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Journal articles on the topic 'Humour hindi'

Author: Grafiati

Published: 12 December 2022

Last updated: 31 July 2025

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1

Malviya, Mukesh, and Nina Bhatt. "Fungsu." Plant Perspectives 1, no. 1 (2024): 204–11. http://dx.doi.org/10.3197/whppp.63845494909713.

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Set in a tiny village school near Betul, in the Satpura hills of Madhya Pradesh, this story grows out of the jungles of central India, from a region predominantly inhabited by the Gond Adivasi tribe. It narrates the rescue of a palm tree from flood waters by a group of students and offers a window into the life of plants in rural India and their relationships with its inhabitants. The anecdote, related by a school teacher, straddles the space between writing about ecology, language and teaching, with few pretensions to theories of education or conservation, but with a lightness of touch and a

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Anwer, Megha, and Anupama Arora. "#ImNotAChickFlick: Neoliberalism and Post-feminism in Veere Di Wedding (My Friend’s Wedding, 2018)." BioScope: South Asian Screen Studies 11, no. 2 (2020): 146–68. http://dx.doi.org/10.1177/0974927621992595.

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Released in 2018, Shashanka Ghosh’s Veere Di Wedding ( VDW; My Friend’s Wedding), dubbed as India’s answer to Sex and the City, evoked mixed responses. While many reviews of the film denounced it for its vulgarity and tawdriness, frivolity, flippant vision of women’s liberation and as a threat to Indian values, others, however, celebrated it for its frank depiction of female desires. This article undertakes a close study of the film to argue that while the focus on female desire and sexuality is rare in Hindi cinema, and thus VDW marks an important landmark, the film is not a feminist film, an

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Siegel, Jeff. "How to get a laugh in Fijian: Code-switching and humor." Language in Society 24, no. 1 (1995): 95–110. http://dx.doi.org/10.1017/s004740450001842x.

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ABSTRACTCode-switching from the Fijian language into a variety of Hindi is commonly used for joking among indigenous Fijians. Examples of this codeswitching are described here, and its role in Fijian joking relationships is outlined. A survey of code-switching used for humor in other societies shows that code-switching may be a signal for joking, that the switching itself may be considered humorous, and that the variety to which one switches may be used for humorous mockery or parody. Three different psychological approaches to the study of humor throw some light on why code-switching into Hin

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Hall, Kira. "Middle class timelines: Ethnic humor and sexual modernity in Delhi." Language in Society 48, no. 4 (2019): 491–517. http://dx.doi.org/10.1017/s0047404519000435.

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AbstractThe rise of India's global economy has reinforced a perception of English as a language of sexual modernity within the expanding middle classes. This article explores this perception in the multilingual humor of Hindi-speaking Delhi youth marginalized for sexual and gender difference. Their joking routines feature the Sikh Sardarji, a longstanding ethnic figure often caricatured as circulating in modernity but lacking the English competence to understand modernity's semiotics. Reflective of the economic restructuring that ushered in the millennium, the humor supports a normative progre

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Cocking, Ben. "Newby and Thesiger: humour and lament in the Hindu Kush." Studies in Travel Writing 15, no. 1 (2011): 93–109. http://dx.doi.org/10.1080/13645145.2011.537506.

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Haroon, Ahmed, Halimah Mohamed Ali, and Nitu Ahsan Nafisa. "Humour and Cross-Cultural Understanding in the Travelogues of Syed Mujtaba Ali and Eric Newby." Malaysian Journal of Social Sciences and Humanities (MJSSH) 10, no. 5 (2025): e003396. https://doi.org/10.47405/mjssh.v10i5.3396.

