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Journal articles on the topic 'Hybrid genre theory'

Author: Grafiati
Published: 10 December 2022
Last updated: 28 January 2023

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1

Siuta, Bohdan. "Notion “Genre Type” as the Metalіngual Unit of the Modern Musical Theory". Terminological Bulletin, № 5 (2019): 188–95. http://dx.doi.org/10.37919/2221-8807-2019-5-25.

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The notion “genre type” is actual metalіngual unit of the modern musicology and musical theory. The theoretical comprehension of this term is connected with the problem of the theory of the musical genre, which is actual for contemporary musicology. This term (as far as its correspondences in musicological discourse of the countries of Eastern, Central and Western Europe) in Ukrainian musicology is still totally uncertain and not codified. This creates an obvious metalіngual lacuna. In the adequate theoretical representation, the term “genre type” outlines the higher level of the hierarchical
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Monticone, Paul. "TheNoirWestern: Genre Theory and the Problem of the Anomalous Hybrid." Quarterly Review of Film and Video 31, no. 4 (2014): 336–49. http://dx.doi.org/10.1080/10509208.2012.660452.

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Saburova, Liudmila E. "Tommaso Landolfi: in Search of a Free Genre Form." Studia Litterarum 6, no. 1 (2021): 52–65. http://dx.doi.org/10.22455/2500-4247-2021-6-1-52-65.

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This article focuses on genre characteristics of Tommaso Landolfi’s works which the author himself called diaries: “La biere du pecheur,” “Rien va” and “Des mois.” Although formally these three texts are not related and moreover, considerably differ from each other in structure and in content, they are united by a common narrative strategy, due to their genre features. Preserving main characteristics inherent in autobiographical prose, these diaries are at the same time aesthetically organized texts that have an artistic structure and contain artistic imagery as well as, most importantly, elem
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Ren, Wei, Vijay K. Bhatia, and Zhengrui Han. "Analyzing interdiscursivity in legal genres." Pragmatics and Society 11, no. 4 (2020): 615–39. http://dx.doi.org/10.1075/ps.17030.han.

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Abstract The traditional simplistic understanding of legal genre as homogeneous texts of legalese is recently confronted by researches focusing on the contextual aspects of legal communication, i.e. the production, circulation, and consumption of legal genres in diverse institutional contexts (Candlin and Maley 1997; D’hondt and Van Der Houwen 2014). It is, according to these researches, more reasonable to think of legal genres as a hybrid combining the operation of different heterogeneous discourses. This article takes the broad contextual perspective, draws on the theory of critical genre an
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Evtushenko, Oksana, and Svetlana Pervukhina. "Electronic Mode of the Modern Administrative Discourse." Vestnik Volgogradskogo gosudarstvennogo universiteta. Serija 2. Jazykoznanije, no. 5 (January 2021): 99–109. http://dx.doi.org/10.15688/jvolsu2.2020.5.9.

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The study has been carried out in line with the current problems of modern discourse and genre studies related to the study of the evolution of administrative discourse, which is understood as a hybrid of oral and written communication. The article presents the results of the analysis of the Internet influence on the long-established genres of administrative discourse. The concept of administrative Internet communication has been clarified. The study of administrative discourse in the Internet space clearly demonstrates that even the most conservative sphere of activity is influenced by modern
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Muravieva, Larissa E. "Exofiction and Enactivist Narratives in Contemporary French Literature." Studia Litterarum 7, no. 3 (2022): 30–51. http://dx.doi.org/10.22455/2500-4247-2022-7-3-30-51.

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The proliferation of hybrid genres is a notable trend in contemporary French literature. Alongside autofiction, new hybrids are emerging in French literature, modelled on a mixture of fiction and factual genre. One of them is exofiction (“ex” + “fiction”), which implies a narrative about fictitious events from the life of a historical character or an attempt to introduce fiction into someone else’s biography. The neologism, belonging to the writer Philippe Vasset, is rapidly entering scholarly and critical discourse, but no systematic attempt to describe the phenomenon has been made. According
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Molodychenko, Evgeni N. "Metapragmatic discourses in differentiating genres in online media." Vestnik of Saint Petersburg University. Language and Literature 18, no. 2 (2021): 363–82. http://dx.doi.org/10.21638/spbu09.2021.207.

