Relevant bibliographies by topics / Hybridities

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Hybridities'

Author: Grafiati
Published: 4 June 2021
Last updated: 15 February 2022

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Journal articles on the topic "Hybridities"

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Govinden, Devarakshanam. "“Configuring hybridities”." Scrutiny2 16, no. 1 (May 2011): 70–72. http://dx.doi.org/10.1080/18125441.2011.590020.

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Gray, Breda. "Curious Hybridities." Irish Studies Review 14, no. 2 (May 2006): 207–23. http://dx.doi.org/10.1080/09670880600603638.

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Koshy, Thomas, and Zhenguang Gao. "Fibonacci–Pell hybridities." International Journal of Mathematical Education in Science and Technology 43, no. 6 (September 15, 2012): 779–83. http://dx.doi.org/10.1080/0020739x.2011.622801.

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Jones, Anny Brooksbank, and Alfred Arteaga. "Chicano Poetics: Heterotexts and Hybridities." Modern Language Review 94, no. 1 (January 1999): 237. http://dx.doi.org/10.2307/3736078.

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Rodriguez, Ralph E., and Alfred Arteaga. "Chicano Poetics: Heterotexts and Hybridities." American Literature 70, no. 2 (June 1998): 418. http://dx.doi.org/10.2307/2902861.

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Aboul-Ela, Hosam. "Comparative hybridities: Latin American intellectuals and postcolonialists." Rethinking Marxism 16, no. 3 (July 2004): 261–79. http://dx.doi.org/10.1080/0893569042000239271.

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Lee, Molly, Morshidi Sirat, and Chang Da Wan. "The development of Malaysian universities." Higher Education Evaluation and Development 11, no. 1 (August 7, 2017): 25–37. http://dx.doi.org/10.1108/heed-08-2017-004.

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Purpose The purpose of this paper is to investigate, in general, what are the contemporary external influences that have been dominant in Malaysian universities and what are the major local traditional practices that are also found in these universities. Design/methodology/approach From the literature review, the paper proposes a conceptual framework to explore hybridity in governance and management, programs and curriculum, teaching and learning, and research and service. Findings Using the conceptual framework, the paper discusses the Malaysian higher education in terms of Western influence and indigenization of Western models, the background context of Islamic universities and seven possible hybridities compiled from anecdotal evidences. Originality/value The conceptual framework and possible hybridities identified in the paper serve to provide the guide to a more systemic empirical investigation to examine the characteristics of Malaysian universities emerging from the interaction between external influence and local cultures. The Malaysian case also potentially contribute in exploring the question, “Are Asian universities different from Western universities?”.
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Dallaire, Christine, and Claude Denis. "Asymmetrical Hybridities: Youths at Francophone Games in Canada." Canadian Journal of Sociology / Cahiers canadiens de sociologie 30, no. 2 (2005): 143. http://dx.doi.org/10.2307/4146128.

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Al-Saber, Samer. "Arabic Facts Clashing Hybridities in Transnational Cultural Production." Theatre Research in Canada 35, no. 3 (November 25, 2014): 387–96. http://dx.doi.org/10.3138/tric.35.3.387.

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Dallaire, Christine, and Claude Denis. "Asymmetrical Hybridities: Youths at Francophone Games in Canada." Canadian Journal of Sociology 30, no. 2 (2005): 143–68. http://dx.doi.org/10.1353/cjs.2005.0035.

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Dissertations / Theses on the topic "Hybridities"

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Leff, Carol Willa. "Bosman as Verbindingsteken: Hybridities in the Writing of Herman Charles Bosman." Thesis, Rhodes University, 2014. http://hdl.handle.net/10962/d1013163.

