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Dissertations / Theses on the topic 'Humour in literature'

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1

Williams, Karen Elizabeth. "Humour in children's literature, 1800-1840." Thesis, University of Roehampton, 2017. https://pure.roehampton.ac.uk/portal/en/studentthesis/humour-in-childrens-literature-18001840(68a38fe1-1c46-423f-923a-17633825c305).html.

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By reclaiming a wide range of comic works in key literary genres, my thesis proposes that contrary to prevailing critical discourse, humour was a widespread, intrinsic and valued part of children’s literature in the period 1800-1840. Histories of children’s literature in this era are inexorably tied to an antithetical configuration of instruction versus amusement. Although in recent criticism this binary has been challenged, the critical discussion of amusing texts remains limited to a narrow canon of works operating in opposition to the moral tale and other instructive texts. My thesis widens
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2

藍詠蘭 and Wing-lan Lam. "Humour in Lao She's prose." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2008. http://hub.hku.hk/bib/B40676572.

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Fagan, Kristina Rose. "Laughing to survive, humour in contemporary Canadian Native literature." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2001. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp05/NQ63653.pdf.

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4

Fathy, Hala M. "Jeux d'humour et mythe personnel dans le récit d'Antonine Maillet." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/NQ52104.pdf.

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5

Wells, Marguerite Adele. "Humour in Japanese theatre with special reference to shingeki." Thesis, University of Oxford, 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.334109.

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6

Chen, Chi-Fang. "A study of political humour in British literature in the 1790s." Thesis, University of Warwick, 2016. http://wrap.warwick.ac.uk/92285/.

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British responses to the French Revolution are characterised by humorous expression in the literature of the 1790s. Yet political humour is often not readily harnessed to an immediate political agenda. ‘Political humour’ as an idea appears to be a contradiction and elicits a contradictory set of epithets, which falls into two distinct categories: ideological commitment and disinterested amusement. This thesis argues that it is this tension that contributes to the redrawing of the ambit of politics. This thesis continues the recent scholarly approach to the British response to the Revolution le
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7

Mahamood, Muliyadi. "Malay editorial cartoons : the development of style and critical humour." Thesis, University of Kent, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.360973.

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8

Dowling, Tessa. "The forms, functions and techniques of Xhosa humour." Doctoral thesis, University of Cape Town, 1996. http://hdl.handle.net/11427/17456.

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Bibliography: pages 259-274.<br>In this thesis I examine the way in which Xhosa speakers create humour, what forms (e.g. satire, irony, punning, parody) they favour in both oral and textual literature, and the genres in which these forms are delivered and executed. The functions of Xhosa humour, both during and after apartheid, are examined, as is its role in challenging, contesting and reaffirming traditional notions of society and culture. The particular techniques Xhosa comedians and comic writers use in order to elicit humour are explored with specific reference to the way in which the pho
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9

Hage, Wafah Mustafa El. "Humor nas anedotas do Juha." Universidade de São Paulo, 2012. http://www.teses.usp.br/teses/disponiveis/8/8154/tde-21082012-101237/.

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A partir de algumas considerações sobre o humor e as narrativas jocosas na comunicação e na linguagem, esta pesquisa se concentra no estudo de um personagem folclórico misto de sábio e bobo largamente conhecido entre os falantes da língua árabe pelo nome Juha e de algumas anedotas por ele protagonizadas, pondo em foco as suas principais características e os temas relacionados: sociedade, política, miséria, entre outros; além de apontar a presença de algumas anedotas em diferentes livros, do século X ao XXI, inclusive numa coletânea editada por Mussa Kuraiem em São Paulo na década de 60 do sécu
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10

Reinshagen-Joho, Liane. "Humour : the other intelligence : Curt Goetz and Jorge Ibargüengoitia /." Thesis, Connect to this title online; UW restricted, 1997. http://hdl.handle.net/1773/6677.

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11

Duarte, Lia Cupertino. "Homo Risibilis : ensaio sobre o processo de construção do humor nas obras infantis de Monteiro Lobato /." Assis : [s.n.], 2004. http://hdl.handle.net/11449/106353.