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One of the possible ways to explore contextualization is through external discourses referencing the pragmatics of the discourse in question. These are known as metapragmatic discourse. The purpose of this article is to theoretically integrate the concept of metapragmatics into genre analysis and apply metapragmatic tools to the analysis of specific genres. Five YouTube videos together with their accompanying comments exhibiting metapragmatic properties were analyzed. Methodologically, the analysis relies on the textually oriented content analysis. The results indicate that placing discourses
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Masschelein, A., C. Meuree, D. Martens, and S. Vanasten. "The Literary Interview: Toward a Poetics of a Hybrid Genre." Poetics Today 35, no. 1-2 (2014): 1–49. http://dx.doi.org/10.1215/03335372-2648368.

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Varghese, Susheela Abraham, and Sunita Anne Abraham. "Book-Length Scholarly Essays as a Hybrid Genre in Science." Written Communication 21, no. 2 (2004): 201–31. http://dx.doi.org/10.1177/0741088303262844.

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Calabrese, Filomena. "Leonardo’s Profezia: Moral Writings of a Hybrid Kind." Quaderni d'italianistica 32, no. 2 (2012): 75–100. http://dx.doi.org/10.33137/q.i..v32i2.16309.

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In the period 1490-99, Leonardo da Vinci (1452-1519) wrote nearly three hundred literary writings that were later compiled by scholars into four primary collections: the Bestiario, Favole, Facezie, and Profezia. This article takes Leonardo’s Profezia as its main subject in order to give due recognition to the generic nature of this collection. Specifically, it examines the texts in the Profezia as examples of mixed genre in an attempt to demonstrate how ethos, context, and generic convention yield to the greater moral statement made by Leonardo in the writings themselves. Unlike Leonardo’s oth
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HANTKE, STEFFEN. "The Military Horror Film: Speculations on a Hybrid Genre." Journal of Popular Culture 43, no. 4 (2010): 701–19. http://dx.doi.org/10.1111/j.1540-5931.2010.00766.x.

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Vidineeva, Natalya Yu. "Means of Implicitness in Russian Political Weblogs." RUDN Journal of Language Studies, Semiotics and Semantics 11, no. 4 (2020): 733–44. http://dx.doi.org/10.22363/2313-2299-2020-11-4-733-744.

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The study concerns genre characteristics of weblogs as well as the analysis of linguistic means of implicitness in political weblogs. The ongoing communication media development challenges researches with the investigation of its features. From the linguistic standpoint, the genre approach to media studies seems to be the most relevant. We assume that pragmatic genre studies meet the needs of weblogs investigation in the best possible way. This is due to taking into consideration the genre interlocutory nature and the factors of the speaker and the recipient. A weblog is a hybrid genre origina
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Gould, Rebecca Ruth. "Russifying the Radīf: Lyric Translatability and the Russo-Persian Ghazal." Comparative Critical Studies 17, no. 2 (2020): 263–84. http://dx.doi.org/10.3366/ccs.2020.0362.

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Building on Earl Miner's insight that the lyric is a ‘foundation genre’ of world literature, this article develops this idea in the context of thinking about lyric translatability. I do this by examining the Russo-Persian lyric, a hybrid literary genre that developed within Russian literature of the nineteenth and twentieth centuries. Radically unlike its classical Persian prototype, the Russo-Persian ghazal is a case study in lyric translatability. I explore the development of this hybrid genre from its appropriation by the Russian Romantic poet Afanasy Fet (d. 1890) to its influence on Serge
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Ekinci, Barış Tolga. "A hybrid documentary genre: Animated documentary and the analysis of Waltz with Bashir (2008) Movie." CINEJ Cinema Journal 6, no. 1 (2017): 4–24. http://dx.doi.org/10.5195/cinej.2017.144.

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The word documentary has been described as an advice” in “Oxford English Dictionary” in the late 1800s. Document is a main source of information for lawyers. And in cinema, basic film forms are defined with their own properties. The common sense is to separate documentary from fiction, experimental from main current and animation from the live action films. While these definitions were being made, it has been considered that which expression methods were used. The film genre which is called documentary has been defined in many different ways. In this study, animated documentary genre which is
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Mehlenbacher, Ashley Rose. "Registered Reports: Genre Evolution and the Research Article." Written Communication 36, no. 1 (2018): 38–67. http://dx.doi.org/10.1177/0741088318804534.

