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Relevant bibliographies by topics / Hunters – Fiction

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Academic literature on the topic 'Hunters – Fiction'

Author: Grafiati

Published: 29 July 2024

Last updated: 31 July 2025

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Journal articles on the topic "Hunters – Fiction"

1

Hariyono, Silvia Marta Wijaya, Kusuma Wijaya, Rommel Utungga Pasopati, and Rindrah Kartiningsih. "The Fundamental Expressions of Fear in Sofia Samatar's The Huntress." Alphabet 7, no. 1 (2024): 46–54. https://doi.org/10.21776/ub.alphabet.2024.07.01.06.

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This article underlines the expressions of fear in Sofia Samatar’s flash fiction entitled The Huntress. The fear felt by the townspeople was thick, the darkness and silence merged. The moon was shining, everyone had their windows shut tight, and a brave man had come to visit the town. The silence is in line with a frightening situation in the story of The Huntress by Sofia Samatar. This paper would like to answer the question of how may fear be accentuated in Sofia's Samatar's The Huntress? Through qualitative method with cultural studies approach in the theory of myth by Claude Levi-Strauss,

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Mackenzie, Caroline. "The Chicken Coup." Small Axe: A Caribbean Journal of Criticism 23, no. 2 (2019): 89–99. http://dx.doi.org/10.1215/07990537-7703318.

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Poking fun at the traditional American style of hard-boiled crime fiction, this satirical piece follows two misogynistic bounty hunters through the Trinidadian rainforest as they track down the people responsible for humiliating a ruthless mogul of the poultry industry. But the bounty hunters get more than they bargained for when they finally come across the culprits—they discover that now the chickens abused by the poultry mogul are fighting back. Rich with feminist metaphor, this surreal short story emphasizes how even the most seemingly innocuous chicks can overcome the domination and contr

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3

Hauan, Marit Anne. "Ei lita bok biter seg fast. Wanny Woldstads fangstmannsberetning." Nordlit, no. 32 (July 23, 2014): 71. http://dx.doi.org/10.7557/13.3071.

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<p>A little book bites stuck. A trapper biography of Wanny Woldstad.</p><p>Wanny Woldstad, who still is a well-known polar hero and made more and more famous the last decades through theater plays, songs and writings, wintered over at Svalbard as a trapper and hunter from 1932-37. She left her job as a taxi driver in Tromsø for a tiny little hut and a hunter’s life in Hornsund together with a man she just met. Nearly 20 years after returning to the civilization she wrote a book about her polar experience. Wintering as trappers and hunters seems to have also in a literary proj

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Zorina, Ekaterina. "Regiolect in the novel "Igry na Svezhem Vozdukhe" by P. Krusanov." Bulletin of the Donetsk National University. Series D: Philology and Psychology 1 (February 25, 2025): 26–35. https://doi.org/10.5281/zenodo.14921442.

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The article deals with the analysis of a modern fiction text in terms of communicative and discourse aspects. The material for analysis is the novel "Igry na Sveshem Vozdukhe" ("Outdoor Games") by P. Krusanov. The aim of the linguistic analysis is to identify and describe language markers of the institutional discourse of "hunting" and discourse of "man and nature". Regionalisms and professional lexis of hunters turn to be specific lexical markers subjected to the analysis. The results of the syntactic analysis of the reported speech forms and of the constructions with the reflection supp

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Frame, Alex. "Fictions in the Thought of Sir John Salmond." Victoria University of Wellington Law Review 30, no. 1 (1999): 159. http://dx.doi.org/10.26686/vuwlr.v30i1.6021.

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A Lecture delivered for the Stout Centre's "Eminent Victorians" Centennial Series in the Council Chamber, Hunter Building at Victoria University on 31 March 1999. The author pays tribute to the late Sir John Salmond by discussing the role of "fiction" in law and in the thought of Sir John. The author notes the nature of fiction as a formidable force, as it facilitates provisional escape from the tyranny of apparent fact and forget about the suspensory nature of fiction. There are three types of "fictions" in the legal world: legislative fictions, whereby the world is refashioned in accordance

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Pouliot, Amber. "Serena Partridge’s ‘Accessories’: Fabricating Uncertainty in the Brontë Parsonage Museum." Journal of Victorian Culture 25, no. 2 (2020): 279–99. http://dx.doi.org/10.1093/jvcult/vcz030.

