Relevant bibliographies by topics / Humanities -> music -> techniques

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Humanities -> music -> techniques'

Author: Grafiati
Published: 26 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Humanities -> music -> techniques"

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Comber, Chris, David J. Hargreaves, and Ann Colley. "Girls, Boys and Technology in Music Education." British Journal of Music Education 10, no. 2 (1993): 123–34. http://dx.doi.org/10.1017/s0265051700001583.

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Information technology is having a profound impact upon the music curriculum, and there is general agreement that boys and girls should have equal opportunities to benefit from it. Although music has traditionally been a subject in which girls predominate, technology is clearly stereotyped as a male preserve. The present paper reports some findings from the Leverhulme Trust-funded ‘Gender and educational computing in the humanities’ project at the University of Leicester, which is using survey and interview techniques with a large sample of pupils and teachers in the Midlands to investigate th
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Eraslan, İsmail. "AI-Supported Analysis of Formal and Stylistic Transformations in Ottoman-Turkish Music (16th–19th Centuries)." INSAM Journal of Contemporary Music, Art and Technology, no. 14 (July 20, 2025): 48–66. https://doi.org/10.51191/issn.2637-1898.2025.8.14.48.

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This study investigates the formal and stylistic transformations in Ottoman-Turkish music between the 16th and 19th centuries through artificial intelligence (AI)-assisted methodologies. While traditional musicology has often approached Ottoman music through qualitative and performance-centered analyses, this research offers a data-driven and computationally grounded alternative that leverages machine learning and digital humanities techniques to trace musical evolution across centuries. The corpus consists of 45 digitized compositions, including peşrevs and saz semais by three canonical compo
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Ehmann, Andreas F., and J. Stephen Downie. "Music to knowledge: A visual programming environment for the development and evaluation of music information retrieval techniques." Journal of the Acoustical Society of America 118, no. 3 (2005): 2031. http://dx.doi.org/10.1121/1.4785794.

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Smith, Julius O. "Signal processing techniques in music synthesis based on a physical model." Journal of the Acoustical Society of America 90, no. 4 (1991): 2336. http://dx.doi.org/10.1121/1.402205.

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Mills, John A. "The application of cochlear audio analysis techniques to electro‐acoustic music." Journal of the Acoustical Society of America 115, no. 5 (2004): 2450. http://dx.doi.org/10.1121/1.4782231.

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Mills, John. "Application of cochlear analysis techniques to percussion in electro‐acoustic music." Journal of the Acoustical Society of America 117, no. 4 (2005): 2477. http://dx.doi.org/10.1121/1.4787600.

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Piryazeva, Elena Nikolaevna. "Digital music art through the prism of interdisciplinarity." Философия и культура, no. 12 (December 2020): 25–39. http://dx.doi.org/10.7256/2454-0757.2020.12.34491.

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  The processes taking place in modern science tend to integrate various scientific disciplines in studying any scientific phenomenon. This explains the search of methodology based on the techniques of different sciences involved in formation of the subject of research, which in this article is represented by the digital music art. Interpreted as a branch of music art with digital specificity, digital music art incorporates electronic music presented by specific, algorithmic, and electronic music. A signature characteristic of digital music art consists in its interdisciplinarity, whi
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Hanzburh, Hryhorii. "Spatial Effects in the Sound of Music." Bulletin of Kyiv National University of Culture and Arts. Series in Musical Art 3, no. 1 (2020): 27–36. https://doi.org/10.31866/2616-7581.3.1.2020.204336.

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The purpose of this research is to learn the artistic and technical techniques that cause spatial sensations, representations and illusions in the perception of music. Speaking of music, it is customary to draw more or less justified analogies with the facts of everyday life, the phenomena of science or related art forms, such analogies can in some cases lead to errors, and in others to discoveries. Metaphorical images (including spatial ones) are discussed in statements about music. Cases of borrowing the terminology of nature and art sciences in musical-theoretical studies are analyzed.
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Weymann, Eckhard. "Improvisation as “unthought known”: creative techniques in music therapy supervision." Nordic Journal of Music Therapy 25, sup1 (2016): 114–15. http://dx.doi.org/10.1080/08098131.2016.1180133.

