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Relevant bibliographies by topics / Humorous comics

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Academic literature on the topic 'Humorous comics'

Author: Grafiati

Published: 4 June 2021

Last updated: 27 July 2025

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Journal articles on the topic "Humorous comics"

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Erkalan Çakır, Nesibe, and Yasin Murat Demir. "Translation of Songs in The Comics: Les Aventures de Tintin." Selçuk Üniversitesi Edebiyat Fakültesi Dergisi, no. 51 (June 25, 2024): 97–108. http://dx.doi.org/10.21497/sefad.1343412.

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In the texts of the comics, it is aimed to convey the message to the target audience by creating a humorous effect through metaphoric language and puns. In the translation of such texts, the same humorous effect is expected to be conveyed with similar metaphoric language and puns. This expectation is one of the difficulties that translators may encounter in the process of the translation of comics. At this point, it is assumed that the translator will overcome these difficulties by following various translation strategies and methods in the translation process, as long as s/he has a grasp of b

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Salam, Babus, Iwan Joko Prasetyo, and Daniel Susilo. "IInterpretasi Dan Makna Kritik Sosial Dalam “Komik Strip Untuk Umum (Kostum)” Periode 1 Desember – 31 Desember 2017." LONTAR: Jurnal Ilmu Komunikasi 6, no. 2 (2018): 96. http://dx.doi.org/10.30656/lontar.v6i2.949.

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Theres many ways can be done to appreciate the voices of messages and criticisms through creative ways, one of them through comics. One of the Indonesian comic artists who used comics as a medium of social criticism was Haryadhi through his "Komik Strip Untuk Umum (KOSTUM)” creation. KOSTUM Comics record the events that are happening and pour them into comic strips spread through social media. This research is a qualitative descriptive type using Roland Barthes' semiotics theory with two-stage significance (two orders of signification). From the results of the study, researchers found the impl

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Rini Indah Sulistyowati, Ganda Januarta, and Sofyan Danu Setyadi. "ANALYSIS OF HUMOR LANGUAGE TECHNIQUES FROM MALE AND FEMALE PARTICIPANTS IN THE KOMPAS TV STAND UP COMEDY COMPETITION." Esteem Journal of English Education Study Programme 7, no. 2 (2024): 599–608. http://dx.doi.org/10.31851/esteem.v7i2.15525.

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Stand Up Comedy Kompas TV is the first single comedy competition event pioneered by Indonesian celebrities, namely Pandji Pragiwaksono, Raditya Dika, Indro Warkop, and Indra Yudhistira, one of the producers and directors of comedy programs at Kompas TV. Not just any comic can appear in this competition (show). The selected comics are the result of selection by the judges so that they can be categorized as the best finalists who of course have undoubted abilities. Stand Up Comedy Kompas TV has broadcast 10 seasons. Uniquely, male participants dominate over female participants. This certainly di

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Belov, Dmytro. "Types and Genre Specificity of the Comics in Ukraine." Ukrainian Journal on Library and Information Science, no. 5 (June 19, 2020): 29–42. https://doi.org/10.31866/2616-7654.5.2020.205728.

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The article is devoted to the coverage of the main trends in the comics’ development in Ukraine from the standpoint of its types and genre specificity. The increase of comic books popularity as an information product on the domestic book publishing market has been revealed. Based on the analysis of statistical data, the tendency to increase both the number of names of domestic comics and the number of publishers specializing in comics’ products has been shown. The perspectives of comics as a tool for engaging in reading in an informative society have been substantiated. An attempt

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Kabakov, Vitaliy V., and Diego Felipe Arbeláez-Campillo. "Text and typological characteristics of the traditional humorous graphic novel." LAPLAGE EM REVISTA 7, no. 3 (2021): 392–96. http://dx.doi.org/10.24115/s2446-62202021731314p.392-396.

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The object of the research is American English-language comics (modern and classic ones). The subject of the research is the text-typological characteristics of comics. When carrying out the research in this work, such research methods were used as theoretical ones: sequential-textual method of studying literature, articles and comics. The theoretical significance of the work performed is in the fact that the study contributes to the development of text-typological studies of texts that belong to different genres in particular, and in general - to cultural linguistics, research on text-types a

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Lindsay, Stuart. "The Transgressive Bodies of Dark Horse Comics’ Aliens Line." Gothic Studies 25, no. 3 (2023): 245–60. http://dx.doi.org/10.3366/gothic.2023.0174.

