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Journal articles on the topic 'Humanities -> music -> ethnomusicology'

Author: Grafiati

Published: 25 July 2024

Last updated: 31 July 2025

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1

Jurková, Zuzana. "Round table Theory and Method in Urban Ethnomusicology." Lidé města 13, no. 2 (2011): 323–24. https://doi.org/10.14712/12128112.3572.

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Although urban studies are widely accepted in anthropology, ethnomusicology – even though it has been dedicated to urban topics for decades – lacks generally accepted theoretical discourse. This was the main reason for organizing the chamber round table “Theory and Method in Urban Ethnomusicology” June 3 – 5, 2011, at the Faculty of Humanities of Charles University in Prague. The round table thus became part of the long-term direction of the current ethnomusicological program for research in music in Prague.

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2

Born, Georgina. "For a Relational Musicology: Music and Interdisciplinarity, Beyond the Practice Turn." Journal of the Royal Musical Association 135, no. 2 (2010): 205–43. http://dx.doi.org/10.1080/02690403.2010.506265.

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What would contemporary music scholarship look like if it was no longer imprinted with the disciplinary assumptions, boundaries and divisions inherited from the last century? This article proposes that a generative model for future music studies would take the form of a relational musicology. The model is drawn from the author's work; but signs of an incipient relational musicology are found scattered across recent research in musicology, ethnomusicology, and jazz and popular music studies. In support of such a development, the article calls for a reconfiguration of the boundaries between the

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3

Dahlig, Piotr. "THE SIGNIFICANCE OF UKRAINIAN ETHNOMUSICOLOGY FOR THE DEVELOPMENT OF THIS BRANCH OF HUMANITIES IN POLAND." Problems of music ethnology 18 (December 22, 2023): 5–16. http://dx.doi.org/10.31318/2522-4212.2023.18.294818.

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The article is built as a comparative study which demonstrates a similarity of problems and clear parallelism of the Ukrainian and Polish ethnomusicology. The term „ethnomusicology” was invented in the Ukraine (1928) and it functioned in Poland already in the 1930s. The Ukrainians had begun systematic recordings of folk songs still in the Austrian Galicia at the beginning of the 20th c., in Poland the same action was undertaken in the interwar period. The system of analysis of ethnic melodies, elaborated in the Ukraine in the first decades of the 20th c., is echoed in Poland in the 1950s. We n

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4

Moore, Robin, Luis Ricardo Silva Queiroz, John Bimbiras, Caroline Rohm, and Ashley Thornton. "Ethnomusicology and Higher Education: Challenges, Trends, and Lessons from the Humanities." Ethnomusicology 65, no. 3 (2021): 413–43. http://dx.doi.org/10.5406/ethnomusicology.65.3.0413.

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Abstract Many authors in recent years note threats to humanistic studies within higher education. They express concern about the overproduction of PhD graduates, the increasing costs of higher education, and other topics. Ethnomusicologists are undoubtedly aware of such issues, yet as a society SEM has not engaged with related publications, nor has it collected much data on specific challenges to our own field. This essay synthesizes literature on trends within the humanities and considers its potential relevance for ethnomusicology. Then, based on interviews with faculty, as well as a 2018 su

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Cooley, Allen, Hellier, et al. "Call and Response: SEM President's Roundtable 2018, “Humanities' Responses to the Anthropocene”." Ethnomusicology 64, no. 2 (2020): 301. http://dx.doi.org/10.5406/ethnomusicology.64.2.0301.

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6

Fournet, Adele. "Bit Rosie: A Case Study in Transforming Web-Based Multimedia Research into Digital Archives." American Archivist 84, no. 1 (2021): 119–38. http://dx.doi.org/10.17723/0360-9081-84.1.119.

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ABSTRACT This article is a case study in transforming web-based multimedia research initiatives into digital institutional archives to safeguard against the unstable nature of the Internet as a long-term historical medium. The study examines the Bit Rosie digital archives at the New York University Fales Library, which was created as a collaboration between a doctoral researcher in ethnomusicology and the head music librarian at the Avery Fisher Center for Music and Media. The article analyzes how the Bit Rosie archives implements elements of both feminist and activist archival practice in a b

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7

Samarasinghe, Kamani. "A Review of the International Music Conference Themed “Symbiosis of Arts and Cultures: Nurturing Expression, Connection, and Well-being”." Journal of Research in Music 2, no. 1 (2024): 54–62. http://dx.doi.org/10.4038/jrm.v2i1.26.