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Kvistad, Garry M. "Rhythmic techniques and psychoacoustic effects of the percussion music of Steve Reich." Journal of the Acoustical Society of America 134, no. 5 (2013): 4187. http://dx.doi.org/10.1121/1.4831357.

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Dissertations / Theses on the topic "Humanities -> music -> techniques"

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Clemen, Hannah E. "The use of principles and techniques derived from meditation for the design and creation of co-participatory musical systems." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2005. https://ro.ecu.edu.au/theses/644.

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For this thesis, a detailed study was undertaken to determine whether techniques derived from traditional meditation systems can be applied to "co-participatory" music systems in order to enhance their accessibility, interactivity, and experiential impact, In order to adequately address this subject, a number of investigative steps have been taken. First, a workable list of definitions for what meditation actually is was made by comparing the practices and philosophies of a number of traditional meditation forms. The conclusions derived from this stage of the discussion served to create a defi
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Broadhurst, Emily H. "The effect of frustration reduction techniques on self-reported mood scales and physiological responses." Thesis, University of the Pacific, 2014. http://pqdtopen.proquest.com/#viewpdf?dispub=1558976.

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<p> The purpose of this study was to explore treatment options for aggression-related disorders. Two activities were examined to validate their use as frustration-reduction techniques --yoga and therapeutic drumming. Twenty-two college students were randomly assigned to participate in one of three groups--yoga, drumming, or silence (control)--following experimentally-induced frustration using a computerized Stroop color-word technique. Self-reported emotion levels and physiological responses were tracked at baseline, post-frustration, and post-treatment to measure responses to treatment. R
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Th'ng, Hannah. "Larry Sitsky’s Century: A response to selected twentieth-century notation, associated piano techniques, and performance possibility." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2023. https://ro.ecu.edu.au/theses/2662.

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In 2016, the Australian composer, virtuoso pianist, and pedagogue Larry Sitsky (b. 1934) completed a three-volume set of 155 graded pieces for pianists entitled Century. The work focuses on certain twentieth-century innovations with regard to notation and associated piano technique(s)—distinctive issues not commonly explored pedagogically. This study addresses specific notational and associated technical challenges in selected pieces from Century. The study also provides performative and pedagogical suggestions derived both from Sitsky himself and from the author. The following notational cate
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Gafor, Susan, and Hartmann Lise Sihvola. "The effectiveness of using songs and music to foster motivation and language development in the young English L2 classroom." Thesis, Malmö universitet, Fakulteten för lärande och samhälle (LS), 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-30610.

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Teachers work with large student groups and their job is to make their pupils’ grow and evolve in their learning every day, even though the students may not be interested in the subject at all. How can teachers manage to do this with such a variety of students? What tools can be used to motivate as many of them as possible to achieve the most favourable learning outcomes? Music is a universal language that most people enjoy and for children it is even a natural part of growing up. Music can be a pleasant and fun element in the classroom, so we want to investigate if teachers could take advanta
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Allen, Matthew. "The belt’s got soul! an investigation into the vocal characteristics of r&b/soul singing and the production of the ‘belt voice’ within this style." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2024. https://ro.ecu.edu.au/theses/2766.

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The dissertation investigates and defines the vocal characteristics of rhythm and blues (R&B)/soul singing within contemporary commercial music (CCM). Over the course of more than 80 years, the R&B/soul style of singing has evolved to become a prominent and influential component of the music landscape. This research addressed the question of whether the ‘belt’ voice is an integral part of R&B/soul singing and investigated the skills required for its sustainability. Furthermore, the project explored, through rigorous acoustic analyses and computed tomography (CT) scanning, the physiological eve
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Mulliken, Jasmine Tiffany. "From "disentangling the subtle soul" to "ineluctable modality" : James Joyce's transmodal techniques." Thesis, 2011. http://hdl.handle.net/2152/ETD-UT-2011-05-3060.

