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Journal articles on the topic 'Hunters – Fiction'

Author: Grafiati
Published: 29 July 2024
Last updated: 31 July 2025

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1

Hariyono, Silvia Marta Wijaya, Kusuma Wijaya, Rommel Utungga Pasopati, and Rindrah Kartiningsih. "The Fundamental Expressions of Fear in Sofia Samatar's The Huntress." Alphabet 7, no. 1 (2024): 46–54. https://doi.org/10.21776/ub.alphabet.2024.07.01.06.

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This article underlines the expressions of fear in Sofia Samatar’s flash fiction entitled The Huntress. The fear felt by the townspeople was thick, the darkness and silence merged. The moon was shining, everyone had their windows shut tight, and a brave man had come to visit the town. The silence is in line with a frightening situation in the story of The Huntress by Sofia Samatar. This paper would like to answer the question of how may fear be accentuated in Sofia's Samatar's The Huntress? Through qualitative method with cultural studies approach in the theory of myth by Claude Levi-Strauss,
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Mackenzie, Caroline. "The Chicken Coup." Small Axe: A Caribbean Journal of Criticism 23, no. 2 (2019): 89–99. http://dx.doi.org/10.1215/07990537-7703318.

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Poking fun at the traditional American style of hard-boiled crime fiction, this satirical piece follows two misogynistic bounty hunters through the Trinidadian rainforest as they track down the people responsible for humiliating a ruthless mogul of the poultry industry. But the bounty hunters get more than they bargained for when they finally come across the culprits—they discover that now the chickens abused by the poultry mogul are fighting back. Rich with feminist metaphor, this surreal short story emphasizes how even the most seemingly innocuous chicks can overcome the domination and contr
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Hauan, Marit Anne. "Ei lita bok biter seg fast. Wanny Woldstads fangstmannsberetning." Nordlit, no. 32 (July 23, 2014): 71. http://dx.doi.org/10.7557/13.3071.

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<p>A little book bites stuck. A trapper biography of Wanny Woldstad.</p><p>Wanny Woldstad, who still is a well-known polar hero and made more and more famous the last decades through theater plays, songs and writings, wintered over at Svalbard as a trapper and hunter from 1932-37. She left her job as a taxi driver in Tromsø for a tiny little hut and a hunter’s life in Hornsund together with a man she just met. Nearly 20 years after returning to the civilization she wrote a book about her polar experience. Wintering as trappers and hunters seems to have also in a literary proj
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Zorina, Ekaterina. "Regiolect in the novel "Igry na Svezhem Vozdukhe" by P. Krusanov." Bulletin of the Donetsk National University. Series D: Philology and Psychology 1 (February 25, 2025): 26–35. https://doi.org/10.5281/zenodo.14921442.

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The article deals with the analysis of a modern fiction text in terms of communicative and discourse aspects. The material for analysis is the novel "Igry na Sveshem Vozdukhe" ("Outdoor Games") by P. Krusanov. The aim of the linguistic analysis is to identify and describe language markers of the institutional discourse of "hunting" and discourse of "man and nature". Regionalisms and professional lexis of hunters turn to be specific lexical markers subjected to the analysis. The results of the syntactic analysis of the reported speech forms and of the constructions with the reflection supp
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5

Frame, Alex. "Fictions in the Thought of Sir John Salmond." Victoria University of Wellington Law Review 30, no. 1 (1999): 159. http://dx.doi.org/10.26686/vuwlr.v30i1.6021.

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A Lecture delivered for the Stout Centre's "Eminent Victorians" Centennial Series in the Council Chamber, Hunter Building at Victoria University on 31 March 1999. The author pays tribute to the late Sir John Salmond by discussing the role of "fiction" in law and in the thought of Sir John. The author notes the nature of fiction as a formidable force, as it facilitates provisional escape from the tyranny of apparent fact and forget about the suspensory nature of fiction. There are three types of "fictions" in the legal world: legislative fictions, whereby the world is refashioned in accordance
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Pouliot, Amber. "Serena Partridge’s ‘Accessories’: Fabricating Uncertainty in the Brontë Parsonage Museum." Journal of Victorian Culture 25, no. 2 (2020): 279–99. http://dx.doi.org/10.1093/jvcult/vcz030.

