Log in

Relevant bibliographies by topics / Humorous comics / Journal articles

To see the other types of publications on this topic, follow the link: Humorous comics.

Journal articles on the topic 'Humorous comics'

Author: Grafiati

Published: 4 June 2021

Last updated: 27 July 2025

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 50 journal articles for your research on the topic 'Humorous comics.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse journal articles on a wide variety of disciplines and organise your bibliography correctly.

1

Erkalan Çakır, Nesibe, and Yasin Murat Demir. "Translation of Songs in The Comics: Les Aventures de Tintin." Selçuk Üniversitesi Edebiyat Fakültesi Dergisi, no. 51 (June 25, 2024): 97–108. http://dx.doi.org/10.21497/sefad.1343412.

Full text

Abstract:

In the texts of the comics, it is aimed to convey the message to the target audience by creating a humorous effect through metaphoric language and puns. In the translation of such texts, the same humorous effect is expected to be conveyed with similar metaphoric language and puns. This expectation is one of the difficulties that translators may encounter in the process of the translation of comics. At this point, it is assumed that the translator will overcome these difficulties by following various translation strategies and methods in the translation process, as long as s/he has a grasp of b

APA, Harvard, Vancouver, ISO, and other styles

2

Salam, Babus, Iwan Joko Prasetyo, and Daniel Susilo. "IInterpretasi Dan Makna Kritik Sosial Dalam “Komik Strip Untuk Umum (Kostum)” Periode 1 Desember – 31 Desember 2017." LONTAR: Jurnal Ilmu Komunikasi 6, no. 2 (2018): 96. http://dx.doi.org/10.30656/lontar.v6i2.949.

Full text

Abstract:

Theres many ways can be done to appreciate the voices of messages and criticisms through creative ways, one of them through comics. One of the Indonesian comic artists who used comics as a medium of social criticism was Haryadhi through his "Komik Strip Untuk Umum (KOSTUM)” creation. KOSTUM Comics record the events that are happening and pour them into comic strips spread through social media. This research is a qualitative descriptive type using Roland Barthes' semiotics theory with two-stage significance (two orders of signification). From the results of the study, researchers found the impl

APA, Harvard, Vancouver, ISO, and other styles

3

Rini Indah Sulistyowati, Ganda Januarta, and Sofyan Danu Setyadi. "ANALYSIS OF HUMOR LANGUAGE TECHNIQUES FROM MALE AND FEMALE PARTICIPANTS IN THE KOMPAS TV STAND UP COMEDY COMPETITION." Esteem Journal of English Education Study Programme 7, no. 2 (2024): 599–608. http://dx.doi.org/10.31851/esteem.v7i2.15525.

Full text

Abstract:

Stand Up Comedy Kompas TV is the first single comedy competition event pioneered by Indonesian celebrities, namely Pandji Pragiwaksono, Raditya Dika, Indro Warkop, and Indra Yudhistira, one of the producers and directors of comedy programs at Kompas TV. Not just any comic can appear in this competition (show). The selected comics are the result of selection by the judges so that they can be categorized as the best finalists who of course have undoubted abilities. Stand Up Comedy Kompas TV has broadcast 10 seasons. Uniquely, male participants dominate over female participants. This certainly di

APA, Harvard, Vancouver, ISO, and other styles

4

Belov, Dmytro. "Types and Genre Specificity of the Comics in Ukraine." Ukrainian Journal on Library and Information Science, no. 5 (June 19, 2020): 29–42. https://doi.org/10.31866/2616-7654.5.2020.205728.

Full text

Abstract:

The article is devoted to the coverage of the main trends in the comics’ development in Ukraine from the standpoint of its types and genre specificity. The increase of comic books popularity as an information product on the domestic book publishing market has been revealed. Based on the analysis of statistical data, the tendency to increase both the number of names of domestic comics and the number of publishers specializing in comics’ products has been shown. The perspectives of comics as a tool for engaging in reading in an informative society have been substantiated. An attempt

APA, Harvard, Vancouver, ISO, and other styles

5

Kabakov, Vitaliy V., and Diego Felipe Arbeláez-Campillo. "Text and typological characteristics of the traditional humorous graphic novel." LAPLAGE EM REVISTA 7, no. 3 (2021): 392–96. http://dx.doi.org/10.24115/s2446-62202021731314p.392-396.

Full text

Abstract:

The object of the research is American English-language comics (modern and classic ones). The subject of the research is the text-typological characteristics of comics. When carrying out the research in this work, such research methods were used as theoretical ones: sequential-textual method of studying literature, articles and comics. The theoretical significance of the work performed is in the fact that the study contributes to the development of text-typological studies of texts that belong to different genres in particular, and in general - to cultural linguistics, research on text-types a

APA, Harvard, Vancouver, ISO, and other styles

6

Lindsay, Stuart. "The Transgressive Bodies of Dark Horse Comics’ Aliens Line." Gothic Studies 25, no. 3 (2023): 245–60. http://dx.doi.org/10.3366/gothic.2023.0174.

