Relevant bibliographies by topics / Humour in literature

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Humour in literature'

Author: Grafiati
Published: 4 June 2021
Last updated: 2 February 2022

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Journal articles on the topic "Humour in literature"

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Scheil, Andrew P., and Jonathan Wilcox. "Humour in Anglo-Saxon Literature." Modern Language Review 98, no. 4 (2003): 946. http://dx.doi.org/10.2307/3737936.

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Hołobut, Agata, and Władysław Chłopicki. "Editorial: Humour in nonsense literature." European Journal of Humour Research 5, no. 3 (2017): 1. http://dx.doi.org/10.7592/ejhr2017.5.3.holobut.

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Kouser, Hina V., Fatima Khan, Ayesha Tehseen, Mohd Nayab, and Abdul Nasir Ansari. "Understanding the concept of Purgation (Ishal) in Unani Medicine: A Review." Journal of Drug Delivery and Therapeutics 11, no. 2 (2021): 241–46. http://dx.doi.org/10.22270/jddt.v11i2.4584.

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The theory of humours (akhlat) is one of the fundamental pillars of the Unani System of Medicine (USM). The concept of health and disease depends on the quality (kaifiyat) and quantity (kammiyat) of humour (khilt). Health (sehat) lasts when humours remain in equilibrium and the main determinant of health is the balance in six essential factors (asbab-e-sittah zarooriya). These factors are highly modifiable and deviation in any of them leads to disequilibrium in humours either qualitatively or quantitatively which ultimately manifests in the form of the disease. Elimination (istifragh) of these morbid humours from the body becomes mandatory to treat the diseases or to restore health. One of the effective methods of elimination is purgation (ishal). It is a method by which morbid humours from the body are eliminated through the anal route. Before the elimination of any pathological humour especially in chronic diseases, it is mandatory to make the humour easily eliminable. This process of making the pathological humour eliminable is known as concoction (nuzj). The process of concoction is a regular and continuous process of the tabiyat (mediatrix naturae) of the body. In case of a minor deviation in humour, tabiyat itself eliminates it from the body after concoction. When the causative pathological humours are in abundance or grossly deviated from normalcy, tabiyat needs help from outside the body. This help of tabiyat can be done with some humour specific drugs which are known as concoctive medicines (munzij advia). Once, the humours become eliminable, the process of evacuation can be started. Classical Unani literature and published papers were explored to find the rationale of purgation therapy. Purgation is found to be advisable in the treatment of many chronic diseases. Tabiyat is the ultimate healer in the body and purgation helps it to overcome the diseases.
 Keywords: Istifragh; Munzij; Nuzj; Akhlat; Humours; Concoction
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Wieland, Gernot. "Humour in Anglo-Saxon Literature. Jonathan Wilcox." Speculum 77, no. 4 (2002): 1411–14. http://dx.doi.org/10.2307/3301316.

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Chinery, Winifred. "Alleviating Stress with Humour: A Literature Review." Journal of Perioperative Practice 17, no. 4 (2007): 172–82. http://dx.doi.org/10.1177/175045890701700403.

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Corduas, Marcella, Salvatore Attardo, and Alyson Eggleston. "The distribution of humour in literary texts is not random: a statistical analysis." Language and Literature: International Journal of Stylistics 17, no. 3 (2008): 253–70. http://dx.doi.org/10.1177/0963947008092505.

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The article presents statistical evidence for the claim that the distribution of humor in Oscar Wilde's Lord Arthur Savile's Crime and Douglas Adams's The Hitchiker's Guide to the Galaxy is not random and differs significantly between both texts. Using the methodology of the General Theory of Verbal Humor, all the instances of humour in both texts were identified and recorded. The distance between each instance was then calculated and subjected to analysis. The statistical model used to prove the hypotheses is explained in some detail and some hypotheses to explain the findings are presented. The significance of the finding that the distribution of humour in long texts is not random is found to lie in having introduced a new fact in need of explanation through literary theories.
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Pindur, Szymon. "A linguistic study of humour and allusions in J. R. R. Tolkien’s "Farmer Giles of Ham"." Beyond Philology An International Journal of Linguistics, Literary Studies and English Language Teaching, no. 16/3 (September 18, 2019): 25–58. http://dx.doi.org/10.26881/bp.2019.3.02.