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Abstract The 1861 sale of the Brontës’ personal effects sent relic hunters scrambling to collect the material remains of the famous family. In the second half of the nineteenth century, the collection, preservation, and veneration of relics, particularly those associated with a writer’s private, domestic life, were important aspects of literary celebrity culture and commemoration, and both the Brontë Society and the original Brontë Museum were established to collect material remains. Yet when Virginia Woolf visited the museum in 1904, she viewed Charlotte Brontë’s clothing, shoes, and accessor
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Al-Shamali, Farah. "The City of Baghdad in Iraqi Fiction: Novelistic Depictions of a Spatiality of Ruin." Middle East Research Journal of Linguistics and Literature 3, no. 02 (2023): 12–24. http://dx.doi.org/10.36348/merjll.2023.v03i02.002.

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The Iraqi novel has contended with brutish forms of violence for the better part of the past century that have essentially reshaped the narrative experience unto space. Writers are confronted with the challenge of typifying a search for meaning in and amongst character-altering ruin. At the height of its maturity today, as various works convey spatial woundedness particularly in the city of Baghdad, there is a relationship between fiction and urban reality symbolizing an image of complexity. They play host to a fantastical blending of the real and unreal. They see through to the mediational po
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8

Wijaya, Immanuel. "Treasure Hunt: Ethical Egoism vs Individual Anarchism." K@ta Kita 8, no. 1 (2020): 116–23. http://dx.doi.org/10.9744/katakita.8.1.116-123.

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This creative project is a novel with an urban-fantasy as the setting and adventure fiction as the plot framework. This novel is depicting a team of a treasure hunters, Michael Harmanto and Lucius Ferdinan. The two of them are trying to find the lost treasures of Kahja, in which they will be asked and tested in their perseverance and ego. In this creative work, I use Egoism as my topic, and I chose on understanding how egoism if applied ethically, can be treated as a good thing as my theme. Through this, I can show the process and the struggle of people clashing and betraying each other in the
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9

Leicester, H. Marshall. "Hammer re-reads Dracula: The second time as farce, or, keeping a stiff upper lip in the ruins." Horror Studies 14, no. 1 (2023): 135–52. http://dx.doi.org/10.1386/host_00066_1.

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This interpretation questions the standard critical assumptions about Hammer Studios’ Dracula that despite its transient improprieties, Dracula offered audiences temporary refuge from the strains of contemporary British life by having absolute good (vampire hunters) triumphing over (absolute evil) vampire. My reading explores the film’s agency through its self-conscious relation to its pre-texts in novel and films, showing how its plot conspicuously alters former cultural expectations and assumptions about the ‘rules’ of vampirism. This deliberate slippage in the stability of prior conventions
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Beer, Linde. "“Colonial Botany”: Conservationists and Orchid Hunters in Popular Afrikaans Fiction Set in the Congo (D.R.C.) and Central Africa from 1949-1962." Journal of Literary Studies 35, no. 4 (2019): 46–57. http://dx.doi.org/10.1080/02564718.2019.1690821.

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Adelgeym, Irina. "Ethics and Pragmatics of Freedom: Author, Hero, Reader (Olga Tokarczuk and Janina Duszejko)." Central-European Studies 7 (2024): 317–40. https://doi.org/10.31168/2619-0877.2024.7.10.

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The article is devoted to Olga Tokarczuk’s “moral thriller” Drive your Plow over the Bones of the Dead, introducing a heroine who is endowed with a demonstratively morally controversial freedom of action: by sharpening the ideas of critical posthumanism, the author describes a collision with the unpunished killing of hunters by an eccentric defender of animal rights. The organisation of textual space and its perception are analysed from the perspective of ethics and pragmatics of freedom as understood by the author, the hero, and the reader, from the perspective of interaction between the read
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12

Bokarev, Aleksei S., and Alena V. Korableva. "POETICS OF EKPHRASIS OF PAINTINGS IN LYRIC POETRY BY SERGEY GANDLEVSKIY." Vestnik of Kostroma State University 28, no. 4 (2023): 54–62. http://dx.doi.org/10.34216/1998-0817-2022-28-4-54-62.

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The article considers the functioning of ekphrasis, which is understood as a kind of self-reflexive text based on interpreting non-verbal works of art, in poetry by Sergey Gandlevskiy. Painting plays a significant part among the media the author refers to: in his poems, frequent are both mentions of artists (Vincent Willem van Gogh, Jean-Baptiste-Camille Corot, Karl Bryullov, Ilya Repin, Vasily Surikov) and references to well-known paintings (Barge Haulers on the Volga, Stag Hunt, The Hunters in the Snow, Saint Agnes, Bedroom in Arles, etc.). The ekphrasis is built as an inter-media palimpsest
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13

Marcussen, Marlene Karlsson. "Det postapokalyptiske moderskab." Passage - Tidsskrift for litteratur og kritik 34, no. 82 (2019): 99–110. http://dx.doi.org/10.7146/pas.v34i82.118286.