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This study considers local depictions in Syed Mujtaba Ali’s (1904-1974) Deshe Bideshe (In a Land Far from Home) (1948) and Eric Newby’s (1919-2006) A Short Walk in the Hindu Kush (1958) employing an analysis that focuses on humour and the process of othering. This study primarily focuses on the humour styles of the Bengali witticism of Ali and the British sarcasm of Newby (1958), analysing the cultural differences and similarities between the two writers in their depiction of their stories. Ali’s affectionate humour highlights the warmth and quirks of the Afghan people, while Newby’s (1958) dr

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Sharma, Mridu Madhuvita. "Can Hinduism Take a Joke? Humour, Blasphemy, and the Future of Artistic Expression in Modern India." Electronic Journal of Social and Strategic Studies 05, no. 06 (2024): 107–29. http://dx.doi.org/10.47362/ejsss.2024.5606.

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This study explores the complex relationship between humour, satire, and artistic expression in relation to blasphemy within Hinduism. Moving beyond a rigid definition of blasphemy, the research investigates the "Line of Offense", the blurry boundary between artistic expression intended to amuse or critique, and deliberate acts that cause outrage. Humour and satire function as powerful tools in Hinduism, with a rich tradition of mocking revered figures and doctrines to spark social discourse and religious critique. The study examines how this "Power of Mockery" has been wielded throughout hist

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Malethia, Sangeeta. "Sharad Joshi's contribution to Hindi satire." RESEARCH REVIEW International Journal of Multidisciplinary 9, no. 1 (2024): 246–49. http://dx.doi.org/10.31305/rrijm.2024.v09.n01.028.

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Satire is a serious analysis of the reality related to contemporary life and is also a medium for its revelation. Good satire is the best form of sympathy. There is an undercurrent of compassion in meaningful satire. The word satire gives two meanings. The meaning of a sarcasm is to move away from Abhidha Lakshna to a consonant sound like - calling a millionaire a Lankapati and saying that today's Lankapatis are worshiped like Ayodhyapatis. The words Lankapati and Ayodhyapati start giving new meaning in this sentence apart from their popular meaning. Then the matter becomes something else. The

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Fitria, Tira Nur. "A Representation of Education in Film Hindi Medium." JENTERA: Jurnal Kajian Sastra 13, no. 1 (2024): 131. http://dx.doi.org/10.26499/jentera.v13i1.6048.

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This research describes the representation of education in the film Hindi Medium. This research is qualitative descriptive research. The analysis shows that "Hindi Medium" is a captivating film that offers a poignant representation of the education system in India, particularly through the lens of social class and privilege. In "Hindi Medium," representation plays a pivotal role in dissecting various societal intricacies. Firstly, the film meticulously delineates the socioeconomic chasm, starkly portraying the divide between the affluent and the less privileged, particularly evident in access

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Pandey, Kamya, and Ruchi Jaggi. "Advertising Narratives of Society and Politics: A Semiotic Analysis of Amul’s Print Ads." Revista Gestão Inovação e Tecnologias 11, no. 4 (2021): 5112–31. http://dx.doi.org/10.47059/revistageintec.v11i4.2552.

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Contextual knowledge is the most important aspect of language comprehension. We define contextual knowledge as both general knowledge and discourse knowledge, i.e., knowledge of the situational context, background knowledge, and co-textual context. In this paper, we will discuss the significance of contextual knowledge in comprehending the humor found in Amul's cartoon advertisements in India. Throughout the process, we will analyze these advertisements and determine whether humor is an effective tool for advertising and, as a result, marketing. These bilingual advertisements also assume that

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Shankar, Shalini. "Reel to real." Pragmatics. Quarterly Publication of the International Pragmatics Association (IPrA) 14, no. 2-3 (2004): 317–35. http://dx.doi.org/10.1075/prag.14.2-3.12sha.

