Academic literature on the topic 'Hybridity of Culture'

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Journal articles on the topic "Hybridity of Culture"

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Kompridis, Nikolas. "Normativizing Hybridity/Neutralizing Culture." Political Theory 33, no. 3 (June 2005): 318–43. http://dx.doi.org/10.1177/0090591705274867.

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Viviani, Yolanda, and Robby Satria Mandala. "HYBRIDITY POTRAYED BY MAJOR CHARACTERS IN THE NOVEL “CRAZY RICH ASIAN” BY KEVIN KWAN." JURNAL BASIS 8, no. 1 (April 20, 2021): 85. http://dx.doi.org/10.33884/basisupb.v8i1.2958.

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This research was conducted to figure out kinds of hybridity that major characters did in the novel “Crazy Rich Asian” by Kevin Kwan. This study was analyzed by using postcolonial approach with theory of hybridity by Homi K. Bhabha. According to Bhabha, hybridity is the mixing of two or more different culture and create a new culture that has both culture characteristic. It can be said that hybridity is the result of cross culture that appears in society due to cross cultural interaction that happened for a long time. Descriptive qualitative method was used in this research to analyse social problems happened in the novel. Based on the analysis that had been conducted, there were two kinds of hybridity found out in the novel “Crazy Rich Asian”. They are ethic hybridity and lifestyle hybridity. The ethic hybridity was found in Rachel and Eddie’s mindset. Their mindset were more like American than other characters. Lifestyle hybridity was found in Astrid lifestyle which more like westerner than her husband.
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Petersson, Caroline. "In Things we Trust: Hybridity and the Borders of Categorization in Archaeology." Current Swedish Archaeology 19, no. 1 (June 10, 2021): 197–81. http://dx.doi.org/10.37718/csa.2011.11.

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The aim of the article is to question essentialist con- structions of archaeological cultures with the help of Homi K. Bhabha’s concept of hybridity. Using house urns found in central and northern Europe as a case study, Bhabha’s hybridity concept is presented and discussed as an alternative to traditional archaeolog- ical concepts of cultural interpretation. Hybridity, which is also a key concept in postcolonial theory, offers an alternative key to the interpretation of cul- ture and suggests that no culture should be seen as static and homogeneous. The common understanding of house urns is therefore informed and challenged by the concept of hybridity, its alternative construction of culture and alternative ways to understand arte- facts. Inspired by the concept of hybridity, I argue that house urns deserve much broader interpretations than as mere manifestations of cultural difference or cultural belonging.
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Dr. Waheed Ahmad Khan, Salman Hamid Khan, and Dr. Shaukat Ali. "Cultural Hybridity as Perpetuation of Americanization: A Study of the Selected Novels of Mohsin Hamid and Kamila Shamsie." sjesr 3, no. 4 (December 25, 2020): 35–42. http://dx.doi.org/10.36902/sjesr-vol3-iss4-2020(35-42).

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Cultural hybridity has prevailed by penetrating its roots in the globalized world. It has influenced the identity of people especially migrants of various countries. Identity in the case of cultural hybridity leads to conflict. Migrants wish to grow by absorbing influences from their own 'roots' but new 'routes' also inspire them. Homi K. Bhabha is of the view that migrants' cultural world changes after crossing the borders; they have an experience of living in an alien culture and thus learn new ideas. He criticizes the idea of a fixed identity which is developed by the migrants' native culture. Bhabha argues that identity is 'hybrid'; it is always in a state of flux because it is constantly in motion, pursuing unpredictable routes. However, Aijaz Ahmad believes that the identity of people does not develop independently. He does not consider cultural hybridity as synonymous with cultural differentials. Bhabha's celebration of hybridity ignores unequal relations of cultural power. He also ignores cultural and historical specifics in his theorization of hybridity. The study is qualitative and is based on interpretive analysis of the novels The Reluctant Fundamentalist and The Burnt Shadows which celebrate hybridity in cultures. The study unveils unequal relations of cultural power in hybridity.
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Hasanthi, D. R. "The Mimic Man in Kiran Desai’s The Inheritance of Loss." Shanlax International Journal of English 9, no. 2 (March 1, 2021): 48–57. http://dx.doi.org/10.34293/english.v9i2.3737.

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Spread over continents, countries and cultures, Kiran Desai’s The Inheritance of Loss (2006) takes us on a tour de force into the realms of multiculturalism and hybridity in Indian culture. It focuses on the changing face of India, amidst East - West encounter, globalization and glocalization. The novel as a postcolonial text puts forth, the authority politics of cultural imperialism, even after the independence of India. This paper appraises the novel using Homi. K. Bhabha’s theory of mimicry, hybridity and ambivalence. It concentrates on the mimic man of the novel Judge Jemubhai Patel. This paper focuses on the hybridization of culture along with the making of reformed hybrids who are in a constant conflict with their identity, language and culture on account of the praxis between the culture of the colonized and the colonizer during and after colonization of the colonized. This paper recommends proper mapping of mimicry and hybridity with indigenous culture, values and ethics. It advocates sowing and stringing in cultural amalgamation and westernization in indigenous Indian culture and ethos for a better life and better Indian society.
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Bahri, Deepika. "Hybridity, Redux." PMLA/Publications of the Modern Language Association of America 132, no. 1 (January 2017): 142–48. http://dx.doi.org/10.1632/pmla.2017.132.1.142.