Full text

Abstract:

This article explores the strategies employed by Dark Horse Comics to develop the Xenomorph creature and its associated universe across the publisher's Aliens line of titles. Through analysis of three Aliens miniseries’ story arcs that are representative of the line's narrative and structural innovation, my contribution explores how this corpus transgresses the parameters of the movie franchise's Science Fiction and action-horror genres in the following three ways. Firstly, I investigate the Aliens comics’ introduction of dreams and psychological trauma associated with the literary Gothic past

APA, Harvard, Vancouver, ISO, and other styles

7

Du, Haifeng. "Research on the Application of Comics Elements in the Teaching of Chinese as a Foreign Language." Yixin Publisher 1, no. 2 (2023): 79–96. http://dx.doi.org/10.59825/jet.2023.1.2.79.

Full text

Abstract:

This paper aims to study the application of comic elements in teaching Chinese as a foreign language and explore their role in enhancing learning outcomes and classroom engagement. Comics, through their visual representation of language and culture, help learners better understand and memorize Chinese knowledge. The images stimulate learners’ imagination and help them establish connections between vocabulary, grammar, and sentence patterns. With interesting storylines, humorous dialogues, and exaggerated expressions, comics encourage learners to actively participate in classroom activities. Th

APA, Harvard, Vancouver, ISO, and other styles

8

Puri, Anindita Dewangga, and FX Risang Baskara. "Analysis of Humor on Cartoon Comics "Be Like Bro": Pragmatics Study." Journal of Pragmatics Research 1, no. 1 (2019): 13–22. http://dx.doi.org/10.18326/jopr.v1i1.13-22.

Full text

Abstract:

This article aims to identify the types of violation of conversational maxims created by cartoon comic entitled “Be Like Bro” in the English version and also to describe how the humorous situation can be created from those violations. There are two findings in this research. First, those six data show that there is a violation of conversational maxims, which are the maxim of quantity, the maxim of relevance, and the maxim of manner. Those six data also show that the humorous situation is creating by incongruent meaning in the conversation and releasing the feeling. Keywords: humor, cooperative

APA, Harvard, Vancouver, ISO, and other styles

9

Jürgens, Anna-Sophie, Anastasiya Fiadotava, David Tscharke, and John Noel Viaña. "Spreading fun: Comic zombies, Joker viruses and COVID-19 jokes." Journal of Science & Popular Culture 4, no. 1 (2021): 39–57. http://dx.doi.org/10.1386/jspc_00024_1.

Full text

Abstract:

This article examines the interplay between humour, science and pandemics in culture. Asking what comic scenarios of infectious diseases look like in different media, the article focuses on comic zombiism in film, clown viruses in comics and COVID-19 jokes on the internet. What can we learn from comic zombies and the Joker ‐ the clown prince of crime in the DC Universe ‐ about infectious diseases? What do viral jokes about pandemics in popular communication (COVID-19 memes in particular) that explicitly refer to these pop cultural phenomena teach us about our understanding of the spread of dis

APA, Harvard, Vancouver, ISO, and other styles

10

Schneider, Greice, and João Senna Teixeira. "Cuteness and everyday humour in Nathan W. Pyle’s Strange Planet." Studies in Comics 13, no. 1 (2022): 115–30. http://dx.doi.org/10.1386/stic_00090_1.

Full text

Abstract:

This article analyses the elements that contribute to the specific kind of humour central to the comic strip series Strange Planet, one that combines humorous components with everyday situations. We will examine the main strategies behind the comic disjunction that dominates the work of Nathan W. Pyle. On the one hand, the graphic representation of cuteness enhances the candid banality of its everyday themes. On the other hand, the verbal discourse approaches the everyday with cold neutrality of the enunciations, provoking an ironic effect. In order to understand how these concepts apply to na

APA, Harvard, Vancouver, ISO, and other styles

11

Traczyk, Michał. "Samotny smakosz albo krótki przewodnik po komiksowych przedstawieniach konsumpcji." Załącznik Kulturoznawczy, no. 10 (December 31, 2023): 139–60. http://dx.doi.org/10.21697/zk.2023.10.07.

Full text

Abstract:

The Solitary Gourmet, or a Short Guide to Comics Depictions of Food Consumption Depictions of food consumption in comic books are quite numerous but they rarely stick in the minds of readers, especially when they serve as the background for the unfolding story. If the authors, however, decide to depict food, they do so in large part to achieve a few specific purposes: emphasize the characteristics of the characters, deconstruct the seriousness of the narrative, and introduce humorous elements. All of this takes place on two levels: aesthetic (from realistic to cartoonish) and existential (eati

APA, Harvard, Vancouver, ISO, and other styles

12

Ruiz-Gurillo, Leonor, and Esther Linares-Bernabéu. "Subversive humor in Spanish stand-up comedy." HUMOR 33, no. 1 (2020): 29–54. http://dx.doi.org/10.1515/humor-2018-0134.

