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Journal articles on the topic 'Humoras'

Author: Grafiati
Published: 4 June 2021
Last updated: 6 February 2022

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1

Jacevičius, Laurynas. "Humoras kaip būdas mylėti Dievą ir artimą." SOTER: Journal of Religious Science 78, no. 106 (2021): 5–20. http://dx.doi.org/10.7220/2335-8785.78(106).1.

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2

Vaitulionytė, Gabrielė, and Rasa Naujanienė. "Humoras socialinio darbo praktikoje: socialinių darbuotojų patirties analizė." Social Work: Experience and Methods 18, no. 2 (2016): 51–67. http://dx.doi.org/10.7220/2029-5820.18.2.3.

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3

Lukošienė, Mykolė. "Boring soviet humor: the artificiality of international women’s day and an imitation of criticism." Deeds and Days 65 (2016): 163–94. http://dx.doi.org/10.7220/2335-8769.65.7.

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4

Navickaitė, Marija. "JAV lietuvių humoras XIX a. pabaigoje ir XX a. pradžioje." OIKOS: lietuvių migracijos ir diasporos studijos 25 (2018): 25–43. http://dx.doi.org/10.7220/2351-6561.25.2.

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5

Zača, Evija. "CARICATURE AS A CREATIVE WORK FOR ITS CREATOR AND VIEWER / KARIKATŪRA KAIP KŪRYBINIS DARBAS JO KŪRĖJUI IR SUVOKĖJUI." CREATIVITY STUDIES 5, no. 1 (2012): 54–69. http://dx.doi.org/10.3846/20297475.2011.652679.

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Nowadays we can witness a tendency where the visual replaces the verbal. Humour experiences the same: its visual expression – caricature – is a visual metaphor that already has taken its remarkable place in the field of humour. Caricatures have become a distorting mirror that show deformed but still fairly presented reality. Humour is important part of our everyday life's communication and it covers many spheres of people's life, even including marketing, politics, work relationships, etc. That is why caricatures became a remarkable tool, for example, in political contentions. This article will show what it takes to create this distorting mirror from one side and to see a reflection in it and accept it from the other side. Santrauka Nūdien esame liudininkais tendencijos, kai vizualumas išstumia verbalumą. Ši tendencija neaplenkia ir humoro: karikatūra, kaip jo vizualioji išraiška, yra toji vizualinė metafora, kuri užėmė svarbią vietą humoristikoje. Karikatūros tapo iškreipiančiu veidrodžiu, rodančiu deformuotą, bet dar pakankamai reprezentatyvią realybę. Humoras yra svarbi mūsų kasdienio gyvenimo komunikacijos dalis, aprėpianti daugelį jo sričių – rinką, politiką, darbo santykius ir t. t. Štai kodėl karikatūros tapo svarbiu įrankiu, pavyzdžiui, politiniuose ginčuose. Šiame straipsnyje parodoma, kaip, viena vertus, sukuriamas šis iškreipiantis veidrodis ir, kita vertus, koks atvaizdas jame regimas.
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Skorupa, Pavel. "SHOCKING CONTENTS IN SOCIAL AND COMMERCIAL ADVERTISING / ŠOKIRUOJANTYS TURINIAI SOCIALINĖJE IR KOMERCINĖJE REKLAMOJE." CREATIVITY STUDIES 7, no. 2 (2014): 69–81. http://dx.doi.org/10.3846/23450479.2014.997317.

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The current paper presents an analysis of the concept of advertising and its functions in the present-day world. Three prime advertising functions have been singled out: the informative or communicative, economic and social. In addition, the impact of advertising on the consumer is discussed based on seven main appeals (fear, humour, sex, music, rationality, emotions, scarcity) used by advertisers when targeting feelings and emotions of an audience. Moreover, the paper presents and defines the concept of shocking advertising as well as analyses the aims of its use. One of the main purposes of shocking advertising is to draw the attention of the target audience to the advertising message. It is rather frequent that shocking content – disgusting images, sexual reference, profanity/ obscenity, vulgarity, impropriety, moral offensiveness and religious taboos – is presented and described. Straipsnyje analizuojama reklamos sąvoka ir nagrinėjamos funkcijos, kurias reklama atlieka šiuolaikiniame pasaulyje. Išskiriamos trys pagrindinės reklamos funkcijos – informacinė, arba komunikacinė, ir ekonominė bei socialinė. Taip pat aptariamas reklamos poveikis vartotojui, aprašomos septynios reklamos apeliacijos (baimė, humoras, seksas, muzika, racionalumas, emocijos ir stygius), kurias naudoja reklamos kūrėjai, taikydamiesi į tikslinės reklamos auditorijos jausmus ir emocijas. Be to, šiame darbe didelis dėmesys skiriamas šokiruojančiai reklamai ir jos sąvokos apibrėžimui, analizuojamos šokiruojančios reklamos naudojimo priežastys, kurių viena pagrindinių yra tikslinės auditorijos dėmesio patraukimas į reklaminį pranešimą. Nagrinėjami ir aprašomi dažniausiai komercinėje ir socialinėje reklamoje naudojami šoką sukeliantys turiniai, tokie kaip bjaurūs vaizdai, seksualinės užuominos, nešvankybės, cinizmas, vulgarumas, nepadorumas, moralinių normų pažeidimai ir religiniai tabu.
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7

Vengalienė, Dovilė. "HUMORISTINIAI POLITIZUOTO DISKURSO ASPEKTAI KONCEPTUALIOJO BLENDINGO ASPEKTU." Verbum 7, no. 7 (2016): 179. http://dx.doi.org/10.15388/verb.2016.7.10267.

