Relevant bibliographies by topics / Hybridity

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Hybridity'

Author: Grafiati
Published: 4 June 2021
Last updated: 9 June 2025

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Journal articles on the topic "Hybridity"

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Saha, Aroop. "Discrimination of Hybridity: Challenges of Postcolonial Writers to Go Beyond the Limits." Creative Launcher 10, no. 1 (February 28, 2025): 81–93. https://doi.org/10.53032/tcl.2025.10.1.09.

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This article will examine the development of the hybridity’s discrimination in British literature and the transformation of the neo-hybridity in postcolonial literature. It will also investigate how the postcolonial writers should encounter neo-hybridity with the purpose to explore and include the voice/narrative of the otherness/indigenous in the postcolonial literature. As British Empire made hybridity into a weapon to prolong its colonial rule with psychological slavery, the consequence is still evident in the postcolonial period. English educated, colonized non-White subjects who were British enterprise’s ultimate aim of hybridity initially served the purposes of Empire. Unfortunately, those non-white hybrid subjects’ transformation into white artifices produced the conflict of representation that is also inherited in postcolonial world as non-white hybrid subjects are struggling to break the fixity of stereotypical outlook. The prerogative hybrid subjects specially the postcolonial English writers go through a self-recantation with alienation. In consequence, the postcolonial English writers always rely on the hybrid individual whenever they attempt to discover any otherness/indigenous world, restricting the ability to exhibit the home-grown non-hybrid other/otherness character. To do that, the postcolonial writers face the challenges of discriminatory hybridity. They need to reformulate the process of utilizing the hybridity to explore the otherness/indigenous world, concentrating on the emergence of the neo-hybridity in the postcolonial literary world.
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Yasmin, Samina, and Mumtaz Ahmad. "Hybridity and the Quest for Self-Identity: A Critical Analysis of Nadia Hashimi's "Sparks Like Stars" ( 2021)." Summer 2023 VIII, no. III (September 30, 2023): 14–15. http://dx.doi.org/10.31703/gssr.2023(viii-iii).02.

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This study addresses the depiction of cultural hybridity and its ramifications on self-identity within Nadia Hashimi's "Sparks Like Stars" (2021), focusing on the protagonist's challenges and opportunities in navigating multiple cultural identities. The research problem centers on understanding the complex interplay between cultural hybridity and individual identity formation in a postcolonial context. Significantly, This approach adds to questions on how literary autobiographical narratives manage cultural hybridity in contemporary society. Employing Peter Morey's theoretical framework on cultural representation, the study aims to dissect the nuanced portrayal of the protagonist's journey towards self-identity, amidst the backdrop of inherited and acquired cultural influences. The novel's intricate exploration of cultural hybridity's impact on identity and the protagonist's struggle and growth as a postcolonial identity symbol.The study concludes by affirming the essential role of cultural hybridity in shaping complex individual identities, thereby enriching the discourse on postcolonial studies and multicultural literature.
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Prihatiningrum, Atik, and Dwi Oktavallyan Oktavallyan. "ASPEK PEMBENTUK KAWASAN TRANSIT TERHADAP HIBRIDITAS KAWASAN STASIUN SOLOBALAPAN DAN TERMINAL TIRTONADI KOTA SURAKARTA." Inersia, Jurnal Teknik Sipil 10, no. 1 (January 28, 2019): 21–30. http://dx.doi.org/10.33369/ijts.10.1.21-30.

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Hybridity in the context of urban planning, connecting people and activities at points of more than one region with high-intensity movement through path affirmation and linking areas to create a city space with hybrid / cohesive compilations. No exception is the development of a compact transit area and support for transit activities, it needs to be linked with a pedestrianfriendly roadnetwork to local destinations in the form of commercial venues, workplaces, open spaces and housing with the effort to hybridize two transit areas in one more transit area development complexity. The result of research obtained by hybridity of staticun area of Solobalapan and Terminal of Tirtonadi at this time is high (score 5,5) with aspect of forming of transit area that has dominant impact on regional hybridity is diversity variable.
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Hutnyk, John. "Hybridity." Ethnic and Racial Studies 28, no. 1 (January 2005): 79–102. http://dx.doi.org/10.1080/0141987042000280021.

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Serrano, Ximena Keogh. "Hybridity." WSQ: Women's Studies Quarterly 51, no. 3-4 (September 2023): 302–4. http://dx.doi.org/10.1353/wsq.2023.a910097.