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 The article investigates a new type of narrative, where motherhood and catastrophe are interwoven. This inquiry questions how Megan Hunter presents the mother as heroine of a new type of feminist science fiction and how she uses a postapocalyptic frame to depict motherhood in crisis by showing how language falls short of fathoming experiences – both of birth and flood – beyond human understanding. Hunter’s novel succeeds in intertwining the events of motherhood and apocalypse, thus showing how both lend their language and experience to each other.
 
 
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Morissan, Morissan. "The History of Human Communication: How Did Humans Build Language and Become World Leaders." Jurnal Komunikasi 15, no. 1 (2023): 185–95. http://dx.doi.org/10.24912/jk.v15i1.21199.

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The study of human communication history is currently very limited and even if there is, it is still limited to the discussion of the history of mass media such as newspapers, radio, and television, which began to appear at the end of the 19th century. There is no communication study that discusses how humans (Homo sapien) first, tens of thousands of years ago, communicated as humans. How did Sapiens create a language that distinguished him from animals? How did prehistoric humans use language to build group communication so that they became effective hunters and gatherers? This article aims t
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15

Brookfield, Tarah. "“I Am Sure Glad I Was Not Born in the 30s”: Multigenerational Reactions to Booky’s Great Depression." Journal of the History of Childhood and Youth 17, no. 3 (2024): 430–48. http://dx.doi.org/10.1353/hcy.2024.a938249.

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Abstract: Bernice Thurman Hunter’s Booky trilogy depicts the economic hardships of a white, working-class girl nicknamed Booky who lived in Toronto, Canada, in the Great Depression. This article analyzes hundreds of letters sent to Hunter from two cohorts of readers: adults who grew up in the 1930s and school-age children coming of age in the 1980s and 1990s. The adult letters brim with details of their own Depression-era childhoods, while young readers express shock at how difficult things were in 1930s and compare Booky’s experiences to their own challenges and privileges. The letters’ revel
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Ismael Sayakhan, Najat, and Ismael Muhamad fahmi Saeed. "The Use of the Setting in Boosting the Theme of Solitude in Selected Modern Short Stories." Journal of University of Raparin 12, no. 1 (2025): 644–57. https://doi.org/10.26750/vol(12).no(1).paper31.

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Human beings recollect memories, events, or certain actions by the way the snow-flakes cover the leaves of the olive tree in their backyard. It is the setting that gives life much of its meaning, shape and color. For the story writer, setting is the entrance for his readers through which they wander in the world which he creates. Setting is a crucial element of the narrative fiction. In some works of literature, it functions as a character. In certain cases (say a prison, for instance) the psychological toll of setting can be devastating. Writers intentionally set their stories in such a way a
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17

Michiels, Laura. "A more perfect dissolution." English Text Construction 15, no. 2 (2022): 156–74. http://dx.doi.org/10.1075/etc.00055.mic.

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Abstract Samuel D. Hunter’s 2019 play Greater Clements is named after a fictional former mining town in Northern Idaho, which straddles the space between presence and absence. The locals have decided to put an end to a dispute with the Californian second-homers that have flocked to town in recent years, by voting to unincorporate. Hunter has indicated that the play relies heavily on the “toxicity of nostalgia”, on which the present essay concentrates. This article explores nostalgia as connected to two marginalised communities in Greater Clements: the miners, now out of work due to the effects
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18

Paul, Abhra. "Nature, Hunter and the Hunted: Eco-consciousness in Samares Mazumdar’s Selected Bengali Crime Fictions." Green Letters 22, no. 1 (2018): 78–88. http://dx.doi.org/10.1080/14688417.2018.1454844.

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19

Dr., Stishin K. Paul. "Art of Telling Detective Stories: Archetypal Reading of Narrative Pattern in Sir Arthur Conan Doyle"s A Study in Scarlet." RESEARCH REVIEW International Journal of Multidisciplinary 03, no. 08 (2018): 171–73. https://doi.org/10.5281/zenodo.1341790.