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Straipsnyje siekiama aptarti humoristinius politizuoto diskurso aspektus remiantis moksliniu konceptualiojo blendingo mechanizmo modeliu (sukurtu M. Turner ir G. Fauconnier). Tiriant politizuotą Lietuvos diskursą prieš ir porinkiminiu laikotarpiu Lietuvoje, pastebima, jog tiek patys įvykiai, tiek juose dalyvaujantys politikai dažnai yra implikatyviai vertinami juos pajuoki­ant. Straipsnyje daroma prielaida, kad ironija, ar humoras apskritai, neretai yra konceptualiojo blendingo rezultatas. Nors pripažįstama, jog tokie okazionalieji dariniai neturi (ar retai turi) potencialą įgyti neologizmų statusą ir įeiti į kalbos žodyną, visgi humoristiniai blendai neabetinai yra neatsiejama lingvistinio Lietuvos politikos peizažo dalis leidžianti giliau pažinti tiek soci­alinius, tiek kognytyviuosius procesus mūsų kalboje. Tyrimo laukas straipsnyje susiaurinamas apsiribojant morfologinio lygmens tyrimu, aptariant mentalinių įvesties erdvių ir struktūrinių mechanizmų įvairovę, bei pasiūlant įžvalgas apie morfologinio lygmens konceptualiojo blen­dingo tendencijas. Atliekant analizę remiamasi A. Lehrer, S. T. Gries, M. Kelly, E. Bakaradze moksliniais tyrimais, tačiau pastebima, jog humoristinis Lietuvos diskursas morfologiniame lygmenyje vadovaujasi ir tokiomis konceptualiojo blendingo struktūromis, kurios nėra aptaria­mos minėtųjų mokslininkų darbuose. Tai, pirmiausia, galėtų būti siejama su tuo, jog pajuokian­tiems, vertinamąjį požiūrį išreiškiantiems blendams skirtų tyrimų mokslinėje literatūroje nėra. Tačiau reikia pastebėti ir tai, jog mūsų kalboje vykstantys konceptualieji procesai yra įtakojami ir mūsų specifinės kalbinės aplinkos (pvz., siekiant pajuokti nepopuliarų rusakalbį politiką į konceptualiąją struktūrą gali būti įvedami elementai turintys fonologinų rusų kalbos bruožų). Straipsnyje pabrėžiamas konceptualiojo blendingo procesams būdingas kūrybiškumas, o tyrimo įžvalgos ir keliamos idėjos grindžiamos gausiais pavyzdžiais iš populiarių žiniatinklių (delfi.lt, lrytas.lt, ir kt.) antraščių, straipsnių ir komentarų.
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8

Rodrigues, Cleiton Lopes. "Humores e Temperamentos: considerações sobre a teoria hipocrática." Páginas de Filosofia 9, no. 2 (2021): 109–20. http://dx.doi.org/10.15603/2175-7747/pf.v9n2p109-120.

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A teoria hipocrática dos quatro humores, presente na obra Da Natureza do Homem, constitui o corpo humano a partir de quatro fluidos: sangue, fleuma, bile amarela e bile negra. De acordo com o tratado, a saúde seria mantida por um equilíbrio entre esses quatro humores. Alguns intérpretes afirmam que esses humores influenciam os temperamentos, concluindo assim, que determinadas representações mentais correspondem a elementos físicos. O presente artigo visa percorrer um trajeto histórico-filosófico das interpretações em torno da teoria humoral hipocrática, de modo a compreender como se deu o seu desenvolvimento para uma teoria temperamental.
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9

BUGAILIŠKIENĖ, JURGITA. "ŠIUOLAIKINIS LIETUVOS KOMIKSAS (1990–2005)." Knygotyra 49 (January 1, 2015): 138–67. http://dx.doi.org/10.15388/kn.v49i0.8021.

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Vilniaus universiteto Knygotyros ir dokumentotyros institutas Universiteto g. 3, LT-01513 Vilnius, Lietuva El. paštas: jurgita.bugailiskiene@gmail.comStraipsnyje analizuojami ir apibendrinami šiuolaikiniai Lietuvos komiksai (knygos ir žurnalai), išleisti 1990–2005 metais. Tiriami komiksai lietuvių kalba, verstos knygelės ir komiksai, išleisti Lietuvoje užsienio kalba. Straipsnyje neminimi trumpieji komiksai. Rašant apie periodinius leidinius („Kiškis Kvanka“, „Žmogus voras“, „Donaldas ir kiti“, „Tom & Jerry“, „Flinto bumas“, „Magija“), pavyzdžiu pasirenkamas vienas egzempliorius. Tyrimo tikslui pasiekti naudojamasi dokumentų analizės bei lyginamuoju metodais, lietuviškos komiksų knygelės ir žurnalai tiriami de visu. Gilinamasi į vaikų ir jaunimo bei suaugusiųjų komiksų savybes, jų komunikaciją (svarbūs klausimai: kaip kūrinys pateikiamas, kaip generuojama mintis (žaidimas mintimi) kuriant komiksą ir jį skaitant, kokiais kriterijais remiantis jis kuriamas, kaip derinamas tekstas ir piešinys, kokia yra paveikslėlių atlikimo technika, kokia yra idėja ir kaip ji pateikiama, kaip apibrėžiamas laikas ir erdvė komiksuose, kokia jų apimtis, kokios kitos sudedamosios tų kūrinių dalys, kaip jie skirstomi. Straipsnyje pateikiama ir įvertinama Lietuvoje išleistų komiksų knygelių tipologinė klasifikacija (nagrinėjami laisvalaikiui ir mokymui skirti komiksai, išskiriami dvasinio švietimo komiksai). Remiantis anketavimo metodu atlikto tyrimo duomenimis, pateikiama žinių apie vaikų ir jaunimo tipologinius prioritetus renkantis komiksus. Tyrimas atskleidžia, kad dabar Lietuvoje požiūris į komiksus keičiasi. Vis dažniau įvertinamas komiksų naudingumas mokantis, perteikiant kultūros, istorijos, geografijos ir kitokias žinias. Daugiausia Lietuvoje išleista vaikams skirtų laisvalaikio, pramogų komiksų. Populiariausi Lietuvoje laisvalaikio komiksai: kelionių ir nuotykių komiksai, komiksai apie išdykusius vaikus, superherojus, veiksmo, detektyviniai ir fantastiniai komiksai. Jaunuosius skaitytojus domina pramoginės ir žaidybinės komiksų funkcijos. Vaikai skaito komiksus, nes jiems patinka humoras, galimybė sužadinti vaizduotę. Komikso visumą lemia tikrovės, vaizduojamosios dailės ir literatūros kūrinio derinys, suvokiamas pojūčiais, mąstymu ir vaizduote.
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Tiani, Riris. "Strategi Pragmatik dalam Penciptaan Humor di Televisi." Nusa: Jurnal Ilmu Bahasa dan Sastra 12, no. 2 (2017): 42. http://dx.doi.org/10.14710/nusa.12.2.42-51.