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The 5th International Conference of Faculty of Music, University of the Visual & Performing Arts 2023 (ICFM-2023) was held in the Faculty of Music premises in Colombo from 22 to 23 November 2023 with the main theme ‘Symbiosis of Arts and Cultures: Nurturing Expression, Connection, and Well-being’, brought together an assembly of over a hundred scholars and researchers from India and Sri Lanka and some other countries. The conference featured nineteen sessions delving into various dimensions of the musical landscape with the hope of fostering profound discussions across diverse areas such a

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8

Shelemay, Kay Kaufman. ": Ethnomusicology and Modern Music History . Stephen Blum, Philip V. Bohlman, Daniel M. Neuman." American Anthropologist 94, no. 3 (1992): 740–41. http://dx.doi.org/10.1525/aa.1992.94.3.02a00560.

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9

Stige, Brynjulf. "Dancing the Drama and Singing for Life: On Ethnomusicology and Music Therapy." Nordic Journal of Music Therapy 17, no. 2 (2008): 155–71. http://dx.doi.org/10.1080/08098130809478206.

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10

Vrekalić, Andreja. "The boundaries of disciplines in Croatia: on ethnomusicology in music therapy and vice versa." Nordic Journal of Music Therapy 25, sup1 (2016): 154. http://dx.doi.org/10.1080/08098131.2016.1180206.

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11

Loeb, Laurence D. ": Worlds of Music: An Introduction to the Music of the World's Peoples . Jeff Todd Titon. ; Problems of Ethnomusicology: Constantin Brailoiu . A. L. Lloyd." American Anthropologist 88, no. 1 (1986): 247–48. http://dx.doi.org/10.1525/aa.1986.88.1.02a00850.

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12

Ottenheimer, Harriet. ": Comparative Musicology and Anthropology of Music: Essays on the History of Ethnomusicology . Bruno Nettl, Philip V. Bohlman." American Anthropologist 94, no. 4 (1992): 991. http://dx.doi.org/10.1525/aa.1992.94.4.02a00690.

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13

Madyar-Novak, Vira. "Fields of Activity of Volodymyr Goshovskyi (Dedicated to the Centenary of the Scientist)." Problems of music ethnology 17 (November 17, 2022): 16–26. http://dx.doi.org/10.31318/2522-4212.2022.17.270895.

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In the conditions of the Russian occupation, when Ukraine is fighting for independence, the commemoration of the centennial anniversary of one of the “titans” of Ukrainian ethnomusicology, Volodymyr Hoshovsky (1922–1996), acquires special national significance. The article reviews the spheres of activity of the scientist throughout his life starting from his childhood. The diverse upbringing and education of the European level formed V. Hoshovsky’s interest in the exact sciences and humanities, as well as in art, even in his childhood. This diversity of interests allows you to respond to

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14

McGee, Kristin. "Staging jazz pasts within commercial European jazz festivals: The case of the North Sea Jazz Festival." European Journal of Cultural Studies 20, no. 2 (2016): 141–66. http://dx.doi.org/10.1177/1367549416638525.

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This article examines the North Sea Jazz Festival in order to highlight the growing influence of both ‘convergence culture’ (Jenkins) and prevailing jazz mythologies upon the reception and organization of contemporary European jazz festivals. In particular, the European jazz festival is examined within the context of increasing commercialization and digital mediation of the live music field. To stake my claim, I first sketch the context within which European jazz festivals arose, especially as initially driven by curators/aficionados, whose longing for ‘authentic’ jazz within natural (resort)

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15

Rakočević, Selena. "Tracing the discipline: Eighty years of ethnochoreology in Serbia." New Sound, no. 42 (2013): 58–86. http://dx.doi.org/10.5937/newso1341058r.

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The interest for traditional dance research in Serbia is noted since the second part of the 19th century in various ethnographical sources. However, organized and scientifically grounded study was begun by the sisters Danica and Ljubica Janković marked by publishing of the first of totally eight volumes of the "Folk Dances" [Narodne igre] in 1934. All eight books of this edition published periodically until 1964 were highly acknowledged by the broader scientific communities in Europe and the USA. Dance research was continued by the following generation of researchers: Milica Ilijin, Olivera Ml

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16

Slobin, Mark. "Ethnomusicology: From Ethnography to Cultural Studies: Cassette Culture: Popular Music and Technology in North India . Peter Manuel. ; The Arabesk Debate: Music and Musicians in Modern Turkey . Martin Stokes. ; Moving away from Silence: Music of the Peruvian Altiplano and the Experience of Urban Migration . Thomas Turino." American Anthropologist 96, no. 3 (1994): 701–3. http://dx.doi.org/10.1525/aa.1994.96.3.02a00250.