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This paper is a reading of Arthur Conan Doyle"s A Study in Scarlet in the light of Northrop Frye"s archetypal criticism. Northrop Frye, in his Anatomy of Criticism, suggests a structural formula for the detective fiction as „a man-hunter locating a scapegoat." Against the background of this view, this paper analyzes Arthur Conan Doyle"s A Study in Scarlet to see how this structure is recurrent in the text. The character of detective corresponds to the man-hunter image and the scapegoat image can be found in the performers of crime. The man-hunter locates the scapegoat through a process o
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20

Mariani, John A. "Computers in 3000 AD." ITNOW 31, no. 4 (1989): 11–14. https://doi.org/10.1093/combul/31.4.11.

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Abstract Dedicated to the memory of Dr. William Hunter (propulsion specialist), Dr. Peter Whitehead (geophysicist), and Dr. Victor Kaminski (astronomer and planetologist).* The aim of this article is to examine computers as they have appeared in science fiction, how they have influenced science fiction (and vice-versa), and how divorced reality and SF are in the realms of computing.
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21

Lipinskaya, A. A. "Ghost hunt: Elliot O’Donnell’s non-fiction." Philology and Culture, no. 3 (October 4, 2023): 131–37. http://dx.doi.org/10.26907/2782-4756-2023-73-3-131-137.

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The article deals with the author’s strategies, used by E. O’Donnell in his Twenty Years’ Experience as a Ghost Hunter, and compares this peculiar text with ghost stories – a genre of fiction very popular those days. O’Donnell’s book is a part of a long tradition of occult ‘non-fiction’, but it is positioned as the author’s memoirs, a true story of his own life (his other books are basically collections of ‘real’ ghostly appearances in various regions of England), and begins with his (or his alter ego’s) youth and his first traumatic encounter with a ghost that influenced his career choice, bu
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22

Richardson, Peter. "Between Journalism and Fiction." Boom 6, no. 4 (2016): 52–61. http://dx.doi.org/10.1525/boom.2016.6.4.52.

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Like Mark Twain, Hunter S. Thompson arrived in San Francisco as an obscure journalist, thrived on the city’s anarchic energies, and departed as a national figure. His literary formation played out in San Francisco during what he called ‘‘a Main Era—the kind of peak that never comes again.’’ That peak helped Thompson invent not only Gonzo journalism, but also himself. This article traces Thompson’s literary formation with special attention to three editors--Carey McWilliams, Warren Hinckle, and Jann Wenner--who helped transform Thompson into what he described as “one of the best writers current
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23

Boucher, Geoff M. "Death Cults and Dystopian Scenarios: Neo-Nazi Religion and Literature in the USA Today." Religions 12, no. 12 (2021): 1067. http://dx.doi.org/10.3390/rel12121067.

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In this article, I investigate the literary representation of the religious convictions and political strategy of neo-Nazi ideologues who are influential in rightwing authoritarian movements in the USA today. The reason that I do this is because in contemporary fascism, the novel has replaced the political manifesto, the military manual and proselytizing testimony, since fiction can evade censorship and avoid prosecution. I read William Luther Pierce’s Turner Diaries and Hunter together with his text on speculative metaphysics and religious belief, Cosmotheism. Then, I turn to Harold Covington
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Semenova, Sofiya N. "Cognitive-Pagmatic Characteristics of Fiction Text on the Material of D.N. Mamin-Sibiryak’s Short Story “Emelya the Hunter”." RUDN Journal of Language Studies, Semiotics and Semantics 13, no. 2 (2022): 280–93. http://dx.doi.org/10.22363/2313-2299-2022-13-2-280-293.

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The researcher attempts to give the cognitive and pragmatic characteristics of fiction text (based on D.N. Mamin-Sibiryak’s short story “Emelya the Hunter”). The aim of the work was to build the model of the cognitive type on D.N. Mamin-Sibiryak’s short story and analyze speech realizations in the text. The novelty of this article is a detailed cognitive and pragmatic study of the constituent elements, a description of the mental and linguistic structure (cogniotype) and the interpretation of the received results in the studying process of the structural and content side of the text of the sho
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25

Kühn, Marion. "Des voix du silence. Variations de la narration indécidable dans le roman de mémoire contemporain1." Tangence, no. 105 (May 14, 2015): 31–54. http://dx.doi.org/10.7202/1030445ar.