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Humors function not only just entertain, but also has educated function viewer to think creative. This study aims to determine the pragmatic strategy in the creation of humor that aired on some Indonesian television. The research domain uses the assessment of the humorous theory of Asa Berger. The unit of analysis of this research are words, phrases, and sentences as verbal markers of speech humor. The results of research include misunderstanding techniques with idiom meaning of a word that raises a different meaning; The technique of deceiving by asking a question and a sentence indirectly outwits the other person, so the humorist looks smarter than his opponent; Mocking technique by directly criticizing the speaker because his speech sounds weird; And sound-playing techniques by replacing a phoneme in a word which then creates a different meaning.
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11

Betsch, Cornelia, Nora K. Schmid-Küpke, Leonie Otten, and Eckart von Hirschhausen. "Increasing the willingness to participate in organ donation through humorous health communication: (Quasi-) experimental evidence." PLOS ONE 15, no. 11 (2020): e0241208. http://dx.doi.org/10.1371/journal.pone.0241208.

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Increasing people’s willingness to donate organs after their death requires effective communication strategies. In two preregistered studies, we assessed whether humorous entertainment education formats on organ donation elicit positive effects on knowledge, fears, attitudes, and behavioral intentions–both immediately after the treatment and four weeks later. We test whether perceived funniness mediates expected effects on attitudes and intentions. Study 1 is a quasi-experiment which uses a live medical comedy show (N = 3,964) as an entertainment education format, which either contained or did not contain information about organ donation. Study 2, a lab experiment, tests humor’s causal effect in a pre-post design with a control group (N = 144) in which the same content was provided in either a humorous or non-humorous way in an audio podcast. Results showed that humorous interventions per se were not more effective than neutral information, but that informing people about organ donation in general increased donation intentions, attitudes, and knowledge. However, humorous interventions were especially effective in reducing fears related to organ donation. The findings are discussed regarding the opportunities for sensitive health communication through entertainment education formats, psychological processes that humor triggers, and humor’s role in health communication formats.
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12

Whissell, Cynthia. "Emotion and the Humors: Scoring and Classifying Major Characters from Shakespeare's Comedies on the Basis of Their Language." Psychological Reports 106, no. 3 (2010): 813–31. http://dx.doi.org/10.2466/pr0.106.3.813-831.

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The theory of humors, which was the prevalent theory of affect in Shakespeare's day, was used to explain both states (moods, emotions) and traits (personalities). This article reports humoral scores appropriate to the major characters of Shakespeare's comedies. The Dictionary of Affect in Language was used to score all words ( N = 180,243) spoken by 105 major characters in 13 comedies in terms of their emotional undertones. These were translated into humoral scores. Translation was possible because emotional undertones, humor, and personality (e.g., Eysenck's model) are defined by various axes in the same two-dimensional space. Humoral scores differed for different types of characters, e.g., Shakespeare's lovers used more Sanguine language and his clowns more Melancholy language than other characters. A study of Kate and Petruchio from The Taming of the Shrew demonstrated state-like changes in humor for characters as the play unfolded.
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Scurlock, Jo Ann. "The Hippocratic Treatise Humors, Chapter 1: A Humorous Student Commentary." Ktèma : civilisations de l'Orient, de la Grèce et de Rome antiques 29, no. 1 (2004): 255–57. http://dx.doi.org/10.3406/ktema.2004.2545.

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Nemesi, Attila László. "Releváns-e a humor a relevanciaelméletben?" Jelentés és Nyelvhasználat 6, no. 1 (2019): 1–31. http://dx.doi.org/10.14232/jeny.2019.1.1.

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A dolgozatban azt vizsgálom, hogy a relevanciaelmélet milyen értelmezését tudja adni a tisztán nyelvi és a nyelvi összetevőt is tartalmazó multimodális humorjelenségeknek. Mivel kognitív pragmatikai elmélet, amelyet nem a humor magyarázatára dolgoztak ki, hanem a kommunikációnak mint a valóság megismerésére irányuló információfeldolgozásnak az általános modelljeként, tisztázásra szorul, hogy fogalmi apparátusa és alaptézisei mennyiben alkalmasak a humor természetének megragadására. Dinamikus kontextusfelfogása és a következtetési műveletek középpontba állítása kifejezetten előnyös a humoros diskurzusok mélyreható magyarázatában. Kérdéses viszont, hogy mindent átfogó kommunikációs alapelve hogyan vonatkoztatható a humoros szándékú megnyilatkozásokra, amelyek jellemzően kijátsszák a relevanciakeresés heurisztikáját, miközben a humoros hatás szempontjából mégiscsak relevánsak. Ha a humorral nem is, a vele sűrűn összefonódó iróniával a relevanciaelmélet a kezdetektől foglalkozik, ezért ezt a fejezetét kritikus elemzésnek vetem alá. A nyelvi példákat többféle műfajból, illetőleg szövegtípusból merítem.
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Hale, Adrian. "There is an after-life (for jokes, anyway): The potential for, and appeal of, ‘immortality’ in humor." HUMOR 31, no. 3 (2018): 507–38. http://dx.doi.org/10.1515/humor-2017-0105.

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Abstract While the appeal of humor lies, typically, in its very spontaneity and original contextual incongruity, there is also the chance of an ‘afterlife’ for the humorous text. In most cases, the humorist seeks an immediate response for what is an ephemeral, fleeting, linguistic transaction. A permanent place in humor culture is probably the least of the humorist’s goals- after all, the immediate, positive response is prioritized as an evidence of skill. Thus, most humor studies focus on the first instantiation of humor, as being generative of the act of humor. This prioritization of the immediate surprise, over the ‘echoes’ of an instance of humor, does not address the fact that many people enjoy revisiting a familiar joke, or comic film, or an entire TV comedy series, and that these revisited texts become incorporated into group and cultural artefacts. These recontextualizations in themselves are potentially funny, but they are also important in sustaining the original instance of humor as a type of ongoing conversation: a very distinctive feature of humor’s social importance. This paper will present a theorization of an interdependency between author, text, and interlocutors for the ‘afterlife’ of texts, and will furnish high-profile examples to support this concept.
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Hermawan, Ferry Fauzi, Dana Waskita, and Tri Sulistyaningtyas. "BAHASA, TUBUH, DAN PARADIGMA PATRIARKI DALAM HUMOR KONTEMPORER INDONESIA." Jurnal Pendidikan Bahasa dan Sastra 17, no. 1 (2017): 30. http://dx.doi.org/10.17509/bs_jpbsp.v17i1.6955.