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Bhavnani, Kum-Kum. "Organic Hybridity or Commodification of Hybridity?" Meridians 19, S1 (December 1, 2020): 51–68. http://dx.doi.org/10.1215/15366936-8565836.

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Bhavnani, Kum-Kum. "Organic Hybridity or Commodification of Hybridity?" Meridians 1, no. 1 (September 1, 2000): 187–203. http://dx.doi.org/10.1215/15366936-1.1.187.

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Sutton, R. Anderson. "Gamelan Encounters with Western Music in Indonesia: Hybridity/Hybridism." Journal of Popular Music Studies 22, no. 2 (June 14, 2010): 180–97. http://dx.doi.org/10.1111/j.1533-1598.2010.01235.x.

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Badjak, Miya Gina Fatah, Bakhtiar Majid, and Sulmi Magfirah. "Hybridity in the Novel “The Lowland” by Jhumpa Lahiri." Jurnal Sinestesia 12, no. 2 (November 21, 2022): 627–36. http://dx.doi.org/10.53696/27219283.223.

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This research discuss about the Hybridity in the novel “The Lowland” by Jhumpa Lahiri viewed from Postcolonial Theory. The research focused on the hybridity culture in the novel and the impact of hybridity culture that reflected to the character in the novel. The method of this research used descriptive analysis method to describe problems in the forms of narration and analysis. This research used postcolonial theory of Hommi Bhaba hybridity to help on understanding the hybridity, or mix of two or more culture in the primary data, then to match with the real condition in India from the library research and internet search about the important events that related to postcolonialism theory about the postcolonial era that effected into the Indian culture in the novel then caused a hybridity culture. The result of this research is, the researcher finds the forms of hybridity which is reflected through the character in the novel. The forms of hybridity in the mix of British and Indian culture are hybridity culture, hybridity language, and hybridity in race and between three forms of hybridity the researcher found the dominant one is hybridity culture. The researcher also found the impact of hybridity culture that created the blurred copy of first and second culture, and then, make the domination position of one another and inferior culture Alienation and discriminate on the “third space”.
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Bahri, Deepika. "Hybridity, Redux." PMLA/Publications of the Modern Language Association of America 132, no. 1 (January 2017): 142–48. http://dx.doi.org/10.1632/pmla.2017.132.1.142.

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The ensuing remarks on Homi Bhabha's collection of essays The Location of Culture are framed by the following questions: Under what discursive conditions does a text arrive? How do conditions beyond the text determine its reception and circulation? And why is Bhabha routinely associated more with ambivalence, interstice, and liminality than with the ways in which they illuminate problems of race, the archive, history, or the affective bodily subject of history? To focus these ruminations, I will discuss the intervention, impact, and afterlife of The Location of Culture through the concept of hybridity, arguably one of the greatest hits of postcolonial studies and one closely associated with the work of Bhabha. Informed by Mikhail Bakhtin's propositions about hybridity in linguistic utterance; by Sigmund Freud's theories of ambivalence; by Walter Benjamin's discussions of history, event, and language; by Jacques Lacan's discourses on ego, language, and subjectivity; by Michel Foucault's investigations of history, knowledge, and power; and by Jacques Derrida's theories of différance, Bhabha's formulations have gained currency well beyond the humanities. Appropriations of hybridity in globalization discourse, however, often do not honor Bhabha's poststructural politics or its rooting in a complex history of ideas even as the critics of hybridity fail to recognize its inception in archival moments and particular enunciative contexts. Bhabha's work not only poses questions to history in a mode characteristic of deconstruction, it also commences in history in a clearly postcolonial modality. I want to review missed appointments with pressing questions of history and race in the global reception of Bhabha's concept of hybridity, an approach that constitutes an implicit plea for the recognition and reanimation of these questions in contemporary uses of the term hybridity in the discourse of globalization.
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Dissertations / Theses on the topic "Hybridity"

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Park, Yaeyoung. "Finding Unfound_Graphic Hybridity." VCU Scholars Compass, 2015. http://scholarscompass.vcu.edu/etd/3854.

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Hybridity is the result when visual form, color or tools interact. While not every combination of multiple elements result in success, I believe creativity, intuition and serendipity determines the successful hybridity. This is the documentation of my journey to develop a personal definition of successful hybridity in graphic design.
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Winterstein, Xavier Joseph. "Painting Samoan hybridity – le Va." Thesis, The University of Sydney, 2018. http://hdl.handle.net/2123/18771.