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Diasporic media, though widely discussed theoretically and occasionally ethnographically, are seldom explored with explicit attention to language. “Bollywood” films - feature-length movies produced and distributed in Bombay (Mumbai), India - are an excellent media source through which to examine linguistic anthropological topics of indexicality, bivalency, and identity in diasporic communities. In this paper, I analyze the circulation and consumption of Bollywood films - created in Hindi and subtitled in English - among South Asian-American (desi) communities in both Silicon Valley, CA and Que

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Suardika, Nyoman, and I Wayan Sunampan Putra. "Faktor Representasi Seni Bondres Persfektif Etika Hindu." Kamaya: Jurnal Ilmu Agama 4, no. 3 (2021): 309–20. http://dx.doi.org/10.37329/kamaya.v4i3.1364.

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Art is one of the elements of culture that is well known in Balinese life. One of the arts in Balinese society is bondres art. Bondres art is a folk entertainment art that is thick with elements of humor but is also inseparable from ethical values. However, with its development, bondres art continues to develop by giving birth to representations that are basically influenced by several factors. The purpose of this study is to explain the factors that influence the representation of Bondres art in the city of Singaraja. The research method uses qualitative data types with a theoretical approach

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Hejmadi, Ahalya, Richard J. Davidson, and Paul Rozin. "Exploring Hindu Indian Emotion Expressions: Evidence for Accurate Recognition by Americans and Indians." Psychological Science 11, no. 3 (2000): 183–87. http://dx.doi.org/10.1111/1467-9280.00239.

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Subjects were presented with videotaped expressions of 10 classic Hindu emotions. The 10 emotions were (in rough translation from Sanskrit) anger, disgust, fear, heroism, humor-amusement, love, peace, sadness, shame-embarrassment, and wonder. These emotions (except for shame) and their portrayal were described about 2,000 years ago in the Natyasastra, and are enacted in the contemporary Hindu classical dance. The expressions are dynamic and include both the face and the body, especially the hands. Three different expressive versions of each emotion were presented, along with 15 neutral express

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Suhardi, Untung, Ika Yoga Kinasih, I. Made Jaya Negara Suarsa Putra, and Ketut Sudaria. "Persuasive Communication in Dharma Wacana as an Effort to Build Self-Image at Pura Agung Tirta Bhuana Bekasi." International Journal of Multidisciplinary Sciences 3, no. 2 (2025): 185–99. https://doi.org/10.37329/ijms.v3i2.4545.

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In Hindu religious activities, Dharma Wacana must be delivered in an efficient manner in order for the public to accept the spiritual message. The Pendharma Wacana's proficiency in conveying the message is crucial to the transmission of this dharma message. However, particularly in Pura Agung Tirta Bhuana Bekasi, there aren't many Pendharma Wacana that play the role of personal branding in promoting the dissemination of Hindu doctrines. This research methodology combines a case study technique with a qualitative approach. Seven (seven) Pendharma Wacana with a variety of backgrounds. The result

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Venkat, Vishaka, and Vinod Balakrishnan. "(Poli) Tickle/Prickle: Keshav Between the Lines." Journal of Creative Communications 13, no. 3 (2018): 232–45. http://dx.doi.org/10.1177/0973258618790795.

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This interview with Keshav Venkataraghavan, the staff cartoonist of The Hindu, explores the principles and the profession of political cartooning. Known as Keshav, to his readers, he has been drawing for 30 years and is now the editorial consultant of The Hindu. Beginning as a caricaturist who frequented the Chennai concerts to sketch the classical Carnatic musicians, Keshav has metamorphosed into an artist-cartoonist, effortlessly switching between the austere mind devoted to art’s spirituality and the specular mind which interrogates the socio-political sphere. While Keshav has drawn attenti

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Yasa, I. Made Ardika. "NILAI-NILAI PENDIDIKAN AGAMA HINDU DALAM PAGELARAN WAYANG KULIT PADA TUMPEK WAYANG." Padma Sari: Jurnal Ilmu Pendidikan 2, no. 01 (2022): 39–50. http://dx.doi.org/10.53977/ps.v2i01.601.