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This study aims to analyze the construction of women in Indonesia humors that appear through the application of whatsapp conversation. This analysis is based on the opinion of Crawford (2003) and Sen (2012) about gender relations, linguistics, and humors. The focus of the study is the use of indeksial meaning and polysemy in constructing a humorous story in women. After the analysis, it was found that humors developing in the application media of whatsapp conversation tended to perpetuate sexist patriarchal values such as portraying women as a highly compliant and passive. In terms of the structure, most of the humors used several techniques of misalignment to cause the value of humor in the reader's mind. Most of the female figures appeared to be in the private or domestic space. In addition, the data show that most of the humors used figurative polysemy, especially in describing sexual activities. In this case, the women were always associated with inanimate objects, such as in describing sexual activities or woman genitals. The indeksial meanings of the language used were always based on the paradigm and the interests of men that are in line with patriarchal values. This eventually led to symbolic violence on women.Keywords: humors, polysemy, symbolic violence, women
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Zajdman, Anat. "Humorous face-threatening acts: Humor as strategy." Journal of Pragmatics 23, no. 3 (1995): 325–39. http://dx.doi.org/10.1016/0378-2166(94)00038-g.

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Raubo, Agnieszka. "Astrologiczne i humoralne uwarunkowania wyglądu ciała ludzkiego. Johannesa ab Indagine Introductiones apotelesmaticae in Chyromantiam, Physiognomiam, Astrologiam Naturalem complexiones hominum naturas planetarum (1522) na tle kultury umysłowej renesansu." Poznańskie Studia Polonistyczne. Seria Literacka, no. 31 (January 2, 2018): 89–128. http://dx.doi.org/10.14746/pspsl.2017.31.4.

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This article describes the impact of humoral theory and astrology on the description of human body in four types of temperaments (choleric, phlegmatic, sanguine and melancholic) in the Renaissance writings. The most important of them is an antique book entitled Introductiones apotelesmaticae in Chyromantiam, Physiognomiam, Astrologiam Naturalem complexiones hominum naturas planetarum written by Johannes Indagine and printed in 1522. Other books from this period are: Enchiridion Physiognomiae co[m] pe[n]diosu[m]: cu[m] figuris facieru[m] (1532) by Simonenide Louicz, Problemata Aristotelis. Gadki… o składności członk.w człowieczych (1535) by Andrzej Glaber, Phisionomia hinc inde ex illustribus scriptoribus… recollecta (1518) by Johann von Glogau. The article describes the humoral theory of diseses, which roots were created by Hippocrates and Galen, and the doctrine of the four humors dominated Medieval and Renaissance medicine. This theory held that in the body there are four humors or bodily fluids (moists) held the secret to temperaments. These humors were: blood, yellow bile, black bile and phlegm. A proper domination of each fluid was a cause of characteristic patterns of appropriate temperament: melancholic, sanguine, choleric and phlegmatic. The theory of four temperaments was also intrinsically tied to astrology, beginning with a natal birth chart interpretations to the impact of diffrent planets (Zodiac) on the organs in human body. Astrology was also helpful in the interpretation of temperaments (personality types) with their connection to the picture of human face, which was analyzed by the medieval physiognomy and also to physical appearance: shape of the body, colour of the skin, musculature and hair. The article also describes the correlations connecting the theory of four humors with birth (natal) charts and looking which planet has the impact on each temperament and human body, with negative or positive domination of diffrent character qualities. And finally, there is a detailed reconstruction of physiognomic types of human types of four temperaments, based on the book from 1522 Introductiones apotelesmaticae in Chyromantiam, Physiognomiam, Astrologiam Naturalem complexiones hominum naturas planetarum by Indagine. The author discusses a planet’s positions and conjunctions with other planets in horoscope and their impact on temperament, physical posture, character traits, with some medical comments.
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Cambray-Gutiérrez, Julio César, Diana Andrea Herrera-Sánchez, Lizbeth Blancas-Galicia, and Patricia María O’Farrill-Romanillos. "Clínica de inmunodeficiencias primarias en adultos. Experiencia en un hospital de tercer nivel." Revista Alergia México 63, no. 4 (2016): 334. http://dx.doi.org/10.29262/ram.v63i4.171.

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Antecedentes: Las inmunodeficiencias primarias (IDP) son trastornos de los componentes del sistema inmune. Las deficiencias humorales representan el 50%. Las más comunes son el déficit selectivo de IgA, agammaglobulinemia de Bruton y la inmunodeficiencia común variable (IDCV).Objetivo: Describir las características epidemiológicas y clínicas de adultos con IDP humorales, atendidos en una Clínica de Inmunodeficiencias Primarias Humorales.Métodos: Estudio descriptivo trasversal que abarcó un año de análisis, en el que se incluyeron 35 pacientes con IDP humoral. Los datos se analizaron con estadística descriptiva.Resultados: De 35 pacientes estudiados, 31 tuvieron IDCV (88.5%) y 4 (11.5%) agammaglobulinemia de Bruton; 21 fueron hombres y 14 mujeres. La edad al inicio de los síntomas fue de 22.7 años y el tiempo de retraso en el diagnóstico fue de 7.2 años; 11.4% de los pacientes con IDCV fallecieron durante el estudio; 4 padecieron neoplasias, 22.8% enfermedades autoinmunes y 48.5% alteraciones gastrointestinales. Los pacientes con agammaglobulinemia de Bruton no presentaron comorbilidades.Conclusiones: A diferencia de lo informado en la literatura, la IDCV fue la causa más común de IDP humoral en el grupo estudiado, con predominio en hombres; la alteración gastrointestinal más común fue el trastorno funcional intestinal.
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Tsagkaris, Christos, and Konstantinos Kalachanis. "The Hippocratic account of Mental Health: Humors and Human Temperament." Mental Health: Global Challenges Journal 3, no. 1 (2020): 33–37. http://dx.doi.org/10.32437/mhgcj.v3i1.83.

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Introduction: A quintessential element of Hippocratic medicine is treatment of mental diseases which was based on a detailed examination of the symptoms as well as the study of human physiology and final outcome of the diseases which is based on humoral theory.
 Purpose: The aim of the work is to highlight the contribution of Hippocrates to the study of mental illness based on his theory of humors
 Methodology: Our study consists of interpretations of the original text of Hippocrates including extensive observations of anatomy and physiology of human body based on humoral theory. Then the information was evaluated on the basis of modern literature in order to establish their validity. A major limitation of the research is the lack of a systemic methodology to screen the Hippocratic corpus for relevant passages which actually requires interdisciplinary research in order to determine which aspects of Hippocratic medicine can be developed.
 Results: In Corpus Hippocraticum, it is highlighting that maintaining a relative proportion of humors in human body (apart from maintaining health) regulates the human temperament and its behavioral manifestations. Hippocrates, has included in his work observations not only on human physiology and diseases but also studies the environmental and geographical impact on them, thus setting the stage for holistic approaches
 Conclusion: Summarizing, Hippocratic medicine and particularly his observations on mental disorders provides a clear picture of the methodology used by Hippocrates which can be a guide for the adoption of good practices for contemporary scholars and clinicians on their everyday practice
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Tipton, Charles M. "Susruta of India, an unrecognized contributor to the history of exercise physiology." Journal of Applied Physiology 104, no. 6 (2008): 1553–56. http://dx.doi.org/10.1152/japplphysiol.00925.2007.