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I have always struggled to come to terms of my position between worlds. Growing up involved constant friction between my Samoan heritage and Western upbringing; resulting in a bitterness towards an unknown Samoan culture. These feelings were to be confronted directly as I was asked by my parents to undertake the role of Matai – a Samoan chief. This research paper looks at cultural hybridity and how visual dialogue aids in resolving an internal feud of clashing cultures. The Samoan term ‘Va’ is associated with one’s position and connection, and the paintings produced alongside this investigation become steps towards a resolution by forming an understanding of my position as a hybrid. In the case of this research paper, traditional style oil painting on canvas becomes my mode of choice to portray this communication. The series of paintings created through this research project embodies my connection with Samoan spirituality. The connection is conceived as stories of a sacred world being familiarized through re-enactment and re-evaluation against the present world – my reality. As this journey unfolds, the question is raised: how can the process of painting account for and help mediate the various positions of my subjectivity and the pressure of initiation into the Matai system? Critical analysis of works produced by artists Odd Nerdrum, Kehinde Wiley and Greg Semu aid in finding an answer by investigating hybridity from a contemporary perspective. The resulting research evidences a visual mode of hybrid language that has the power to speak the unspoken; the given, the Va.
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Goebel, Zane. "Enregistering Ethnicity and Hybridity in Indonesia." School of Letters, Nagoya University, 2008. http://hdl.handle.net/2237/10572.

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Hall, Lauren. "Relationality, hybridity, awareness : being with AIBO." Thesis, University of British Columbia, 2007. http://hdl.handle.net/2429/31618.

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I have been exploring relationships with technologies and the robotic dog AIBO for over a year. A documentation of my experiences culminated in my AIBO Research Journal, which is an outcome of autoethnographic methodology. For a portion of the year, I worked with five participants who observed and recorded their interactions with technologies and AIBO. My own developing relationship with AIBO and observations prompted questions about potential curriculum design. Other research has shown that many people give animalized and anthropomorphized robots greater moral standing than other technologies. I asked whether the cyborgenic qualities of AIBO, in that it is dog and machine-like, could stimulate perceptions of raised moral standing, not only towards the robot, but towards other technologies as well. My concern arises out of the need for humans to become aware of their relationships with technologies and the effects of these relationships on ourselves, others, and environments. I used design-based research methodology to construct an environment in which participants engaged with technologies and AIBO and used phenomenological reflection to observe effects of the interactions. These observations were collected in journals, audio and video recordings, and interviews. With this data and a range of other sources, an ethnographic picture was generated that gives a sense of the ways people interact with technologies and AIBO. My research offers an account of human-technology and human-robot relationships, but also tests curriculum design that emphasizes awareness of ourselves, nonhuman animals, and environments. Donna Haraway and Bruno Latour, among others, emphasize a view of relations that promotes thoughtful ways of understanding relationality, otherness, and being. Theories on hybridity, cyborgs, and companion species are major guides for this work. I found that people have many different ways of relating with technologies and AIBO, which suggests the ambiguity and interconnectedness of human-technology and human-robot relationships.<br>Education, Faculty of<br>Curriculum and Pedagogy (EDCP), Department of<br>Graduate
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Canpolat, Seda. "Hybridity in British Muslim women's writing." Thesis, Kingston University, 2014. http://eprints.kingston.ac.uk/29994/.

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A key paradigm in postcolonial studies, Homi Bhabha’s notion of cultural hybridity has become the dominant model for understanding migrant identity formation. However, its assumed universality and widespread currency are problematic because this concept is not equally applicable or relevant to all migrants. This dissertation focuses on the representation of cultural hybridity in contemporary British Muslim women’s writing, which is well-suited to pointing out the limitations and biases of Bhabha’s celebratory concept of hybridity. Because of its mostly religious, dark-skinned, female and working-Class protagonists, British Muslim women’s texts expose the secular, white, male and middle-class biases on which Bhabha’s idealised subject is predicated. Accordingly, the major literary texts under scrutiny are Leila Aboulela’s novels The Translator (1999) and Minaret (2005), Monica Ali’s Brick Lane (2003) and Fadia Faqir’s My Name Is Salma (2007). By means of an intersectional approach the thesis identifies, one by one, the biases inherent in Bhabha’s vision of hybridity, particularly as it has been appropriated within the field of postcolonial studies. Each of the four chapters addresses one subject position that the heroines inhabit: that is, religion, gender, race and class. Embedded within wider contemporary debates on religion, gender theory, postracialism and class mobility, each chapter illuminates the ways in which these subject positions complicate British Muslim women’s cultural self-fashioning and our understanding of hybridity. The original contribution of this gendered Islamic critique of hybridity is twofold: first of all, it shows that hybridity is not the only model of migrant identity formation. With reference to the value and belief system of Muslim cultures, the dissertation introduces competing Islamic epistemes of cultural self-fashioning. Secondly, it shows that, where hybridity is the preferred cultural choice of British Muslim women, their various female hybridities are the product of gendered reworkings and appropriations of male-centred postcolonial and Islamic paradigms.
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Marsden, Simon Joseph. "Strange combinations : reconsidering hybridity through Victorian fiction." Thesis, Lancaster University, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.431743.