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Wayang sering dipandang sebelah mata hanya dilihat dari segi seni dan hiburan saja namun dibalik hal tersebut pagelaran wayang sangatlah penuh akan manfaat serta makna simbolis jika dikaji dengan sudut pandang agama Hindu. Didalam pagelaran wayang tidak hanya menampilkan pertunjukkan yang berbau humor saja namun juga menyisipkan nilai-nilai pendidikan agama Hindu, etika, moralitas dan tidak itu saja pagelaran wayang juga sering digunakan sebagai media penerangan masyarakat pada era tahun 90-an dimana pagelaran wayang didalam penayangannya disisipi pesan atau informasi terkait program penting y

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Swandi, I. Wayan. "Kearifan lokal Bali untuk pelestarian alam: Kajian wacana kartun-kartun majalah “Bog-Bog”." Jurnal Kajian Bali (Journal of Bali Studies) 7, no. 2 (2017): 229. http://dx.doi.org/10.24843/jkb.2017.v07.i02.p12.

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An aggressive logging becomes a chronic problem in Indonesia. There is an inappropriate paradigm in the understanding and treating of the environment, especially trees and forests. This article examines the discourse of nature conservation based on Balinese local wisdom as presented in visual cartoons of Bog-Bog magazine (No 10, Vol 10, 2012) which theme is tree. Information data taken from cartoon Bog-Bog magazine No. 10, analyzed by the theory of semiotics and supported by the theory of visual design elements. The pictures from the Bog-Bog cartoon show the artistic, critical and humorous eff

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Priti, Jyoti Verma, Sagar kumar, and Raman Vashisht. "The goal of political satire in Indian media." Journal of Nonlinear Analysis and Optimization 14, no. 01 (2023): 69–76. http://dx.doi.org/10.36893/jnao.2023.v14i1.070-076.

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Our perception of humour has been altered by political satire. It would be true to claim that genuine journalism is less visible on successful news channels—also referred to as the fourth pillar of democracy—and more prevalent in stand-up comedians. With all of the needless yelling, screaming, and meaningless/baseless arguments, journalism has become a joke. Memes, stand-up comedies, and sitcoms have found a home on digital platforms. These content types have not only provided audiences with visual entertainment but have also had an impact on the daily lives of individuals from diverse backgro

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Aravindh Muthusamy and Dr. K. Sindhu. "A Critical Appreciation of R. K. Narayan’s A Tiger for Malgudi." Research Ambition an International Multidisciplinary e-Journal 7, no. II (2022): 04–07. http://dx.doi.org/10.53724/ambition/v7n2.03.

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R.K. Narayan’s novels are remarkable for their technical maturity. Narayan has completely stated his faith in the values popularised by Hindu mythology and its recognition of life and death. The monk describes to his disciple tiger that one is glad or unhappy in this society because of one’s karma in earlier life. The Sanyasi’s conversation with the disciple also has a reverberation of the karma as described in The Upanishad which articulates, “Those whose conduct here has been good will quickly attain a good birth of a Brahman, the birth of a Kshatriya or the birth of a Vaisya. But those, who

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Chawla, Kritika, and Bandna Gupta. "Comparative Study of Stress Response to COVID-19 and Coping in Patients of Depression and Anxiety Disorder." Indian Journal of Clinical Psychiatry 4, no. 01 (2024): 33–41. http://dx.doi.org/10.54169/ijocp.v4i01.106.

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Objective: Seeing the fatality of the COVID-19 pandemic, stress response is quite expected in the general population and in psychiatric patients. Although studies regarding the same have been done on the general population, not many studies are available on patients having psychiatric illnesses. This study aimed to assess the stress response to COVID-19 and coping in patients with depression and anxiety and compare it with healthy controls. Methods: About 41 patients suffering from anxiety and depression and 41 age and gender-matched healthy controls aged 18 to 60 years were included in the st

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Gurjar, Chatar Singh. "Socio-cultural consciousness in folk songs of Dausa district." RESEARCH REVIEW International Journal of Multidisciplinary 7, no. 11 (2022): 54–61. http://dx.doi.org/10.31305/rrijm.2022.v07.i11.010.