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Par la mise en scène de la fiabilité problématique de tentatives d’appropriation du passé, le roman de mémoire interroge souvent la subjectivité et la sélectivité de la mémoire. Présentant trois variations de la narration indécidable, l’article vise à démontrer l’apport supplémentaire de cette forme de narration problématique à la réflexion sur la mémoire par la fiction, notamment sur la formation collective de la mémoire individuelle. Pour ce faire, l’article analyse trois romans de mémoire québécois, allemand et français publiés après 2000, et qui exploitent de différentes manières le contra
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Ess, Courtneigh. "’n Feministiese ondersoek na Bettina Wyngaard se misdaadfiksie." Tydskrif vir Letterkunde 61, no. 1 (2024): 24–34. http://dx.doi.org/10.17159/tl.v61i1.16619.

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The recent discourse on black feminism in Afrikaans literature is strongly influenced by powerful and activist-oriented writers like Ronelda Kamfer, Lynthia Julius, and Veronique Jephtas. With their poetry and public statements, they have shaped the feminist discourse significantly. However, the recent discourse on feminism in Afrikaans largely overlooks the contributions of certain black Afrikaans women writers. Bettina Wyngaard, a black Afrikaans woman novelist, attempts to disrupt this silence and through her literature and opinion pieces, she advances an alternative feminist stance. This a
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27

Piper, Kevin. "A Faithful Account: Postsecular History and Agape in the Devout Catholic Fiction of Dena Hunt." Christianity & Literature 69, no. 4 (2020): 511–28. http://dx.doi.org/10.1353/chy.2020.0064.

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Abstract: The article examines the contribution of contemporary devout Catholic fiction to postsecular conversations around the mediation of religious experience by secular history with specific attention to a novel not yet discussed within literary studies: Dena Hunt's Treason , a work of historical fiction about Catholic suppression in Elizabethan England. The article argues that (1) Treason analyzes early formations of secular institutions and narratives within Elizabethan England as co-opting Christian expressions of agapeic love, and (2) responds to that co-optation by engaging in a histo
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Salvati, Andrew J. "History bites: mashing up history and gothic fiction inAbraham Lincoln: Vampire Hunter." Rethinking History 20, no. 1 (2016): 97–115. http://dx.doi.org/10.1080/13642529.2016.1134923.

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Trotter, Carol, and Barbara Carey. "Radiology Basics: Overview and Concepts." Neonatal Network 19, no. 2 (2000): 35–47. http://dx.doi.org/10.1891/0730-0832.19.2.35.

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WHILE I WAS GROWING UP, THERE WAS A PERIOD OF time when I was no longer interested in fictional characters, but in real life heros. Certainly one of the books that influenced me was Microbe Hunters by Paul De Kruif. I was spellbound as these scientific heros discovered the unseen universe of bacteria that was all around us. No less thrilling or useful was the discovery of a new force that allowed us to see within the human body, x-rays.
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30

Boever, Arne De. "Clear and Distinct? Meditations on Philip K. Dick and Descartes." Philosophy, Politics and Critique 2, no. 1 (2025): 58–75. https://doi.org/10.3366/ppc.2025.0065.

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In this article, I engage in an extensive meditation on Philip K. Dick's science fiction novel Do Androids Dream of Electric Sheep?, which revolves around the attempts of a bounty hunter called Deckard (a reference to the philosopher René Descartes) to separate humans from androids. Continuously interweaving literature (Dick, Durs Grünbein, W.G. Sebald, Emmanuel Carrère) and philosophy (Descartes, François Jullien, Zhuangzi, Laozi, Giorgio Agamben), the article challenges Deckard/Descartes’ attempts at pursuing truth by making clear and distinct separations. Instead, the article explores a lit
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Avarvarei, Simona Catrinel. "When West Met East and Bloomed its Cherries." Linguaculture 13, no. 2 (2022): 63–74. http://dx.doi.org/10.47743/lincu-2022-2-0311.

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This paper builds itself on the story of Collingwood Ingram as elaborated by the journalist and non-fiction writer Naoko Abe in her book The Sakura Obsession - The Incredible Story of the Plant Hunter Who Saved Japan's Cherry Blossoms published in the United States, in March 2019, after it had been first launched in Japan, three years earlier, in the same spring month of 2016. This is the Story, with capital S, as C.S. Lewis would have referred to it, in that that it bestows upon the reader “unexpectedness . . . that delights” (Lewis, On Stories), describing an epiphanic encounter of East and
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Mare, Peter. "The Survival Artist." After Dinner Conversation 6, no. 4 (2025): 5–13. https://doi.org/10.5840/adc20256433.