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Orientador: Carlos Erivany Fantinati<br>Banca: João Luis Cardoso Tápias Ceccantini<br>Banca: Álvaro Santos Simões Junior<br>Banca: Alice Áurea Penteado Martha<br>Banca: Míriam Giberti Páttaro Pallotta<br>Resumo: Partindo da constatação de que a comicidade é um dos traços caracterizadores da produção literária de Monteiro Lobato, este trabalho objetiva estudar o processo de construção do humor nas narrativas infantis produzidas pelo autor. Visto que, ao incorporar esse elemento aos seus textos, Lobato propõe uma reinvenção da linguagem literária, este estudo prioriza também a análise da "soluçã
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Cairns, Anna. "Jokes for women : suffrage and the sense of humour on the stage." Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:bf0d5cf7-b876-4c97-acc7-da730b56daa6.

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This thesis investigates the works of the London-based suffrage theatre group, the Actresses' Franchise League (AFL). Examining the period between 1907 and 1914, it considers the immediate influences on its foundation in 1908 up to the start of the First World War, when the League changed its focus from that of women's enfranchisement to the entertainment of troops. It analyses in particular the influence of the contemporary debate concerning the sense of humour, and women’s supposed lack thereof, on the focus and style of the playwrights' work. In contextualising the AFL's negotiations with i
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Ohali, Avigail. "Le rire des sages : l'humour dans la Mishna et la Tosefta." Thesis, Sorbonne Paris Cité, 2017. http://www.theses.fr/2017USPCA082.

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Grâce à sa vaste production littéraire, le judaïsme rabbinique, d’abord minoritaire, est devenu l’orthodoxie juive à la fin de l’antiquité. Les écrits rabbiniques ne cherchent pas à faire rire, mais nous avons constaté que les études académiques sur l’humour des rabbins de l’antiquité contribuent de manière significative à la compréhension des textes rabbiniques. Ces études ainsi que les théories modernes sur l’humour, les outils d’analyse littéraire et notre propre développement méthodologique, nous ont permis d’analyser les récits humoristiques dans les écrits tannaïtiques. Les résultats des
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14

Balisch, Loretta Faith. "Scrub growth, Canadian humour to 1912, an exploration." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1994. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/NQ36198.pdf.

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15

Lam, Wing-lan. "Humour in Lao She's prose Lao She san wen de you mo te dian' /." Click to view the E-thesis via HKUTO, 2008. http://sunzi.lib.hku.hk/hkuto/record/B40676572.

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16

Duarte, Lia Cupertino [UNESP]. "Homo Risibilis: ensaio sobre o processo de construção do humor nas obras infantis de Monteiro Lobato." Universidade Estadual Paulista (UNESP), 2004. http://hdl.handle.net/11449/106353.

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Made available in DSpace on 2014-06-11T19:35:38Z (GMT). No. of bitstreams: 0 Previous issue date: 2004-03-19Bitstream added on 2014-06-13T19:46:34Z : No. of bitstreams: 1 duarte_lc_dr_assis.pdf: 1004638 bytes, checksum: bcb3d50678ddd98271a88623ab584577 (MD5)<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)<br>Partindo da constatação de que a comicidade é um dos traços caracterizadores da produção literária de Monteiro Lobato, este trabalho objetiva estudar o processo de construção do humor nas narrativas infantis produzidas pelo autor. Visto que, ao incorporar esse elem
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17

Stratiev, Svetlin. "Philistines beware : class humour in Saki's Chronicles of Clovis, Max Beerbohm's Zuleika Dobson, Martin Amis's Money and David Lodge's Nice work." Thesis, University of Oxford, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.367357.

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18

Hagemann, Michael Eric. "Humour as a postcolonial strategy in Zakes Mda's novel, The heart of redness." Thesis, University of the Western Cape, 2005. http://etd.uwc.ac.za/index.php?module=etd&amp.

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This thesis sought to demonstrate that humour and the grotesque are the primary tools by which Mda achieve his postcolonial strategies of &quot<br>writing back&quot<br>, that is, of asserting an identity in the face of colonial pressures, apartheid and the growing selfishness of many in the new, post-democratic South African society.
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19

Jack, Rosemary. "The power and pleasure of women's laughter : an exploration of the use of humour in contemporary fiction written by women." Thesis, Lancaster University, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.249815.

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20

Forsberg, Rose-Marie. "To Be True to Audience or Author - A Brief Literature Review and Comparison of Linguistic Humour in Two Translations of Dario Fo’s Accidental Death of an Anarchist." Thesis, Högskolan i Halmstad, Sektionen för humaniora (HUM), 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:hh:diva-17797.