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This article explores the strategies employed by Dark Horse Comics to develop the Xenomorph creature and its associated universe across the publisher's Aliens line of titles. Through analysis of three Aliens miniseries’ story arcs that are representative of the line's narrative and structural innovation, my contribution explores how this corpus transgresses the parameters of the movie franchise's Science Fiction and action-horror genres in the following three ways. Firstly, I investigate the Aliens comics’ introduction of dreams and psychological trauma associated with the literary Gothic past

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Du, Haifeng. "Research on the Application of Comics Elements in the Teaching of Chinese as a Foreign Language." Yixin Publisher 1, no. 2 (2023): 79–96. http://dx.doi.org/10.59825/jet.2023.1.2.79.

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This paper aims to study the application of comic elements in teaching Chinese as a foreign language and explore their role in enhancing learning outcomes and classroom engagement. Comics, through their visual representation of language and culture, help learners better understand and memorize Chinese knowledge. The images stimulate learners’ imagination and help them establish connections between vocabulary, grammar, and sentence patterns. With interesting storylines, humorous dialogues, and exaggerated expressions, comics encourage learners to actively participate in classroom activities. Th

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Puri, Anindita Dewangga, and FX Risang Baskara. "Analysis of Humor on Cartoon Comics "Be Like Bro": Pragmatics Study." Journal of Pragmatics Research 1, no. 1 (2019): 13–22. http://dx.doi.org/10.18326/jopr.v1i1.13-22.

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This article aims to identify the types of violation of conversational maxims created by cartoon comic entitled “Be Like Bro” in the English version and also to describe how the humorous situation can be created from those violations. There are two findings in this research. First, those six data show that there is a violation of conversational maxims, which are the maxim of quantity, the maxim of relevance, and the maxim of manner. Those six data also show that the humorous situation is creating by incongruent meaning in the conversation and releasing the feeling. Keywords: humor, cooperative

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Jürgens, Anna-Sophie, Anastasiya Fiadotava, David Tscharke, and John Noel Viaña. "Spreading fun: Comic zombies, Joker viruses and COVID-19 jokes." Journal of Science & Popular Culture 4, no. 1 (2021): 39–57. http://dx.doi.org/10.1386/jspc_00024_1.

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This article examines the interplay between humour, science and pandemics in culture. Asking what comic scenarios of infectious diseases look like in different media, the article focuses on comic zombiism in film, clown viruses in comics and COVID-19 jokes on the internet. What can we learn from comic zombies and the Joker ‐ the clown prince of crime in the DC Universe ‐ about infectious diseases? What do viral jokes about pandemics in popular communication (COVID-19 memes in particular) that explicitly refer to these pop cultural phenomena teach us about our understanding of the spread of dis

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Schneider, Greice, and João Senna Teixeira. "Cuteness and everyday humour in Nathan W. Pyle’s Strange Planet." Studies in Comics 13, no. 1 (2022): 115–30. http://dx.doi.org/10.1386/stic_00090_1.

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This article analyses the elements that contribute to the specific kind of humour central to the comic strip series Strange Planet, one that combines humorous components with everyday situations. We will examine the main strategies behind the comic disjunction that dominates the work of Nathan W. Pyle. On the one hand, the graphic representation of cuteness enhances the candid banality of its everyday themes. On the other hand, the verbal discourse approaches the everyday with cold neutrality of the enunciations, provoking an ironic effect. In order to understand how these concepts apply to na

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Dissertations / Theses on the topic "Humorous comics"

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Christian, George Scott. "The friendly companion : toward a comic poetics in the nineteenth-century English novel /." Full text (PDF) from UMI/Dissertation Abstracts International, 2000. http://wwwlib.umi.com/cr/utexas/fullcit?p3004239.

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Вельдина, Н. Г., та N. G. Veldina. "Передача комического при переводе с английского языка на русский язык выступлений в жанре стендап : магистерская диссертация". Master's thesis, б. и, 2020. http://hdl.handle.net/10995/86552.