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Is life always perfect when you have enough glitter-stones? In this work of philosophical short story fiction, Eve is a skilled hunter of “glitter-stones,” which magically take away the pain of hunger, loneliness, and cold. She has learned to see only the glitter-stones, and has even learned to see through her surroundings and other people to see only them. One day she sees a stranger on the splashing in the waves of the beach with no glitter-stones, and follows the stranger back to their camp. She steals the stranger’s bag, but it only contains “flat pieces of birch bark” with portrait drawin
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Stevick, Philip. "J. Paul Hunter. Before Novels: The Cultural Contexts of Eighteenth-Century English Fiction." Scriblerian and the Kit-Cats 24, no. 1 (1991): 52–54. http://dx.doi.org/10.5325/scriblerian.24.1.0052.

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34

Watts, Ian. "Before The Dawn of Everything." Hunter Gatherer Research 8, no. 3-4 (2022): 233–64. http://dx.doi.org/10.3828/hgr.2022.3.

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The Dawn of Everything ( DoE ) holds that social organisation among our earliest ancestors is likely to have been extraordinarily diverse. Therefore, there can have been no ‘original’ form of human society. ‘Searching for one can only be a matter of myth-making.’ This does not bode well for integrating evolutionary and social anthropology, but contributions from social anthropology, with its unique perspective on what it is to be a symbolic species, are rare in modern human ‘origins’ research, and so deserve close attention. Following a critique of DoE’ s framing this contribution inverts the
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Kotva, Simone, and Eva-Charlotta Mebius. "Rethinking Environmentalism and Apocalypse: Anamorphosis in The Book of Enoch and Climate Fiction." Religions 12, no. 8 (2021): 620. http://dx.doi.org/10.3390/rel12080620.

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Biblical apocalypse has long been a source of contention in environmental criticism. Typically, ecocritical readings of Biblical apocalypse rely on a definition of the genre focused on eschatological themes related to species annihilation precipitated by the judgement of the world and the end of time. In this article, we offer an alternative engagement with Biblical apocalypse by drawing on Christopher Rowland and Jolyon Pruszinski’s argument that apocalypse is not necessarily concerned with temporality. Our case study is The Book of Enoch. We compare natural history in Enoch to Jean-Luc Mario
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Rosenthal, Debra J. "Climate-Change Fiction and Poverty Studies: Kingsolver’s Flight Behavior, Diaz’s “Monstro,” and Bacigalupi’s “The Tamarisk Hunter”." ISLE: Interdisciplinary Studies in Literature and Environment 27, no. 2 (2019): 268–86. http://dx.doi.org/10.1093/isle/isz105.

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Ismail Mousa, Sayed M., and Ghassan Nawaf Jaber Alhomoud. "Exploring the Literary Representation of Trauma in Contemporary Iraqi Fiction from Socio-historical Perspective." World Journal of English Language 12, no. 1 (2022): 162. http://dx.doi.org/10.5430/wjel.v12n1p162.

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The present study aims to critically review the aspects of war in selected Iraqi war novels— Sinan Antoon, The Baghdad Eucharist (2017), Corpse Washer (2013) Zauhair Jabouri, The Corpse Hunter (2014)—that focus on depicting vividly the traumatic experiences of Iraqi, particularly after the US-led invasion of Iraq 2003 and how these novels could recur constantly to humanist themes and traumatized figures, the psychological suffering of minorities and the oppressed. In other words, it aims to make visible specific historical instances of trauma in Iraqi war fiction. The present study undertakes
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Jajszczok, Justyna. "The Last Day and Brexit: Delusions of Future Past." Porównania 30, no. 3 (2021): 167–77. http://dx.doi.org/10.14746/por.2021.3.11.

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The paper aims to show how the traditions of science fiction and, above all, invasion literature provide the ideological background for reading Andrew Hunter Murray’s The Last Day as a novel about Brexit. As it draws on anxious visions of the future, in which the enemy lurks around every corner, and the only salvation is complete isolation from the world, Murray’s work is read here as a Brexit dream come true, in which Britain is once again great, independent and uncontaminated by foreign elements. By evoking the myths that focus only on glory and conveniently “forget” the dark sides of the em
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Jacobs, Andrew S. ""This Piece of Parchment Will Shake the World": The Mystery of Mar Saba and the Evangelical Prototype of a Secular Fiction Genre." Christianity & Literature 69, no. 1 (2020): 91–106. http://dx.doi.org/10.1353/chy.2020.0005.