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The research article is a staple genre in the economy of scientific research, and although research articles have received considerable treatment in genre scholarship, little attention has been given to the important development of Registered Reports. Registered Reports are an emerging, hybrid genre that proceeds through a two-stage model of peer review. This article charts the emergence of Registered Reports and explores how this new form intervenes in the evolution of the research article genre by replacing the central topoi of novelty with methodological rigor. Specifically, I investigate t
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Bresler[1], Liora, Judith Davidson Wasser, and Nancy Hertzog. "Casey at the Bat: a hybrid genre of two worlds." Research in Drama Education: The Journal of Applied Theatre and Performance 2, no. 1 (1997): 87–106. http://dx.doi.org/10.1080/1356978970020106.

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17

Powell, Robert. "Taking Pieces of Rand with Them: Ayn Rand's Literary Influence." Journal of Ayn Rand Studies 12, no. 2 (2012): 207–35. http://dx.doi.org/10.2307/41717248.

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Abstract Despite the fact that Ayn Rand did not influence the best artists, she did leave an important legacy for the American imagination and literary establishment. Rand's influence is arguably more multi-genre than any other author. Some multi-genre authors who were possibly influenced by Rand include: John Steinbeck (literature), Mickey Spillane and Ian Fleming (detective fiction), Ira Levin, Cameron Hawley, Erika Holzer and Kay Nolte Smith (popular fiction) and Terry Goodkind (science fiction). Her influence represents an important balance between many various types of American Literature
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Powell, Robert. "Taking Pieces of Rand with Them: Ayn Rand's Literary Influence." Journal of Ayn Rand Studies 12, no. 2 (2012): 207–35. http://dx.doi.org/10.5325/jaynrandstud.12.2.0207.

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Abstract Despite the fact that Ayn Rand did not influence the best artists, she did leave an important legacy for the American imagination and literary establishment. Rand's influence is arguably more multi-genre than any other author. Some multi-genre authors who were possibly influenced by Rand include: John Steinbeck (literature), Mickey Spillane and Ian Fleming (detective fiction), Ira Levin, Cameron Hawley, Erika Holzer and Kay Nolte Smith (popular fiction) and Terry Goodkind (science fiction). Her influence represents an important balance between many various types of American Literature
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19

Martin, Thomas L. "Relevant Context, Genuine Relation: Genre, Form, and Gender in Twenty-First Century The Winter's Tale Criticism." Ben Jonson Journal 27, no. 1 (2020): 1–23. http://dx.doi.org/10.3366/bjj.2020.0269.

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A resurgence of interest in Shakespeare's late romances has scholars once again asking what kind of work is The Winter's Tale. After The Tempest, it has occupied critics over the first two decades of the twenty-first century more than any other in this group of late plays. Besides a variety of new themes, dramatic material, staging challenges, and interpretive cruxes, the question of genre among these plays still puzzles late modern critics as much as it did early Enlightenment critics. What was Shakespeare doing experimenting with genre so late in his career, where elements of tragedy and com
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Luzón, María José. "Connecting Genres and Languages in Online Scholarly Communication: An Analysis of Research Group Blogs." Written Communication 34, no. 4 (2017): 441–71. http://dx.doi.org/10.1177/0741088317726298.

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Blogs provide an open space for scholars to share information, communicate about their research, and reach a diversified audience. Posts in academic blogs are usually hybrid texts where various genres are connected and recontextualized; yet little research has examined how these genres function together to support scholars’ activity. The purpose of this article is to analyze how the affordances of new media enable the integration of different genres and different languages in research group blogs written by multilingual scholars and to explore how various genres are coordinated in these blogs
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Goroshko, Olena, and Tetiana Poliakova. "Visualization of Digital Genres: Instagraming in English Political Communication." Social Communications: Theory and PracticeS 14, no. 1 (2022): 148–63. http://dx.doi.org/10.51423/2524-0471-2022-14-1-9.

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The article depicts the emergence of a new digital hybrid genre –instagraming.The research objective is to analyze the design of the genre Instagram at the text level and to determine the main linguistic and non-linguistic features of the genre design in the field of English political Internet-communication. Research methods and techniques.The material of the research includes 144 English publications obtained from the official accounts of Joe Biden and Boris Johnson. The qualitative and quantitative methods are used in the research namely: the methods of information analysis, synthesis, compa
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Andrade, Pedro. "GeoNeoLogical Novel and Other Hybrimedia Experiments: or How to Use Hybrid Methods such as Hybrid Discourse Analysis (HDA) within a Knowledge Base." Matlit Revista do Programa de Doutoramento em Materialidades da Literatura 4, no. 2 (2016): 157–81. http://dx.doi.org/10.14195/2182-8830_4-2_8.