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Earle, Philippa Helen. "Monism and hybridity in Milton's literary forms." Thesis, University of Exeter, 2018. http://hdl.handle.net/10871/33661.

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A prevailing scholarly view holds that John Milton’s monism (his belief that matter and spirit are inseparable) is a reaction to seventeenth-century determinism. My thesis, however, posits that Milton’s monism in fact emerges from his exploration of literary form. Chapter one traces the classical roots of the philosophy and its compatibility with Genesis. It posits the comprehensiveness of monist philosophy and highlights the vitalist (or animate) implications of ancient monist theories for literary form. Spoken or written words, Democritus suggests, correspond to the material building blocks or “elements” of the universe: the construction of literary form is analogous to the creation of the cosmos. Indeed, Lucretius’ letter-atom analogy suggests that the process of creating literary form is essentially identical to the atomic method underlying the composition of other material forms in the universe. Greek atomist thought, the chapter proposes, finds a striking parallel in Jewish mystical beliefs about creation. It is with the letters of the divine name that the Lord was said to have created the universe. I argue that, for Milton, Aristotle is most influential in expressing a vitalist conception of literary form, for in his philosophy, soul generates voice, which manifests itself in writing. Milton acknowledges the association between words and atoms, between letters and primordial substance, and between voice, or breath, and spirit in his monist materialism; after all, in Genesis, God creates by utterance. Examining the relation of vitalism to Aristotelian poetics, I suggest the relevance of the concept to Milton’s hybrid literary forms. Then, analysing the material nature of voice in Milton’s works, I posit in chapter two that Milton’s polemical pamphlets underscore the sense of spirit in writing that we find in the poetry. That literary forms can be perceived to embody soul because they evoke voice is evident also from Milton’s Art of Logic (1672). I suggest in chapter three that Logic is saturated with materialism because the Aristotelian sources on which Milton’s Ramist logic is based express material monism. Milton’s Logic and Areopagitica (1644) provide further evidence of his thinking about the vital potential of literary form through the logical construction of texts, a continued interest, I argue, which ultimately engenders his mature monism. Milton use of dream narratives in Paradise Lost, I propose, suggests that reality varies materially by degrees. The parts that reality comprises become more distinct after the Fall, when Milton’s dream narratives, and his cosmology, changes. Before the Fall, the poet imagines that Earth orbits the sun, and that the sun orbits heaven at the centre of the cosmos, a formation, I explain, that has striking resemblance to modern knowledge of the solar system. With careful attention to the dreams of Paradise Lost, I have determined that monism, for Milton, encompasses the workings of intellect, and in the final chapter, I argue that this principle is central to understanding Paradise Regained. The Son’s method of survival in the wilderness becomes the means by which paradise (the spiritual reality) is regained. Understanding his own nature permits the Son of God physiologically to sustain himself through dreaming; the intellectual achievement alters the material nature of his body so that he is sustained by spiritual food. Monism is at the very heart of Paradise Regained. It is a monist methodology of literary form which enables the poet across his oeuvre truly to represent the nature of reality.
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Radojkovich, Leanne. "The literary benefits of linguistic and cultural hybridity." AUT University, 2010. http://hdl.handle.net/10292/868.

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The objective of this exegesis is to show how linguistic and cultural hybridity create a unique prose style, and how my stories sit within that style. I will use Grace Paley and Lucia Berlin to demonstrate the distinctive narrative techniques. These include the use of sensuous details (instead of descriptions) to make place and character palpable; dialogue that convincingly evokes living speech; plots which emanate from the characters, rather than the other way round; and open-ended resolutions, as in real life. I will then show how I use these narrative techniques in my collection Happiness and other stories.
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Cigdem, Turasan Ferruh. "Othering And Hybridity In Joseph Conrad&#039." Master's thesis, METU, 2013. http://etd.lib.metu.edu.tr/upload/12615593/index.pdf.