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Abstract: The 1940 evangelical novel The Mystery of Mar Saba by James H. Hunter shares with a later, secular genre of novels I call gospel thrillers a common plot (the discovery of a new gospel from the first century and a race to prove or disprove its authenticity) but also common anxieties about biblical authority mapped onto geopolitical, theological, and personal registers. I triangulate these themes with the modern professional study of the Bible, which has also produced a vulnerable yet authoritative biblical text and which has, in surprising fashion, resurrected for its own purposes The
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Pala, Mauro. "Dystopia Revisited: Biopolitics as Remedy and Response to Philip K. Dick’s Do Androids Dream of Electric Sheep?" Caietele Echinox 46 (June 1, 2024): 323–34. http://dx.doi.org/10.24193/cechinox.2024.46.24.

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Philip K. Dick’s science fiction classic Do Androids Dream of Electrics Sheep? and its adaptation movie Blade Runner by Ridley Scott feature a devastated earth where bounty hunter Rick Deckard stalks authentic human replicants, designed for a short term highly flexible labor power. A group of these androids infiltrate to the earth of the productive apparatus which manufactured them, trying to persuade their maker to re-program their genetic makeup. Biopolitics as conceived by Roberto Esposito is apt at exploiting the reserves of sense present in Dick’s critical scenario, and managing the mixin
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Lohinova, L. V., and A. K. Smarkalova. "PECULIARITIES OF SLANG USAGE IN CRIME FICTION BASED ON THE WORK “CLOSE TO HOME” BY CARA HUNTER." Тrаnscarpathian Philological Studies, no. 35 (2024): 106–10. http://dx.doi.org/10.32782/tps2663-4880/2024.35.18.

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Fusco, Virginia. "Narrative representations of masculinity. The hard werewolf and the androgynous vampire in "Anita Blake: Vampire Hunter Series"." Journal of English Studies 15 (November 28, 2017): 71. http://dx.doi.org/10.18172/jes.3190.

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Laurell Hamilton in her “Anita Blake: Vampire Hunter Series” portrays a large community of monstrous creatures that populate a violent near-future American landscape. A number of critics have already explored the forms in which Anita, the leading heroine, emerges in the 1990s literary scene as a strong figure who challenges traditional narratives of female subordination and alters predictable romantic entanglements with the male protagonists (Crawford 2014; Veldman-Genz 2011; Siegel 2007; Holland-Toll 2004). Moving beyond this approach that centres on Anita, this paper explores the forms in wh
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Mrázek, Jan. "Primeval Forest, Homeland, Catastrophe." Anthropos 116, no. 1 (2021): 29–54. http://dx.doi.org/10.5771/0257-9774-2021-1-29.

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The SVD ethnologist/ethnographer mostly known as Paul Schebesta (1887-1967) was often introduced in Czechoslovakia as “our Czech” Pavel Šebesta. Querying origins, selves and homelands, his own and in his writings (ethnography/travelogues/fiction on “dwarfs” in the “primeval forest”), this essay traces the multiplicity/borderlands/nomadism of Schebesta/Šebesta, also in his relation to the “Other,” a concept/distinction/border that is thus destabilized or blurred. Interweaving apparently separate questions about his life and scholarship, the essay finds continuities and mirroring across distance
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Łukaszyk, Ewa A. "Queer Austringers. Helen Macdonald Reads T. H. White." Er(r)go. Teoria - Literatura - Kultura, no. 49 (October 21, 2024): 119–35. https://doi.org/10.31261/errgo.15844.

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In 2014, Helen Macdonald published a bestselling non-fiction text, H Is for Hawk. Building upon an inherited cultural practice of keeping and taming goshawks, she offered to the readers a compelling presentation of her personal journey of mourning after the death of her father, parallel to a rebellious maturation in the margin of cultural normativities. The relation between the austringer, that is, the keeper of goshawks, and the bird of prey is presented not only as a process of introspection and healing, but also of almost complete identification with the non-human partner. In parallel to th
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Steffan, Jenkins. "The Weirdness of Hyperobjects." Pulse: the Journal of Science and Culture 8 (June 5, 2021): 17. https://doi.org/10.5281/zenodo.10576359.