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The research includes critical analysis of scientific literature, discoursive analysis of stand-up comedy show scripts. The following methods used in the research to reveal the pragmatic effectiveness of the speech influence on public are: the statistic method and the method of translating. The linguistic material was collected with the use of the lingvocultural approach and based on the stand-up comedy show scripts and their translation into Russian language. The research reveals the peculiarities of creating comical effect in English-language stand-up comedy and the aspects of saving the com

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Chiu, Meng Wei, and 邱夢偉. "A creative study on forms of comic expressions-- an example of humorous comics." Thesis, 2004. http://ndltd.ncl.edu.tw/handle/21942516887463210976.

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碩士<br>國立臺灣師範大學<br>設計研究所在職進修碩士班<br>92<br>abstract In general, there are four forms to express humorous comics. Which are single-format, four-formats, serial-formats and non-format. Formation means to divide each comic plate that follows with an episode’s logic and time sequence. Similar to a cinematic shot, formation of comics is the major difference from fine art’s skills. The purpose of this study is to compile the four forms of comics’ formats, while also showing the tempo of a single episode. Despite of a lengthy plot, single format will simply express serial episodes

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Ku, Shu-hui, and 古淑惠. "A Study on Elementary Students’ Humor ComprehensionDuring the Humorous Comics Reading." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/96174280395396992982.

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碩士<br>國立中央大學<br>學習與教學研究所<br>100<br>A Study on Elementary Students’ Humor Comprehension During the Humorous Comics Reading Abstract Researches had shown that humor helps to enhance mental and physical health, improve emotional adjustment and increase personal-relationship and many other benefits (Nezlek&Derks, 2001; Morreall, 1987; O’ Connell, 196). A humorous comic refers to easy and humor techniques in describing the subject in pictorial format. It can couple with (or without) the text to form a joke and it often covers more than one inappropriate or incongruent picture. Considering the si

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Fu, Wei-Ti, and 傅偉諦. "Mirror inside the mirror - The humorous laughter and the ridicule of the comic art." Thesis, 2019. http://ndltd.ncl.edu.tw/handle/89525h.

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碩士<br>國立臺灣師範大學<br>社會教育學系<br>107<br>The struggles of Taiwan’s political parties have led to frequent chaos in the political arena. The verbal justice of the judiciary and the media’s declaration of the media have caused considerable negative changes in the values of the people’s lives. The younger generation is particularly vulnerable. Today, with the emergence of social chaos and the growing social events of horror and horror, a group of conscience-minded people have established a number of charitable organizations with their own strength, hoping to recall the society that is about to become e

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Murphy, Martin J. ""Hilarious downfall : comic affect and the shared grammar of literary and screen comedy narratives"." Thesis, 2018. http://hdl.handle.net/1959.7/uws:49724.

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This thesis examines the operating principles of comedy narratives across literary and screen forms and describes how we can feel a positive affective response, or comic affect, towards characters we identify with in darker comedy narratives that end in failure. This is not as negatively affective as it may sound. Our bodies fall apart, people are annoying and the world doesn’t care if we fail, but our suffering is all fuel for comedy. Comedy narratives, as a general audience expectation, often end in success but failure is a fundamental narrative driver. The failure of the comic character, fo

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Смаковська, Альона Ігорівна. "Засоби передачі гумору в тексті австралійського анекдоту". Магістерська робота, 2021. https://dspace.znu.edu.ua/jspui/handle/12345/5475.

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Смаковська А. І. Засоби передачі гумору в тексті австралійського анекдоту : кваліфікаційна робота магістра спеціальності 035 "Філологія" / наук. керівник Т. О. Козлова. Запоріжжя : ЗНУ, 2021. 52 с.<br>EN : The work is presented on 52 pages of printed text. The list of references includes 73 sources. The presented paper is dedicated to the analysis of such a topical problem as the linguistic means of humoristic effects in Australian jokes. The object of the work can be defined as modern humorous texts and jokes. The main aim of the paper consists in analyzing the means and methods of creating

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Taubrová, Eva. "Komický diskurs v románu Laurence Sterna Život a názory blahodárného pana, Tristrama Shandyho." Master's thesis, 2011. http://www.nusl.cz/ntk/nusl-297616.