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In this essay I will present some results of the project Public Communication of Art, which developed a seminal theory and methodology intended to cope with hybridity and new media literacy in our globalized and inter/transcultural world. Some of the methods used blend vision with touch and are called ‘hybrid methods’ or ‘hybrimethods’. Examples of these are, for instance, a Multitouch Interactive Table, a Multitouch Questionnaire, Trichotomies Game and GeoNeoLogic Novel, this last one being a hybrid novel activated by fusion of vision, touch and GPS coordinates. Another hybrimethod is a sort
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Sasongko, Michael Hari. "MUSIK ETNIK DAN PENGEMBANGAN MUSIK GEREJA." Tonika: Jurnal Penelitian dan Pengkajian Seni 2, no. 1 (2019): 32–47. http://dx.doi.org/10.37368/tonika.v2i1.41.

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Church, as a religious institution, and ethnic music, as a communality creation, are different thing. They have different philosophy, meaning, existence, entity, form, and also sosial and historical context. Sometimes even as, ideologically, they display even negation. However inspite of the contradiction, they have some interest and orientation i.e. come together on a place for expressing who people are. When they meet, there, they create something new. Based on Homi K. bhabha's theory, this something new is called "the third space". We will find ambivalence and mimicry in the new space. On t
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Hanstein, Michael. "Protreptik, Lehrbrief, Studienanleitung für Lehrer." Daphnis 50, no. 2-3 (2022): 219–44. http://dx.doi.org/10.1163/18796583-12340063.

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Abstract In 1565 the Strasbourg Gymnasium experienced a profound crisis. Rector Sturm contributed this to the lack of understanding of the method he had developed approximately 30 years prior. Thus, Sturm inspected teaching lessons and distributed detailed recommendation letters to teachers. These letters, called the Classicae Epistolae, represent a hybrid genre: as didactic letters they convey a pedagogic-methodical content, while they also contain protreptic elements with Sturm’s calls to implement his recommendations.
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Staels, Hilde. "The Rogue as an Artist in Patrick deWitt’s "The Sisters Brothers"." Text Matters, no. 9 (December 30, 2019): 153–66. http://dx.doi.org/10.18778/2083-2931.09.09.

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This article explores Eli Sisters as a reinvigorated rogue who finds his artistic calling in Patrick deWitt’s The Sisters Brothers, published in 2011. With the help of insights from narratology and genre theory, the article provides a textual analysis of Eli’s discourse, perspective and behaviour. Eli casts a critical light on the senseless violence, unbridled greed, ecological devastation, and hyper-masculinity inherent to America’s Frontier myth. As a reinvigorated rogue, he raises questions about what it means to be human and reflects upon morality. With hindsight, the rogue as an artist cr
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Seita, Sophie. "Playing with Knowledge." TDR: The Drama Review 66, no. 3 (2022): 78–95. http://dx.doi.org/10.1017/s1054204322000314.

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Seated between art and academia, the lecture performance is a hybrid and playful genre that questions the norms and forms of lectures. Often highly reflexive, discursive, and pedagogical, it draws attention to the structures of how knowledge is produced, distributed, and received. It stages and costumes knowledge; makes it wearable or movable.
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Amit-Danhi, Eedan R., and Limor Shifman. "Digital political infographics: A rhetorical palette of an emergent genre." New Media & Society 20, no. 10 (2018): 3540–59. http://dx.doi.org/10.1177/1461444817750565.

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Information visualizations (“infographics”) have long been part of the production of knowledge, although the rise of digital media brought about a significant expansion in both their volume and their use for political purposes. This article provides a first overview and typology of the emergent genre we term “digital political infographics.” Informed by literature and theory about visualizations, political persuasion, interfaces, and digital sharing, we aimed to reveal the “data-politics” unique to this expression form. A grounded analysis of 200 politically oriented infographics on Twitter yi
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Martín-Jiménez, Virginia, Pablo Berdón-Prieto, and Itziar Reguero-Sanz. "The precursors of infotainment? Debate and talk shows on Televisión Española (1980-1989)." Communication & Society 35, no. 1 (2022): 119–35. http://dx.doi.org/10.15581/003.35.1.119-135.