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Abstract The 1861 sale of the Brontës’ personal effects sent relic hunters scrambling to collect the material remains of the famous family. In the second half of the nineteenth century, the collection, preservation, and veneration of relics, particularly those associated with a writer’s private, domestic life, were important aspects of literary celebrity culture and commemoration, and both the Brontë Society and the original Brontë Museum were established to collect material remains. Yet when Virginia Woolf visited the museum in 1904, she viewed Charlotte Brontë’s clothing, shoes, and accessor

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Al-Shamali, Farah. "The City of Baghdad in Iraqi Fiction: Novelistic Depictions of a Spatiality of Ruin." Middle East Research Journal of Linguistics and Literature 3, no. 02 (2023): 12–24. http://dx.doi.org/10.36348/merjll.2023.v03i02.002.

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The Iraqi novel has contended with brutish forms of violence for the better part of the past century that have essentially reshaped the narrative experience unto space. Writers are confronted with the challenge of typifying a search for meaning in and amongst character-altering ruin. At the height of its maturity today, as various works convey spatial woundedness particularly in the city of Baghdad, there is a relationship between fiction and urban reality symbolizing an image of complexity. They play host to a fantastical blending of the real and unreal. They see through to the mediational po

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Wijaya, Immanuel. "Treasure Hunt: Ethical Egoism vs Individual Anarchism." K@ta Kita 8, no. 1 (2020): 116–23. http://dx.doi.org/10.9744/katakita.8.1.116-123.

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This creative project is a novel with an urban-fantasy as the setting and adventure fiction as the plot framework. This novel is depicting a team of a treasure hunters, Michael Harmanto and Lucius Ferdinan. The two of them are trying to find the lost treasures of Kahja, in which they will be asked and tested in their perseverance and ego. In this creative work, I use Egoism as my topic, and I chose on understanding how egoism if applied ethically, can be treated as a good thing as my theme. Through this, I can show the process and the struggle of people clashing and betraying each other in the

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9

Leicester, H. Marshall. "Hammer re-reads Dracula: The second time as farce, or, keeping a stiff upper lip in the ruins." Horror Studies 14, no. 1 (2023): 135–52. http://dx.doi.org/10.1386/host_00066_1.

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This interpretation questions the standard critical assumptions about Hammer Studios’ Dracula that despite its transient improprieties, Dracula offered audiences temporary refuge from the strains of contemporary British life by having absolute good (vampire hunters) triumphing over (absolute evil) vampire. My reading explores the film’s agency through its self-conscious relation to its pre-texts in novel and films, showing how its plot conspicuously alters former cultural expectations and assumptions about the ‘rules’ of vampirism. This deliberate slippage in the stability of prior conventions

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Beer, Linde. "“Colonial Botany”: Conservationists and Orchid Hunters in Popular Afrikaans Fiction Set in the Congo (D.R.C.) and Central Africa from 1949-1962." Journal of Literary Studies 35, no. 4 (2019): 46–57. http://dx.doi.org/10.1080/02564718.2019.1690821.

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Dissertations / Theses on the topic "Hunters – Fiction"

1

Kidd, Kimberli. "Hunter's Quest." NSUWorks, 2014. http://nsuworks.nova.edu/writing_etd/21.

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2

Huguley, Piper Gian. "Why Tell the Truth When a Lie Will Do?: Re-Creations and Resistance in the Self-Authored Life Writing of Five American Women Fiction Writers." unrestricted, 2006. http://etd.gsu.edu/theses/available/etd-04252006-174728/.

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Thesis (Ph. D.)--Georgia State University, 2006.<br>Title from title screen. Audrey Goodman, committee chair; Thomas L. McHaney, Elizabeth West, committee members. Electronic text (253 p.) : digital, PDF file. Description based on contents viewed May15, 2007. Includes bibliographical references (243-253).

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Olwell, Victoria. "Female genius : fiction, politics, and gender, 1870-1920 /." 2003. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:3108101.