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“Farmer Giles of Ham” is a satirical story by J. R. R. Tolkien. It is full of humour and allusions. The diversity of these elements allows for a detailed linguistic study distinguishing different levels at which the humour can be found and the different ways in which it is achieved. In the present paper, we attempt to discuss these devices and levels of humour and draw some conclusions on their effects. Our study is reinforced by a discussion of theoretical preliminaries of humour analysis, including the classification of the different levels, forms and devices of humour, as well as a brief discussion of the most widely acknowledged theory of humour ‒ the incongruity theory. Using this theoretical framework, we explore the possibilities of viewing the phenomenon of humour in literature from a linguistic perspective and attempt to show the utility of this perspective in literature studies.
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Vitali, Ilaria. "Humour(s) et humeur(s), dossier coordonné par Rosalia Bivona." Studi Francesi, no. 163 (LV | I) (May 1, 2011): 221–22. http://dx.doi.org/10.4000/studifrancesi.6122.

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Tap, William D., David K. Mtetwa, and Joseph C. Vere. "Types of Humour Categories Used to Generate and Maintain Interest in Mathematics Among Secondary School Students in South Sudan’s Displaced and Re-settled Communities." Journal of Education and Training Studies 9, no. 2 (2021): 14. http://dx.doi.org/10.11114/jets.v9i2.5140.

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While there has been appreciable consensus among humour researchers as well as classroom teachers that the use of humour in the classroom setting can be an effective teaching tool, there is still, however, a dearth of literature available that classroom practitioners could use as a guide in actual practice. Most of the literature currently available tends to address the potential use of classroom humour in general, and does not go into the specifics of exactly “what types of humour forms” are effective. This article addresses this question in the context of a secondary school mathematics classroom in South Sudan’s displaced and re-settled communities, where the lesson plans used in the intervention were infused and laced with instructional humour–humour related to the mathematics concepts being discussed–for the purpose of generating and maintaining student interest in mathematics. Using a researcher constructed observation sheet (RCOS) as the research instrument for capturing the desired qualitative data, five specific literature recommended humour types or categories (namely: mathematical jokes, puns, riddles, related stories and funny-multiple choice items) were used and identified as the ones that generated and maintained interest among the South Sudanese secondary school students. Classroom teachers who would like to use classroom humour for the purpose of motivating and inspiring their students may find the information contained in this article useful, as a practical-reference classroom guide.
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Ellis, David. "Byron's Sense of Humour." Romanticism 17, no. 1 (2011): 106–15. http://dx.doi.org/10.3366/rom.2011.0010.

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Dissertations / Theses on the topic "Humour in literature"

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Williams, Karen Elizabeth. "Humour in children's literature, 1800-1840." Thesis, University of Roehampton, 2017. https://pure.roehampton.ac.uk/portal/en/studentthesis/humour-in-childrens-literature-18001840(68a38fe1-1c46-423f-923a-17633825c305).html.

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By reclaiming a wide range of comic works in key literary genres, my thesis proposes that contrary to prevailing critical discourse, humour was a widespread, intrinsic and valued part of children’s literature in the period 1800-1840. Histories of children’s literature in this era are inexorably tied to an antithetical configuration of instruction versus amusement. Although in recent criticism this binary has been challenged, the critical discussion of amusing texts remains limited to a narrow canon of works operating in opposition to the moral tale and other instructive texts. My thesis widens the scope for humour in this period by interrogating juvenile works and wider print culture in four under-researched areas: the ‘papillonnade’ poetry of the first decades of the nineteenth century, the new phenomenon of the juvenile Christmas annuals, chapbooks for children, and drama as related to the child. Such an approach embraces literature that was accessible to children across the social spectrum and accordingly reveals both synergies and tensions in attitudes towards humour and the use of the comic across the class divide. Underpinning my analysis, is a rich heritage of philosophical and historical approaches to laughter that reveal a complex and dialogic relationship between comedy, the child and these wider perspectives. This critical link allows for a nuanced reading of humorous texts that cements the placement of laughter within the history of children’s literature and anticipates the later humour of better-known works by Lewis Carroll and Edward Lear in mid-century.
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藍詠蘭 and Wing-lan Lam. "Humour in Lao She's prose." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2008. http://hub.hku.hk/bib/B40676572.