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The theory formulated to date indicates that political infotainment programs arrived in Spain in a widespread manner in the 1990s with the rise of private television channels. But were there spaces in public television that shared the traits of this novel television genre before that time? This article is aimed at analyzing debate and talk shows, as well as hybrid format shows combining both genres, broadcasted on Televisión Española (TVE-1 and TVE-2) during the ‘80s, in order to determine whether or not these programs present the emblematic style characteristic of infotainment. The methodolog
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Hajimia, Hafizah, Nur Rasyidah Mohd Nordin, Manvender Kaur Sarjit Singh, and Philip Golingai. "The rhetorical structure of newspaper reports: A synergy between corpus, genre and discourse analysis." Indonesian Journal of Applied Linguistics 12, no. 1 (2022): 86–99. http://dx.doi.org/10.17509/ijal.v12i1.46433.

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The pandemic has intensified issues faced by the journalism community in Malaysia. This study is an attempt to help the media industries upskill themselves in terms of the written discourse. This study describes the rhetorical structures in Malaysian newspaper reports, namely The Star, in terms of the rhetorical moves and steps by using the genre theory, corpus-based discourse analysis and corpus analysis. MyCORONAS (Malaysian Corpus of Online Newspaper Articles) corpus of 90 selected news reports consisting of crime news (TSC), environmental news (TSE) and political news (TSP) was compiled an
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Smith, Erin A. "Who Didn’t Do It?" Reception: Texts, Readers, Audiences, History 14 (July 1, 2022): 22–41. http://dx.doi.org/10.5325/reception.14.1.0022.

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ABSTRACT David Grann’s Killers of the Flower Moon is a generic hybrid: literary journalism, true crime tale of the Wild West, and whodunit. I argue that the activation of different sets of reader expectations for these genres gives it an extraordinarily powerful political impact. Based on reviews and reader responses on Amazon and Goodreads and on the genre characteristics of the narrative itself, I make the case that Grann satisfies readers’ expectations for formula Westerns and classical detective stories in the first two parts (i.e., solving the crime and arresting the bad guy), only to und
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Humpál, Martin. "Roman som skuespill: Sjangerhybriditet i Erlend Loes Stille dager i Mixing Part." European Journal of Scandinavian Studies 49, no. 1 (2019): 42–54. http://dx.doi.org/10.1515/ejss-2019-0003.

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Abstract Erlend Loe’s novel Stille dager i Mixing Part (2009, Quiet Days in Mixing Part) focuses on a marital crisis of a Norwegian couple on vacation in Germany. The husband, Bror Telemann, is a dramaturg who dreams of writing a major play, and he tries in vain to begin to write one. The novel is a third-person narrative, but it actually contains few narrative passages: most of the text consists of dialogues. The text is, in fact, a hybrid of two genres – part novel, part play. This seems to be a consciously chosen aesthetic strategy on Loe’s part. The main thematic aspects of Stille dager i
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Badran, Dany. "Metaphor as argument: A stylistic genre-based approach." Language and Literature: International Journal of Stylistics 21, no. 2 (2012): 119–35. http://dx.doi.org/10.1177/0963947011435858.

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One of the most intriguing questions in both stylistic and rhetorical analyses relates to determining textual effect on readers, aesthetic or otherwise. Whether the power of the text is directly associated with the role of the text producer and his or her intentions, the linguistic, paralinguistic, extralinguistic and situational context of the text, the background and socio-cognitive expectations of the reader, or a combination of some or all of these factors (or other factors) is a question that is still the subject of stylistic and rhetorical analysis today. This article is a further step i
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Ristivojević, Marija. "(Re)defining tradition: the example of the world music phenomenon." Issues in Ethnology and Anthropology 9, no. 1 (2016): 69. http://dx.doi.org/10.21301/eap.v9i1.4.

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The paper problematizes the understanding of the concept of tradition in the context of the world music phenomenon. Marketed as a hybrid music genre, from the perspective of anthropological theory, the world music genre is a complex cultural phenomenon, the result of mixing global and local influences which are reflected not only in the creation of a specific sound, but through different perceptions of music itself (the audience, musicians, producers, creators of cultural policies etc.) By analyzing the Serbian world music scene as exemplified by the work of the World Music association of Serb
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Jones, Amelia. "Material Traces: Performativity, Artistic “Work,” and New Concepts of Agency." TDR/The Drama Review 59, no. 4 (2015): 18–35. http://dx.doi.org/10.1162/dram_a_00494.