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Books on the topic "Hunters – Fiction"

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Copyright Paperback Collection (Library of Congress), ed. Hunter's Fall: The Hunters - 13. Berkley Sensation, 2011.

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Dahl, Michael. Troll hunters. Capstone Stone Arch Books, 2012.

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S, Blackman N. Hunters attack! Dinosaur Books Ltd, 2013.

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Shane, Jack. Sky hunters. HarperCollins, 2007.

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5

Salter, James. The hunters. Counterpoint, 1997.

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6

Nicholson, Geoff. Hunters & gatherers. Overlook Press, 1994.

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7

Salter, James. The hunters. Vintage Books, 1999.

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8

Chris, Grabenstein, Shulman Mark 1962-, and Neufeld Juliana 1982 ill, eds. Treasure hunters. Little, Brown, 2013.

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9

Carlson, Mark. Hunters & Hunted. Sunbury Press, Inc., 2022.

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10

Hunter's Edge: The Hunters - 10.3. Samhain Publishing, 2009.

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Book chapters on the topic "Hunters – Fiction"

1

Kratochvil, Alexander. "Trauma Narration as Adventure Fiction: Ivan Bahrianyj’s Novel The Hunters and the Hunted." In Narratives of Annihilation, Confinement, and Survival, edited by Anja Tippner and Anna Artwińska. De Gruyter, 2019. http://dx.doi.org/10.1515/9783110631135-014.

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Genta, Giancarlo. "The Hunter." In Science and Fiction. Springer International Publishing, 2013. http://dx.doi.org/10.1007/978-3-319-02060-0_1.

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Amarakeerthi, Liyanage. "Treasure Hunters1." In The Routledge Companion to Sinhala Fiction from Post-War Sri Lanka. Routledge India, 2022. http://dx.doi.org/10.4324/9781003094708-20.

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Bartosch, Roman. "Ghostly Presences: Tracing the Animal in Julia Leigh’s The Hunter." In Creatural Fictions. Palgrave Macmillan US, 2016. http://dx.doi.org/10.1007/978-1-137-51811-8_13.

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Bramwell, Peter. "Herne the Hunter and the Green Man." In Pagan Themes in Modern Children's Fiction. Palgrave Macmillan UK, 2009. http://dx.doi.org/10.1057/9780230236899_3.

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Ellis, Edward S. "The Huge Hunter; or, The Steam Man of the Prairies." In Nineteenth Century Science Fiction. Routledge, 2023. http://dx.doi.org/10.4324/9781003056331-16.

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Sterk, Darryl. "The Hunter’s Gift in Ecorealist Indigenous Fiction from Taiwan." In Sinophone and Taiwan Studies. Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-15-4178-0_9.

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Taylor-Pirie, Emilie. "Expeditions into ‘Central Man’: Imperial Romance, Tropical Medicine, and Heroic Masculinity." In Empire Under the Microscope. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-84717-3_3.

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AbstractIn this chapter, Taylor-Pirie considers how parasitology became rhetorically and materially entangled in the imperial imagination with travelogues, anthropological treatise, imperial romance fiction, and missionary biography. These modes jointly constructed the colonial encounter as a feat of manly endurance, using the linguistic enjoinment of medicine and exploration to frame parasitologists as modern heroes. Examining the influence of Thomas Carlyle’s conceptualisation of the heroic in history and imperial cartography as a strategy of representation, she demonstrates how tropical ill

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"CHAPTER 6. Centaur Bones: Paleontological Fictions." In The First Fossil Hunters. Princeton University Press, 2011. http://dx.doi.org/10.1515/9781400838448.228.

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Horsley, Lee. "Crime Fiction as Socio-political Critique." In Twentieth-Century Crime Fiction. Oxford University PressOxford, 2005. http://dx.doi.org/10.1093/oso/9780199283453.003.0005.

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Abstract Evan Hunter argues that crime fiction is a genre ‘wide enough not to be subverted if you want to make social comments ‘; it is, James Ellroy maintains, ‘the perfect vehicle ‘ for social and political criticism.1 The remainder of this study will focus on writers who, like Ellroy and Hunter, see detective and crime fiction as effective instruments of socio-political critique, using the genre to address issues of class, race and gender, to expose corruption, and to explore the nature of prejudice.

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