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Convolutional neural networks (CNNs) have been applied to visual tasks since the late 1980s. However, despite a few scattered applications, they were dormant until the mid-2000s when developments in computing power and the advent of large amounts of labeled data, supplemented by improved algorithms, contributed to their advancement and brought them to the forefront of a neural network renaissance that has seen rapid progression since 2012. In this review, which focuses on the application of CNNs to image classification tasks, we cover their development, from their predecessors up to recent sta

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Hoogvliet, Margriet, Marion Boudon-Machuel, Pascale Charron, and David Rivaud. "Digital Heritage and Mapping Renaissance Tours. Recent Research from the CESR." STORIA URBANA, no. 173 (January 2024): 61–78. http://dx.doi.org/10.3280/su2022-173005.

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This article presents recent initiatives in the fields of Digital Heritage and digital mapping by researchers attached the Centre d'études supérieures de la Renaissance (CESR) in Tours, France. During the fifteenth and early sixteenth century the city of Tours, situated in the heart of France in the valley of the river Loire, was one of the main residences of the French kings and this had important consequences for the nature of artistic production and for social aspects of urban life. Making use of the latest developments in Digital and Spatial Humanities, researchers attached to the CESR hav

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Pullar, Gordon L., Richard A. Knecht, and Sven Haakanson. "Archaeology and the Sugpiaq renaissance on Kodiak Island: Three stories from Alaska." Études/Inuit/Studies 37, no. 1 (2014): 79–94. http://dx.doi.org/10.7202/1025255ar.

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The Sugpiat people have lived in the Kodiak Archipelago for at least 7,500 years, but suffered extraordinary pressure on their cultural identity beginning with violent Russian conquest in 1784 and followed by Russian and American colonisation. Recognising that drastic actions were needed to preserve Sugpiaq heritage, the Kodiak Area Native Association began a cultural revitalisation movement. The centrepiece was a Native-owned state-of-the-art museum that opened in 1995. This essay recounts the stories of three participants in the beginning of a process that has transformed the cultural landsc

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Streeck, Jürgen. "Depicting gestures." Gesture 9, no. 1 (2009): 1–34. http://dx.doi.org/10.1075/gest.9.1.01str.

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In “Depicting by gestures” (Gesture, 8 (3)), I have explored the methods by which hand gestures depict the world. Here I explore how gestures themselves are depicted. Many paintings and sculptures show human bodies in motion or showcase traces of body movements, including gestures of the hand. The issue is how the artists succeeded in depicting or insinuating movement in media that are inherently still, and how such arrested gestures function in pictures of social life so that these are perceived as “legible interactions” (Gombrich). By scrutinizing the changing logic of representation of embo

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Ames-Lewis, Francis. "The Badia of Florence. Art and Observance in a Renaissance Monastery by Anne Leader (review)." Catholic Historical Review 99, no. 1 (2013): 143–44. http://dx.doi.org/10.1353/cat.2013.0020.

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Dr. Nasir Mahmood and Muhammad Adnan. "European Renaissance and Modernity: An Analytical Study of Causes and Effects." GUMAN 7, no. 1 (2024): 300–308. https://doi.org/10.63075/guman.v7i1.733.

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The European Renaissance stands as a pivotal period in history, marking a transition from the medieval to the modern era. This epochal shift brought forth profound changes in various aspects of European society, including art, culture, science, philosophy, and politics. Understanding the causes and effects of the Renaissance is essential for comprehending the trajectory of European civilization and its eventual emergence into modernity. European Renaissance wasn't just a cultural revival but a fundamental shift in European thought. It challenged traditional authority, fostered critical thinkin

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COHEN, THOMAS V., and ELIZABETH S. COHEN. "Postscript: charismatic things and social transaction in Renaissance Italy." Urban History 37, no. 3 (2010): 474–82. http://dx.doi.org/10.1017/s0963926810000581.

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In 1860, Jacob Burckhardt published his view, still influential today, of an artful, urban Italian Renaissance that launched Europe on its passage to modernity. A lively revisionary scholarship has challenged Burckhardt on many points, but his famous formulae still resonate: the state as work of art; the development of the individual; the discovery of the world and of man. Although we now know that Italy did not alone invent the new age, it was for many years a trendsetter, especially in the domains of cultural production at the centre of this collection of essays. Republican and princely poli

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Zagryadskaya, Alisa Sergeevna. "The representation of pain and the metamorphosis of aesthetics from the Middle Ages to Early modern period." Философская мысль, no. 7 (July 2022): 21–35. http://dx.doi.org/10.25136/2409-8728.2022.7.38464.

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The article provides an aesthetic and philosophical analysis of the causes of historical changes in the image of pain in Western European culture. The concept of suffering arising in the Renaissance is considered as a significant reflection of the general transformation of sensuality. The main approaches to the phenomenon of pain in the humanities and various points of view on the possibility of its representation by artistic means are outlined. The focus of attention is on changes in the spatial and temporal orientations of culture, as well as the aesthetic metamorphoses caused by them, consi

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Khoirul Fatih, Moh. "Epistemologi Psikoanalisa: Menggali Kepribadian Sosial Dalam Perspektif Sigmund Freud." Madinah: Jurnal Studi Islam 6, no. 1 (2019): 20–31. https://doi.org/10.58518/madinah.v6i1.1287.

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Since the Renaissance, science in the Western World developed rapidly, this is marked by the emergence of a variety of paradigms, methodologies, and concepts that color scientific studies, especially humanities studies such as psychology, anthropology, literature, history. The influence of Sigmund Freud's Psychoanalytic Theory in the study of modern psychology is quite dominant in coloring science in general that talks about humans, such as medicine, philosophy, religion, art, literature, anthropology, and politics. In the context of this human behavior controlled by his personality or persona

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Anderson, Jaynie. ":The Renaissance Restored: Paintings Conservation and the Birth of Modern Art History in Nineteenth-Century Europe." History of Humanities 8, no. 1 (2023): 167–69. http://dx.doi.org/10.1086/724107.

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