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The ensuing remarks on Homi Bhabha's collection of essays The Location of Culture are framed by the following questions: Under what discursive conditions does a text arrive? How do conditions beyond the text determine its reception and circulation? And why is Bhabha routinely associated more with ambivalence, interstice, and liminality than with the ways in which they illuminate problems of race, the archive, history, or the affective bodily subject of history? To focus these ruminations, I will discuss the intervention, impact, and afterlife of The Location of Culture through the concept of hybridity, arguably one of the greatest hits of postcolonial studies and one closely associated with the work of Bhabha. Informed by Mikhail Bakhtin's propositions about hybridity in linguistic utterance; by Sigmund Freud's theories of ambivalence; by Walter Benjamin's discussions of history, event, and language; by Jacques Lacan's discourses on ego, language, and subjectivity; by Michel Foucault's investigations of history, knowledge, and power; and by Jacques Derrida's theories of différance, Bhabha's formulations have gained currency well beyond the humanities. Appropriations of hybridity in globalization discourse, however, often do not honor Bhabha's poststructural politics or its rooting in a complex history of ideas even as the critics of hybridity fail to recognize its inception in archival moments and particular enunciative contexts. Bhabha's work not only poses questions to history in a mode characteristic of deconstruction, it also commences in history in a clearly postcolonial modality. I want to review missed appointments with pressing questions of history and race in the global reception of Bhabha's concept of hybridity, an approach that constitutes an implicit plea for the recognition and reanimation of these questions in contemporary uses of the term hybridity in the discourse of globalization.
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Shah, Dr Manisha. "Cultural Hybridity: A Postcolonial Concept." SMART MOVES JOURNAL IJELLH 4, no. 12 (December 30, 2016): 7. http://dx.doi.org/10.24113/ijellh.v4i12.1783.

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In the present era of globalization and multiculturalism, contemporary literary scenario has been transformed as the texts have crossed the borders of nation and culture. Culture links a human being with the community and the community with the nation. To examine the issue of national or cultural identity of a Postcolonial immigrant in West is in a way a process to strip away the traditional conventional concept of culture and to view it from a globalized perspective. The diaspora writers deal with the lives of immigrants, who are in minority in the host nation hence considered subaltern. Each nation has its unique culture and tradition: on one hand the immigrants have to succumb to the traditions of the culture of the host nation and on the other as they are rooted in the home land they try to preserve certain practices and traditions of the homeland culture. It is quite necessary to understand the concept of ‘cultural hybridity’ from Postcolonial perspective to embrace the concept of national identity of diasporic people.
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Inkiriwang, Alfred, and Riani E. Inkiriwang Winter. "CULTURAL HYBRIDITY TOWARDS AN UPWARD MOBILITY: IMPLICATIONS OF THE AMERICAN MEDIA AND AMERICAN CORPORATE CULTURE IN INDONESIA." Rubikon : Journal of Transnational American Studies 1, no. 2 (September 1, 2014): 1. http://dx.doi.org/10.22146/rubikon.v1i2.34210.

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Hybridity has been defined in many terms. Subsequently, cultural hybridity is associated with different meanings, as seen from a spectrum of theoretical and disciplinary perspectives. In the realm of Transnational American Studies in Indonesia, the hybridization of American Media and American Corporate Culture into those domains in Indonesia would be an observable transnational cultural phenomenon. American corporate culture has a hegemonic dominance in the world as it has in Indonesia. Similarly, in the current global media culture, American media’s influence has brought with it its culture to places throughout the world including Indonesia. In the current discourses hybridity has “long left behind the negative implications and connotations of inferiority” and it presents currently the intercultural exchange of transnational and global mobility. This article explores American and Indonesian cultural hybridity as a notion of upward mobility in the domain of media culture and corporate culture in Indonesia.
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Jaber, Salsabeel Jamal Said. "The Dynamics of Hybridity in Diana Abu Jaber's The Language of Baklava and Life Without a Recipe." International Journal of Linguistics, Literature and Translation 4, no. 6 (June 29, 2021): 07–11. http://dx.doi.org/10.32996/ijllt.2021.4.6.2.