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This thesis is concerned with how hybridity is created and interpreted by Herman Charles Bosman in his fiction and non-fiction. Bosman was a gifted writer and raconteur who captured the historical, socio-political context of his time by translating Afrikaans culture for the edification and pleasure of an English readership. Hennie Aucamp summed up this linguistic and cultural translation by pointing out that Bosman was a writer who acted as a “verbindingsteken” or hyphen (65) between Afrikaans and English. His texts contain many voices, and are therefore essentially hybrid. Firstly, by drawing on aspects of postcolonial theory, the terms ‘hybridity’, ‘culture’ and ‘identity’, are discussed. Homi Bhabha’s notion of ‘hybridity’ is the conceptual lens through which Bosman’s texts are viewed, and aspects of Mikhail Bakhtin’s cultural theory also serve the same function. Thereafter, biographies of Bosman are discussed in an effort to understand his hyphenated identity. Following this, specific attention is paid to a selection of Bosman’s essays, short stories, and a novel. Scholarly opinions aid interpretation of levels of hybridity in Bosman’s work. In analysing Bosman’s texts critically, it becomes clear that he believed in a united South Africa that acknowledged and accepted all races. However, analysis also reveals that there are some inconsistencies in Bosman’s personal views, as expressed particularly in his essays. His short stories do not contain the same contradictions. Critical analysis of the novel Willemsdorp attests that cultural hybridity is not always viewed as celebratory. It can also be a painful space where identities are split, living both inside and outside their environment, and subsequently marginalized. Bosman’s texts, although published decades ago, remain relevant today in post-apartheid South Africa as much of his writing can be seen as a record of historical events. His short stories and novels capture a confluence of languages, people and cultures. His essays illustrate a deep commitment to promoting South African culture and literature. When reading Bosman one is constantly reminded that differences are not only to be acknowledged, but embraced, in what he prophetically imagined as a hybrid, post-apartheid South African society.
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Magalhães, Maria Cristina Prado Fleury. "Hibridações locais e processos identitários: o Rap em Goiânia e Aparecida de Goiânia." Universidade Federal de Goiás, 2015. http://repositorio.bc.ufg.br/tede/handle/tede/6220.