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Global weirding, a phrase coined by Hunter Lovins and popularised by Thomas Friedman,has garnered a modicum of prominence since its popularisation in the late 2000s. It wascoined as a replacement for global warming, with the abnormal effects of climate changeforegrounded. When conceiving the concept of the ‘hyperobject’, Timothy Morton usesglobal warming specifically as one of his key examples. However, as the vernacular forreferring to climate change has been updated, it seems prudent to examine the hyperobjectagain. When writing on the topic of 
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Huber, Karoline, and Geoff Rodoreda. "Narrating Loss in James Bradley’s "Clade" (2015); or, Introducing Arrested Narrative in Climate Fiction." Ecozon@: European Journal of Literature, Culture and Environment 15, no. 1 (2024): 143–57. http://dx.doi.org/10.37536/ecozona.2024.15.1.5072.

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In James Bradley’s futuristic novel of climate crises, Clade (2015), characters constructed to evoke empathy and readerly attachment, characters we expect to be further developed narratologically, are prone to sudden, unexpected and unexplained disappearances. The development of cared-for characters is thus ‘arrested’ at the level of narration. For readers, this is disarming and disconcerting. However, we find purpose in such acts of narratorial breakage in cli-fi like Clade. In contemporary stories of climate crises, which project environmental destruction, the loss of habitats and species, a
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Henitiuk, Valerie, та Marc-Antoine Mahieu. "Prendre l’inuktitut au sérieux : la traduction de ᐆᒪᔪᕐᓯᐅᑎᒃ ᐅᓈᑐᐃᓐᓇᒧᑦ [Uumajursiutik unaatuinnamut]". ALTERNATIVE FRANCOPHONE 3, № 5 (2024): 175–86. https://doi.org/10.29173/af29508.

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Cet article présente le projet qui a conduit les auteurs à traduire le premier texte de fiction littéraire jamais publié dans une langue autochtone du Canada, la langue des Inuit. Intitulé Uumajursiutik unaatuinnamut, ce texte de Markoosie Patsauq a paru en 1969-1970 dans la revue Inuktitut. Nos recherches ont démontré que ce texte n’avait jamais été traduit, au sens rigoureux du terme. Le livre intitulé Harpoon of the Hunter, publié dès 1970 par McGill-Queen’s University Press, signé par Markoosie Patsauq lui-même, en est une adaptation, demandée et éditée par l’auteur de littérature jeunesse
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Bosman, Frank G. "God Was Never there God and the Shoah in the Netflix Series Jaguar." Perichoresis 21, no. 3 (2023): 4–20. http://dx.doi.org/10.2478/perc-2023-0019.

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Abstract On September 22, 2021, the Spanish series Jaguar was released on Netflix. Its six episodes of season one (a second season is yet to be confirmed) focus on a fictional band of Nazi-hunters in Spain, somewhere in the 1960s, calling themselves “Jaguars” (hence the series’ title). All but one Jaguar member are survivors of several German concentration camps, and dedicate their lives to bring Nazi war criminals, who are spending their days in luxury under the protection of the Franco regime in Spain, to justice. One of the Jaguars is Marsé (Francesc Garrido), a bearded man in his forties,
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Brosius, J. Peter. "Father Dead, Mother Dead: Bereavement and Fictive Death in Penan Geng Society." OMEGA - Journal of Death and Dying 32, no. 3 (1996): 197–226. http://dx.doi.org/10.2190/wh9x-cck2-btl7-bq8g.

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A characteristic of the mortuary complexes of central Bornean societies is the existence of systems of “death-names.” Death-names are actually titles, given to persons on the death of a relative. This article examines the system employed by Penan Geng hunter-gatherers. What is significant about the Penan complex is that death-names are employed in a wider range of contexts than that of bereavement: they are used 1) to express affection, 2) to verify statements, and 3) as curses. Each of these usages derives from the assumption that reference to the death of a living individual may bring it abo
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Jenkins, Elwyn. "ROY CAMPBELL’S CHILDREN’S NOVEL, THE MAMBA’S PRECIPICE." Mousaion: South African Journal of Information Studies 34, no. 2 (2016): 83–97. http://dx.doi.org/10.25159/0027-2639/895.

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Roy Campbell’s The mamba’s precipice (1953), a novel for children, is his only prose work of fiction. This article examines three aspects of the book, namely its autobigraphical elements; its echoes of Campbell’s friendship with the writers Laurie Lee and Laurens van der Post; and its parallels with other English children’s literature. Campbell based the story on the holidays his family spent on the then Natal South Coast, and he writes evocative descriptions of the sea and the bush. The accounts of feats achieved by the boy protagonist recall Campbell’s self-mythologising memoirs. T
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