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When considering the history of exercise physiology, authors begin with Hippocrates and the “Golden Age” of Greece before mentioning Galen and the contributions from Rome. However, this approach has omitted the information from the ancient civilizations of India which flourished before and during the emergence of Mycenaen cultures. Specifically ignored have been 1) the tridosa doctrine (humoral theory), which as early as 1500 B.C., emphasized that disease occurred because of a displacement of one or more of the three humors, with health being achieved when the humors were in equilibrium and 2) the perspective of Susruta (Sushruta) who was a 600 B.C. physician who included exercise in his prescriptions to prevent and treat diseases. Susruta not only advocated exercise to maintain equilibrium among the humors, notably kapha, he promoted exercise to minimize the consequences of obesity and diabetes. To be effective, exercise had to be daily and moderate in intensity and never excessive or to exceed the half-maximum limit for exhaustion, because disease or even death could ensue. It is concluded that Susruta's concepts pertaining to chronic exercise and to the health benefits of exercise were “remarkably modern” and that future authors on the history of exercise physiology should include contributions from ancient India.
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Wowro, Iwona. "Das Bild und Konzeptualisierungsvarianz des Humors in Minitexten mit Humor." Germanica Wratislaviensia 143 (December 17, 2018): 403–20. http://dx.doi.org/10.19195/0435-5865.143.27.

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Ziel des vorliegenden Beitrags ist zu zeigen, wie der Begriff Humor in humorvoll gearteten Texten gezeigt und konzeptualisiert wird, d.h. welche kognitiven Schemata diesem Phänomen zugewiesen werden können. So gilt es für die Zwecke des vorliegenden Beitrags den Humor als eine allgegenwärtige, mehrdimensionale und übergreifende Kategorie darzustellen. Für ein solches Vorhaben wird ein Korpus von über 200 Aphorismen, Sprüchen oder sog. pointierten Zitaten aus verschiedenen Epochen herangezogen, um zu veranschaulichen, wie er von den Aphoristikern und anderen Autoren wahrgenommen und erfasst wird.Image and possibilities of conceptualization of humourin humorously marked minitextsThe aim of the article is to present a general image of humour functioning in the public sphere and the possibilities of conceptualization of humour from a sociological and linguistic perspective. Next, attention is turned to the specificity of humorously marked texts and to their reception. The empirical part depicts the image of humour conceptualization in selected aphorisms, proverbs and other short humorous texts and illustrates various subjective interpretive models of this category.
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Saenab, Sitti. "HUMOROUS POWER POINT: INTEGRASI HUMOR DALAM PEMBELAJARAN GENETIKA." Biosel: Biology Science and Education 5, no. 2 (2016): 112. http://dx.doi.org/10.33477/bs.v5i2.491.

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Anas, Azwar, and Budi Darma. "Analisis Dosen Favorit STIE-GK Muara Bulian Menggunakan Algoritma Apriori." Jurnal Ilmiah Media Sisfo 13, no. 2 (2019): 137. http://dx.doi.org/10.33998/mediasisfo.2019.13.2.609.

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Dalam penelitian ini, penulis menggunakan algoritma apriori untuk menganalisis indikator dosen favorit pilihan mahasiswa STIE-GK Muara Bulian. Algoritma apriori dipilih karena kemampuannya dalam menganalisis data yang muncul secara bersamaan dan berulang dan data yang telah menumpuk lama, sehingga perlu kiranya digunakan penambangan data, untuk mendapatkan pengetahuan. Data yang penulis gunakan adalah pilihan indikator dosen favorit STIE-GK Muara Bulian secara random sebanyak 100. Metode penelitian yang penulis gunakan adalah dengan menghitung data secara manual kemudian dilakukan uji coba terhadap software data mining Weka. Adapun hasil penelitian ini menunjukkan, secara parsial indikator Pendiam memiliki nilai tertinggi yakni 46% sedangkan indikator terrendah adalah Rapi yakni 63%. Sedangkan rule yang terbentuk berdasarkan minimum support dan minimum confidence adalah 3 rule yaitu “Jika mahasiswa tidak memilih indikator Pintar, Menarik, Disiplin, Humoris, maka tidak memilih Rapi” dengan nilai confidence 92%, “Jika mahasiswa memilih indikator Rapi, Menarik dan tidak memilih indikator Disiplin, Humors, maka tidak memilih Pintar” dengan nilai confidence 91% dan “Jika mahasiswa tidak memilih indikator Pintar, memilih indikator Rapi, tidak memilih indikator Disiplin, Humors, maka memilih indikator Menarik” dengan confidence 91%.
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Yamalita, Bara, I. Gusti Agung Sri Rwa Jayantini, and I. Komang Sulatra. "VERBAL HUMOUR CREATED BY NON-OBSERVANCE OF COOPERATIVE PRINCIPLE IN MIRANDA." Language Literacy: Journal of Linguistics, Literature, and Language Teaching 5, no. 1 (2021): 80–89. http://dx.doi.org/10.30743/ll.v5i1.3582.

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Humour is one of essential aspects to communicate with other people comfortably. Most of verbal humours, especially implicit humours generate because people break Grice’s four conversational maxims. Concerning this phenomenon, this research aims to find out types of non-observance of cooperative principle found in verbal humour, which uttered by the characters in British Situational Comedy Miranda. Qualitative method was adapted to analyze the data, which was conducted through identifying, classifying, interpreting the data. Humorous utterances from nine episodes of Miranda were the primary sources of data. In collecting the data, the researchers observed the whole episodes and the scripts, checked the suitability, took a note, and classified it into tables. The study concludes that there are four types of non-observance of cooperative principle, namely violating, flouting, infringing, and opting out a maxim. The result reveals that there are 80 humorous utterances, which do not obey the maxim. There are 66 utterances (82,5%) of flouting maxim, 10 utterances (12,5%) violation maxim, 3 utterances (3,75%) of infringing maxim, and 1 utterance (1,25%) of opting out maxim which are found in the sitcom.
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Gučienė, G. "Vaikų žodinės kūrybos gebėjimų vystymas (liaudies mįslių medžiagos pagrindu)." Psichologija 9, no. 2 (2016): 67–81. http://dx.doi.org/10.15388/psichol.1968.9.8932.

