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Relevant bibliographies by topics / Humanities -> music -> guitar

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Academic literature on the topic 'Humanities -> music -> guitar'

Author: Grafiati

Published: 26 July 2024

Last updated: 31 July 2025

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Journal articles on the topic "Humanities -> music -> guitar"

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Ramsey, Gordon P., and Jessica R. Moore. "Factors that affect guitar timbre." Journal of the Acoustical Society of America 153, no. 3_supplement (2023): A198. http://dx.doi.org/10.1121/10.0018646.

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This is part one of two presentations on the same project. Guitars have been used for centuries, but their versatility due to technical developments have made them very popular in most genres of music. Our research has investigated how various physical properties of the guitar affect its timbre. We have investigated the effects of (a) string excitement location, (b) string type and gauge, (c) pick versus pluck excitement, and (e) the placement of a capo on an acoustic guitar. The main goal is to investigate how each of these factors play a role in certain genres of music where guitars are one

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Moore, Jessica R., and Gordon P. Ramsey. "How musicians can utilize the guitar’s acoustic properties." Journal of the Acoustical Society of America 153, no. 3_supplement (2023): A198. http://dx.doi.org/10.1121/10.0018647.

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Guitars are extremely versatile instruments due to the myriad of ways in which the player can alter the timbre. Specific adjustments are made to the guitar that correspond to stylistic distinctions between genres of music. This study explores how the timbre of the guitar is affected by the string type, gauge, and excitement location, in addition to the previous talk topics. Using the spectra, we can determine how our results can be utilized by musicians. Continuing from the first talk on the physical implication of these alterations, I will focus on how the results justify guitarist’s artistic

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Cave, Sam. "RIDING THE WILD OCEAN: HORATIU RADULESCU'S SUBCONSCIOUS WAVE IN THEORY, PERFORMANCE AND RECORDING." Tempo 76, no. 299 (2021): 30–43. http://dx.doi.org/10.1017/s0040298221000632.

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AbstractThis article focuses on Radulescu's 1984 Subconscious Wave, for guitar and pre-recorded digital sound, a work that features on my 2019 solo CD recording Refracted Resonance, for Métier Records, alongside music by Tristan Murail, Christopher Fox, George Holloway and myself. The article places the work in the context of Radulescu's output, demonstrates how it displays the key aesthetic concepts that drive his music and shares my insights into the technical and interpretive aspects of preparing the piece for performance and recording. The article has been adapted from a lecture-recital gi

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Bonanno, Carmine. "Guitar controller for a music synthesizer." Journal of the Acoustical Society of America 82, no. 5 (1987): 1864. http://dx.doi.org/10.1121/1.395729.

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Bonanno, Carmine. "Guitar controller for a music synthesizer." Journal of the Acoustical Society of America 83, no. 5 (1988): 1995. http://dx.doi.org/10.1121/1.396416.

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Zhou, Linlin, and C. Baldo Nova. "Evaluating Product Positioning and Differentiation Strategies in the Guitar Industry amidst Digital Transformation." International Journal of Social Science and Humanities Research 13, no. 2 (2025): 122–26. https://doi.org/10.5281/zenodo.15227384.

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<strong>Abstract:</strong> The guitar industry is undergoing significant change due to the pervasive influence of digital transformation, affecting everything from product development and marketing to customer engagement and distribution. This paper evaluates how leading and emerging guitar brands are adapting their product positioning and differentiation strategies in this evolving landscape. The study focuses on the interplay between traditional craftsmanship and digital innovation, including the use of e-commerce, virtual tryouts, AI-driven personalization, and online community building. It

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Pastore, M. Torben, and Nikhil Deshpande. "The evolution and maturation of the electric guitar as a system." Journal of the Acoustical Society of America 151, no. 4 (2022): A182. http://dx.doi.org/10.1121/10.0011034.

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The electric guitar came to its initial prominence in the 1940s when its volume allowed jazz guitarists like Charlie Christian to step out in front of the rhythm section like other soloists, competing with the brass, wind, and piano. Further changes in the playing and design of the instrument came with exploitation of the interaction of the electric guitar, tube amplifiers, and analog effects as a larger system. Especially in the rock and funk idioms, the playing and construction of the overall instrument evolved and expanded rapidly with the mainstream embrace of digital technology. This talk

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Baltes, Felix, Leon Chemnitz, and Elke B. Lange. "Pleasantness of nonlinear distortion in isolated triads of synthetic timbre." Journal of the Acoustical Society of America 154, no. 2 (2023): 1028–40. http://dx.doi.org/10.1121/10.0020667.

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Distortion of sound is an important tool to increase the variety of timbres in musical compositions, but perceived pleasantness of distortion is understudied, and studies are limited to guitar practices in rock and metal music. This study applied a more systematic approach, using synthetic timbre and creating an audio-plugin that realized nonlinear symmetric and asymmetric distortion. Participants evaluated the perceived pleasantness of isolated triads differing in distortion (undistorted, symmetric, asymmetric), tonality (minor, major), and position (low, high, wide), taking baseline differen

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Smith, Sarah R., and Benjamin Thompson. "Leveraging audio and music experience in a first-year engineering sequence." Journal of the Acoustical Society of America 154, no. 4_supplement (2023): A60. http://dx.doi.org/10.1121/10.0022793.