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A new genre of hybrid artworks involving elements of performance, conceptualism, sculpture, and installation practices evokes complex art experiences that are performative yet exist in various material forms—including, implicitly or explicitly, that of the artist’s laboring body. These works call for new ways of engaging that do not dwell on final objects or celebrate “authentic” presence but understand the relational tensions and seductions between human and nonhuman.
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Obidič, Andrejka. "Margaret Atwood’s Postcolonial and Postmodern Feminist Novels with Psychological and Mythic Influences: The Archetypal Analysis of the Novel Surfacing." Acta Neophilologica 50, no. 1-2 (2017): 5–24. http://dx.doi.org/10.4312/an.50.1-2.5-24.

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The paper analyzes Margaret Atwood’s postcolonial and postmodern feminist novels from the psychological perspective of Carl Gustav Jung’s theory of archetypes and from the perspective of Robert Graves’s mythological figures of the triple goddess presented in his work The White Goddess: A Historical Grammar of Poetic Myth (1997). In this regard, the paper focuses on the mythic and psychological roles embodied and played by Atwood’s victimized female protagonists who actively seek their identity and professional self-realization on their path towards personal evolution in the North American patr
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Ferrara, Enrica Maria. "The Reception of Fernando de Roja’s Celestina in Italy: A Polyphonic Discourse." Renaissance and Reformation 40, no. 1 (2017): 91–120. http://dx.doi.org/10.33137/rr.v40i1.28449.

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La Celestina by Fernando de Rojas was published in Spain for the first time in 1499 as a comedy, and as a tragicomedy in 1502. The first Italian translation of the play was published in Rome in 1506 and gave birth to a parallel and complementary textual tradition on which the reception and translation of the play in other modern languages (such as French and German) were based. Given the wide success of Celestina in Italy, this essay focuses on the hybrid genre of the play, which can be placed at the crossroads of comic and tragic genres but also on the boundaries between narrative and theatri
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FIGUEROA, MELISSA. "Staging Muhammad: A Subversion of the Hagiographic Genre in Vida y muerte del falso Profeta Mahoma." Bulletin of Hispanic Studies 97, no. 8 (2020): 807–21. http://dx.doi.org/10.3828/bhs.2020.46.

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This article examines the subversion of the hagiographic genre in a biographical play from the seventeenth century about the Prophet of Islam, Muhammad, written in Spain. In this essay I argue that the contradiction of using a theatrical genre intended to emphasize the holiness of Christian characters in a play about Muhammad unveils the historical tensions and anxieties of Spain’s Muslim past. The disparity between form and content reveals the unconscious political aspect of the play and illustrates why it can be read from two opposite perspectives regarding the Islamic leader. Departing from
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Nünning, Ansgar, and Alexander Scherr. "The Rise of the Fragmentary Essay-Novel: Towards a Poetics and Contextualization of an Emerging Hybrid Genre in the Digital Age." Anglia 136, no. 3 (2018): 482–507. http://dx.doi.org/10.1515/ang-2018-0047.

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Abstract This contribution introduces the ‘fragmentary essay-novel’ in terms of an emerging hybrid genre within the experimental branch of contemporary Anglophone literature. Reading David Shields’s manifesto Reality Hunger (2010) as a poetics which literally ‘essays’ a “path for the novel” (Smith 2008: n. pag.) in the early 21st-century, it also discusses Tom McCarthy’s recent work Satin Island (2015) as a prime representative of the fragmentary essay-novel. Both Shields’s and McCarthy’s texts are contextualized and framed as aesthetic responses to the digital age, especially to the implicati
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Majdzik Papić, Katarzyna. "Od męki translacji do piekła logosu. O przekładzie w „Przekładzie” Pabla De Santisa." Forum Filologiczne Ateneum, no. 1(7)2019 (December 31, 2019): 143–66. http://dx.doi.org/10.36575/2353-2912/1(7)2019.143.

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The article presents how the novel The Translation by Pablo De Santis reffers to the most important concepts of theory and philosophy of translation. Among these concepts the most significant are those which consider the boundaries and mechanisms of interpretation in the act of translation. These ideas are metaphorically expressed by the myth of the fall of the Tower of Babel. The interpretative context for the novel by De Santis is determined by the works of Jacques Derrida, Julia Kristeva and Hans-Georg Gadamer. An important research problem is also the relationship between the category of t
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CALZÓN GARCÍA, José Antonio. "EL STEAMPUNK Y SU RESIGNIFICACIÓN DEL OBJETO DESDE LA ÓPTICA POSMODERNA." Signa: Revista de la Asociación Española de Semiótica 30 (January 6, 2021): 391. http://dx.doi.org/10.5944/signa.vol30.2021.26430.