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In this essay, research is conducted on two different translations of the same comic play by Dario Fo: Accidental Death of an Anarchist. (Original title in Italian: Morte accidentale di un anarchico). The first translation is by Gillian Hanna – adapted by Gavin Richards, and the other by Simon Nye. As the original text is both satirical and comedic, one of the things investigated is how these satirical and comical features of the original text are translated. Questions asked include whether these comical and satirical features are sometimes omitted or altered for any linguistic reason, or if t
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21

Mitchell, Alexandre G. "Comic pictures in Greek vase painting : humour in the polis and the Dionysian world in the sixth and fifth centuries B.C." Thesis, University of Oxford, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.248968.

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22

Bilange, Elizabeth Maria Azevedo. "O áspero humor de Lobo Antunes." Universidade de São Paulo, 2007. http://www.teses.usp.br/teses/disponiveis/8/8150/tde-13022008-104503/.

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Entender a multiplicação das faces e funções do humor na prosa de Antônio Lobo Antunes é o objetivo desta tese. Frente à vasta obra, o foco da análise foi dirigido para a Trilogia sobre o poder. Agrupados pela temática e sem prejuízo da feição individual de cada romance, o trio, O Manual dos Inquisidores, O Esplendor de Portugal e Exortação aos Crocodilos, tece painel sobre a violência e o medo que se instauraram em Portugal e suas colônias de África no período pré e pós- Revolução dos Cravos com enredos aparentemente incompatíveis com o processo da comicidade, do humor e do riso. Sem explicit
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23

Beech, Cynthia F. "Invitation to intercultural dialogue, exploring the humour of Thomas King and Lee Maracle." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0020/MQ49311.pdf.

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24

Faggionato, Monica. "La rappresentazione umoristica della società italiana nella narrativa di Stefano Benni." Thesis, Université Côte d'Azur (ComUE), 2016. http://www.theses.fr/2016AZUR2035/document.

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L’étude des romans et des recueils de récits publiés par Stefano Benni entre 1976 et 2009 a pour but d’illustrer la poétique de cet écrivain à travers l’analyse des éléments thématiques, stylistiques et philosophiques qui la composent. Dans la première partie les thèmes déclinent la valeur de la narration orale et des lieux de socialisation, l’exploration de mondes imaginaires et de leur richesses, la solitude de l’individu, l’enfance avec sa capacité d’imagination et la vieillesse avec sa capacité de mémoire. Le repérage thématique effectué dans la première partie a montré que la production d
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25

Carvalho, Elanir França. "Os sentidos do cômico - riso e representação social em Sagarana." Universidade de São Paulo, 2012. http://www.teses.usp.br/teses/disponiveis/8/8149/tde-20082012-124512/.

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A constituição humorística de Sagarana (1946) fornece a base desta tese de doutoramento, em Literatura Brasileira. Assim, tem-se como corpus de análise contos desta obra do escritor João Guimarães Rosa (1908 1967), e, embora privilegiando-a como um todo, no conjunto de suas nove narrativas, foram selecionadas três delas para análise e composição dos capítulos deste estudo, a saber: O burrinho pedrês, Traços biográficos de Lalino Salãthiel ou A volta do marido pródigo e Corpo fechado. A abordagem estabelece a intersecção de duas vertentes de constituição e construção da obra: uma, no plano for
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Huovinen, Miriam. "Ironi – ett vapen att framföra kritik : Allvarsam kritik levereras med humor i Miika Nousiainens roman Hallonbåtsflyktingen." Thesis, Stockholms universitet, Institutionen för slaviska och baltiska språk, finska, nederländska och tyska, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-152435.

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I denna uppsats har jag undersökt vad ironi är och hur den uppstår i Hallonbåtsflyktingen, en roman utgiven på finska av Miika Nousiainen (2007) och översatt till svenska av Mårten Westö (2009). Jag har utgått från Linda Hutcheons och Katharina Barbes teorier om ironi i min analys. Jag har även undersökt varför mottagandet av boken varit skiftande mellan Finland och Sverige. Ironins primära syfte är att framföra kritik och dess sekundära syfte är att roa. Kritiken i Hallonbåtsflyktingen framförs genom smicker på ett passivt aggressivt sätt. Det finska jämförs med det svenska genom stereotypen
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Betts, Lindsey N. "The Performance of Melancholy: Understanding the Humours through Burton, Jonson, and Shakespeare." Scholarship @ Claremont, 2016. http://scholarship.claremont.edu/cmc_theses/1368.