Full text

Abstract:

AbstractThis paper aims to explore subversive humor in Spanish stand-up comedy by analyzing the work of two well-known Spanish female comedians, Eva Hache and Patricia Sornosa. In order to reach this goal, a corpus of these comedians’ performances has been collected, comprising a total of 25 monologues, which have been divided into humorous sequences, which come to a total of 76 in the corpus of Eva Hache and 37 for Patricia Sornosa. The qualitative and quantitative analysis has focused on subversive humorous sequences, which has shown that only 22.38% of the sequences from Eva Hache’s comic m

APA, Harvard, Vancouver, ISO, and other styles

13

Hendrawan, Faldi. "“DARI LUCU MENUJU KOMERSIAL” SEBUAH TINJAUAN SEMIOTIKA VISUAL KOMIK IKLAN TAHI LALATS." Jurnal Dimensi Seni Rupa dan Desain 19, no. 2 (2023): 205–22. http://dx.doi.org/10.25105/dim.v19i2.16024.

Full text

Abstract:

The Tahilalats advertising comics are a differentiator from works that only aim to convey humorous messages on Instagram. An overview of advertising comics with commercial purposes is interesting because the contents of commercial advertisements for a product become a new pattern of creativity for Tahilalats creators. The object of the problem taken from the work entitled “Surprise” offers a form of negotiation between the aim of being funny and commercial advertising The Ponds Men advertisement is a promotional idea for men’s skin care products which is humorously visualized in ten comic stri

APA, Harvard, Vancouver, ISO, and other styles

14

Laineste, Liisi, and Maria V. Semykolennykh. "The Reflection of Traumatic Memories in Estonian Autobiographical Comics." Galactica Media: Journal of Media Studies 4, no. 2 (2022): 121–42. http://dx.doi.org/10.46539/gmd.v4i2.281.

Full text

Abstract:

Humour has been celebrated as a way to cope with trauma – through disaster jokes, wartime humour and death-related humour in general, the joke-tellers alleviate the painful experiences and memories of these. But there is another side to this coin. Humour may trivialise the negative experience, especially because black humour is not only the priority of the victims. It can be shared by both those who lived through the trauma as well as those that caused it, e.g. the oppressors themselves. The way this trivialises the trauma is obvious: we laugh at others’ suffering, hence we don’t take it serio

APA, Harvard, Vancouver, ISO, and other styles

15

Fitri, Fitri, Mahyuni Mahyuni, and Sudirman Sudirman. "SKEMATA WACANA HUMOR STAND UP COMEDY INDONESIA." LINGUA: Journal of Language, Literature and Teaching 16, no. 1 (2019): 65–76. http://dx.doi.org/10.30957/lingua.v16i1.575.

Full text

Abstract:

This qualitative research design was conducted to describe the schema, cohesion, coherence, and context contained in the stand-up comedy performed by famous comics (performer of stand up comedy) in Indonesia. The data were in the form the text of stand up comedy performed by Raditya Dika, Ernest Prakarsa, and Pandji Pragiwaksono. The source of the data was video-audio stand up comedy on Youtube http://www.youtube.com. The data gathered and analyzed grounded in theory of schematic, cohesion, coherence, and humorous discourse. The results show that the schemata appear in the setup section and ea

APA, Harvard, Vancouver, ISO, and other styles

16

Greenberg, Raz. "How Animation Won Over the Lightning Sketch: Re-Evaluating Humorous Phases of Funny Faces." Animation 13, no. 2 (2018): 162–74. http://dx.doi.org/10.1177/1746847718783641.

Full text

Abstract:

The short film Humorous Phases of Funny Faces, released in 1906 and directed by J Stuart Blackton (1875–1941), is considered to be one of the earliest examples of cinematic animation. This article aims at examining the film’s influence from another perspective, beyond its pioneering use of film camera: the author argues that Blackton’s film has also laid the foundation for common design principles in subsequent animated productions, particularly in the design of animated characters. The analysis of Blackton’s film aimed at supporting this argument is based on Scott McCloud’s seminal book Under

APA, Harvard, Vancouver, ISO, and other styles

17

TWARK, JILL E. "Approaching History as Cultural Memory Through Humour, Satire, Comics and Graphic Novels." Contemporary European History 26, no. 1 (2016): 175–87. http://dx.doi.org/10.1017/s0960777316000345.

Full text

Abstract:

Recent empirical research into humour and memory attests to the fact that people remember better when they perceive a word, phrase or image to be humorous. When the proximity of multiple ethnic groups engenders jokes displaying diverse perspectives and what Henri Bergson described as ‘corrective’ satire, such jokes can help remedy racism and fear of the other. Taking a humorous or satirical stance allows artists and writers to explore alternatives to contemporary reality and to uncover truths overlooked or consciously elided by government and mass media discourse. Such is the case with the rec

APA, Harvard, Vancouver, ISO, and other styles

18

Muñoz-Basols, Javier, and Marina Massaguer Comes. "Social Criticism through Humour in the Digital Age." European Comic Art 11, no. 1 (2018): 107–28. http://dx.doi.org/10.3167/eca.20178110107.

Full text

Abstract:

Numerous authors of comics and graphic novels have used the economic crisis in the Iberian Peninsula as a narrative frame for social criticism. Prominent amongst them is the Catalan cartoonist Aleix Saló, who burst onto the comics scene with his animated YouTube video Españistán, a book trailer for his graphic novel Españistán: Este país se va a la mierda [Españistán: This country is going to hell] (2011). This article shows how Saló offers a humorous and didactic portrait of the devastating effects of the economic crisis: he does this through multimodality (using specific shapes, colours, fon

APA, Harvard, Vancouver, ISO, and other styles

19

Muñoz-Basols, Javier, and Marina Massaguer Comes. "Social Criticism through Humour in the Digital Age." European Comic Art 11, no. 1 (2018): 107–28. http://dx.doi.org/10.3167/eca.2018.110107.