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Fagan, Kristina Rose. "Laughing to survive, humour in contemporary Canadian Native literature." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2001. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp05/NQ63653.pdf.

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Fathy, Hala M. "Jeux d'humour et mythe personnel dans le récit d'Antonine Maillet." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/NQ52104.pdf.

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Wells, Marguerite Adele. "Humour in Japanese theatre with special reference to shingeki." Thesis, University of Oxford, 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.334109.

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Chen, Chi-Fang. "A study of political humour in British literature in the 1790s." Thesis, University of Warwick, 2016. http://wrap.warwick.ac.uk/92285/.

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British responses to the French Revolution are characterised by humorous expression in the literature of the 1790s. Yet political humour is often not readily harnessed to an immediate political agenda. ‘Political humour’ as an idea appears to be a contradiction and elicits a contradictory set of epithets, which falls into two distinct categories: ideological commitment and disinterested amusement. This thesis argues that it is this tension that contributes to the redrawing of the ambit of politics. This thesis continues the recent scholarly approach to the British response to the Revolution less as a formal ‘debate’ than as a ‘controversy’, which involves a diversity of cultural practices and experimentation of expression and social organisation. I argue that the employment of humour in the political literature of the 1790s provides extended or alternative means of political engagement. The political humour goes beyond topical political agendas and alludes to the eighteenth-century comic theory, which instructs ethical questions about social relation or ways of life. I demonstrate that the claim to autotelic innocence of humour in the comic discourse of the eighteenth century was predicated on contradictory social tendencies: laughing either reinforces individual boundary or facilitates transmissive and collective conviviality. ‘Common life’, which denotes a social relation in settlement, is the existential horizon that enacts this contradiction. With ‘common life’ in crisis or contestation in the 1790s, and with social organisation under political controversy, humour as political disclaimer is thereby reworked into a particular political language. I read the comic discourses of Burke and the popular radicals, the satire of Peter Pindar, and the comic rhetoric of the anti-Jacobin novels to explore this political language. In doing so, this thesis seeks to suggest ways of reading the literary culture of the 1790s in terms of the circumscription or expansion of the scope of political life, so as to examine how humour contributed and responded to changes in political culture.
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Mahamood, Muliyadi. "Malay editorial cartoons : the development of style and critical humour." Thesis, University of Kent, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.360973.

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Dowling, Tessa. "The forms, functions and techniques of Xhosa humour." Doctoral thesis, University of Cape Town, 1996. http://hdl.handle.net/11427/17456.

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Bibliography: pages 259-274.<br>In this thesis I examine the way in which Xhosa speakers create humour, what forms (e.g. satire, irony, punning, parody) they favour in both oral and textual literature, and the genres in which these forms are delivered and executed. The functions of Xhosa humour, both during and after apartheid, are examined, as is its role in challenging, contesting and reaffirming traditional notions of society and culture. The particular techniques Xhosa comedians and comic writers use in order to elicit humour are explored with specific reference to the way in which the phonological complexity of this language is exploited for humorous effect. Oral literature sources include collections of praise poems, folktales and proverbs, while anecdotal humour is drawn from recent interviews conducted with domestic workers. My analysis of humour in literary texts initially focuses on the classic works of G.B. Sinxo and S.M. Burns-Ncamashe, and then goes on to refer to contemporary works such as those of P.T. Mtuze. The study on the techniques of Xhosa humour uses as its theoretical base Walter Nash's The language of humour (1985), while that on the functions of Xhosa humour owes much to the work of sociologists such as Michael Mulkay and Chris Powell and George E.C. Paton. The study reveals the fact that Xhosa oral humour is personal and playful - at times obscene - but can also be critical. In texts it explores the comedy of characters as well as the irony of socio-political realities. In both oral and textual discourses the phonology, morphology, syntax and semantics of Xhosa are exploited to create a humour which is richly patterned and finely crafted. In South Africa humour often served to liberate people from the oppressive atmosphere of apartheid. At the same time humour has always had a stabilizing role in Xhosa cultural life, providing a means of controlling deviants and misfits.
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Hage, Wafah Mustafa El. "Humor nas anedotas do Juha." Universidade de São Paulo, 2012. http://www.teses.usp.br/teses/disponiveis/8/8154/tde-21082012-101237/.