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The folk songs sung in the rural areas are meant for the entertainment of the people as well as for awakening the social consciousness. The artists of these songs infuse a new zeal and positive energy in the rural masses. Through these songs, singers work to remove backwardness as well as create awareness in the society. There are many such songs which, along with following various traditions, have a direct impact on the living and lifestyle of the people. Along with imparting knowledge of folk songs, stories, Vedas and Puranas, they also teach the lesson of mutual love and patriotism. Along w

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Khalid, Zohaib. "Vagueness in Literature Pertaining to the Indo-Pak Partition: Interpreting Human Foolhardiness through Dark Humor and Reader Response Criticism in Saadat Hassan Mnato’s Short Stories." ACADEMIA International Journal for Social Sciences 4, no. 2 (2025): 603–11. https://doi.org/10.63056/acad.004.02.0201.

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This research paper has highlighted the issues of migrants, religious fanaticism and moral bankruptcy during partition of the Indian sub-continent through dark humor while the researcher has gone through Saadat Hassan Manto’s short stories which reveal the social senselessness, destructive tendencies of human nature and absence of national narratives in the Muslim and Hindu communities. The resettlement of the refugees in India and Pakistan, recovery of missing persons, rehabilitation of women, non-availability of support and guidance were the spatial and temporal issues of migrants in the aft

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Seifert, Elena I. "Metarealism of Alexey Parshchikov and Arkady Dragomoshchenko: Similarities and Differences." Вестник Пермского университета. Российская и зарубежная филология 15, no. 3 (2023): 96–104. http://dx.doi.org/10.17072/2073-6681-2023-3-96-104.

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The article aims to analyze the similarities and differences between the poetic systems of the major metarealist poets Alexey Parshchikov and Arkady Dragomoshchenko. Both poets left very favo-rable reviews about each other.Despite belonging to the same literary movement, these poets are different, though united by contact communications and typological convergences. A comparative analysis of Parsh-chikov’s and Dragomoshchenko’s poetics reveals the following differences: the verse form; the corporeality of Parshchikov’s poetry, with visualization tending toward tactility (the representation of

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Kumar, Akshi, Abhishek Mallik, and Sanjay Kumar. "HumourHindiNet: Humour detection in Hindi web series using word embedding and convolutional neural network." ACM Transactions on Asian and Low-Resource Language Information Processing, April 27, 2024. http://dx.doi.org/10.1145/3661306.

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Humour is a crucial aspect of human speech, and it is, therefore, imperative to create a system that can offer such detection. While data regarding humour in English speech is plentiful, the same cannot be said for a low-resource language like Hindi. Through this paper, we introduce two multimodal datasets for humour detection in the Hindi web series. The dataset was collected from over 500 minutes of conversations amongst the characters of the Hindi web series Kota-Factory and Panchayat . Each dialogue is manually annotated as Humour or Non-Humour. Along with presenting a new Hindi language-b

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Bharat, Meenakshi. "The Unlikely Yoke of War and Humour: Understanding the War Comedy War Chhod Na Yaar (Faraz Haider, 2013)." Revue LISA / LISA e-journal 23-n°59 (2025). https://doi.org/10.4000/13ylr.

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Towards the end of the first decade of the new millennium the trenchant India-Pakistan relationship, manifesting itself in periodic wars, comes in for unique breakaway treatment riding the vehicle of humour. This compulsive reflective preoccupation is now drafted in an irreverent yet serious critique of the ideology that underlies the wars, marking a coming of age in handling themes that had till now only been viewed with angst. To take this premise forward, in War Chhod Na Yaar (Faraz Haider 2013), a new fruitful hybrid form is forged. This lone Hindi war comedy comes as a sustained satire ag

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Udawatta, Pasindu, Indunil Udayangana, Chathulanka Gamage, Ravi Shekhar, and Surangika Ranathunga. "Use of prompt-based learning for code-mixed and code-switched text classification." World Wide Web 27, no. 5 (2024). http://dx.doi.org/10.1007/s11280-024-01302-2.