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This study of James Joyce's transmodal techniques explores, first, Joyce's implementation of non-language based media into his works and, second, how digital technologies might assist in identifying and studying these implementations. The first chapter introduces the technique of re-rendering, the artistic practice of drawing out certain characteristics of one medium and, by then depicting those characteristics in a new medium, calling attention to both media and their limitations and potentials. Re-rendering can be content-based or form-based. Joyce employs content-based re-rendering when he
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Anaka, Nicole Elaine. "Women on the verge, sounds from beyond : extended vocal technique and visions of womanhood in the vocal theatre of Meredith Monk, Diamanda Galás, and Pauline Oliveros." Thesis, 2006. http://hdl.handle.net/1828/1838.

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Women composers have not traditionally been at the forefront of genre development. Western classical musical genres and formal structures tend to operate by conventions codified by male composers of European and North American descent, and, accordingly, reflect patriarchal aesthetics and viewpoints. The nascent genre of vocal theatre, however, has been primarily defined by the works of women composer/performers. Artists Meredith Monk, Diamanda Galas, and Pauline Oliveros have created new modes of theatre for the voice; in their personal explorations of extended vocal technique, the female voic
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Books on the topic "Humanities -> music -> techniques"

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SHER Music; Chuck Sher; Oscar Stagnaro. The Latin Bass Book. O'Reilly Media, Inc., 2011.

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Fundamentals of Music Processing: Audio, Analysis, Algorithms, Applications. Springer International Publishing AG, 2015.

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Fundamentals of Music Processing: Audio, Analysis, Algorithms, Applications. Springer, 2015.

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Fundamentals of Music Processing: Using Python and Jupyter Notebooks. Springer International Publishing AG, 2022.

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Evolutionary and Biologically Inspired Music, Sound, Art and Design: First International Conference, EvoMUSART 2012, Málaga, Spain, April 11-13, 2012, Proceedings. Springer London, Limited, 2012.

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Book chapters on the topic "Humanities -> music -> techniques"

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Sun, Jiale. "Analysis of the Performance Techniques and Style of Yan Zongbai’s Bamboo Flute Music." In Advances in Social Science, Education and Humanities Research. Atlantis Press SARL, 2023. http://dx.doi.org/10.2991/978-2-38476-170-8_120.

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Sadhana, Senyum, Harpang Y. Karyawanto, and Heri Murbiyantoro. "Sticking as a Basic Drum Technique in the Indria-Level Percussion Course in the Music Study Program." In Proceedings of the International Joint Conference on Arts and Humanities 2022 (IJCAH 2022). Atlantis Press SARL, 2023. http://dx.doi.org/10.2991/978-2-38476-008-4_182.

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Zhang, Bo. "Design and Implementation of Folk Music Resource Management System Based on Database Technology." In Advances in Transdisciplinary Engineering. IOS Press, 2025. https://doi.org/10.3233/atde250278.

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To address the inefficiencies and challenges associated with traditional resource management methods, a folk music resource management system built on database technology is introduced. With the rapid development of database technology, the drawbacks of traditional decentralized resource management have become apparent, making it unable to meet the growing demand for data processing. By integrating relational database management systems (RDBMS) and utilizing SQL-based efficient data retrieval technology, this system significantly enhances both the efficiency and long-term sustainability of man
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Vieira, Edinilson Santos, and Débora Araújo Leal. "Education and teaching Ead: reflections on pedagogical practice in Post Modernity." In Themes focused on interdisciplinarity and sustainable development worldwide. Seven Editora, 2023. http://dx.doi.org/10.56238/tfisdwv1-173.

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This article aims to discuss Education and Distance Learning, so it is taken into account that technology is a product of the Exact Earth and Applied Social Sciences that involves a set of instruments, methods and techniques aimed at improving the knowledge tree. As well as, Agrarian Sciences, Biological, Health, Engineering, Humanities, Linguistics, Letters and Arts which are practical applications of scientific knowledge in various areas of research and that assume great importance in human life, they provide increasingly modern tools, in various sectors, which provides convenience, entertai
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Pearson, David. "The Dystopian Sublime of Extreme Hardcore Punk." In Rebel Music in the Triumphant Empire. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780197534885.003.0004.