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A partir de algumas considerações sobre o humor e as narrativas jocosas na comunicação e na linguagem, esta pesquisa se concentra no estudo de um personagem folclórico misto de sábio e bobo largamente conhecido entre os falantes da língua árabe pelo nome Juha e de algumas anedotas por ele protagonizadas, pondo em foco as suas principais características e os temas relacionados: sociedade, política, miséria, entre outros; além de apontar a presença de algumas anedotas em diferentes livros, do século X ao XXI, inclusive numa coletânea editada por Mussa Kuraiem em São Paulo na década de 60 do século passado, o livro Giha, Hoja e Nasredin, que constitui o corpus desta dissertação.<br>Starting from some considerations about humor and playful narratives in communication and language, this research focuses on the study of a mix of wise and foolish folkloric character - widely known among the speakers of the Arabic language by the name Juha - and on some anecdotes played by him, bringing into focus their main characteristics and issues: society, politics, poverty, among others, while pointing out the presence of some anecdotes in different books, from X to XXI century, including a collection edited by Mussa Kuraiem in São Paulo in the 60s of the last century. This book, Giha, Hoja and Nasredin, forms the corpus of this dissertation.
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Reinshagen-Joho, Liane. "Humour : the other intelligence : Curt Goetz and Jorge Ibargüengoitia /." Thesis, Connect to this title online; UW restricted, 1997. http://hdl.handle.net/1773/6677.

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Books on the topic "Humour in literature"

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Translation, humour and literature. Continuum, 2010.

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Sylvain, Claude. Humeurs et humour d'Alexandre Dumas. J. Grancher, 1993.

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Conference of Hispanists. (7th 1984 University of the West Indies, Cave Hill, Barbados). Humour in Spanish Caribbean literature. Dept. of French and Spanish, University of the West Indies, 1986.

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Wilcox, Jonathan, ed. Humour in Anglo-Saxon Literature. Boydell and Brewer Limited, 2009. http://dx.doi.org/10.1017/upo9781846150029.

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Ali, Abdul. Arab legacy to humour literature. M.D. Publications, 1998.

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Dufresne, Claude. Humeurs et humour de Tristan Bernard. J. Grancher, 1993.

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Wells, Marguerite. Japanese humour. St. Martins Press, 1997.

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Kakkapalliye, Anuruddha, Sutadhara Tapovanaye, and Dhammananda Golkande, eds. Humour in Pāli literature and other essays. Walpola Sri Rahula Foundation Trust, 1997.

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Tripāṭhī, Bhāgīrathaprasāda. Humour in ancient India. Vāgyoga Chetanāpīṭham, 2004.

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Crinquand, Sylvie. Par humour de soi. Centre de recherches Image/Texte/Langage, 2004.

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Book chapters on the topic "Humour in literature"

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Sutton-Spence, Rachel, and Michiko Kaneko. "Deaf Humour and Sign Language Humour." In Introducing Sign Language Literature. Macmillan Education UK, 2016. http://dx.doi.org/10.1007/978-1-349-93179-8_18.

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Robinson, Moira. "Humour in Children’s Literature." In Give Them Wings. Macmillan Education UK, 1987. http://dx.doi.org/10.1007/978-1-349-15154-7_17.

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Cottle, Basil. "Humour, Mature and Childlike." In The Language of Literature. Macmillan Education UK, 1985. http://dx.doi.org/10.1007/978-1-349-17989-3_18.

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Paton, George E. C. "In Search of Literature on the Sociology of Humour: A Sociobibliographical Afterword." In Humour in Society. Palgrave Macmillan UK, 1988. http://dx.doi.org/10.1007/978-1-349-19193-2_12.

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Taylor, Jonathan. "‘Unseemly Levity’: On Memoirs, Humour and Edmund Gosse." In Laughter, Literature, Violence, 1840–1930. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-11413-8_3.

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Fürst, Saskia Marguerita. "African American Humour and the Construction of a Mature Female Middle-Class Identity in Clarence Major’s Such Was the Season." In Ageing Women in Literature and Visual Culture. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-63609-2_16.