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Submitted by Luciana Ferreira (lucgeral@gmail.com) on 2016-09-16T12:14:02Z No. of bitstreams: 2 Dissertação - Maria Cristina Prado Fleury Magalhães - 2015.pdf: 4193201 bytes, checksum: a14a94d3777d752954b3294408a10aa8 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)
Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2016-09-16T12:14:25Z (GMT) No. of bitstreams: 2 Dissertação - Maria Cristina Prado Fleury Magalhães - 2015.pdf: 4193201 bytes, checksum: a14a94d3777d752954b3294408a10aa8 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)
Made available in DSpace on 2016-09-16T12:14:25Z (GMT). No. of bitstreams: 2 Dissertação - Maria Cristina Prado Fleury Magalhães - 2015.pdf: 4193201 bytes, checksum: a14a94d3777d752954b3294408a10aa8 (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Previous issue date: 2015-05-07
Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES
This dissertation resulted from a research that aimed to investigate the rap produced in Goiânia, focusing on its hybrid origins in dialogue with regional cultural aspects, aiming to reach identity processes built through this practice. As street culture that includes in its four constitutive elements (DJ, MC, graffiti and break) different forms of expression (music, poetry, visual arts and dance), the hip hop stands as a movement that articulates four fields of artistic production, being able to communicate by different manifestations which are imbricated and share the same ideology. The union of two of the elements from hip hop movement (DJ and MC) compose the rap, musical style chosen as research subject. Since rap shows remaining features from several cultural practices that are imbricated in their configuration as expression that hybridizes, mainly, elements from Caribbean, Africa and North America, this work is supported by the following analisys categories: cutural identity set by Hall (2006), cultural hybridity, developed by García Canclini (2003) and by Burke (2003) and struggles for meaning, approached by Chartier (1990) and Bourdieu (2011). The present dissertation brings up, first, a history of the organization of the ghettos and the US Black movement, highlighting how genres of African-American music like soul and funk relate to this context and with the appearance of rap. Then it approaches the rap in its genesis, cultural matrices and constitutive elements, and its insertion in hip-hop culture. Afterward, it draws a brief history of the spread of rap through the music industry and hybridization processes resulting in different genre styles, including in Brazil. Then it addresses the arrival of rap in Goiânia, its historical trajectory and current scenario. Finally, it investigated (through rap music analysis on phonographic records and freestyle battles) the identity representations found in rap of Goiânia and of Aparecida de Goiânia, from the finding of hybridization of local elements and struggles for meaning in these musical practices. It was found that Goiânia rap groups elected stereotypical elements of the local culture as the viola, the catira dance and the accent to represent the Goiás identity in its compositions. The analysis revealed that the rap battles of Goiânia and Aparecida de Goiânia stand as struggles for meaning in which groups are represented through symbolic disputes. This work also concluded that rap acts as a mediator of power representations experienced by young people living in peripheric regions of Goiânia and Aparecida de Goiânia. The representation elements are used to stake out and enhance the differences and boundaries between two neighbourhoods. However, in a broader view, the groups show similarities expressed by appreciation of the Goiás identity, by the declaration of Black pride and by the feeling of belonging to a marginalized urban territory and a socially excluded group.
A presente dissertação é resultado de pesquisa que tem como objetivo investigar o rap produzido em Goiânia e Aparecida de Goiânia, focando sua natureza originalmente híbrida em diálogo com aspectos culturais regionais, com vistas a elucidar processos identitários construídos através dessa prática. Como cultura de rua que contempla em seus quatro elementos constitutivos (DJ, MC, grafite e break) variadas formas de expressão (música, poesia, artes visuais e dança), o hip-hop firma-se como um movimento articulador de quatro campos de produção artística, conseguindo comunicar-se por meio de diferentes manifestações que se encontram imbricadas e comungam de uma mesma ideologia. A união de dois dos elementos do movimento hip-hop (o DJ e o MC) constitui o rap, gênero musical eleito como objeto desta pesquisa. Dado que o rap apresenta características residuais de diversas práticas culturais que se imbricam em sua configuração enquanto expressão que hibrida, principalmente, elementos de matrizes caribenha, africana e norteamericana, a pesquisa apoia-se nas categorias de análise de identidade cultural definida por Hall (2006), hibridação cultural, trabalhada por García Canclini (2003) e por Burke (2003), e lutas de representação, abordada por Chartier (1990) e Bourdieu (2011), e levanta, primeiramente, um histórico da estruturação dos guetos e do movimento negro estadunidense, ressaltando como gêneros da música afro-americana como o soul e o funk se relacionam com esse contexto e com o surgimento do rap. Em seguida, aborda-se o rap em sua gênese, matrizes culturais e elementos constituintes, bem como sua inserção na cultura hip-hop. Adiante, traça-se uma breve trajetória da disseminação do rap por meio da indústria fonográfica e dos processos de hibridação que resultaram em diversos estilos de gênero, inclusive no Brasil. Em seguida, aborda-se a chegada do rap à capital goiana, sua trajetória histórica e cenário atual. Por fim, são investigadas (por meio de análise musical do rap em gravações fonográficas e batalhas de improviso) as representações identitárias presentes no rap de Goiânia e Aparecida de Goiânia, a partir da verificação da existência de hibridações de elementos locais e de lutas de representação nessas práticas musicais. Verificou-se que grupos de rap de Goiânia elegeram elementos estereotipados da cultura local como a viola, a catira e o sotaque para representarem a identidade goiana em suas composições. As análises mostraram que as batalhas de rap de Goiânia e de Aparecida de Goiânia configuram-se como lutas de representação, em que grupos se fazem representar a partir de disputas simbólicas. Conclui-se ainda que o rap atua como mediador das representações de poder vivenciadas por jovens que habitam regiões periféricas de Goiânia e Aparecida de Goiânia. Os elementos de representação são utilizados para demarcar e reforçar as diferenças e fronteiras existentes entre um bairro e outro. Porém, em uma visão macro, os grupos revelam semelhanças expressas pela valorização da identidade goiana, pela proclamação do orgulho negro e pelo sentimento de pertencimento a um território urbano marginalizado e a um coletivo socialmente excluído.
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Nilsson, Jonas. "Hybriditet inom Paul Austers författarskap." Thesis, Malmö högskola, Institutionen för globala politiska studier (GPS), 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-24010.