Full text

Abstract:

Numerous authors of comics and graphic novels have used the economic crisis in the Iberian Peninsula as a narrative frame for social criticism. Prominent amongst them is the Catalan cartoonist Aleix Saló, who burst onto the comics scene with his animated YouTube video Españistán, a book trailer for his graphic novel Españistán: Este país se va a la mierda [Españistán: This country is going to hell] (2011). This article shows how Saló offers a humorous and didactic portrait of the devastating effects of the economic crisis: he does this through multimodality (using specific shapes, colours, fon

APA, Harvard, Vancouver, ISO, and other styles

20

Muñoz-Basols, Javier, and Marina Massaguer Comes. "Social Criticism through Humour in the Digital Age." European Comic Art 11, no. 1 (2018): 107–28. http://dx.doi.org/10.3167/eca.2018110107.

Full text

Abstract:

Numerous authors of comics and graphic novels have used the economic crisis in the Iberian Peninsula as a narrative frame for social criticism. Prominent amongst them is the Catalan cartoonist Aleix Saló, who burst onto the comics scene with his animated YouTube video Españistán, a book trailer for his graphic novel Españistán: Este país se va a la mierda [Españistán: This country is going to hell] (2011). This article shows how Saló offers a humorous and didactic portrait of the devastating effects of the economic crisis: he does this through multimodality (using specific shapes, colours, fon

APA, Harvard, Vancouver, ISO, and other styles

21

Yuliasri, Issy Yuliasri. "TRANSLATORS’ CENSORSHIP IN ENGLISH-INDONESIAN TRANSLATION OF DONALD DUCK COMICS." Indonesian Journal of Applied Linguistics 7, no. 1 (2017): 105. http://dx.doi.org/10.17509/ijal.v7i1.6863.

Full text

Abstract:

Not all aspects of Western culture, reflected in the language used in Walt Disney’s Donald Duck comics, are acceptable in Indonesia. So, in translating the comics, the translators have to manipulate the text for it to be acceptable by the target readers and parents. This research aims at finding out censorship through the translation techniques used by the translators in translating the English humorous texts in the Walt Disney’s Donald Duck comics into Indonesian and the reasons underlying the translators’ choice of the translation techniques. It also aims at analysing whether or not the choi

APA, Harvard, Vancouver, ISO, and other styles

22

Dudek, Bartosz. "Conceptualising the Punch Line: An Analysis of Humorous Webcomic Stories with the Help of Blending Theory." Anglica Wratislaviensia 58 (November 13, 2020): 111–25. http://dx.doi.org/10.19195/0301-7966.58.7.

Full text

Abstract:

Although research on humour carried out from a cognitive standpoint is well-established, it has mainly contributed to the study of single-framed cartoons. This paper goes further and offers a cognitive multimodal analysis of so-called webcomics, i.e. sequences of multiple cartoon frames published on the Internet. In general, the analysis makes use of Fauconnier and Turner’s (2002) Blending Theory and Groensteen’s (2007) semiotic approach to comics. These insights equip us with new tools for analysis, enabling us to find out where the punch lines and incongruities reside, as well as explaining

APA, Harvard, Vancouver, ISO, and other styles

23

Diachkov, D. A. "Compensation as a Means of Proper Names Adaptation to Preserve a Humorous Effect Using the Example of Russian and English Translations of Comics about the Adventures of Asterix." Discourse 10, no. 5 (2024): 102–14. http://dx.doi.org/10.32603/2412-8562-2024-10-5-102-114.

Full text

Abstract:

Introduction. The article considers the adaptation of proper names in English and Russian translations of French comics about Asterix. The series of comics is entertaining and relies mainly on non-verbal humor and verbal humor, come out in the symbolism of names. The relevance of the study is associated with the growing number of content in which proper names and the meaning invested in them by the authors are symbolic. The purpose of this study is to demonstrate how compensation helps to preserve or, if preservation is impossible, having a different meaning, to convey the effect in a proper n

APA, Harvard, Vancouver, ISO, and other styles

24

Voronova, Svetlana A. "HUMOR AS AN INSTRUMENTAL IDEA OF LANGUAGE EDUCATION IN THE FIELD OF POLITICS AND INTERNATIONAL RELATIONS." RSUH/RGGU Bulletin. Series Psychology. Pedagogics. Education, no. 3 (2021): 50–63. http://dx.doi.org/10.28995/2073-6398-2021-3-50-63.