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Gicala, Agnieszka. "How Can One Word Change a World? Black Humour and Nonsense in Lewis Carroll’s Alice’s Adventures in Wonderland and its Polish Translations from the Cognitive-Ethnolinguistic Perspective." In Negotiating Translation and Transcreation of Children's Literature. Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-2433-2_8.

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Nilsen, Alleen, and Don Nilsen. "Literature and humor." In The Primer of Humor Research. Mouton de Gruyter, 2008. http://dx.doi.org/10.1515/9783110198492.243.

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Triezenberg, Katrina E. "Humor in literature." In The Primer of Humor Research. Mouton de Gruyter, 2008. http://dx.doi.org/10.1515/9783110198492.523.

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Carpio, Glenda R. "Humor in African American Literature." In A Companion to African American Literature. Wiley-Blackwell, 2010. http://dx.doi.org/10.1002/9781444323474.ch21.

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Conference papers on the topic "Humour in literature"

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Bing, Wang. "Exploring Neil Simon’s Humor Art." In Annual International Conference on Language, Literature and Linguistics. Global Science & Technology Forum (GSTF), 2015. http://dx.doi.org/10.5176/2251-3566_l315.98.

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Huang, Yan. "Exploration on the Black Humor in American Literature." In 3rd International Conference on Management Science, Education Technology, Arts, Social Science and Economics. Atlantis Press, 2015. http://dx.doi.org/10.2991/msetasse-15.2015.135.

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"An Analysis of Humor in The Big Bang Theory Based on the Cooperative Principle." In 2018 International Conference on Arts, Linguistics, Literature and Humanities. Francis Academic Press, 2018. http://dx.doi.org/10.25236/icallh.2018.69.

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Skutin, A. V. "Hellotherapy / laughter therapy among modern domestic studies humor, laughter and cartoons (literature review)." In Научные тенденции: Педагогика и психология. ЦНК МОАН, 2018. http://dx.doi.org/10.18411/spc-04-10-2018-12.

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Eroğlu, Şeyma Gün, Merve Vural, and Feyzullah Eroğlu. "A Research on the Relationship between Humor Styles and Entrepreneurial Tendency." In International Conference on Eurasian Economies. Eurasian Economists Association, 2019. http://dx.doi.org/10.36880/c11.02282.

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Humor, which has a wide range of influences, has an important role in human life. Humor is regarded as an effective tool for transmitting a wide range of ideas, feelings, and thoughts and has long been seen as a coping strategy that is particularly healthy and effective. This is because humor is thought to be a strong antidote against negative emotions. In the previous studies, it was detected that the individuals who have a sense of humor also have high task motivation, cheerfulness, high self-esteem and social dominance, and more importantly, humor was found to be positively associated with the creative personality traits.&#x0D; According to Humke and Schaefer (1996), humor and creativity involve both taking risks and generating unusual reactions. Moreover, entrepreneurship includes concepts such as innovation, risk-taking, tolerance to uncertainty, the need for achievement and locus of control. Likewise, entrepreneurial characteristics are defined by creativity, innovation, risk-taking, struggle and high motivation for success. In this respect, it is thought that there is a close relationship between entrepreneurial tendency and sense of humor.&#x0D; This study aims to examine the relationship between individuals' humor styles and entrepreneurial tendencies. The sample of the study consists of students of the Faculty of Economics and Administrative Sciences of Pamukkale University and students of the Faculty of Engineering. We use the most preferred scales in the literature to measure humor styles and entrepreneurship tendency. We test the data through statistical methods and analyze the relationship between students' entrepreneurial tendencies and humor styles.
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Mubarokah, Qoniatul, Djatmika Djatmika, and Sumarlam Sumarlam. "Violating Politeness Principle Of Cucuk Lampah For Creating Humor In Wedding Ceremonial In Magetan Regency." In Proceedings of the 3rd English Language and Literature International Conference, ELLiC, 27th April 2019, Semarang, Indonesia. EAI, 2019. http://dx.doi.org/10.4108/eai.27-4-2019.2285341.

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Xinyan, Shi, and Tian Jianguo. "An Analysis of Verbal Humor in Comedy Films from the Perspective of Cooperative Principle —Illustrated by the Example of Kung Fu Panda 3." In 6th Annual International Conference on Language, Literature and Linguistics (L3 2017). Global Science & Technology Forum (GSTF), 2017. http://dx.doi.org/10.5176/2251-3566_l317.87.