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SammanfattningJag har i denna uppsats sammanfogat två litterära teorier genom att använda ett väletablerat begrepp, hybriditet, inom den ena teoribildningen, postkolonialism, på en annan teoribildning, postmodernism. Under arbetet med uppsatsen har jag brottas med en enhetlig definition av hybriditetsbegreppet men insett att en sådan inte existerar, jag har därför citerat vad ledande teoretiker på området har skrivit om begreppet och sedan försökt hitta beröringspunkter för att kunna skapa en enhetlig definition. Jag har presenterat denna, personliga definition av begreppet i uppsatsen. I uppsatsen har jag påvisat hur olika forskningsdiscipliner ser på hybriditetsbegreppet och via ett annat etablerat begrepp inom sociologin, flanören, har jag gett ett exempel på hur postkolonial litteraturteori och postmodern litteraturteori kan överbryggas. Jag har också skapat ett nytt begrepp för att underlätta överbryggandet av gapet mellan postmodern litteraturteori och postkolonial litteraturteori i uppsatsen, den hybride flanören.
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Hartwig, Judith. "”Well, it’s not a proper story if everyone’s miserable” : Intertextualitet och hybriditet i The Icarus Girl." Thesis, Uppsala universitet, Litteraturvetenskapliga institutionen, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-316543.

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Axelsson, Einar. "Samerna och statsmakten : Vardagligt motstånd och kulturell hybriditet i Torne lappmark under perioden 1639-1732." Thesis, Umeå universitet, Institutionen för idé- och samhällsstudier, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-104437.

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This thesis examines the everyday resistance, and its interaction with cultural hybridity, of the Saami population in the administrative unit of Torne lappmark during the period 1639–1732. To do this, the thesis uses theoretical concept of everday resistance as it has been described by JamesC. Scott and the theories of cultural hybridity as they have been described by Peter Burke. Primary source material used in this thesis consists of the court records from Torne lappmark, specifically from the courts at Jukkasjärvi and Enontekis.The results of this thesis present a picture of the everyday resistance in early modern Torne lappmark. The states control was most prominent at the annual markets and court proceedings. The everyday resistance of the Saamis became more subtle when the supervision by the Swedish state became more significant, for example by cutting off pieces from the reindeer hides that they sold or taxed with. Further away from the courts the Saamis could use more drastic options, for example fleeing to Norway. The Swedish state did not want to implement hard punishments on the Saamis because the mining operations in the lappmarks were dependent on Saamis and reindeers to carry ore, wood and food in order to keep the mines operational. This is used by the Saamis as an argument against material domination. The insults and rumours concerning state officials that can be found in the source material often concern abuse of power. The lack of control outside the yearly court proceedings also led to harassments of state and church officials.The Swedish state had political reasons to present the Saamis as chris- tian subjects while trying to exterminate the Saami religion. The Saamis therefore learned a sufficient amount of christianity to make interaction with the state easier and to use as a tool in court proceedings to avoid punishment. This normalised and legitimised the states use of power. The fact that Saamis carried christian ideas and could reproduce them when they needed also led to a cultural hybridisation. They also adapted these ideas in accordance to their own worldview. Some Saamis also hybridised the two religions in different religious practises.The use of these theoretical models offers a new perspective on the interaction between the Swedish state and the Saamis. It also gives a new perspective on the power relationships in Torne lappmark during the early modern period. Keywords: Saami history, everyday resistance, cultural hybridity, 17th century, 18th century
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Selao, Ching. "De l'imaginaire colonial à l'univers "postcolonial" orientalisme, occidentalisme et hybridité dans le roman vietnamien francophone /." Accès réservé UdeM, 2007. http://proquest.umi.com/pqdweb?index=0&did=1475159031&SrchMode=2&sid=2&Fmt=2&VInst=PROD&VType=PQD&RQT=309&VName=PQD&TS=1241534294&clientId=48948.

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Thèse (Ph. D.)--Université de Montréal, 2007.
Titre de l'écran-titre (visionné le 5 mai 2009). "Thèse présentée à la Faculté des études supérieures en vue de l'obtention du grade de Philosphiae Doctor (Ph.D.) en Littératures de langue française" Paraît aussi en version papier et version microforme.
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Arnbom, Malin. "Googleannonser, komprimerad reklam?" Thesis, Södertörns högskola, Svenska, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-32241.