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Vaikų darželiuose ir pradinės mokyklos jaunesnėse klasėse, kur su vaikais vedami mįslių minimo užsiėmimai, vaikai pradeda ir patys jas kurti. Autorė atliko pedagoginį eksperimentą, kurio tikslas nustatyti: 1) kada ir kaip vaikai pradeda kurti mįsles; 2) kokiais ypatumais išsiskiria vaikų žodinės kūrybos mįslės apskritai ir kuo jos skiriasi nuo liaudies kūrybos; 3) kokią pedagoginę vertę duoda ši vaikų kūryba. Kolektyvuose, kuriuose vyko eksperimentas, auklėtojai naudojo daug liaudies mįslių ir skatino vaikus savarankiškai kūrybai. Tuo tarpu kontrolinės klasės vaikai neišreiškė savęs savarankiškoje žodinėje kūryboje. Bet po to, kai buvo baigta skaityti žiemos tematika, kontrolinės klasės vaikams taip pat buvo pasiūlyta patiems sugalvoti mįsles apie žiemą. Abiejų klasių mįslės buvo išanalizuotos ir palygintos su folkloru. Vaikai pradeda kurti mįsles tada, kai pradeda gerai suprasti jų esmę. (Tai vyksta ten, kur šis žanras plačiai naudojamas). Mes galime išskirti tris tarpines vaikų kūrybos mįslių formas: 1. Mįslės formulė apima ir atsakymą. 2. Mįslės formulė vardina atspėjamo daikto požymius ir savybes (aprašo juos). 3. Vaikai supaprastina žinomas liaudies mįsles (pvz., metaforą pakeičia tiesioginiu nurodymu). Mįslės, sukurtos paruošiamųjų grupių vaikų, dažniausiai jau atitinka liaudies mįslių struktūrą ir tradicijas. Jose atsiranda palyginimai, ypač neigiami. Vaikų naudojami neigiami palyginimai padeda jiems suprasti metaforą. Paruošiamųjų grupių vaikų kūryboje jau atsiranda metaforų. II klasės mokinių kūryboje iš esmės neatsiranda nieko naujo, o tik tobulėja vienos ir tos pačios formos. Čia didelė reikšmė tenka gilesniam folkloro tradicijų įsisavinimui (2 ir 3 lentelės). Eksperimentinių klasių vaikų mįslės išsiskiria didesne kūrybos formų įvairove. Jose vaizduojamų objektų savybės ir veiksmai pasižymi didele įvairove. Vaikų kūryboje atsiranda daug metaforų ir palyginimų, jų netgi daugiau, negu liaudies mįslėse. Jau aptinkamos ir estetinės kategorijos, pavyzdžiui, tokios, kaip humoras. Mes išanalizavome eksperimentinių klasių vaikų kūrybos mįslių apie varveklius, sukurtų žiemą, raidą. Žiemos gale visų amžiaus grupių vaikai susidomėję kūrė mįsles ir pasiekė didelio meninio išraiškingumo. Atliktas vaikų žodinės kūrybos tyrimas leidžia padaryti keletą pedagoginių išvadų: 1. Mįslių kūrimą reikia skatinti tiek vaikų darželiuose, tiek I ir II klasėse, nes šis žanras skiriasi nuo kitų savo trumpumu ir lakoniškumu ir todėl nereikalauja daug laiko. 2. Mįslių kūrimas skatina vaikų pastabumą, vaizduotę ir mąstymą. 3. Mįslių kūrimas aktyvina ne tik jų autorius, bet ir visus grupės vaikus, ugdydamas jų kritinį mąstymą. 4. Mįslių kūrimas reikalauja pakankamai sudėtingų ir tobulų žodinės išraiškos formų, kurias vaikai geriau įsisavina, nei kurdami žodinius pasakojimus. 5. Mįslių minimui vaikų darželiuose reikia skirti daugiau laiko. Šiuo metu praktikuojamą daiktų atspėjimą pagal juos charakterizuojančius požymius reikia nors iš dalies pakeisti mįslių minimu. 6. Vaikų darželiuose ir pradinėje mokykloje būtų tikslinga vystyti vaikų mįslių kūrimą net ir neskiriant tam specialaus laiko, tiesiog racionaliau tam panaudojant kitus užsiėmimus.
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Pešić, Jovana, Tatjana Vukosavljević-Gvozden, and Borjanka Batinić. "Use of humor in psychotherapy." Engrami 42, no. 1 (2020): 68–82. http://dx.doi.org/10.5937/engrami2001068p.

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Krajewska, Judyta. "Nie tylko „O sztuce lekarskiej” w wybranych pismach Corpus Hippocraticum." Saeculum Christianum 25 (April 25, 2019): 54–62. http://dx.doi.org/10.21697/sc.2018.25.5.

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According to the researchers, the most intriguing and fascinating work at the Corpus Hippocraticum is the treatise De prisca medicina. It consists of 24 parts in which Hippocrates argues that the human organism is a blend of various substances or humors. Having set forth humoral theory, Hippocrates criticizes the hypothesis about the causes of diseases independent of this theory. Hippocrates medicine, due to the way it is practiced, should be treated as τέχνη, and this term can be translated as proficiency, craftsmanship, skills, craft, and art. Medicine should not use hypotheses or generalizations but should be based on experience and research. The doctor was a researcher, but above all a craftsman, accompanied by students and other doctors, with whom he analyzed every case of disease.
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Aamir, Momin Shahzad. "An Introduction and Historical Background of Concept of Akhlat (Humour)." International Journal of Human and Health Sciences (IJHHS) 2, no. 4 (2018): 189. http://dx.doi.org/10.31344/ijhhs.v2i4.54.