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This thesis studies Joseph Conrad&rsquo<br>s Almayer&rsquo<br>s Folly in terms of two theoretical concepts<br>othering and hybridity. The first theoretical concept, othering, is analysed from various perspectives for three main reasons: 1) The question of &ldquo<br>Who is other to whom?&rdquo<br>cannot be answered thoroughly because there is a continuous power struggle between the European and the non-European characters. 2) The theme of othering in the novel is based on a view of humanity and its conflicts that is radically ambivalent, and thus cannot be analyzed from one perspective only. 3) Conrad&rsquo<br>s world view which is reflected in the novel is not limited to one group of people, but tends to be universal. The second theoretical concept, hybridity, is analyzed under three subtitles: ambivalence, mimicry and hybridity.
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Ching-Yi, Chen. "Musical hybridity : Guoyue and Chinese orchestra in Taiwan." Thesis, University of Sheffield, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.575746.

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Guoyue. literally "national music", is a hybrid musical genre that originated from mainland China mixing different types of Chinese traditional music. Transmitted to Taiwan in the 1950s, guoyue today manifests considerable creativity and diversity by drawing on expressions of Chinese cultural heritage and Taiwaneseness, while simultaneously ranging in style from traditional to modem through the influence of systemic modernisation, Westernisation and globalisation. Significant changes to politics, society and economics in Taiwan that began in the second half of the 1980s and continue to affect the Taiwanese population pose ongoing challenges to guoyue, such that its musical practices are undergoing negotiation and reconstruction within the context of Taiwan. Moreover, frequent cross-cultural inlluence and exchange have Icd those in the RIIOYlIe system to gradually incorporate aspects of diverse musical cultures and to produce a new musical form, crossover tkuajiei. through diversified and complex systems of cross-cultural and cross-genre interaction. This thesis consists of an introduction and four major chapters. Chapter two assesses the development of guoyue and the Chinese orchestra iguoyue tuani in mainland China. looking at such issues as hybridisation and political and social transformation. Chapter three explores changes in the development of guoyue in contemporary Taiwan with regard to issues of political transformation. This chapter also discusses how musicians in Taiwan utilise guoyue as an expression in shaping their sense or national identity and vice versa. An ethnographic analysis of the current music making of Chinese orchestras in Taiwan is presented in chapter four. linally, I consider the effects of Taiwan's current govemrnental policy through the concept of transculturation, and offer a transnational perspective through the di fferent situations of guoyue in Singapore and Malaysia. Overall, the research shows that the developments of guoyue and Chinese orchestra have continually changed according to political. social and cultural impacts. This research reveals how an ethnomusicological framework can be used to understand the development of guoyue and how those within guoyue cope with the connected and cross-border musical hybridities that characterise the present situation in postcolonial Taiwan.
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Books on the topic "Hybridity"

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Michael, Bridger, ed. Hybridity. Amsterdam: Harwood Academic in association with Middlesex University, 1996.

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May, Joseph, and Fink Jennifer, eds. Performing hybridity. Minneapolis: University of Minnesota Press, 1999.

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Mireille, Rosello, ed. Practices of hybridity. Edinburgh: Edinburgh University Press, 1995.

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Hepburn, Tony. Tony Hepburn: Towards hybridity. [Ferndale, Mich: Revolution, 1997.

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Moslund, Sten Pultz. Migration Literature and Hybridity. London: Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1057/9780230282711.

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Dai, Guangrong. Hybridity in Translated Chinese. Singapore: Springer Singapore, 2016. http://dx.doi.org/10.1007/978-981-10-0742-2.

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Ceballos, René. Passagen: Hybridity, transmédialité, transculturalidad. Hildesheim: Georg Olms, 2010.

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Prabhu, Anjali. Hybridity: Limits, transformations, prospects. Albany, NY: State University of New York Press, 2007.

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Schmitt, Arnaud, ed. Hybridity in Life Writing. Cham: Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-51804-1.

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Pak, Chu-sik. Honjongsŏng ihu: After hybridity. Sŏul-si: Aelp'i, 2017.