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Astuti, Eka. "Wordplay with Phonological Element Contributions in Indonesian Stand-Up Comedy Humor Discourse." In Proceedings of the 2nd International Seminar on Translation Studies, Applied Linguistics, Literature and Cultural Studies, STRUKTURAL 2020, 30 December 2020, Semarang, Indonesia. EAI, 2021. http://dx.doi.org/10.4108/eai.30-12-2020.2311246.

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Fuertes Silva, Paula Maria. "Alcohol, cerebro y sistema nervioso. Actualización de la literatura." In 22° Congreso de la Sociedad Española de Patología Dual (SEPD) 2020. SEPD, 2020. http://dx.doi.org/10.17579/sepd2020p047.

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El consumo de alcohol: -Afecta las funciones cerebrales: emociones (cambios súbitos de humor), los procesos de pensamiento y el juicio. Se altera el control motor: mala pronunciación al hablar, reacciones más lentas y pérdida del equilibrio. -Altera la acción de los neurotransmisores, y modifica su estructura y función. Efectos: disminución de la alerta, retardo de los reflejos, cambios en la visión, pérdida de coordinación muscular, temblores y alucinaciones. Disminuye el autocontrol, afecta a la memoria, la capacidad de concentración y las funciones motoras. -Causa de múltiples accidentes laborales y de circulación. Con víctimas mortales. -Daña las células cerebrales y los nervios periféricos, de forma irreversible. -La disminución de vitamina B1 lleva a la enfermedad de Wernicke-Korsakoff, que provoca alteraciones de los sentimientos, pensamientos y memoria de la persona. Los afectados confunden la realidad con sus invenciones. -Produce trastornos del sueño. -Las personas alcohólicas se aíslan de su entorno social, suelen padecer crisis en los ámbitos familiares (discusiones, divorcios, abandonos) y laboral (pérdida del empleo), lo que los conduce a la depresión y, en algunos casos, al suicidio. -Pérdida progresiva de la memoria y de otras capacidades mentales. -Efectos: los centros superiores, el habla o el juicio se deprimen en primera instancia; tiempo después centros inferiores: la respiración y los reflejos espinales. -En dosis mayores tanto los mecanismos inhibitorios como excitatorios se ven disminuidos, pudiendo llegar hasta el estado de coma. -En fases avanzadas produce alteraciones mentales serias y daño cerebral irreversible. -Periodos de amnesia, con alteración profunda de la memoria y la conciencia de diversa duración (minutos, horas o hasta días).
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Sousa, Jean Carlos Lima de. "A PANDEMIA DO SARS-COV-2 E O IMPACTO NA SAÚDE MENTAL DE PESSOAS COM DEPRESSÃO: UMA REVISÃO DE LITERATURA." In II Congresso Brasileiro de Saúde On-line. Revista Multidisciplinar em Saúde, 2021. http://dx.doi.org/10.51161/rems/1468.

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Introdução: O transtorno depressivo consiste em uma desordem de natureza psiquiátrica crônica, oriunda de alterações psicossociais como o falecimento de pessoas próximas e estados de quarentena. Nota-se que os pacientes acometidos apresentam sintomas como tristeza profunda, perda de interesse, ausência de ânimo e oscilações de humor. Com o isolamento social proposto à pandemia do COVID-19, observou-se o surgimento de enfermos no espectro psicológico, principalmente em paciente já diagnosticados com depressão, fazendo-se necessário uma análise clara desse fato notório. Objetivos: Identificar os principais impactos da pandemia por Covid-19 sobre a saúde mental de pessoas com depressão. Material e Métodos: Utilizando as bases de dados Lilacs, Pubmed, Scielo e Web of Science, realizou-se uma revisão integrativa da literatura, apoiada na questão norteadora “Quais os impactos do novo coronavírus na saúde mental de pessoas com depressão?". Para tal, os descritores ‘’Depressão’’, “Saúde mental”, ”Covid-19”, escritos em português e em inglês foram adotados, alternados com operador booleano AND, para artigos submetidos entre os anos de 2015 a 2020. Resultados: Perante a análise dos artigos selecionados, evidenciou-se o impacto negativo de agravamento da depressão mediante o decorrer da pandemia em pessoas que a possuíam antes do estado pandêmico, pois devido às medidas sanitárias relevantes de lockdown, distanciamento e o isolamento social, o convívio em sociedade tornou-se extremamente limitado e quase inexistente em períodos mais graves das ondas de contágio, onde pessoas passaram a conviver mais em lugares fechados e sem contato com o próximo com o medo considerável e compreensível sobre o vírus. Além de que o cenário horrendo da atualidade, incluindo mortes, sociedade líquida, estresse severo, necessidade extrema de resultados, produção, exigências e a vida destinada aos meios eletrônicos (home office) trouxeram impactos colossalmente negativos em pessoas que possuem depressão. Conclusão: O declínio da saúde mental de inúmeros pacientes foi e vem sendo se acentuando a cada dia pela pandemia do SARS-CoV-2, sendo necessário medidas de tratamento intensivo e com urgência, como apoio psicossocial, atividades interativas em meios eletrônicos respeitando isolamento e enfatizar a saúde mental como pilar importante e imprescindível como debate no cotidiano das pessoas.
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Reports on the topic "Humour in literature"