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This thesis aims to explore the relationships between dramatic texts and the Elizabethan topic of the humours. It covers Burton's Anatomy of Melancholy, Jonson's plays Every Man Out of His Humour and Every Man in His Humour, and Shakespeare's plays Hamlet and As You Like It. Each of these works provides a glimpse into society and its opinions specifically on melancholy, from its most basic and complex definitions to how it is perceived and addressed.
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Firmino, Marylin Lima Guimarães 1983. "De Deaf Sentence a Surdo Mundo : diálogos entre teorias e práticas da tradução." [s.n.], 2013. http://repositorio.unicamp.br/jspui/handle/REPOSIP/269518.

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Orientador: Maria Viviane do Amaral Veras<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem<br>Made available in DSpace on 2018-08-23T04:18:06Z (GMT). No. of bitstreams: 1 Firmino_MarylinLimaGuimaraes_M.pdf: 2150279 bytes, checksum: 7bdaf99c773b277bb5c4eb2b95bf358d (MD5) Previous issue date: 2013<br>Resumo: David Lodge aborda a temática da surdez de forma bastante inusitada no romance Deaf Sentence (2008). O protagonista é Desmond Bates, um professor de Linguística Aplicada aposentado, que está ficando surdo e passa por mal-entendidos decorrente
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Pirolla, Patricia Rocha. "Humor em poemas : um estudo do cômico em Carlos Drummond de Andrade /." Araraquara : [s.n.], 2010. http://hdl.handle.net/11449/102369.

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Orientador: Guacira Marcondes Machado Leite<br>Banca: Maria Adelia Menegazzo<br>Banca: Adalberto Luis Vicente<br>Banca: Fabiane Renata Borsato<br>Banca: Fani Miranda Tabak<br>Resumo: O objetivo desta tese de doutorado é a análise das categorias do cômico na obra do poeta mineiro Carlos Drummond de Andrade. Como sua produção é acima de tudo cerebral e não busca sentimentalismos ou provocar a emoção através das palavras, o poeta trata do cômico de uma maneira muito particular. Usando um trabalho minucioso com as palavras que se deixa transparecer nos versos cuidadosamente escritos, Drummond cons
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Pirolla, Patrícia Rocha [UNESP]. "Humor em poemas: um estudo do cômico em Carlos Drummond de Andrade." Universidade Estadual Paulista (UNESP), 2010. http://hdl.handle.net/11449/102369.

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Made available in DSpace on 2014-06-11T19:32:07Z (GMT). No. of bitstreams: 0 Previous issue date: 2010-08-06Bitstream added on 2014-06-13T19:02:23Z : No. of bitstreams: 1 pirolla_pr_dr_arafcl.pdf: 861587 bytes, checksum: b40cd948dbccd46172d8ce375a929c45 (MD5)<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)<br>O objetivo desta tese de doutorado é a análise das categorias do cômico na obra do poeta mineiro Carlos Drummond de Andrade. Como sua produção é acima de tudo cerebral e não busca sentimentalismos ou provocar a emoção através das palavras, o poeta trata do cômico
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Lockyer, Sharon. "An eye to offensiveness : the discourse of offence and censure in Private Eye." Thesis, Loughborough University, 2001. https://dspace.lboro.ac.uk/2134/6785.

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This thesis is an empirical examination of the articulation of comic offence and the practices of comic censure as conducted in media discourse. Making complaints about comic discourse is a risky endeavour. The joker can retort that it was `just a joke' or can charge the complainer with lacking a sense of humour and libels can fail and be very costly. The main focus is on the discursive strategies and practices used when claiming that comedy has caused offence. This is an under-researched area in humour studies. The ambivalence involved in negotiations between ethical and comic discourse is a
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Estrada, Luttikhuizen David. "L'expressió escrita i els continguts de l'humor a la literatura infantil i juvenil catalana de 1904 a 2004: educació en els valors." Doctoral thesis, Universitat de Girona, 2008. http://hdl.handle.net/10803/7669.