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Denna studie har i syfte att språkvetenskapligt undersöka hur reklamgenren förädras i ett komprimerat format, formatet googleannonser. För att få fram de språkliga dragen analyseras 30 st googleannonser ur ett genreperspektiv med innehålls-, strukturell och interpersonell analys som metod. Resultatet visar på ett flertal gemensamma drag med traditionell reklamgenre men uppvisar också skillnader. En strukturell skillnad är att googleannonsens rubrikdel tenderar att vara hybrid, de innehåller ofta både information om tjänster och produkter tillsammans med företagsnamn. Andra språkliga drag från materialet är bortprioriteringen av innehållsliga och interpersonella drag annars vanligt återkommande i traditionell reklamgenre. De gemensamma dragen för googleannonserna skulle kunna ingå i en ny modifierad subgenre till traditionell reklam, där nya konventioner för utformingen utvecklats.  The purpose of this study is to explore how the advertising genre adapts to a compressed format, from a linguistic perspective. The format being Google ads. 30 Google ads are analyzed with a content, structural and interpersonal method to distinguish linguistic features. The result shows multiple linguistic features related to traditional advertising genre. The study also finds diffrences. One divergent structural feature is the Google ads headline, who tends to have a hybrid function that includes both information about the product and information about the company. The material differ in comparison to traditional advertinsing genre in content and structure features, where some parts have been prioritized due to the limiting format. The new features for the Google advertising genre could be a part of a new modified subgenre, where new conventions has developed.
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Andersson, Lili, and Noori Larsson. ""Alla tänker inte som oss" Unga tjejer om sexualitet i det mångkulturella samhället." Thesis, Malmö högskola, Fakulteten för hälsa och samhälle (HS), 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-25953.

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Dagens Sverige är ett mångkulturellt land där människor med olika bakgrund lever tillsammans mer eller mindre integrerat. Att vara ung idag kan vara problematiskt då man ska förhålla sig till olika attityder som existerar sida vid sida. Detta gäller inte minst synen på sexualitet som i samhället i allmänhet kan anses vara liberal men där unga tjejer i invandrargrupper kan ha helt andra villkor. Vi ville undersöka hur de unga tjejerna upplever synen på sexualitet i samhället och i mångkulturella sammanhang. Denna kunskap kan vara av intresse för hur man kan bedriva socialt arbete med unga tjejer. För att inhämta information intervjuade vi en grupp unga tjejer i åldrarna 15-16 år, vilka gav oss den kunskapen vi sökte. Unga tjejer befinner sig i en position där uttrycket för sexualitet är viktigt för hur man betraktas och tankar om den perfekta kärleksrelationen är ständigt närvarande. Unga tjejerna med invandrarbakgrund befinner sig även i en process där de både ska hitta sin identitet och position i det mångkulturella samhället. Resultatet av vår fokusgruppsintervju visade att sexualitet kan vara ett komplext ämne och att det finns ett behov och intresse hos de unga tjejerna av att diskutera detta ämne. Sexualitet kan betraktas som ett känsligt ämne men detta bör inte stå i vägen för att de unga tjejerna ska få möjligheter att uttrycka och diskutera sina känslor och tankar om ämnet.
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Ganic, Mekto. "Baba Jaga - Häxan utan egenskaper : En studie i Dubravka Ugrešics Baba Jaga je snijela jaje." Thesis, Högskolan Dalarna, Litteraturvetenskap, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:du-5387.

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Jag har i den här uppsatsen analyserat Baba Jaga je snijela jajes (2008) hybridlika struktur genom att göra en postmodernistisk analys. Under uppsatsens gång har jag läst och tolkat vad olika teoretiker har skrivit om postmoderna begrepp; såsom hybriditetsbegreppet, det ontologiska tvivlet samt även med att definiera myten och fiktionen. Jag har genom citat och analys gjort en personlig tolkning och skildrat detta i analysen. I min uppsats har jag visat att romanen har en hybridliknande struktur genom häxan Baba Jaga som saknar egenskaper och genom myten som saknar kärna. Jag har även visat detta genom den lekfulla berättarstrukturen och genreblandningen. Detta tydliggörs framförallt genom karaktärena i romanen som alla saknar identiteskärnor samt genom att författaren hävdar att alla kvinnor kan vara potentiella Baba Jagor.
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Sehlgård, Amanda. "Något att bita i : En studie av vampyrfilm från andra kulturer än den västerländska." Thesis, Högskolan Dalarna, Bildproduktion, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:du-27059.