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AbstractCode-mixing and code-switching (CMCS) are prevalent phenomena observed in social media conversations and various other modes of communication. When developing applications such as sentiment analysers and hate-speech detectors that operate on this social media data, CMCS text poses challenges. Recent studies have demonstrated that prompt-based learning of pre-trained language models outperforms full fine-tuning across various tasks. Despite the growing interest in classifying CMCS text, the effectiveness of prompt-based learning for the task remains unexplored. This paper presents an ex

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Cardoso de Lemos, Gisele. "Irmão mais velho, de Premchand." caleidoscópio: literatura e tradução 4, no. 2 (2021). http://dx.doi.org/10.26512/caleidoscopio.v4i2.29455.

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“à¤¬à¥œà¥‡ à¤à¤¾à¤ˆ à¤¸à¤¾à¤¹à¤¬”, aqui traduzido como “irmão mais velho”, é um dos contos mais populares do escritor indiano Dhampat Rai Shrivastava (1880-1936). Escrito originalmente em hindi, foi publicado em 1910, logo depois que o escritor passou a usar o pseudônimo Premchand. Nesse conto, Premchand faz, com humor, uma crítica ao sistema educacional europeu introduzido na Índia pelo império britânico.

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Mandal, Durba. "Laughter and Colonial Bengali Subjecthood: Rajshekhar Basu’s Satire and the Caste Question." Contemporary Voice of Dalit, July 2, 2025. https://doi.org/10.1177/2455328x251346567.

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In this article, I will attempt to read a few short stories by the Bengali satirist Rajsekhar Basu and analyse how he constructs a unique Bengali selfhood by blending together satire, parody and cosmopolitan awareness. Using his signature witty brand of humour, he succeeds in creating a subject who is a product of their Bengali cultural roots as well as the global dilemmas of the colonial world. Even more interesting is this subject’s political sensibility that constantly oscillates in the twain between the modern and the traditional. This paper intends to note a gap in Basu’s idea of a twenty

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Chakravarti, Srinjay. "Striptease." Neke. The New Zealand Journal of Translation Studies 5, no. 1 (2022). http://dx.doi.org/10.26686/neke.v5i1.7968.

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Parashuram’s short story ‘Striptease’, titled ‘Nirmok Nritya’ in Bengali (Bangla), is rather popular for its novel treatment of the female body vis-à-vis the male gaze. In this story, Parashuram (alias Rajshekhar Basu) spotlights the objectification of the female body, but with a wicked twist. However, the dynamics of gender and the binaries of female/male sexuality are expressed in a matrix of Hindu mythology, which initially make the story, especially some of its referents, somewhat inaccessible to not just Western readers but anyone unfamiliar with the Indian milieu. Yet, given Basu’s geniu

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Baishya, Anirban K. "The conquest of the world as meme: memetic visuality and political humor in critiques of the hindu right wing in India." Media, Culture & Society, January 4, 2021, 016344372098603. http://dx.doi.org/10.1177/0163443720986039.

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With the rise of internet-based digital participatory cultures in India, social networks have become sites of volatile political discourse. As in other countries such as Brazil, China and Russia, this has led to the concurrent eruption of memes in India’s political landscape. This paper examines humorous politicized memes that are deployed to critique the Hindu right-wing in India. Through an examination of the formal nature of the meme and its connection to other visual forms such as the caricature, the visual joke and the graphic novel, I demonstrate how seemingly frivolous objects can hold

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Mohd, Maruf Khan, Mehmooda Begum, Arif Anees, and Fatima Nimra. "Case Study on the Efficacy of Fasd (Venesection) and Unani Medication in Sciatica Management: Pain Alleviation and Functional Recovery." International Journal of Advances in Nursing Management, March 10, 2025, 1–4. https://doi.org/10.52711/2454-2652.2025.00001.