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L'humor permet entendre i organitzar el món. És un aspecte en l'educació de la identitat cultural que comença tan aviat com la canalla pot seguir una narració oral, i que s'intensifica a mesura que la lectura esdevé un hàbit. L'humor escrit ofereix recursos expressius i camps semàntics determinats per la llengua, i continguts i referents culturals determinats pels valors socials; el seu codi inclou convencions amb el lector sobre la presentació i l'argument. Com a estratègia d'adaptació, l'humor es va modificant segons les circumstàncies socials al llarg del temps. El present treball es ce
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Lindqwister, Robin. "I fablernas nät : En översättningsvetenskaplig uppsats om att undertexta nederländsk satir till svenska." Thesis, Stockholms universitet, Tolk- och översättarinstitutet, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-194786.

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Denna kandidatuppsats består av en längre översättning i form av en undertextning från nederländska till svenska, samt en kommentar till översättningen. Källtexten utgörs av inslaget De online fabeltjesfuik (ordagrant ’fabelryssjan’) ur det nederländska satiriska nyhetsprogrammet Zondag met Lubach. I kommentarsdelen beskrivs den teoretiska bakgrunden bakom den översättningsprincip och rangordning av översättningsprioriteringar som styrt undertextningsarbetet. Därefter behandlas ett urval av översättningsproblem samt strategierna för att lösa dem, med ett särskilt fokus på kulturella referenser
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Hilding, Jana. "Lingvistisk analys av den ryska politiska anekdoten under 2000-talet: genreförändring?" Thesis, Stockholms universitet, Slaviska språk, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-179781.

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An analysis was made of the personal and non-personal post-Soviet political anecdotes. It is argued that post-Soviet political anecdotes have been created during 2000–2019. The starting point is that the Russian word анекдот carries particular, cultural information and does not have a systematic equivalent in Swedish ot English, i.e. it can not be directly translated to English as anecdote or joke or to Swedish as anekdot, skämt, or vits. This was demonstrated in a brief comparison with Swedish jokes and anecdotes.  Using three text corpora with a total of 3,170 political anecdotes, I examined
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Ward, Matthew. "The sound of laughter in Romantic poetry." Thesis, University of St Andrews, 2015. http://hdl.handle.net/10023/6814.

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This thesis offers the first critical examination of the sound of laughter in Romantic poetry. Part one locates laughter in the history of ideas of the seventeenth and eighteenth centuries, and explores the interplay between laughter and key intellectual, aesthetic, ethical, and social issues in the Romantic period. I chart a development in thinking about laughter from its primary association with ridicule and the passions up to the early decades of the eighteenth century, to its emerging symbiosis with politeness and aesthetic judgement, before a reassertion of laughter's signification of pas
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Jendari, Aziz. "Ironie et poésie. Théorie et pratique de l'écriture oblique dans l'oeuvre de Francis Ponge." Phd thesis, Ecole normale supérieure de lyon - ENS LYON, 2011. http://tel.archives-ouvertes.fr/tel-00701171.

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Cette étude porte sur le rôle important dévolu à l'écriture oblique dans l'œuvre de Francis Ponge, à travers les notions d'ironie et d'humour. En s'appuyant à la fois sur les nombreuses déclarations de l'auteur concernant l'importance de ces notions dans son œuvre et sur les recherches les plus actuelles qui tentent de cerner ces catégories complexes et embarrassantes, on définit l'ironie non comme simple figure d'inversion mais comme fait rhétorique englobant une multitude de pratiques discursives. Plus précisément, on l'envisage comme un phénomène polyphonique et intertextuel dont la spécifi
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Dreyer, Nicolas D. "'Post-Soviet neo-modernism' : an approach to 'postmodernism' and humour in the post-Soviet Russian fiction of Vladimir Sorokin, Vladimir Tuchkov and Aleksandr Khurgin." Thesis, University of St Andrews, 2011. http://hdl.handle.net/10023/1917.

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The present work analyses the fiction of the post-Soviet Russian writers, Vladimir Sorokin, Vladimir Tuchkov and Aleksandr Khurgin against the background of the notion of post-Soviet Russian postmodernism. In doing so, it investigates the usefulness and accuracy of this very notion, proposing that of ‘post-Soviet neo-modernism’ instead. Common critical approaches to post-Soviet Russian literature as being postmodern are questioned through an examination of the concept of postmodernism in its interrelated historical, social, and philosophical dimensions, and of its utility and adequacy in the R
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Matos, Mayara Neres. "Humor e ironia em João Melo." Universidade do Estado do Rio de Janeiro, 2014. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=7074.