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Book chapters on the topic "Hybridity"

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Allolio-Näcke, Lars. "Hybridity." In Encyclopedia of Critical Psychology, 925–28. New York, NY: Springer New York, 2014. http://dx.doi.org/10.1007/978-1-4614-5583-7_144.

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Sharp, Lesley. "Hybridity." In A Companion to the Anthropology of the Body and Embodiment, 262–75. Oxford, UK: Wiley-Blackwell, 2011. http://dx.doi.org/10.1002/9781444340488.ch14.

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Mac Ginty, Roger. "Hybridity." In International Peacebuilding and Local Resistance, 68–90. London: Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1057/9780230307032_4.

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Ghose, Toorjo. "Hybridity." In Sex Work and Social Movement in India, 143–62. London: Routledge, 2024. http://dx.doi.org/10.4324/9781003475873-8.

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Nyman, Jopi. "Hybridity." In Engagements with Hybridity in Literature, 22–58. New York: Routledge, 2023. http://dx.doi.org/10.4324/9781003269670-2.

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Maitland, Sarah. "Hybridity." In Routledge Encyclopedia of Translation Studies, 246–52. 3rd ed. Third edition. | London ; New York, NY : Routledge, 2019.: Routledge, 2019. http://dx.doi.org/10.4324/9781315678627-53.

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Devadoss, Christabel. "Hybridity." In The Encyclopedia of Human Geography, 1–3. Cham: Springer International Publishing, 2024. http://dx.doi.org/10.1007/978-3-031-25900-5_198-1.

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Joseph, Priya. "Hybridity." In Brick Architecture Craft in Nineteenth-Century South India, 87–127. London: Routledge, 2025. https://doi.org/10.4324/9781003520931-7.

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Chakraborty, Abin. "Hybridity." In Encyclopedic Dictionary of Diasporic Indian English Writing, 215–16. Singapore: Springer Nature Singapore, 2025. https://doi.org/10.1007/978-981-96-0045-8_137.

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Madeira, Cláudia. "From hybridity to performance meta-hybridism." In Performance Art in Portugal, 150–68. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003253679-5.

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Conference papers on the topic "Hybridity"

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Stafeev, S. S., and V. V. Kotlyar. "Hybridly polarized optical vortices." In 2024 International Conference Laser Optics (ICLO), 167. IEEE, 2024. http://dx.doi.org/10.1109/iclo59702.2024.10624260.

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Tahayori, Kimia, Sherif Saad, Mohammad Mamun, and Saeed Samet. "HybridMTD: Enhancing Robustness Against Adversarial Attacks with Ensemble Neural Networks and Moving Target Defense." In 11th International Conference on Information Systems Security and Privacy, 72–83. SCITEPRESS - Science and Technology Publications, 2025. https://doi.org/10.5220/0013240700003899.

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Rayakota, Haritha Prasad, and Pei-Chi Huang. "HybridTE2: Hybrid Transformer-based End-to-End Learning for Autonomous Driving." In 2024 IEEE 7th International Conference on Industrial Cyber-Physical Systems (ICPS), 1–7. IEEE, 2024. http://dx.doi.org/10.1109/icps59941.2024.10640015.

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Engström, Arvid, Oskar Juhlin, Mark Perry, and Mathias Broth. "Temporal hybridity." In the 28th international conference. New York, New York, USA: ACM Press, 2010. http://dx.doi.org/10.1145/1753326.1753550.

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Brauwers, Neimar Plack. "Human training as a holistic construction in the hybridization between mind and body." In III SEVEN INTERNATIONAL MULTIDISCIPLINARY CONGRESS. Seven Congress, 2023. http://dx.doi.org/10.56238/seveniiimulti2023-269.

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The present article is a bibliographic review on human formation, structured from the mind and body hybridity in the everyday relationship. The purpose of the text is to demonstrate that human formation goes beyond the purely cognitive question, building a relationship between the practical situations of the experience with the conceptual ones. For this purpose, authors from the field of philosophy, sociology, theology and education, such as Maurice Merleau-Ponty, James K. A. Smith and Martin Heidegger, were chosen to theoretically support human formation through mind and body hybridity. The research was developed theoretically, analyzing the writings of the authors mentioned above and others, based on the investigation of the hybridity of mind and body in human formation in the family, school and society. In this way, broadening the understanding of education, relating mind and body hybridity, enables a holistic human education, which contemplates the complexity of life, and contributes to greater assertiveness in relation to the preparation of students to interpret the context of today's society. With the present study, it was verified that the human formation, from the mind and body hybridism, is a construction that occurs in all spaces and throughout life, however, in the phase of childhood, adolescence and youth, the bases that guide choices in adult life, having a breadth that relates mind and body.
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6

Yessios, Ioannis C., and Olga Pantelidou. "Moving beyond Hybridity." In eCAADe 2006: Communicating Space(s). eCAADe, 2006. http://dx.doi.org/10.52842/conf.ecaade.2006.412.