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Background: Sciatica (Irq’al-Nasa), a condition characterized by radiating pain along the sciatic nerve, can significantly impact quality of life. This case report explores the efficacy of Fasd (venesection), a traditional Unani therapeutic intervention, in managing sciatica, in conjunction with complementary Unani treatments. Case Presentation: A 45-year-old male office worker presented with severe, radiating pain from the lower back to the right leg, accompanied by tingling and numbness, persisting for four months. Diagnostic evaluations included a Visual Analogue Scale (VAS) score of 8/10 f

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Pageh Wibawa, Arya, I. Wayan Swandi, and I. Gede Agus Indram Bayu Artha. "The Education Meaning of Cockfighting Cartoons in Nusa Bali Newspapers." Jomantara: Indonesian Journal of Art and Culture, Vol. 4 No. 1 January 2024 (January 31, 2024). http://dx.doi.org/10.23969/jijac.v4i1.10939.

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The purpose of the publication of this article is to reveal the educational meaning of the cockfighting cartoon in the Nusa Bali newspaper. Usually, the Nusa Bali Cartoon raises public or political issues with satire, jokes, or humor. In contrast to the Nusa Bali cartoon with an education theme, it features cockfighting, which only contains satire on public issues. Problems that arise: 1) What is the meaning of the cockfighting cartoon in the Nusa Bali on June 5, 2021 ?; 2) Is the cockfighting cartoon in the Nusa Bali newspaper dated June 5, 2021, educational? The problem of this article has b

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Tripathy, Dibya Ranjan, and Santosh Kumar Mallik. "DANDA NATA OF ODISHA: A CRITICAL ANALYSIS OF ITS CULTURAL AND RITUALISTIC DIMENSIONS WITH SPECIAL REFERENCE TO BOUDH." ShodhKosh: Journal of Visual and Performing Arts 4, no. 2 (2023). https://doi.org/10.29121/shodhkosh.v4.i2.2023.4026.

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Danda Nata is a vibrant folk tradition celebrated in rural and tribal communities of Odisha, with Boudh district standing out for its unique variations. Held annually during Chaitra (March–April), the festival spans thirteen or twenty-one days and culminates on Maha Vishuba Sankranti. The celebration is marked by rhythmic drumming, energetic dance, dramatic acts, and comedic performances, blending spiritual rituals with theatrical expressions. Central to the festival are the devotees, known as Danduas or Bhoktas, who undertake vows of austerity and devotion, guided by the Pata Dandua or Pata B

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Orel, Brigita. "The Language of Food." M/C Journal 16, no. 3 (2013). http://dx.doi.org/10.5204/mcj.636.

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Hors d’oeuvre The popularity of cookbooks and culinary television shows in the last few years has been the origin of all sorts of new phenomena, such as literature crossing the bridge from cookbooks to such subgenres as food memoirs and culinary travelogues, or the discovery of new food cultures and food vocabulary. We can now cook the Basque menestra following the recipe of the famous blogger and cookbook author, Aran Goayaga, or try our hand at the Chinese soup tangyuan from Leslie Li’s Daughter of Heaven regardless of where we live. But how well does food translate across languages and cult

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Miller, Andie. "Multiculturalism and Shades of Meaning in the New South Africa." M/C Journal 5, no. 3 (2002). http://dx.doi.org/10.5204/mcj.1963.

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Abstract:

I hate being misunderstood. I guess we all do, but it goes with the territory. I use the word coloured, and he seems offended: 'We Brits don't say 'coloured'. It's regarded as patronising. We say black, if we say anything. And if we do it's for reasons of simple practicality. It doesn't matter. ' Of course, what he seems to be missing, is that the word coloured in South Africa now refers less to skin colour, and more to a distinct cultural group, with it's own language (a dialect of Afrikaans), food (of Malay origin), and music. To say black in this context would be inaccurate, and cause confu

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