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This thesis discusses the comic discourse in Laurence Sterne's novel The life and Opinions of Tristram Shandy, Gentleman. It shows the way in which the theories of the comic of Henri Bergson and Sigmund Freud are applied in this novel. In Tristram Shandy, the principles of the comic of Bergson and Freud do not function in their usual manner; they are fulfilled by the structure and the process of narration. The comic in this novel is also enhanced by the fact that aspects of narration that are usually static and unchanging throughout a novel (such as the nature of the narrator) gained dynamism

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Books on the topic "Humorous comics"

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Krosoczka, Jarrett, Jennifer L. Holm, and Matthew Holm. Comics squad: Lunch! Random House Children's Books, 2016.

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Brown, Jeffrey. Minisulk: More sappy comics! Top Shelf, 2005.

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Terlet︠s︡kiĭ, Vitaliĭ. Uëbishchnye istorii: Kino. Terlet︠s︡ki Komiks, 2019.

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Terlet︠s︡kiĭ, Vitaliĭ. Uëbishchnye istorii: Serialy. Terlet︠s︡ki Komiks, 2020.

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Terlet︠s︡kiĭ, Vitaliĭ. Padenie Elʹt︠s︡ina s mosta: Pravdopodobnai︠a︡ istorii︠a︡ po motivam statʹi iz Vikipedii. Terlet︠s︡ki Komiks, 2021.

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Alëshkin, Timofeĭ. Akvilei︠a︡: Krovʹ, li︠u︡bovʹ i kozly. IP Korosteleva A.A., 2020.

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Terlet︠s︡kiĭ, Vitaliĭ. TurboKarp. OOO "Babl", 2020.

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Terlet︠s︡kiĭ, Vitaliĭ, Teh sirin, and Jisuscomics. Borodatye anekdoty v komiksakh. KomFederat︠s︡ii︠a︡, 2020.

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Sakov, Vladimir. Prikli︠u︡chenii︠a︡ kapitana Donki. Studii︠a︡ "Toonbox", 2019.

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Harukaze, Santa. Pokémon black & white pocket comics. VIZ Media, 2013.

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Book chapters on the topic "Humorous comics"

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Grewe, Cordula. "The Humorous Arabesque." In The Arabesque from Kant to Comics. Routledge, 2021. http://dx.doi.org/10.4324/9781351187350-20.

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De Marchi, Pietro. "«…in una lingua “scritta”». Stile, ritmi, registri in Pomo pero." In Biblioteca di Studi di Filologia Moderna. Firenze University Press, 2024. https://doi.org/10.36253/979-12-215-0565-8.19.

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Luigi Meneghello claimed that with Pomo pero (1974) he had gone further, stylistically, than in his previous books. The contribution focuses on some aspects of Pomo pero’s style (especially rhythm) and then on the alternation or, rather, co-presence of the comic-humorous register and the serious or tragic in a chapter of the second part of the book.

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Barris, Jeremy. "Henry Fielding I: Amiable Humor, and Coming to Terms with the Existence of Badness." In Humor’s Privileged Access to Truth, Meaning, and Goodness. Springer Nature Switzerland, 2024. https://doi.org/10.1007/978-3-031-74433-4_9.

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Jost, Jean E. "Chapter 13. Humorous Transgression in the Non Conformist fabliaux Genre: A Bakhtinian Analysis of Three Comic Tales." In Laughter in the Middle Ages and Early Modern Times. DE GRUYTER, 2010. http://dx.doi.org/10.1515/9783110245486.429.

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Aloe, Stefano. "Юмор и ирония как средства борьбы с атеизмом в дискурсе Ф.М. Достоевского." In Biblioteca di Studi Slavistici. Firenze University Press, 2023. http://dx.doi.org/10.36253/979-12-215-0122-3.06.

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Humor and Irony as a Means of Combating Atheism in the Discourse of F.M. Dostoevsky The question of the God’s existence troubled Dostoevsky throughout his life. He created a very convincing portrait of the atheist of his time. He did not consider unbelievers immoral, but only “infected with recklessness”, and when speaking of his atheist acquaintances, often admitted that they were good people. Dostoevsky created the image of an atheist as an intelligent person, who is guided not by the heart, but by the mind and who often evokes sympathy for his questing, his thinking, and his suffering (like

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Streeten, Nicola. "Women’s Cartoons and Comics in the Twenty-First Century." In Critical Directions in Comics Studies. University Press of Mississippi, 2020. http://dx.doi.org/10.14325/mississippi/9781496828996.003.0008.