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Humoral theory, also known as theory of akhlat is a key concept in Unani System of Medicine. It was originated in Ancient Greece and later developed by Galen and Arabic Physicians. The theory was central to the teachings of Greco Arabic medicine and it became the dominant theory in Europe for many centuries. It remained a major influence on medical practice and teaching until eighteenth century. The theory was first postulated by Hippocrates in his treatise On the Nature of Man. The method of approach of these early thinkers was to look for natural explanations for human physiology and disease causation with the help of logical reasoning and observation. In this theory, humors existed as liquids within the body which are known as blood, phlegm, black bile and yellow bile. The humoral theory evolved over millennia and finally became the dominant explanation of human physiology. This was in contrast to the supernatural theories for disease causation and also attempt to explain that disease instead is a naturalistic event and it can be understood by natural causes. This short review will mainly focus on the understanding and historical background of the theory of akhlat.International Journal of Human and Health Sciences Vol. 02 No. 04 October’18. Page : 189-192
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HUDA, DEBORAH A. "EFFECTS OF HUMOROUS STIMULI AND SENSE OF HUMOR ON DISCOMFORT." Psychological Reports 69, no. 7 (1991): 779. http://dx.doi.org/10.2466/pr0.69.7.779-786.

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Lynch, Owen H. "Humorous Communication: Finding a Place for Humor in Communication Research." Communication Theory 12, no. 4 (2002): 423–45. http://dx.doi.org/10.1111/j.1468-2885.2002.tb00277.x.

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Hudak, Deborah A., J. Alexander Dale, Mary A. Hudak, and Douglas E. DeGood. "Effects of Humorous Stimuli and Sense of Humor on Discomfort." Psychological Reports 69, no. 3 (1991): 779–86. http://dx.doi.org/10.2466/pr0.1991.69.3.779.

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The effects of humor on increasing discomfort thresholds were tested with Transcutaneous End Nerve Stimulation (TENS). Undergraduate students ( n = 31) with high or low scores on Martin and Lefcourt's Situational Humor Questionnaire were randomly assigned to a humor or nonhumor condition. Discomfort thresholds for TENS were assessed before and during treatment. There was a significant increase in discomfort thresholds in the humorous treatment compared to the nonhumorous condition. Evidence was found for subjects to smile “wryly” (an increase in zygomatic and corrugator tensions) more during humorous stimuli than nonhumorous stimuli when they were waiting to be stimulated with the TENS.
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Fugate, Douglas, Jerry Gotlieb, and Dawn Bolton. "Humorous services advertising: What are the roles of sex, appreciation of humor, and appropriateness of humor?" Services Marketing Quarterly 21, no. 1 (2000): 9–22. http://dx.doi.org/10.1080/15332969.2000.9985404.

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Fugate, Douglas L., Jerry B. Gotlieb, and Dawn Bolton. "Humorous Services Advertising: What Are the Roles of Sex, Appreciation of Humor, and Appropriateness of Humor?" Journal of Professional Services Marketing 21, no. 1 (2000): 9–22. http://dx.doi.org/10.1300/j090v21n01_02.

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Ungelenk, Johannes. "„The storm is up and all is on the hazard“ Shakespeares Tragödien und das Wetter." Poetica 51, no. 1-2 (2020): 119–47. http://dx.doi.org/10.30965/25890530-05101003.

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Abstract The article is dedicated to the role of weather in Shakespeare’s tragedies. It traces a dense network of instances of weather – stage weather, narrated weather events, weather imagery – throughout his plays, and attempts to reconstruct the weather’s structural implications for the genre of tragedy. The way early modern humoral pathology understood the weather’s influence on the humours of the human body – for which Shakespeare’s plays themselves give evidence – provides the background for reconstructing the function of the weather as a source of tragic force. Its turbulence not only infects the characters in the play and thereby drives the plot, but also transgresses the boundaries of the fictional world and affects spectators in the auditorium.
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Pazzarelli, Francisco. "La equivocación de las cocinas: humos, humores y otros excesos en los Andes meridionales." Revista de Antropologia 59, no. 3 (2016): 49. http://dx.doi.org/10.11606/2179-0892.ra.2016.124805.

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Mota, Ilka De Oliveira. "ABORDAGEM (MAL)HUMORADA: QUADRINHOS DE HUMOR EM LIVROS DIDÁTICOS DE INGLÊS." Revista X 15, no. 2 (2020): 96. http://dx.doi.org/10.5380/rvx.v15i2.71852.

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O artigo traz resultados de nossa pesquisa sobre os modos de abordagem dos quadrinhos de humor em livros didáticos de inglês como língua estrangeira (LE), erigindo uma reflexão crítica sobre o livro didático, mais exatamente sobre o modo de tratamento do gênero quadrinhos de humor. Para isso, apoiamo-nos na Análise de Discurso na interface com os estudos de Freud (1905) sobre a comicidade. Analisamos dois recortes feitos a partir de dois livros didáticos de inglês que tiveram circulação na cidade de Campinas e região. Tais recortes são exemplificadores do tipo de abordagem reservada aos quadrinhos de humor, o que nos permite compreender a concepção de língua e de ensino que atravessam o corpus em análise.
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Willoughby, Louisa, Howard Manns, Shimako Iwasaki, and Meredith Bartlett. "Are you trying to be funny? Communicating humour in deafblind conversations." Discourse Studies 21, no. 5 (2019): 584–602. http://dx.doi.org/10.1177/1461445619846704.

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Humour is a prevalent feature in any form of human interaction, regardless of language modality. This article explores in detail how humour is negotiated in conversations among deafblind Australians who are fluent users of tactile Australian Sign Language (Auslan). Without access to the visual or auditory cues that are normally associated with humour (e.g. smiles, laughter, eye crinkles and ‘smile voice’), there is a risk that deafblind interactants will misconstrue humorous utterances as serious, or be unsure whether their conversation partner has got the joke. In this article, we explore how humorous utterances unfold in tactile signed interactions. Drawing on Conversation Analytic principles, we outline the ad hoc and more conventionalised signals deafblind signers use to signal amusement. Looking at humour in these conversations contributes to a greater understanding of how humour is conveyed across language modalities and further support for humour’s centrality to interactional solidarity.
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Buckley, Rebecca H. "Humoral immunodeficiency." Clinical Immunology and Immunopathology 40, no. 1 (1986): 13–24. http://dx.doi.org/10.1016/0090-1229(86)90065-6.

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Pruzanski, Waldemar. "Humoral factors." Immunology Today 15, no. 3 (1994): 143–44. http://dx.doi.org/10.1016/0167-5699(94)90167-8.

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Bippus, Amy M., Norah E. Dunbar, and Shr-Jie Liu. "Humorous Responses to Interpersonal Complaints: Effects of Humor Style and Nonverbal Expression." Journal of Psychology 146, no. 4 (2012): 437–53. http://dx.doi.org/10.1080/00223980.2011.652696.