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Resumen: El artículo repasa, en primer lugar, las principales características del género steampunk, así como la evolución histórica, sus problemas de adscripción, sus implicaciones ideológicas o la naturaleza transversal de su discurso, entre otros aspectos. En segundo lugar, y una vez vista la naturaleza híbrida y posmoderna del género, estudia el desarrollo semiótico que el steampunk plantea a propósito de la resignificación de la relación sujeto-objeto desde una óptica postcapitalista y deconstructiva, poniendo para ello ejemplos concretos.Abstract: This article will address, first of all,
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Sokolova, Alla. "The Origins of the Genre of the English Masque." Culturology Ideas, no. 17 (1'2020) (2020): 89–98. http://dx.doi.org/10.37627/2311-9489-17-2020-1.89-98.

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This paper aims to analyze the scientific works of leading British researchers to identify the origins of the stages of the formation of the English Masques genre, the influence of continental culture on the Masques genre, understanding the specific features of the first prototypes of the Masques, as well as the “early” Tudor Masques, including the Masques of the times of Henry VIII and Elizabeth І. Research methodology. Twenty-one publications by leading English scholars on this subject are considered, including archival data and historical choirs. The materials of the scientific literature a
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Kuzmina, Marina D. "BUSINESS VS FRIENDLY LETTER UNDER THE PEN OF RUSSIAN CLASSICISTS (EPISTOLARY BY A. P. SUMAROKOV)." Verhnevolzhski Philological Bulletin 22, no. 3 (2020): 18–27. http://dx.doi.org/10.20323/2499-9679-2020-3-22-18-27.

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The article is devoted to the study of one of the milestones in the development of the genre of writing – the epistolary heritage of Russian classicists, in particular, A. P. Sumarokov, who was, as is known, among the largest representatives of classicism. Being engaged not only in literary practice, but also in theory, he himself brought writing outside of literature, described it in the treatise «On the Russian Language», while literary genres – in the treatise «On Poetry». This freed the author-epistolographer from complying with the requirements of classicism, gave freedom unknown to other
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Addison, Catherine. "THE VICTORIAN VERSE NOVEL AS BESTSELLER: OWEN MEREDITH'SLUCILE." Victorian Literature and Culture 45, no. 2 (2017): 257–74. http://dx.doi.org/10.1017/s1060150316000607.

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By the 1860s, the versenovel had become a significant feature of the Victorian literary landscape. According to Dino Felluga, this hybrid was a “perverse” and even “subversive” genre, firstly, because it undermined the “‘high’ autotelic” status of poetry by mixing it with the “heteroglot, carnivalesque, and polyphonic novel” and, secondly, because its specific fictions tended to oppose or parody the “middle-class heterosexual, domestic ideology” upheld by the prose novel of the period. In support of his argument, Felluga discusses a handful of texts that are normally regarded as “high” literat
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Sañudo, Eva Pelayo. "‘History’s Attic’: The Role of Legends and Family Stories in Gendering and Decolonizing US Immigration and Ethnic History Through Laurie Fabiano’s Family Saga Elizabeth Street (2006)." English: Journal of the English Association 68, no. 263 (2019): 366–88. http://dx.doi.org/10.1093/english/efz034.

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Abstract This article explores the role of legends and family stories in gendering and decolonizing US immigration and ethnic history, particularly through the lens of Italian/American literature and culture. Using the theoretical framework of the politics of representation, the analysis concentrates on the function of mythic and passed-down stories not only as naturalizing agents of cultural norms but as a means to destabilize hegemonic narratives, particularly gendered history and media influence. Laurie Fabiano’s family saga Elizabeth Street (2006) is a debut novel that intertwines the stra
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Cantillo Lucuara, Mayron Estefan. "“Come, Dark-eyed Sleep”: Michael Field and the Performance of the Lyric as a Radical Fantasy." Revista Alicantina de Estudios Ingleses, no. 35 (July 28, 2021): 43. http://dx.doi.org/10.14198/raei.2021.35.02.