1

Prysyazhnyi, Mykhaylo. UNIQUE, BUT UNCOMPLETED PROJECTS (FROM HISTORY OF THE UKRAINIAN EMIGRANT PRESS). Ivan Franko National University of Lviv, 2021. http://dx.doi.org/10.30970/vjo.2021.50.11093.

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In the article investigational three magazines which went out after Second World war in Germany and Austria in the environment of the Ukrainian emigrants, is «Theater» (edition of association of artists of the Ukrainian stage), «Student flag» (a magazine of the Ukrainian academic young people is in Austria), «Young friends» (a plastoviy magazine is for senior children and youth). The thematic structure of magazines, which is inferior the association of different on age, is considered, by vital experience and professional orientation of people in the conditions of the forced emigration, paid regard to graphic registration of magazines, which, without regard to absence of the proper publisher-polydiene bases, marked structuralness and expressiveness. A repertoire of periodicals of Ukrainian migration is in the American, English and French areas of occupation of Germany and Austria after Second world war, which consists of 200 names, strikes the tipologichnoy vseokhopnistyu and testifies to the high intellectual level of the moved persons, desire of yaknaynovishe, to realize the considerable potential in new terms with hope on transference of the purchased experience to Ukraine. On ruins of Europe for two-three years the network of the press, which could be proud of the European state is separately taken, is created. Different was a period of their appearance: from odnogo-dvokh there are to a few hundred numbers, that it is related to intensive migration of Ukrainians to the USA, Canada, countries of South America, Australia. But indisputable is a fact of forming of conceptions of newspapers and magazines, which it follows to study, doslidzhuvati and adjust them to present Ukrainian realities. Here not superfluous will be an example of a few editions on the thematic range of which the names – «Plastun» specify, «Skob», «Mali druzi», «Sonechko», «Yunackiy shliah», «Iyzhak», «Lys Mykyta» (satire, humour), «Literaturna gazeta», «Ukraina і svit», «Ridne slovo», «Hrystyianskyi shliah», «Golos derzhavnyka», «Ukrainskyi samostiynyk», «Gart», «Zmag» (sport), «Litopys politviaznia», «Ukrains’ka shkola», «Torgivlia i promysel», «Gospodars’ko-kooperatyvne zhyttia», «Ukrainskyi gospodar», «Ukrainskyi esperantist», «Radiotehnik», «Politviazen’», «Ukrainskyi selianyn» Considering three riznovektorni magazines «Teatr» (edition of Association Mistciv the Ukrainian Stage), «Studentskyi prapor» (a magazine of the Ukrainian academic young people is in Austria), «Yuni druzi» (a plastoviy magazine is for senior children and youth) assert that maintenance all three magazines directed on creation of different on age and by the professional orientation of national associations for achievement of the unique purpose – cherishing and maintainance of environments of ukrainstva, identity, in the conditions of strange land. Without regard to unfavorable publisher-polydiene possibilities, absence of financial support and proper encouragement, release, followed the intensive necessity of concentration of efforts for achievement of primary purpose – receipt and re-erecting of the Ukrainian State.
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