Full text

Abstract:

Humor on the topic of politics is an indicator of the speed of reac- tions, knowledge and ability to understand the situation that causes it, in the general political situation. Linking the content of training with humorous im- ages, quotes of famous politicians, it is appropriate to attract students’ attention, better fix the information in memory, thanks to joining of figurative and linguistic metaphors and comparisons that cause students to evoke emotions and laughter. Thus, humor is an ideal “breeding ground” to learn the content. The criteria for selecting the material for the lesson are

APA, Harvard, Vancouver, ISO, and other styles

25

Velez, Don Antonio, Lawrence Christian Saldua, Alyssa Chantal Moreno, Ella Erika Santander, and Vincent Airod Gamos. "Comedic styles in media formats across generations: a case study of the Philippines." Science. Culture. Society 30, no. 4 (2024): 134–49. https://doi.org/10.19181/nko.2024.30.4.9.

Full text

Abstract:

The article examines the methods and techniques used by Filipino media of different generations to achieve a comic effect. The authors rely on the fact that humor inherent in each culture is based on the collective experience lived through by the representatives belonging to this culture; the influence of different events (political upheavals, social changes, technological transformations) is so great that the difference in the presentation and understanding of humorous content can be significant even between successive generations. As part of the study, the authors analyze the transformation

APA, Harvard, Vancouver, ISO, and other styles

26

Puspasari, Maulidya Ayu, and Lisetyo Ariyanti. "FLOUTING MAXIMS IN CREATING HUMOR: A COMPARISON STUDY BETWEEN INDONESIAN AND AMERICAN." Prosodi 13, no. 2 (2019): 75–88. http://dx.doi.org/10.21107/prosodi.v13i2.6084.

Full text

Abstract:

In a stand up comedy, the Stand-up comedian or also known as comic have to tell about their restlessness to the audience in a funny way. In order to make the audience laugh, they surely need to make the audience understand the topic being discussed. Concerning to the success of a communication, Paul Grice (19890 proposed four cooperative principles that people expected to follow; maxim of quantity, maxim of quality, maxim of relevance, and maxim of manner (Yule, 1996). However, Attardo claims that disobeying maxims is common in a research of humor (Attardo, 1990). Thus, this study is purposed

APA, Harvard, Vancouver, ISO, and other styles

27

Fouad Selim, Yasser. "Performing Arabness in Arab American Stand-up Comedy." American, British and Canadian Studies Journal 23, no. 1 (2014): 77–92. http://dx.doi.org/10.1515/abcsj-2014-0028.

Full text

Abstract:

Abstract This article deals with the dramatic art of stand-up comedy. It locates Arab American stand-up comedy within a broader American humorous tradition and investigates the way Arab American performers use this art to negotiate and (re)construct their identity. The main question in this article is the way Arab American stand-up comedians define their relationship to the Arab and the western worlds in the process of establishing their Arab American identity. Three humor theories - the relief theory, the incongruity theory, and the superiority theory - are deployed in the study to examine th

APA, Harvard, Vancouver, ISO, and other styles

28

Fterniati, Anna, Vasia Tsami та Argyris Arhakis. "Τηλεοπτικές διαφημίσεις και γλωσσική ποικιλότητα: Προτάσεις κριτικής γλωσσικής διδασκαλίας". Preschool and Primary Education 4, № 1 (2016): 85. http://dx.doi.org/10.12681/ppej.199.

Full text

Abstract:

Recent studies indicate that language teaching can utilize humorous mass culture texts (e.g. TV shows, advertisements, comics, magazine articles, songs, websites), so as to enable students to detect subtle social meanings and implicit cultural values (see, among others, Archakis et al., 2014; Μοrrell, 2002; Μοrrell, &amp; Duncan-Andrade, 2005; Stamou, 2012; Tsami et al., 2014). This study aims to propose teaching activities involving critical interpretation of humorous TV advertisements in class. The activities are designed for pupils attending the 5th and 6th grade of Greek primary school

APA, Harvard, Vancouver, ISO, and other styles

29

Pysarchuk, O., O. Chykurova, V. Chaika, S. Surin, J. Francisti, and K. Kardis. "Using Humor in didactic Materials for elementary School: Possibilities of Computer Technologies." Clinical Social Work and Health Intervention 15, no. 6 (2025): 75–86. https://doi.org/10.22359/cswhi_15_6_06.

Full text

Abstract:

The research aims to determine the impact of using didactic materials with elements of humor, developed with the help of computer technologies, in the education of elementary school students. The goal achievement was facilitated by employing a set of research methods: theoretical (study, analysis, and generalization of philosophical, psychological-pedagogical, and methodological literature), empirical (observation, surveys of teachers and students), and methods of mathematical statistics (quantitative data processing methods were used for analyzing research results, ensuring the reliability of

APA, Harvard, Vancouver, ISO, and other styles

30

Ugap, Catherina, Bebbra Mailin, Balamuralithara Balakrishnan, Wan Jia Seow, and Setyabudi Indartono. "A Significance Structured Review: Feminism Roles in Animation Technology." Journal of Advanced Research in Applied Sciences and Engineering Technology 63, no. 3 (2025): 27–42. https://doi.org/10.37934/araset.63.3.2742.