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Ruch, Willibald, Peter Busse, and Hehl Franz-josef. "Relationship between humor and proposed punishment for crimes: Beware of humorous people." Personality and Individual Differences 20, no. 1 (1996): 1–11. http://dx.doi.org/10.1016/0191-8869(95)00145-v.

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Bassa, László. "Enyedi humora." Tér és Társadalom 26, no. 4 (2012): 142–44. http://dx.doi.org/10.17649/tet.26.4.2500.

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Draper, John W. "The Humors." JAMA 313, no. 19 (2015): 1980. http://dx.doi.org/10.1001/jama.2014.11758.

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Antoine, Fabrice. "Les Malheurs de James, ou, l'humour victime du "Traductueur"." Babel. Revue internationale de la traduction / International Journal of Translation 43, no. 2 (1997): 106–25. http://dx.doi.org/10.1075/babel.43.2.03ant.

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Starting from the rare and not very pleasant experience of having his translation of a short-story by the American humorist James Thurber (1894-1961) bought by a publisher and later discovering that another translation was published by the same firm, the author of this article proposes to examine these translations and to see whether there is any reason for opposing commercial translation to academic translation. Though there should be none, this case shows that publishers of texts aimed at young readers do not pay enough attention to the translations they publish and, where humour is concerned, that the commercial translator too often neuters or kills what makes the original text subtly humorous. Though the study of the published translation is voluntarily polemical (it is however abundantly illustrated with examples from the texts, closely analysed and discussed), it is only pleading for more respect for the text one pays homage to by translating it and also for the readers of the translation, who should be offered as humorous and subtle a text as the original.
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Kabylov, A. "IRONY IN THE STYLE OF OSPANHAN AUBAKIROV." BULLETIN Series of Philological Sciences 75, no. 1 (2020): 239–44. http://dx.doi.org/10.51889/2021-1.1728-7804.41.

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In connection with the prevailing trends of anthropocentrism in modern science, the importance of the problem of idiostyle increases in focusing on increasingly complex phenomena in human psychology and its aesthetic and philosophical cognition. Irony is one of the most important stylistic components that emphasize the individuality of the artist. One of the most effectively used critical and evaluative artistic means in the satirical and humorous stories of the outstanding Kazakh humorist Ospankhan Aubakirov is irony. The article deals with the implementation of irony in the works of the writer as an important tool in the aesthetic and artistic system of satirical works. Types of author's irony and irony from the character in humorous stories of the writer are proved by concrete examples. The author analyzes the nature and features of ironic statements conveyed by the author and characters in works of art. The author also examines the manifestations of irony at the plot level in some of the author's stories, as well as the peculiarities of linguistic and textual types of ironic meaning.
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Ruch, Willibald, and Sonja Heintz. "On the dimensionality of humorous conduct and associations with humor traits and behaviors." HUMOR 32, no. 4 (2019): 643–66. http://dx.doi.org/10.1515/humor-2018-0119.

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Abstract The aim of the present study is to explore higher-order dimensions of humorous conduct derived from 100 non-redundant and comprehensive statements. These dimensions are validated in self- and other-reports and their criterion validity is assessed by relating them to other humor concepts (temperamental basis of the sense of humor, attitudes towards laughter and being laughed at, humor appreciation and creation). Four broad dimensions (mean-spirited/earthy, entertaining, inept, and reflective/benign) were supported in self- and other-reports, and two narrower dimensions (laughter and canned) were found in self-reports. These dimensions covered affective, cognitive, and dysfunctional aspects of humorous conduct and spanned across humorous temperament, attitudes towards laughter and being laughed at as well as humor appreciation and creation. These six dimensions can serve as a reference framework and higher-order categories to which humor scales could be assigned. Future studies need to test the comprehensiveness of these dimensions and conduct further validation studies.
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Morales M, Pamela, and Sara Concha G. "DEFICIENCIA DE ANTICUERPOS ESPECÍFICOS EN PACIENTES PEDIÁTRICOS CON INFECCIONES RESPIRATORIAS RECURRENTES." Neumología Pediátrica 14, no. 3 (2019): 154–58. http://dx.doi.org/10.51451/np.v14i3.102.

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Una de las consultas más frecuentes en inmunología pediátrica corresponde a pacientes con infecciones respiratorias recurrentes. Los cuadros clínicos más frecuentes por lo que consultan son infecciones virales recurrentes, otitis media aguda recurrente, sinusitis recurrente y neumonía recurrente. Aproximadamente el 10% de los pacientes que consultan por estos cuadros puede presentar una deficiencia de anticuerpos específica. La deficiencia anticuerpo específica es un tipo de inmunodeficiencia primaria, que se clasifica dentro del grupo de déficit humorales, en donde existe una falla en la respuesta inmune para antígenos polisacáridos con niveles de inmunoglobulinas normales. El diagnóstico se debe realizar después de los 2 años que es cuando el sistema inmune adquiere la capacidad de presentar respuesta humoral a antígenos polisacáridos. En un porcentaje no determinado de pacientes, el déficit de anticuerpos específicos se puede resolver con la madurez del sistema inmunológico y existen pacientes que requieren tratamiento prolongado con profilaxis antibiótica y gamaglobulina.
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Mendiburo-Seguel, Andrés, and Sonja Heintz. "Comic styles and their relation to the sense of humor, humor appreciation, acceptability of prejudice, humorous self-image and happiness." HUMOR 33, no. 3 (2020): 381–403. http://dx.doi.org/10.1515/humor-2018-0151.

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Abstract:
AbstractThe present study investigates the relationships of eight comic styles (fun, benevolent humor, nonsense, wit, irony, satire, sarcasm, and cynicism) with acceptability of prejudice (laughing at different groups and topics), humorous self-image (funniness and frequency of laughter), humor appreciation (funniness and aversiveness of cartoons with different structures and contents), and happiness. A representative Chilean adult sample (N=857, 60.8% women; age M=40.50, SD=17.28) was recruited in face-to-face interviews and online surveys. They completed self-reports of all variables as well as a humor appreciation test. Most of the comic styles related to finding the cartoons funnier. Furthermore, the darker styles were more strongly related to laughing at a variety of topics and groups. Also, happiness was positively related to fun and benevolent humor and negatively to cynicism. This study provides evidence of the criterion validity of the Comic Style Markers in Latin-American cultures and highlights differences between lighter and darker styles.
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50

Milgrom, F. "Humoral transplantation antibodies." Transplantation Proceedings 31, no. 1-2 (1999): 30–33. http://dx.doi.org/10.1016/s0041-1345(98)02060-0.

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