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Esta dissertação pretende desenvolver um estudo sobre o humor nos contos do escritor angolano João Melo, a partir dos livros Filhos da Pátria (2001), O dia em que o Pato Donaldo comeu pela primeira vez a Margarida (2006) e O homem que não tira o palito da boca (2009). Fundamentada nas perspectivas freudiana e lacaniana a respeito dos paradoxos do humor, pretende-se, ainda, apontar o aspecto tragicômico de seus textos e o modo como a ironia, estratégia discursiva contundente em seus contos, mostra-se como a principal estratégia discursiva do humor. Intenta-se, ainda, apontar a relação entre a l
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Carini, Michele. "Strategie testuali dell'umorismo nelle Confessioni d'un Italiano : Studio di forme e contenuti." Thesis, Paris 3, 2013. http://www.theses.fr/2013PA030122.

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Le travail de recherche a été articulé autour de trois axes principaux : la lecture philologique et sémantique de l’œuvre de Ippolito Nievo étroitement associée à l’étude de la bibliographie critique ; lʼhypothèse raisonnée de l’existence fondamentale, dans la structure même de lʼœuvre, du principe humoristique et lʼétude systématique de sa problématisation théorique ; le repérage et lʼutilisation méthodique des instruments d’analyse les plus appropriés à une analyse de lʼœuvre articulée sur ces choix. Sʼagissant de la réflexion théorique sur la notion même dʼhumour, elle a démarré sur la base
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Kim, Soon Bae. "Irony, Humor, and Ontological Relationality in Literature." Thesis, University of North Texas, 2012. https://digital.library.unt.edu/ark:/67531/metadc149621/.

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The purpose of this dissertation is to investigate ontological relationality in literary theory and criticism by critically reflecting on modern theories of literature and by practically examining the literary texts of Geoffrey Chaucer, William Shakespeare, and Oscar Wilde. Traditional studies of literary texts have been oriented toward interpretative or hermeneutic methodologies, focusing on an independent and individual subject in literature. Instead, I explore how relational ontology uncovers the interactive structures interposed between the author, the text, and the audience by examining t
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Holoch, Adele Marian. "The serious work of humor in postcolonial literature." Diss., University of Iowa, 2012. https://ir.uiowa.edu/etd/1632.

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This dissertation examines the role of humor in contemporary South Asian and African postcolonial literature, arguing that humor opens new spaces for historically marginalized individuals to be heard. I argue that in addition to its unique capacities to question and rebel against colonial authority, humor helps those who deploy it to resist victimhood and enact a psychological rebellion against the circumstances of colonialism and its legacies, and facilitates a sense of community through laughter among both those who deploy it and those who enjoy it as audience members. I establish a theoreti
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Tschannerl, Volker M. "Das Lachen in der altindischen Literatur /." Frankfurt am Main ; Berlin : P. Lang, 1993. http://catalogue.bnf.fr/ark:/12148/cb39207063j.

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Carignano, Maria Laura Moneta. "As formas do humor. Copi : um caso argentino /." Araraquara : [s.n.], 2007. http://hdl.handle.net/11449/91542.

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Orientador: Sylvia Helena Tellarolli de Almeida Leite<br>Banca: Maria Dolores Aybar Ramirez<br>Banca: Pablo Fernando Gasparini<br>Resumo: A pesquisa visa estudar a obra de Copi ( Raúl Damonte Botana 1939-1987), escritor argentino, num âmbito maior de questões, que servirão de apoio teórico- crítico possibilitando uma abordagem mais ampla. Da totalidade de sua obra (ele escreveu romances, peças teatrais e é autor também de desenhos e quadrinhos humorísticos), enfatizar-se-á o estudo da série teatral e dentro dela três peças: Cachafaz, A sombra de Wenceslao, e Eva Perón. Elas foram escolhidas po
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Carignano, Maria Laura Moneta [UNESP]. "As formas do humor. Copi: um caso argentino." Universidade Estadual Paulista (UNESP), 2007. http://hdl.handle.net/11449/91542.