Full text

Abstract:

Animation technology serves as a potent entertainment platform with the capacity to facilitate sociocognitive learning. Narratives, characters, stereotypes and conflict resolution within animation provide society with reference models. However, the medium's humorous aspect offers a vital space for questioning dominant structures, resisting power dynamics and challenging established norms, although it sometimes reverts to conventional fairy tale tropes that confine the roles and abilities of women. This study employs the PRISMA approach to conduct a systematic literature review, using an advanc

APA, Harvard, Vancouver, ISO, and other styles

31

Sancho Cremades, Pelegrí. "La modificació creativa interna de locucions en <i>Astèrix</i> i la traducció al català: anàlisi d'alguns exemples." Zeitschrift für Katalanistik 25 (July 1, 2012): 81–104. http://dx.doi.org/10.46586/zfk.2012.81-104.

Full text

Abstract:

Summary: This paper focuses on some examples of internal creative modification of idioms and puns and the linguistic resources used in the series Astérix in the process of translation into Catalan. The linguistic and cultural idiosyncrasy of idioms makes their translation difficult, especially if they are creatively modified, since the resulting wordplays are source language-specific. Moreover, Astérix demonstrates a high level of wordplay and cultural references that are specific for French and France. Translating idioms in a creatively modified way often entails losses in comparison with the

APA, Harvard, Vancouver, ISO, and other styles

32

Shtukaturova, E. P. "Linguocultural specifics of German humorous discourse as a basis for understanding the hint (based on the material of German comics)." Bulletin of the Moscow State Regional University (Linguistics), no. 2 (2023): 161–70. http://dx.doi.org/10.18384/2310-712x-2023-2-161-170.

Full text

APA, Harvard, Vancouver, ISO, and other styles

33

Noviadhista, Ulwan Fakhri, Bambang Dwi Prasetyo, and Antoni. "KOMODIFIKASI IDENTITAS TIONGHOA DALAM HUMOR: STUDI ENCODING/DECODING STUART HALL TENTANG PERTUNJUKAN STAND-UP COMEDY ERNEST PRAKASA." PAPATUNG: Jurnal Ilmu Administrasi Publik, Pemerintahan dan Politik 2, no. 3 (2019): 161–77. http://dx.doi.org/10.54783/japp.v2i3.28.

Full text

Abstract:

Abstrak Melalui pendekatan Kajian Budaya dan Ekonomi Politik, penelitian ini mengungkap adanya komodifikasi identitas Tionghoa yang diartikulasikan melalui humor oleh Ernest Prakasa, komika Indonesia beretnis Tionghoa, melalui kelima pertunjukan stand-up comedy-nya. Penelitian kualitatif berparadigma konstruktivis-kritis ini mengadopsi model beserta teori encoding/decoding dari Stuart Hall. Pada proses encoding, di samping mencoba mengangkat diskursus tentang identitas melalui humor seperti komika dari identitas marginal lain, Ernest juga memiliki intensi untuk mengkomodifikasi identitas

APA, Harvard, Vancouver, ISO, and other styles

34

Turvey, Malcolm. "Comedic Modernism." October 160 (June 2017): 5–29. http://dx.doi.org/10.1162/octo_a_00289.

Full text

Abstract:

Modern artists have long been fascinated with the pantomime, circus, and other comic entertainments, and since the late 19th century, many modernists have made use of the figure of the clown in advancing their avant-garde agendas. Turvey calls this strain within modernism “comedic modernism,” by which he does not mean humorous modernism, but rather the employment of the slapstick comedian as a subject and/or model in modernist theory and practice. Turvey accounts for the pervasive appeal of the clown to modernists by examining the European avant-garde's appropriation of film comics in the inte

APA, Harvard, Vancouver, ISO, and other styles

35

Seol, Kyeong-hee. "Aesthetic Consideration of Hyangpa Lee Juhong’s Calligraphy and Painting." Korean Society of Calligraphy 43 (September 28, 2023): 159–96. http://dx.doi.org/10.19077/tsoc.2023.43.7.

Full text

Abstract:

Lee Juhong(1906-1987) was a writer, educator, and artist, born in Hapcheon, Gyeongsangnam-do, and worked in Busan. This paper is a study of his calligraphy, poetry, and painting. He experienced various hardships during his life of 80 years, including Japanese rule and the Korean War. Therefore, he expressed human agony and the fundamental essence of his difficult life through various genres of art, including literature. He led students to culture and art during his entire life as a professor of the Department of Korean Language and Literature at the National Fisheries University of Busan, inte

APA, Harvard, Vancouver, ISO, and other styles

36

Garzelli, Beatrice, and María Eugenia Granata. "Maitena Burundarena: femminismo e humor in spagnolo: Traduzione intralinguistica e interlinguistica." Traduction et Langues 23, no. 2 (2024): 169–90. http://dx.doi.org/10.52919/translang.v23i2.1001.

Full text

Abstract:

Maitena Burundarena: feminism and humour in Spanish-Intralingual and interlingual translation This paper focuses on the translation of comics, a type of so-called “subordinate” translation that is typically subject to space and time constraints – respectively, the limited space available in each speech bubble and the need for written text to render actions effectively in a few words and to qualify a character, so as to allow the audience to understand his or her psychology. Specifically, the article examines the case of the Argentinean cartoonist Maitena Burundarena (an author known for her hu

APA, Harvard, Vancouver, ISO, and other styles

37

Aman, Robert. "Ridiculous Empire." European Comic Art 15, no. 2 (2022): 80–106. http://dx.doi.org/10.3167/eca.2022.150205.