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Syftet med uppsatsen är att undersöka hur vampyrfilmer från andra kulturer relaterar till Bram Stokers Dracula och den europeiska myten. Vampyren har varit ett forskningsämne sedan 1700-talet och sedan 90-talet har en del av vampyrforskningen fokuserat på vampyren som en postkolonial varelse. Flera studier visar på att Dracula är en representation av "de andra", men också en representation för de förtryckande kolonierna. I uppsatsen analyseras fyra filmer från olika delar av världen och kommer fram till att en vampyrfilm aldrig helt verkar kunna avvika från Dracula, men att just dessa fyra filmer tar upp viktiga frågor om hybriditet, gemenskap och relationen till kristendomen.
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Books on the topic "Hybridities"

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Caponetto, Rosetta Giuliani. Fascist Hybridities. New York: Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137481863.

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Chicano poetics: Heterotexts and hybridities. Cambridge: Cambridge University Press, 1997.

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Victorian hybridities: Cultural anxiety and formal innovation. Baltimore: Johns Hopkins University Press, 2010.

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Postcolonial fictions in the Roman de Perceforest: Cultural identities and hybridities. Woodbridge, UK: D.S. Brewer, 2007.

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Maufort, Marc. Labyrinth of hybridities: Avatars of O'Neillian realism in multi-ethnic American drama (1972-2003). New York: P.I.E. Peter Lang, 2010.

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Chetty, Hema. Marginal/minority popular music: The concept of the "third space" and the case for "hybridities" of cultures/identities. St. Catharines, Ont: Brock University, Dept. of Communication, Popular Culture and Film, 2005.

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BEETHAM, MARGARET. New Woman Hybridities. Routledge, 2004. http://dx.doi.org/10.4324/9780203643211.

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Frank, Heidemann, and Toro Alfonso de, eds. New hybridities: Societies and cultures in transition. Hildesheim: Georg Olms, 2006.

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Africa in Scotland, Scotland in Africa: Historical Legacies and Contemporary Hybridities. BRILL, 2014.

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Ann, Heilmann, and Beetham Margaret 1919-, eds. New woman hybridities: Feminity, feminism and international consumer culture, 1880-1930. New York: Routledge, 2004.

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Book chapters on the topic "Hybridities"

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Caponetto, Rosetta Giuliani. "Introduction." In Fascist Hybridities, 1–23. New York: Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137481863_1.

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Caponetto, Rosetta Giuliani. "Art of Darkness: The Aestheticization of Black People in Fascist Colonial Novels." In Fascist Hybridities, 25–56. New York: Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137481863_2.

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Caponetto, Rosetta Giuliani. "The Dissident Literature of Enrico Pea and Fausta Cialente." In Fascist Hybridities, 57–92. New York: Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137481863_3.

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Caponetto, Rosetta Giuliani. "Fade to White: Cinematic Representations of Italian Whiteness." In Fascist Hybridities, 93–130. New York: Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137481863_4.

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Caponetto, Rosetta Giuliani. "Levantines and Biracial Offspring in Postwar Italy." In Fascist Hybridities, 131–69. New York: Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137481863_5.

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Caponetto, Rosetta Giuliani. "Conclusion." In Fascist Hybridities, 171–81. New York: Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137481863_6.

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Koshy, Thomas. "Pell–Fibonacci Hybridities." In Pell and Pell–Lucas Numbers with Applications, 325–61. New York, NY: Springer New York, 2014. http://dx.doi.org/10.1007/978-1-4614-8489-9_17.

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Pattie, Yuk Yee, and Luk-Fong. "Hybridities, Border Crossing and Yin–Yang." In Teachers' Identities and Life Choices, 11–23. Singapore: Springer Singapore, 2012. http://dx.doi.org/10.1007/978-981-4021-81-4_2.

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Leong-Salobir, Cecilia. "Colonial Legacies: Curries and Other Hybridities." In Urban Food Culture, 113–36. New York: Palgrave Macmillan US, 2019. http://dx.doi.org/10.1057/978-1-137-51691-6_5.

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Otsuji, Emi, and Alastair Pennycook. "5 Unremarkable Hybridities and Metrolingual Practices." In TheGlobal-Local Interface and Hybridity, edited by Rani Rubdy and Lubna Alsagoff, 83–99. Bristol, Blue Ridge Summit: Multilingual Matters, 2013. http://dx.doi.org/10.21832/9781783090860-006.

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