Relevant bibliographies by topics / Humble Pie (Musical group)

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Academic literature on the topic 'Humble Pie (Musical group)'

Author: Grafiati
Published: 27 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Humble Pie (Musical group)"

1

Hesselink, Nathan. "Samulnori, Wőrn-pang-kak, and Cosmological Didacticism." Yearbook for Traditional Music 39 (2007): 140–61. http://dx.doi.org/10.1017/s0740155800006718.

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Through scientific understanding, our world has become de-humanized. Man feels himself isolated in the cosmos. He is no longer involved in nature and has lost his emotional participation in natural events, which hitherto had a symbolic meaning for him. Thunder is no longer the voice of a god, nor is lightning his avenging missile. No river contains a spirit, no tree means a man's life, no snake is the embodiment of wisdom, and no mountain still harbors a great demon … His immediate communication with nature is gone forever, and the emotional energy it generated has sunk into the unconscious. (
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2

Pun, Santa Bahadur. "The 60 versus 90 MW Battle over Upper Trishuli-3A The Victors and the Vanquished Classic Case of throwing the Baby out with the Bathwater!" Hydro Nepal: Journal of Water, Energy and Environment 13 (November 1, 2014): 8–15. http://dx.doi.org/10.3126/hn.v13i0.11381.

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Abstract: Chronicling the Upper Trishuli-3A (UT-3A) controversy is necessary because it provides a classic example of what ails our power sector and why we suffer such long load shedding. With a concessional US$120 million loan from China, UT-3A was tendered in February 2009 as a 60 MW project but with an ‘alternative proposal’ caveat. Bids were opened in May 2009 and the lowest evaluated bidder, China Gezhouba Group Company (CGGC), included a‘25% of the cost’ caveat for the ‘90 MW option’. NEA had envisaged starting project construction ‘from the dry season of 2009’. However, a full two years
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3

Stewart, Jon. "Oh Blessed Holy Caffeine Tree: Coffee in Popular Music." M/C Journal 15, no. 2 (2012). http://dx.doi.org/10.5204/mcj.462.

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Introduction This paper offers a survey of familiar popular music performers and songwriters who reference coffee in their work. It examines three areas of discourse: the psychoactive effects of caffeine, coffee and courtship rituals, and the politics of coffee consumption. I claim that coffee carries a cultural and musicological significance comparable to that of the chemical stimulants and consumer goods more readily associated with popular music. Songs about coffee may not be as potent as those featuring drugs and alcohol (Primack; Schapiro), or as common as those referencing commodities li
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4

Brien, Donna Lee. "“Concern and sympathy in a pyrex bowl”: Cookbooks and Funeral Foods." M/C Journal 16, no. 3 (2013). http://dx.doi.org/10.5204/mcj.655.

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Introduction Special occasion cookery has been a staple of the cookbook writing in the English speaking Western world for decades. This includes providing catering for personal milestones as well as religious and secular festivals. Yet, in an era when the culinary publishing sector is undergoing considerable expansion and market segmentation, narratives of foods marking of one of life’s central and inescapable rites—death—are extremely rare. This discussion investigates examples of food writing related to death and funeral rites in contemporary cookbooks. Funeral feasts held in honour of the d
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5

Cuningham, Phillip Lamarr, and Melinda Lewis. "“Taking This from This and That from That”: Examining RZA and Quentin Tarantino’s Use of Pastiche." M/C Journal 16, no. 4 (2013). http://dx.doi.org/10.5204/mcj.669.

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In his directorial debut, The Man with the Iron Fists (2012), RZA not only evokes the textual borrowing techniques he has utilised as a hip-hop producer, but also reflects the influence of filmmaker Quentin Tarantino, who has built a career upon acknowledging mainstream and cult film histories through mise-en-scene, editing, and deft characterisation. The Man with the Iron Fists was originally to coincide with Tarantino’s rebel slave narrative Django Unchained (2012), which Tarantino has discussed openly as commentary regarding race in contemporary America. In 2011, Variety reported that RZA h
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6

Gibson, Chris. "On the Overland Trail: Sheet Music, Masculinity and Travelling ‘Country’." M/C Journal 11, no. 5 (2008). http://dx.doi.org/10.5204/mcj.82.

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Introduction One of the ways in which ‘country’ is made to work discursively is in ‘country music’ – defining a genre and sensibility in music production, marketing and consumption. This article seeks to excavate one small niche in the historical geography of country music to explore exactly how discursive antecedents emerged, and crucially, how images associated with ‘country’ surfaced and travelled internationally via one of the new ‘global’ media of the first half of the twentieth century – sheet music. My central arguments are twofold: first, that alongside aural qualities and lyrical cont
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7

Ryder, Paul, and Jonathan Foye. "Whose Speech Is It Anyway? Ownership, Authorship, and the Redfern Address." M/C Journal 20, no. 5 (2017). http://dx.doi.org/10.5204/mcj.1228.

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In light of an ongoing debate over the authorship of the Redfern address (was it then Prime Minister Paul Keating or his speechwriter, Don Watson, who was responsible for this historic piece?), the authors of this article consider notions of ownership, authorship, and acknowledgement as they relate to the crafting, delivery, and reception of historical political speeches. There is focus, too, on the often-remarkable partnership that evolves between speechwriters and those who deliver the work. We argue that by drawing on the expertise of an artist or—in the case of the article at hand—speechwr
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8

Roney, Lisa. "The Extreme Connection Between Bodies and Houses." M/C Journal 10, no. 4 (2007). http://dx.doi.org/10.5204/mcj.2684.

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 Perhaps nothing in media culture today makes clearer the connection between people’s bodies and their homes than the Emmy-winning reality TV program Extreme Makeover: Home Edition. Home Edition is a spin-off from the original Extreme Makeover, and that fact provides in fundamental form the strong connection that the show demonstrates between bodies and houses. The first EM, initially popular for its focus on cosmetic surgery, laser skin and hair treatments, dental work, cosmetics and wardrobe for mainly middle-aged and self-described unattractive participants, lagged after
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Books on the topic "Humble Pie (Musical group)"

1

Twelker, Uli. The Small Faces, The Faces, Peter Frampton, Rod Stewart, Ronnie Lane, Stevie Marriott, Humble Pie & other stories. 2nd ed. Sanctuary, 2002.

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2

Spence, Simon. All or Nothing: The Story of Steve Marriott. Omnibus Press, 2021.

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3

All or Nothing: The Authorised Story of Steve Marriott. Omnibus Press, 2024.

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All or Nothing: The Story of Steve Marriott. Omnibus Press, 2021.

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5

Best Seat in the House: Drumming in the '70s with Marriott Frampton and Humble Pie. Rebeats, 2011.

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6

Schmitt, Roland, and Uli Twelker. The Small Faces & Other Stories: The Faces : Peter Frampton, Rod Stewart, Ronnie Lane, Steve Marriott, Humble Pie. 2nd ed. Sanctuary Publishing, Ltd., 2002.

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