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Streeten draws on Simone Lia’s graphic novel Fluffy (2005, Jonathan Cape) to demonstrate how humor combines with the comics form to address and quietly challenge assumptions around childcare, parenting, and masculinity. Streeten’s consideration is part of her wider thesis that the humorous cartoon and comic has been an essential element of feminist activism in the UK, supporting serious political messages. Her claim is that the structures built by feminist activity have made the buoyant position and visibility of women cartoonists in the UK today possible. The role of humor in this history, ha

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Fraser, Benjamin. "Conclusion." In Ben Katchor. University Press of Mississippi, 2023. http://dx.doi.org/10.14325/mississippi/9781496848529.003.0006.

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This conclusion to Ben Katchor references a few other humorous comics by the artist and outlines directions for future research into the creator’s comics art. These include application of Henri Lefebvre’s Critique of Everyday Life, an analysis of Katchor’s use of free indirect style, Thierry Groensteen’s terms the reciter and the monstrator, and the potential relevance of Yiddish literature.

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Fraser, Benjamin. "Smell/Taste." In Ben Katchor. University Press of Mississippi, 2023. http://dx.doi.org/10.14325/mississippi/9781496848529.003.0005.

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This chapter of Ben Katchor explores how the artist emphasizes the senses of smell and taste to comment on his preferred urban themes. While many comics are referenced, this chapter includes close readings of “The Normalcy Parfum Company” (from The Beauty Supply District), “Architectural Scents” (from Hand-drying in America), “Jewish Restaurant Culture in Lower Manhattan” (from The Dairy Restaurant), and “Locked Out” (from Hand-drying in America). The role of the sense of smell in everyday life is subjected humorously to the market economy. Katchor’s humorous take on Jewish food culture looks

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Ulutaş, ilkay, and Demet Gültekin. "“Less Stress More Learning”." In Exploring Comics and Graphic Novels in the Classroom. IGI Global, 2022. http://dx.doi.org/10.4018/978-1-6684-4313-2.ch004.

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This case study aims to determine the views of teachers and parents about the early humor education program. The program was implemented by a preschool teacher, and the teachers' and parents' opinions were taken after the program. Research findings show that the humor education program provides effective learning for children and contributes to their development of a humorous perspective and abilities in problem-solving, creativity, communication, language, and social skills. The program was also shown to foster positive attitudes towards school and the teacher. He also drew attention to the f

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Moore, Paul, and Sandra Gabriele. "The Corporeal Character of Circulation." In The Sunday Paper. University of Illinois Press, 2022. http://dx.doi.org/10.5622/illinois/9780252044496.003.0006.

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Syndication provided currency and connectivity on a mass scale, overcoming the limitations of print circulation. In the 1880s, newspaper syndicates began to offer an affordable means for smaller newspapers to include new stories by popular writers in their Sunday editions. Syndicated humorists, Bill Nye and M. Quad, were among the most popular features, later joined by syndicated cartoons from The Comic Sketch Club. Many Sunday papers in cities across the country began printing entire pages of humor and comics, then entire comic supplements. To compete, metropolitan Sunday papers introduced co

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Conference papers on the topic "Humorous comics"

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Zorić Latovljev, Milena S., and Ljiljana Ž. Pešikan-Ljuštanović. "„KUSAM SUSAM, U PRSA SE BUSAM” – MESTO KRATKIH GOVORNIH FORMI U POEZIJI DEJANA ALEKSIĆA." In Književnost za decu u nauci i nastavi. University of Kragujevac, Faculty of Education in Jagodina, Serbia, 2024. https://doi.org/10.46793/kdnn23.235zl.

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The paper analyses selected poetry collections by Dejan Aleksić, from the point of view of the use of simple oral expressions, phrases and syntagms, which are commonly used in everyday speech. The starting premise is that Dejan Aleksić ironi- cally re-semantizes, and to certain extent de-semantizes elements of traditional culture, forming a humorous contrast based on unfulfilled expectations (for example, the Alazon blowing in own trumpet is no longer a display of heroism and universally acknowledged virtues ‒ ability, strength, honesty, but celebrates gluttony – the devouring of the sesame).

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