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Recently, the introductory courses in Audio and Music Engineering (AME) at the University of Rochester have succeeded in attracting an academically diverse group of students, such that engineering majors often comprise a minority of those enrolled. Therefore, we see our mandate as balancing the need to prepare AME majors for subsequent courses while simultaneously engaging and supporting non-majors. To meet this challenge, we leverage students’ existing experiences with sound and music to introduce foundational concepts in acoustics, circuits, and programming in a project-based environment. In

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Sovine, Melanie L. ": Discovering Country and Western Music . Bernard Wilets. ; Full of Life A-Dancin' . Robert Fiore, Richard Nevell. ; Guitar Craft . Rob Williams. ; Gypsy Yodeler . Ron Taylor. ; Homemade American Music . Carrie Aginsky, Yasha Aginsky. ; New England Fiddles . John M. Bishop. ; Nimrod Workman: To Fit My Own Category . Appalshop. ; Oaksi . Appalshop. ; Ralph Stanley's Bluegrass Festival . Jim Kent. ..." American Anthropologist 89, no. 2 (1987): 522–25. http://dx.doi.org/10.1525/aa.1987.89.2.02a00950.

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Dissertations / Theses on the topic "Humanities -> music -> guitar"

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Dorrian, Ethan Alexander. "An exploration and contextualization of two Mediterranean guitar sonatas by Angelo Gilardino (1941-2022)." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2025. https://ro.ecu.edu.au/theses/2913.

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Italian guitarist Angelo Gilardino (1941-2022) is a well-known international figure, yet the extent of his compositional output is commonly overlooked. This research outlines the depth of his compositional oeuvre, especially his sonatas. Two Mediterranean-themed sonatas are chosen as case studies that demonstrate a mature post-tonal harmonic language combined with Neo-classical impetus. Their programmatic foundation highlights the geopolitical significance of the region, harnessing a web of inter-textual references and conceits—such as the notion of the ‘river’ as harbinger of identity and nar

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Shea, Nicholas Jordan. "Ecological Models of Musical Structure in Pop-rock, 1950–2019." The Ohio State University, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=osu158755665247824.

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Darcey, Stephanie J. "An immersive study of the artistry of Gilbert Biberian —guitarist, composer, and pedagogue— and creative responses from a musical apprenticeship." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2024. https://ro.ecu.edu.au/theses/2764.

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This project examines the music of Istanbul-born British classical guitarist and composer Gilbert Biberian (1944-2023) and the potential of this music to stimulate original composition using an intuitive approach. Biberian is recognized as one of the most original and creative guitar composers from the second half of the twentieth century. His musical language embraces and integrates traditional tonality, jazz, post-tonal idioms, and the music of the Middle East. There are three strands to this project: an overview of Biberian’s life, philosophy, and music; a musical apprenticeship with Biberi

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Nylander, Peter. "Pentatonik för gitarrister : en studie av gitarristers pentatoniska förkunskaper inom högre musikutbildning." Thesis, Kungl. Musikhögskolan, Institutionen för musik, pedagogik och samhälle, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:kmh:diva-2573.

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Syftet med denna studie är att undersöka gitarrlärares syn på studenters förkunskaper inom pentatonik då de börjar inom högre musikutbildning. Metoden för studien bygger på kvalitativa intervjuer av tre erfarna gitarrpedagoger med flera decennier bakom sig inom högskola och folkhögskola. Studien har sin utgångspunkt ur ett sociokulturellt perspektiv. Resultatet visar på att lärarna uppfattar att studenter besitter förkunskaper inom pentatonik men att det finns tydliga kunskapsluckor.<br>The purpose of this study is to investigate guitar teachers’ views on college students’ prior knowledge of t

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Books on the topic "Humanities -> music -> guitar"

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The Latin Bass Book. Sher Music, 2005.

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Music, Sher. Latin Bass Book. Sher Music Company, 2011.

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Book chapters on the topic "Humanities -> music -> guitar"

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Pearson, David. "The Dystopian Sublime of Extreme Hardcore Punk." In Rebel Music in the Triumphant Empire. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780197534885.003.0004.

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With roots in the 1980s and becoming a coherent trend in the 1990s, extreme hardcore punk pushed the intensity of punk music beyond previous levels with beats over 800 BPM, screamed or growled vocals, and guitar riffs built from dissonant and nondiatonic pitch material. Its lyrics often provided dystopian warnings of environmental catastrophe and humanity’s downfall due to globalized capitalism. Analysis and reception history of the music of bands such as Dropdead, His Hero Is Gone, Hellnation, and Capitalist Casualties identify the musical techniques and sublime effects of the extreme hardcor

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Conference papers on the topic "Humanities -> music -> guitar"

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Szymanska-Stulka, Katarzyna. "TRAJECTORY OF GREEN BY ANDRZEJ KARALOW AND JERZY PRZEZDZIECKI: TOWARDS THE LANDSCAPE MUSIC." In 9th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2022. SGEM WORLD SCIENCE, 2022. http://dx.doi.org/10.35603/sws.iscah.2022/s08.11.

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Andrzej Karalow (b. 1991) is a pianist, composer and improviser. In his approach to music, an avid interest of the young generation, he breaks free from the traditional form and instrumentation, striving for creative freedom and artistic exploration. The composer combines a variety of trends that are fundamental for several genres of music and determine a contemporary world of sounds. Performing as a pianist and guitar player, Karalow creates artistic projects with Jerzy Przezdziecki, a recognised Polish experimental electronic artist. Trajectory of Green, the subject of this analysis, origina

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