Full text

Abstract:

This article analyses the works of Olivier Schrauwen with a particular focus on his comic Arsène Schrauwen, which plays out in the colonial context of the Congo. It argues that Schrauwen’s comics exploit the formal qualities of the colonial adventure genre that is frequent in traditional European comics as a way of subverting and satirising them. It further argues that through a constant reliance on meta-references to other works and tropes recognisable from adventure tales, in combination with the adoption of a strict colonialist world view, Schrauwen humorously ridicules the asymmetrical bin

APA, Harvard, Vancouver, ISO, and other styles

38

Khurana, Neha. "The humorous body." European Journal of Humour Research 11, no. 4 (2023): 93–103. http://dx.doi.org/10.7592/ejhr.2023.11.4.850.

Full text

Abstract:

This paper is a commentary upon the mingling of the affective and discursive varieties of humour in the eighteenth century based on the observation that the body and bodily processes are at the core of humour in Laurence Sterne’s The Life and Opinions of Tristram Shandy, Gentleman. The author notes in this novel a curious coming together of the various conceptions of the functioning of the human body prevalent at that time and linguistic slippages. Linguistic quips aid in a slippery transition between the various conceptions of the body and discursive linguistic aspects, thus creating humour.

APA, Harvard, Vancouver, ISO, and other styles

39

Goldingay, John. "Are They Comic Acts?" Evangelical Quarterly: An International Review of Bible and Theology 69, no. 2 (1997): 99–108. http://dx.doi.org/10.1163/27725472-06902002.

Full text

Abstract:

Some commentators note individual humorous notes in Acts but the possibility that the book is systematically humorous has been little examined. Humour is actually used throughout the book as a means of insight and of rhetorical effectiveness; it is doubtful whether this either makes it more likely or less likely that the book is historical in intent and nature. Its humour makes fools of outsiders (unbelieving Jews, pagans, and imperial authorities), gently mocks insiders (great leaders and ordinary believers), and both adds to the portrayal of joy and tempers the portrayal of gloom.

APA, Harvard, Vancouver, ISO, and other styles

40

Ning, Cynthia Y. "Fun With Chinese Grammar: 35 Humorous Dialogues and Comics, 趣味汉语语法：35课幽默对话与漫画, by Hong Li and Jing Z. Paul, with illustrations by Eric Reinders". Chinese as a Second Language (漢語教學研究—美國中文教師學會學報). The journal of the Chinese Language Teachers Association, USA 52, № 1 (2017): 105–10. http://dx.doi.org/10.1075/csl.52.1.07nin.

Full text

APA, Harvard, Vancouver, ISO, and other styles

41

OSAIGBOVO, Ivie Sarah, and Franklin AKPATI Chibuzor. "A Critical Stylistic Study of Pidgin English in Select Nigerian Stand-up Comedy Video Clips." GVU Journal of Research and Innovation 1, no. 1 (2024): 19–39. https://doi.org/10.5281/zenodo.12808904.

Full text

Abstract:

This research is a study of the use of Pidgin English in selected stand up comedy video clips and how these comedians achieve their goals with words. The study also identified the Critical Stylistic features that explain the comedies of the selected comedians. The comics’ choice of words is far from being incidental, superficial, or supplementary. Performers’ choices of words show how their ideas are embodied in language. That is to say, the effect of how a comedian uses words and humour strategies is vital for understanding the contextual meaning of jokes and how they appeal to lo

APA, Harvard, Vancouver, ISO, and other styles

42

Shyshkina, Iryna. "THE STYLISTIC PECULIARITIES IN THE CREATION OF HUMOR IN A. BRADLEY'S NOVEL "SWEETNESS AT THE BOTTOM OF THE PIE"." English and American Studies, no. 20 (June 23, 2023): 163–72. http://dx.doi.org/10.15421/382320.

Full text

Abstract:

The article is focused upon the analysis of stylistic means, devices by which Alan Bradley achieves the comic effect in the novel “Sweetness at the Bottom of the Pie”. In recent decades, the problem of creation of comic and linguistic means of its expression in works of fiction has been the object of attention of many researchers. However, until now, the linguistic and stylistic devices used by the authors of humorous texts to create a comic effect and express an individual worldview position have not been sufficiently studied, since the researchers focused mainly on the literary aspect, the p

APA, Harvard, Vancouver, ISO, and other styles

43

KOROLOVA, Nataliia. "Representation of the comic in humorous fake news." Humanities science current issues 1, no. 49 (2022): 93–97. http://dx.doi.org/10.24919/2308-4863/49-1-15.

Full text

APA, Harvard, Vancouver, ISO, and other styles

44

Fallianda, Fallianda, Rani Yuni Astiti, and Zulvy Alivia Hanim. "Analyzing Humor in Newspaper Comic Strips Using Verbal-Visual Analysis." Lingua Cultura 12, no. 4 (2018): 383. http://dx.doi.org/10.21512/lc.v12i4.4911.