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Made available in DSpace on 2014-06-11T19:25:23Z (GMT). No. of bitstreams: 0 Previous issue date: 2007-02-09Bitstream added on 2014-06-13T20:13:44Z : No. of bitstreams: 1 carignano_mlm_me_arafcl.pdf: 1146916 bytes, checksum: cfc3d10c7737c0034efa9269863206f6 (MD5)<br>Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)<br>A pesquisa visa estudar a obra de Copi ( Raúl Damonte Botana 1939-1987), escritor argentino, num âmbito maior de questões, que servirão de apoio teórico- crítico possibilitando uma abordag
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Gillota, David. "Belly Laughs: Body Humor in Contemporary American Literature and Film." Scholarly Repository, 2008. http://scholarlyrepository.miami.edu/oa_dissertations/42.

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Belly Laughs: Body Humor in Contemporary American Literature and Film Scholars are more than happy to laugh at but seem somewhat reluctant to discuss body humor, which is perhaps the most neglected form of comedy in recent criticism. In this dissertation, I examine the ways in which contemporary American writers and filmmakers use body humor in their works, not only in moments of so-called "comic relief" but also as a valid way of exploring many of the same issues that postmodern artists typically interrogate in their more somber moments. The writers discussed in this project-Philip Roth, T
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Reff, Robert Charles. "Developing the humor styles questionnaire-revised : a review of the current humor literature and a revised measure." Online access for everyone, 2006. http://www.dissertations.wsu.edu/Dissertations/Summer2006/r%5Freff%5F051706.pdf.

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Klein-Scholz, Christelle. ""I remember when a diagnosis was a death sentence" : lʼécriture du SIDA et de la mort dans la littérature gay. : David Feinberg, Tony Kushner et Armistead Maupin". Thesis, Aix-Marseille, 2014. http://www.theses.fr/2014AIXM3060/document.

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Cette thèse présente une réflexion sur lʼécriture du SIDA et de la mort dans la littérature gay américaine à travers les oeuvres de David Feinberg, Tony Kushner et Armistead Maupin. À la croisée dʼun thème (le SIDA) et dʼun type de littérature (la littérature gay, qui préexistait à lʼépidémie), cette étude prend en considération les multiples dimensions de lʼépidémie de VIH/SIDA : dans lʼobjectif dʼacquérir « une connaissance anthropologique par la littérature et le roman » (Laplantine), en passant outre les « traditional disciplinary boundaries » (Campbell &amp; Kean), elle montre que, si le
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Vosloo, Jan 1934. "Die manifestering van humor in geselekteerde Afrikaanse kortverhaaltekste." Thesis, Stellenbosch : Stellenbosch University, 2003. http://hdl.handle.net/10019.1/53382.

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Thesis (PhD)--Stellenbosch University, 2003.<br>ENGLISH ABSTRACT: At the start of the twentieth century Afrikaans humour was researched quite intensively. Since then, however, such research has been relatively sporadic and has concentrated on related sub-genres of humour, such as satire, irony and wit. This dissertation investigates anew the phenomenon of humour as manifested in Afrikaans short story texts, from the dual starting points of a current context and of the extensive theoretical studies done by other researchers worldwide. In the process, humour is viewed as a communicative s
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Flassbeck, Marianne. "Gauklerin der Literatur Elizabeth von Arnim und der weibliche Humor /." Rüsselsheim : Göttert, 2003. http://books.google.com/books?id=hkFbAAAAMAAJ.

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Morlóc, Luzia Marina Keller. "ESTUDOS COMPARATIVOS ENTRE PINTURA E LITERATURA." Pontifícia Universidade Católica de Goiás, 2018. http://tede2.pucgoias.edu.br:8080/handle/tede/3961.

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Submitted by admin tede (tede@pucgoias.edu.br) on 2018-05-03T17:38:00Z No. of bitstreams: 1 LUZIA MARINA KELLER MORLÓC.pdf: 1016921 bytes, checksum: 2504f0c853714e214114d37c647a31a6 (MD5)<br>Made available in DSpace on 2018-05-03T17:38:01Z (GMT). No. of bitstreams: 1 LUZIA MARINA KELLER MORLÓC.pdf: 1016921 bytes, checksum: 2504f0c853714e214114d37c647a31a6 (MD5) Previous issue date: 2018-02-22<br>This research aims at reanalyzing an interpretative analysis between Edival Lourenço 's work Centopeia de Neon and some paintings of avant - garde dadaist and surrealist currents based on the aesth
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