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17

Van Bockhaven, Vicky. "Decolonising the Royal Museum for Central Africa in Belgium's Second Museum Age." Antiquity 93, no. 370 (2019): 1082–87. http://dx.doi.org/10.15184/aqy.2019.83.

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In December 2018, the Royal Museum for Central Africa (RMCA) in Tervuren, Belgium, reopened its doors after a renovation project that started nearly 20 years ago. Founded by the infamous King Leopold II, the RMCA contains cultural and natural history collections from Belgium's former colonies of Congo, Rwanda and Burundi, as well as other parts of Africa and beyond. Today, a new ‘Welcome pavilion’ leads the visitor through a monumental subterranean corridor to the historic building's basement and to an introduction to the history of the collections. The exhibition halls on the ground level hav

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18

Swartz, Anne. "Polish Folk Music: Slavonic Heritage, Polish Tradition, Contemporary Trends. By Anna Czekanowska. Cambridge Studies in Ethnomusicology. Cambridge: Cambridge University Press, 1990. xii, 226 pp. Illustrations. Maps. Musical Examples. Bibliography. Discography. Index." Slavic Review 51, no. 2 (1992): 366–67. http://dx.doi.org/10.2307/2499562.

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19

Tingey, Carol. "Music of Afghanistan: professional musicians in the city of Herat. by John Baily. (Cambridge Studies in Ethnomusicology.) pp. xiv, 183, 16 illus., 3 maps and cassette tape. Cambridge etc., Cambridge University Press, 1988. £32.50." Journal of the Royal Asiatic Society of Great Britain & Ireland 121, no. 2 (1989): 372–73. http://dx.doi.org/10.1017/s0035869x0010975x.

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20

Kippen, James. "Khyāl: creativity within North India's classical music tradition. By Bonnie C. Wade (Cambridge Studies in Ethnomusicology.) pp. xxii, 314, 13 pl., 2 maps, Cassette. Cambridge, etc., Cambridge University Press., 1985. £37.50. (cassette, £6. 95 + VAT)." Journal of the Royal Asiatic Society of Great Britain & Ireland 118, no. 1 (1986): 144–46. http://dx.doi.org/10.1017/s0035869x00139589.

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21

BUTTERWORTH, JAMES. "Javier F. León and Helena Simonett (eds.), Views from the South: A Latin American Music Reader (Urbana, IL: University of Illinois Press in collaboration with the Society for Ethnomusicology, 2016), pp. xi + 449, £28.99, pb." Journal of Latin American Studies 50, no. 3 (2018): 773–75. http://dx.doi.org/10.1017/s0022216x18000615.

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22

TREECE, DAVID. "Peter Fryer, Rhythms of Resistance: African Musical Heritage in Brazil (London: Pluto Press, 2000), pp. xiii+267, £45.00, £14.00 pb. Charles A. Perrone and Christopher Dunn (eds.), Brazilian Popular Music and Globalization (Gainesville, FL: University Press of Florida, 2001), pp. xii+288, $55.00, hb. Suzel Reily (ed.), Brazilian Musics, Brazilian Identities (British Journal of Ethnomusicology Vol. 9/1, 2000), pp. v+167, £15.00, pb." Journal of Latin American Studies 35, no. 1 (2003): 163–214. http://dx.doi.org/10.1017/s0022216x03486720.

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23

Cole, Sebastian, and Jessica Yarin Robinson. "Curating Christmas." M/C Journal 27, no. 6 (2024). http://dx.doi.org/10.5204/mcj.3125.

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Introduction As music listening transitions from physical to digital formats, the model for how people organise and discover new music is being taken over by the features of digital streaming services (Lüders; Rothenbuhler; Wikström). Playlists, akin to the mixtape of the analogue era, have broken up the album model, catering to specific moods, genres, and events (Bonini and Gandini; Prey; Siles et al., "Genres"). On Spotify, algorithmic playlists are readily mixed in with human-curated playlists, blurring the lines between the selections of personal human choice, and the datafied choices driv

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