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Yessios, Ioannis C., and Olga Pantelidou. "Moving beyond Hybridity." In eCAADe 2006: Communicating Space(s). eCAADe, 2006. http://dx.doi.org/10.52842/conf.ecaade.2006.412.

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Schepers, Selina M. P., Katrien P. I. Dreessen, and Liesbeth A. Huybrechts. "Hybridity in MAP-it." In NordiCHI '14: The 8th Nordic Conference on Human-Computer Interaction. New York, NY, USA: ACM, 2014. http://dx.doi.org/10.1145/2639189.2639244.

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Dubbert, Dennis, and Christian Kohls. "Hybridity through subspace creation." In EuroPLoP 2024: 29th European Conference on Pattern Languages of Programs, People, and Practices, 1–24. New York, NY, USA: ACM, 2024. https://doi.org/10.1145/3698322.3698331.

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Merritt, Samantha, and Erik Stolterman. "Cultural hybridity in participatory design." In the 12th Participatory Design Conference. New York, New York, USA: ACM Press, 2012. http://dx.doi.org/10.1145/2348144.2348168.

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Reports on the topic "Hybridity"

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Jianing, Sang. Between Federation and Confederation: the EU’s ‘Ac-countability Deficit’ as the Result of Structural Hybridity. Fribourg (Switzerland): IFF, 2017. http://dx.doi.org/10.51363/unifr.diff.2017.20.

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Battersby, Jane, Mercy Brown-Luthango, Issahaka Fuseini, Herry Gulabani, Gareth Haysom, Ben Jackson, Vrashali Khandelwal, et al. Living Off-Grid Food and Infrastructure Collaboration Working Paper 1: Concepts and Assumptions. Institute of Development Studies, May 2023. http://dx.doi.org/10.19088/logic.2023.001.

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This working paper is the product of the Living Off-Grid Food and Infrastructure Collaboration. It is designed to bring together our thinking on how infrastructure can shape the food and nutritional security of urban marginalised populations. Infrastructure assemblages include the material (physical and technological), as well as the political and systemic factors that ‘govern’ how infrastructure is developed and used. Urban food systems are made up of public and private actors, and market and governance processes that shape the cost and availability of food in different urban contexts. At the intersection of urban food systems and infrastructure assemblages lies the food and nutrition security of urban dwellers. The framing of contemporary debates and policy priorities with respect to both nutrition and infrastructure are heavily conditioned by presumptions – in favour of formality and griddedness, for example, or of the need to raise agricultural productivity – which fail to reflect the reality of marginalised communities in Southern cities. For these communities, their experience is one of hybridity, with formal and informal infrastructures and economies central to their lives and livelihoods. These hybrid arrangements are imbued with power structures and socio-political dynamics that are context specific and further condition communities’ experiences. Together, these are the factors that condition or shape the possibilities for individuals and households pursuing different food strategies. However, there is a failure to reflect this reality in the conceptualisation of infrastructure challenges, leading to unworkable solutions and policies that end up perpetuating problems. There is an urgent need to reframe problematic assumptions, starting first and foremost from the entry point of urban informal settlements in the global South. By taking food as a lens in this process, we illuminate these contexts, and how they relate to hybrid infrastructure arrangements and potential alternatives. This reformulation is vital at this critical juncture, when Southern cities need infrastructure development that meets the needs of rapidly changing demographics without locking cities and nations into unsustainable pathways.
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Chauhan, Priyanshi, and Ria Sinha. Bridging Perspectives: Innovative Finance Insights from India. Indian School Of Development Management, September 2023. http://dx.doi.org/10.58178/2309.1026.