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With roots in the 1980s and becoming a coherent trend in the 1990s, extreme hardcore punk pushed the intensity of punk music beyond previous levels with beats over 800 BPM, screamed or growled vocals, and guitar riffs built from dissonant and nondiatonic pitch material. Its lyrics often provided dystopian warnings of environmental catastrophe and humanity’s downfall due to globalized capitalism. Analysis and reception history of the music of bands such as Dropdead, His Hero Is Gone, Hellnation, and Capitalist Casualties identify the musical techniques and sublime effects of the extreme hardcor
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Conference papers on the topic "Humanities -> music -> techniques"

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Zhou, Xianying. "The combination of national music elements and western composition techniques in Liu Xiaogeng's Piano Works--In the piano works qSani fantasyq." In 2016 5th International Conference on Social Science, Education and Humanities Research. Atlantis Press, 2016. http://dx.doi.org/10.2991/ssehr-16.2016.338.

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Edirisooriya, Chithranga, Ransirini De Silva, and Raneesha De Silva. "Exploration of Gender Identity as Experienced by the Transgender Community of Sri Lanka." In SLIIT INTERNATIONAL CONFERENCE ON ADVANCEMENTS IN SCIENCES AND HUMANITIES. Faculty of Humanities & Sciences, SLIIT, 2024. https://doi.org/10.54389/uooi1001.

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Amidst the socioeconomic advancements, the transgender community continues to endure marginalization, stigma, and discrimination. This persistent social reality underscores the urgent need to delve into the coping strategies employed by transgenders in navigating identity-related challenges and to assess the available psychosocial support systems. This study investigates perceptions of gender identity within the community and broader society, and the lived experiences of transgender individuals and their coping mechanisms. Employing a qualitative methodology, semi-structured interviews were co
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Stockert, Robin, Andreas Bergsland, Stefano Fasciani, and Alexander refsum Jensenius. "STUDENT ACTIVE LEARNING IN A TWO CAMPUS ORGANISATION." In eLSE 2020. University Publishing House, 2020. http://dx.doi.org/10.12753/2066-026x-20-080.

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Higher education is facing disruptive changes in many fields. Students wants to have the option of learning anywhere, anytime and in any format. Universities need to develop and deliver to future students a complete learning ecosystem. At the same time universities are facing challenges such as growing costs and the pressure to give the students the knowledge, competence, skills and ability to continuously adapt to future job environments. As a consequence, many universities are investigating new ways of collaboration and sharing resources to cater to the demands of students, industry and soci
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"Discussion on string technique in MIDI music production." In 2017 International Conference on Social Sciences, Arts and Humanities. Francis Academic Press, 2017. http://dx.doi.org/10.25236/ssah.2017.21.

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Dima, Gabriela E. "ANNA BOLENA BY FELICE ROMANI: THE LIBRETTO AND ITS SOURCES." In 10th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2023. SGEM WORLD SCIENCE, 2023. http://dx.doi.org/10.35603/sws.iscah.2023/fs10.15.

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Author of almost one hundred libretti for opera composers of the first half of the 18th century, Felice Romani has perfected a poetry technique that allows a successful combination of music and verse, thus becoming the favourite librettist of the belcanto authors Donizetti and Bellini. His stories are not original, but he masters the ability to adapt his sources in a light yet potent poetry with a strong impact upon the audience. Anna Bolena, put into music by Gaetano Donizetti, presents the tragic story of Henry VIII�s second wife. The sources of the libretto are generally considered to be tw
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Teparić, Srdjan. "About Problematizing and Interpreting the Phenomenon of Style in Dragutin Gostuški’s Study Time of Ar." In Iskošeni ugao Dragutina Gostuškog. Muzikološki institut SANU Beograd, 2024. https://doi.org/10.46793/dgost23.085t.

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Discussing Dragutin Gostuški’s study Time of Art presents quite a challenge, primarily due to its abundance of digressions that extend in countless directions. However, the central idea –understanding historical and fictive time in art – primarily revolves around the concept of style. Style is, in fact, both a historical and a psychological phenomenon because it is tied to both the epoch and the individual. The paper examines Gostuški’s standpoint in relation to prevailing trends in the humanities at the time when the study was created. It is emphasized that, thanks to structural linguistics,
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