Full text

Abstract:

The researchers aimed at analyzing the meaning of humor in newspaper comic strips within a variety of incongruous combinations of multimodal rhetoric. The current research focused on how humor was produced via verbal medium only, via both verbal and visual media, as well as via visual only. The source of data was 74 political comic strips featured in Kompas newspaper. The General Theory of Verbal Humor (GTVH) was adapted as a framework of analysis. The analysis of the data confirms the following categorization: 49 humors appear only in text, 22 humor result from the interaction of text and ima

APA, Harvard, Vancouver, ISO, and other styles

45

Pashayeva, S. "Some Features of Mark Twain’s Humorous Stories." Bulletin of Science and Practice 7, no. 7 (2021): 412–18. http://dx.doi.org/10.33619/2414-2948/68/58.

Full text

Abstract:

The article deals with the early short stories of Mark Twain. It illustrates the key features of the humor of Mark Twain’s short stories, and the role of American lifestyle, especially in the Western region’s historical culture, folklore and traditions of newspapers humor in the formation of Mark Twain as a writer. There is an analysis about the mutual relations between humor and critique in the article too. To our conclusion humor was not the main goal in the literary activity of Mark Twain, the main principle and goal of the writer’s works were to discover the materials coming from hypocrisy

APA, Harvard, Vancouver, ISO, and other styles

46

Tyshakova, Liudmyla. "Language means for creating comic effect in the humorous discourse." Bulletin of Luhansk Taras Shevchenko National University, no. 6 (365) (2024): 87–92. https://doi.org/10.12958/2227-2844-2024-6(365)-87-92.

Full text

Abstract:

The article is devoted to the study of the mechanisms of creating comic effect in the humorous discourse. The following types of comic are defined: humor, satire, irony, sarcasm, invective, burlesque, travesty, grotesque. It is found that the understanding of humor depends on three factors: the situation of communication, the sender and the recipient of the message. The result of a humorous act is to find out the level of understanding of the participants in the situation. It has been found that there are three types of schemes that are very important for understanding humor: cognitive, formal

APA, Harvard, Vancouver, ISO, and other styles

47

Ruch, Willibald, and Sonja Heintz. "The German version of the Humor Styles Questionnaire: Psychometric properties and overlap with other styles of humor." Europe’s Journal of Psychology 12, no. 3 (2016): 434–55. http://dx.doi.org/10.5964/ejop.v12i3.1116.

Full text

Abstract:

The Humor Styles Questionnaire (HSQ; Martin et al., 2003) is one of the most frequently used questionnaires in humor research and has been adapted to several languages. The HSQ measures four humor styles (affiliative, self-enhancing, aggressive, and self-defeating), which should be adaptive or potentially maladaptive to psychosocial well-being. The present study analyzes the internal consistency, factorial validity, and factorial invariance of the HSQ on the basis of several German-speaking samples combined (total N = 1,101). Separate analyses were conducted for gender (male/female), age group

APA, Harvard, Vancouver, ISO, and other styles

48

Candria, Mytha. "Humour in the Situational Comedy Balada Kampung Riwil." Endogami: Jurnal Ilmiah Kajian Antropologi 6, no. 2 (2023): 227–34. http://dx.doi.org/10.14710/endogami.6.2.227-234.

Full text

Abstract:

Humor is a universal human phenomenon that is culturally bounded. As an instance of expressive culture, humor communicates a set of beliefs and thoughts held by and shared in a community. This is the reason humor has for recent decades attracted the attention of anthropologists. A lot of humors are expressed in verbal language, and in this way linguistics, particularly pragmatics, provides an analytical tool to understand the meanings of humor. Humorous utterances in this study were taken from episode 118, entitled “Dyah Puspa Jaladri#1”, of a Javanese comic serial Balada Kampung Riwil. The da

APA, Harvard, Vancouver, ISO, and other styles

49

Kharchenko, Oleg. "American Humorous Discourse. Manipulation Strategy." Integrated communications 14, no. 2 (2022): 21–25. http://dx.doi.org/10.28925/2524-2644.2022.2-14.4.

Full text

Abstract:

The conducted research shows that the communicative strategy of manipulation is widespread in the American humorous discourse. The communicative strategy of manipulation can be implemented through the tactic of ambiguity, the tactic of faulty logic, the tactic of comic lies, and the tactic of restraint.This can be implemented through ambiguity tactics and different types of ambiguous communicative acts that use the following variants of double meaning: «Feghoot», «hurricane of puns», «Stealth», «double entendre», «innocent innuendo», «accidental innuendo», «double meaning with clarification»,

APA, Harvard, Vancouver, ISO, and other styles

50

Shi, Yuqing. "Lexical means of the comic in humorous stories of N. N. Nosov." Litera, no. 1 (January 2020): 53–63. http://dx.doi.org/10.25136/2409-8698.2020.1.32109.

Full text

Abstract:

This article is dedicated to examination of lexical means of the comic in humorous stories of Nikolay Nosov. The article conducts systemic analysis, examines the achievement of comic potential in writer&rsquo;s approaches via specific examples: irony, paradox, personification, tautology, and words formed in accordance with children etymology. The question is raised on the distinctness of Nosov&rsquo;s humor and its lexical expression. Special attention is given to the analysis of psychology and behavior of the characters in particular situations, as well as determination of the origina

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!