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This case study engages with the journey of Dhwani Rural Information Systems, a social enterprise that traces its earliest origins back to 2012. Founded by the duo of Sunandan Madan and Swapnil Aggarwal – engineers by training who met while studying for a postgraduate course at the Institute of Rural Management Anand (IRMA) – Dhwani since its inception has been trying to help a range of social sector organizations effectively integrate technology without disrupting the core ways in which these organizations work. Notably, it has been amongst one of the early enterprises in the sector which has taken efforts to understand in-depth the technology-related “pain points” common across organizations, and to bring a degree of standardisation to their solutions. The case builds an appreciation towards the fact that at the core of a successful technology-centric social enterprise, which can offer relevant and affordable digital products and services to the sector, lies building a composite culture that can straddle both the developmental and technological landscapes. Such a culture seeks to combine engineering and consulting skills in equal measure, and seeks to solve problems mindful of the particularities of the developmental sector, while also retaining a service orientation. In particular, the case looks to draw attention to the ideas of hybridity and elasticity that are integral to such a culture and how these have to be sustained against continuous pressures of talent sourcing, compensation, retention, and learning and development. In a short period of time, Dhwani has become a mature set-up with a clear sector-agnostic product and service value proposition to the sector, with a team strength of over 120 people and over 50 projects, and a variety of organizations, including nonprofits, philanthropies, CSR divisions and governments as clients. Therefore, the experiences of the founders and members of the team offer valuable lessons for other like-minded practitioners. At the same time, to researchers in the field of social enterprise the case may provide a more granular view of important aspects of culture-building in emerging social enterprises. The fact that such enterprises have to draw from a talent pool in constant competition with their private sector counterparts imparts added force to the above considerations.
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Rao, Menaka, Shantanu Menon, and Kushagra Merchant. Dhwani Rural Information Systems: Bridgnig the Technological divide. Indian School Of Development Management, June 2023. http://dx.doi.org/10.58178/2306.1025.

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This case study engages with the journey of Dhwani Rural Information Systems, a social enterprise that traces its earliest origins back to 2012. Founded by the duo of Sunandan Madan and Swapnil Aggarwal – engineers by training who met while studying for a postgraduate course at the Institute of Rural Management Anand (IRMA) – Dhwani since its inception has been trying to help a range of social sector organizations effectively integrate technology without disrupting the core ways in which these organizations work. Notably, it has been amongst one of the early enterprises in the sector which has taken efforts to understand in-depth the technology-related “pain points” common across organizations, and to bring a degree of standardisation to their solutions. The case builds an appreciation towards the fact that at the core of a successful technology-centric social enterprise, which can offer relevant and affordable digital products and services to the sector, lies building a composite culture that can straddle both the developmental and technological landscapes. Such a culture seeks to combine engineering and consulting skills in equal measure, and seeks to solve problems mindful of the particularities of the developmental sector, while also retaining a service orientation. In particular, the case looks to draw attention to the ideas of hybridity and elasticity that are integral to such a culture and how these have to be sustained against continuous pressures of talent sourcing, compensation, retention, and learning and development. In a short period of time, Dhwani has become a mature set-up with a clear sector-agnostic product and service value proposition to the sector, with a team strength of over 120 people and over 50 projects, and a variety of organizations, including nonprofits, philanthropies, CSR divisions and governments as clients. Therefore, the experiences of the founders and members of the team offer valuable lessons for other like-minded practitioners. At the same time, to researchers in the field of social enterprise the case may provide a more granular view of important aspects of culture-building in emerging social enterprises. The fact that such enterprises have to draw from a talent pool in constant competition with their private sector counterparts imparts added force to the above considerations.
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Schneidermann, Nanna, Amalie Bakkær Munk Andersen, and Kenni Hede. Musikalske Besøgsvenner 2021- fra eksperiment til hybridt koncertformat. Det Kgl. Bibliotek, October 2022. http://dx.doi.org/10.7146/aul.461.

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Denne rapport beskriver og analyserer resultaterne af den første fase af Musikalske Besøgs- venner (2020-2021). Projektets formål var at udvikle et nyt, intimt hjemmekoncert format ved at afholde 100 koncerter hjemme hos brugere af besøgsvennetjenester og undersøge koncer- ternes værdi som sundheds- og trivselsfremmende fra publikums og kunstneres perspektiv. Projektet er et samarbejde mellem ROSA og Aarhus Universitet, sammen med ti kunstnere og en række besøgsvennetjenester. I perioden april 2020 til maj 2021 har vi indsamlet læring og erfaringer fra projektet hos både deltagende besøgsvennepar og kunstnere med udgangspunkt i etnografiske og visuelle, del- tagende metoder. Rapporten fremlægger resultater af forskningssamarbejdet og giver en række anbefalinger til projektets næste fase.
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