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This article seeks to illustrate how the Michael Fields articulate their Sapphic poetry in Long Ago (1889) not only in keeping with their own Shakespearean aspirations and with Robert Browning’s hybrid formula of dramatic lyrics, but also in connection with Jonathan Culler’s theory of the lyric as a performative genre. Much recent scholarship has broken ground in the rediscovery and reappraisal of the Fields’ literary stature, yet the general critical approach has been divisive in addressing their poetry and their verse dramas separately. Some critics have taken heed of how their lyrics in gen
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Lord, Catherine. "Sexy, slimy, monstrous: Infection as collaboration in Ben Wheatley’s In the Earth and Jaco Bouwer’s Gaia." Australasian Journal of Popular Culture 11, no. 1 (2022): 147–61. http://dx.doi.org/10.1386/ajpc_00056_1.

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This article offers a discussion of two eco-horror feature films, each released in 2021: Ben Wheatley’s In the Earth, and Jaco Bouwer’s Gaia. With a pandemic theme, both film fictions feature sentient woods and forests which infect humans with fungal spores. This is the non-human world enlisting human collaboration. Both films break the mould of the traditional eco-horror; invariably, the latter dramatizes how the natural world avenges itself on humankind. This storytelling mode involves the use of catastrophe narratives. Elizabeth Parker has explored the alternative genre, the ‘ecoGothic’ (),
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YAQIN, AMINA. "Truth, Fiction and Autobiography in the Modern Urdu Narrative Tradition." Comparative Critical Studies 4, no. 3 (2007): 379–402. http://dx.doi.org/10.3366/e1744185408000086.

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From its various beginnings in the nineteenth century and ever since the rise of print capitalism on the Indian subcontinent, the Urdu novel has become a prime medium of expression for writers seeking to fuse the narrative traditions of both the East and the West. As a hybrid genre which took shape during the nineteenth century, the Urdu novel's early beginnings were associated with the theme of historical romance; this eventually gave way to the influence of realism in the first half of the twentieth century. By and large, the Urdu novel incorporates influences encompassing the fantastical or
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Baccolini, Raffaella. "The Persistence of Hope in Dystopian Science Fiction." PMLA/Publications of the Modern Language Association of America 119, no. 3 (2004): 518–21. http://dx.doi.org/10.1632/003081204x20587.

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It is widely accepted todaythat, whenever we receive or produce culture, we do so from a certain position and that such location influences how we theorize about and read the world. Because I am an Italian trained in the United States (specializing in American modernism) in the 1980s, my reading of science fiction has been shaped by my cultural and biographical circumstances as well as by my geography. It is a hybrid approach, combining these circumstances primarily with an interest in feminist theory and in writing by women. From the very beginning I have foregrounded issues of genre writing
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Ivanova, Svetlana V., and Gulnara Sharifullovna Khakimova. "Celebrity gossip as a genre in English-language mass media discourse." Russian Journal of Linguistics 24, no. 2 (2020): 386–418. http://dx.doi.org/10.22363/2687-0088-2020-24-2-386-418.

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The multidimensionality of rumours as part and parcel of mass communication has stipulated the research in their linguistic nature. The present paper studies this specific communication phenomenon and the discursive practices by means of which it is realized across the Anglophone mass media discourse continuum. The theory of discourse-analysis underpinning the present paper predetermines an integrative approach with various methods employed. This approach makes it possible to gain an insight into the complex nature of the object under study. The research is targeted at media rumours, namely ce
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Andrade, Carlos Augusto Baptista, and Diogo Souza Cardoso. "Verbo-visualidade em tira quadrinizada da Mafalda: cortesia/descortesia linguística e humor nas interlocuções da narrativa figurativa." Texto Livre: Linguagem e Tecnologia 9, no. 1 (2016): 13–27. http://dx.doi.org/10.17851/1983-3652.9.1.13-27.

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RESUMO: Como se deve fazer a leitura de uma tira quadrinizada? Quais relações dialógicas tal gênero pode realizar, tendo em vista sua natureza híbrida de linguagens? Propõe-se, neste artigo, analisar uma tira quadrinizada de Mafalda, personagem criada por Quino, como gênero discursivo híbrido, atentando-se à verbo-visualidade que constitui o discurso e explorando os efeitos de sentido que surgem das relações dialógicas. As marcas de cortesia e descortesia linguística presentes na materialidade verbo-visual também são objetos deste estudo. A fundamentação teórica está pautada na Análise Dialógi
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