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This study explores the portrayal of hybridity in Diana Abu Jaber's two memoirs, The Language of Baklava (2005) and Life without a Recipe (2016). Many researchers have dealt with the cultural issues that are portrayed in Diana Abu Jaber's novels, especially Crescent (2003) and Arabian Jazz (1993). This study is distinguished from previous studies by focusing on the cultural aspects that are portrayed in Abu Jaber's two memoirs. The main concern of this study is to shed light on Diana Abu Jaber's contributions to the exploration of the concept of hybridity in her memoirs from many aspects, such as the hybridity of identity and culture. Furthermore, it highlights the basic differences between the memoirs in portraying the influences of the mixed culture and identity in Diana Abu Jaber's life. On the other hand, this study tries to explore the influences of mixed parentage of the writer on her writing of the two novels and her depiction of hybridity in identity, culture and language. Her American mother and her Jordanian father are the main motivation for Abu Jaber to focus on the mixture between Arab- American cultures in her writing.
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Waworuntu, Michelle Intan Goh Rumengan, and Tomi Arianto. "HIBRIDITY OF THE CHACRACTERS IN MY SON THE FANATIC STORY BY HANIEF KURESHI." JURNAL BASIS 6, no. 2 (October 26, 2019): 197. http://dx.doi.org/10.33884/basisupb.v6i2.1432.

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This study aimed to reveal the forms of hybridity as a result of the existence of postcolonial cultural contact with the construction of a colonial form. Researchers revealed the hybridity represented by the characters Parvez and Ali in My Son the Fanatic Short Story by Hanief Kureshi. This study used the Postcolonialism approach in the hybridity concept of Homi K Bhabha. According to. Bhabha (1994) Hybridity is a cross between two different cultures in a tangent interaction. In this case, hybridity is not only seen as a fusion of culture but also cultural products placed in social and historical space under postcolonialism which are part of the imposition of colonial power relations. The qualitative descriptive method was used in this study because of its essence in descriptive text analysis in predetermined literary works. The results of this study indicated that there are two forms of hybridity representation in this study. First, the character of mimicry in the sense of ambiguity and contradictory character as a discourse of cultural devotion due to the colonial construction that was formed. Mimicry is represented by the character Parvez in the story. Second, the ambivalence represented by his son named Ali. Ali was aware of the colonial discriminatory against culture so he resisted the construction but on the other hand, he did not know what identity he should hold.
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Dissertations / Theses on the topic "Hybridity of Culture"

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Hall, Joanna Louise. "Heterocorporealities : popular dance and cultural hybridity in UK drum 'n' bass club culture." Thesis, University of Surrey, 2009. http://epubs.surrey.ac.uk/2160/.

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Krishnamurti, Sailaja Vatsala. "Boundaries on fire, hybridity and the political economy of culture." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ52798.pdf.

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Hermansson, Tove. "The Evolution of Changez' Identity : Hybridity and Culture in Mohsin Hamid's The Reluctant Fundamentalist." Thesis, Linnéuniversitetet, Institutionen för språk (SPR), 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-100174.

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This essay explores the concept of hybridity and its relation to cultural identity in Mohsin Hamid's The Reluctant Fundamentalist (2007). Changez' identity is analysed by using postcolonial theory and its notion of hybrid identities. By analysing Changez' cultural identity, I came to the conclusion that his hybridity is not fixed, but rather fluid and changing. At the beginning of the novel, Changez' hybrid identity is fractioned and unstable, leading him to become ashamed and uncomfortable with who he is and his Pakistani culture. At the end of the novel he realises that his experiences in America will always be part of who he is - part of his identity - and his hybridity becomes harmonious and stable, in turn allowing him to use Western culture against itself; a key part of hybridity in postcolonial theory.
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Slough, Spenser David. "Germans on the Western Waters: Artisans, Material Culture, and Hybridity in Virginia's Backcountry, 1780-1830." Thesis, Virginia Tech, 2015. http://hdl.handle.net/10919/54551.

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This study examines the socioeconomic lives of artisans of German descent who worked within Wythe County, Virginia from 1780 to 1830. It is particularly concerned with how a distinct German-American culture manifests over time as seen through these artisans' produced materials and structures. This thesis traces this manifestation through a careful examination of Wythe material culture, wills, probates, inventories, court records, account books, receipts, invoices, census records, personal correspondence, and personal property tax assessments. Scholars of early America and the southern backcountry have often narrated German cultural identity transformations along the lines of language and marriages. This work diverts from those tendencies, thereby complicating prior understanding of German-Americans settlement and development patterns in early America. Beginning in the 1780s entire German families, neighborhoods, and communities left their prior American homes and settled within a relatively unsettled area of southwest Virginia. These predominately second-generation German descendants brought with them to the backcountry a culturally-constructed material culture lexicon passed onto them by their ancestors. This thesis argues that artisans of Wythe County operated as major agents of economic and social development while also providing a hybridized cultural resource for their neighbors and surrounding Great Road communities. These German families and congregations, composed of farmers, hausfrauen (housekeepers), and craftsmen by trade, sought to maintain a familiar and distinct cultural landscape and ethos through the many wares and structures they produced. These German neighborhoods accommodated and diversified their trades to fit within a burgeoning early-American society while still aware of their predominately German community's cultural character and needs.
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Vinsonhaler, Nettie Christine. "The prophetic Beowulf: heroic-hagiographic hybridity in Andreas, Juliana, and Beowulf." Diss., University of Iowa, 2013. https://ir.uiowa.edu/etd/1787.

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Beowulf's contest with Grendel has universally been read as an assertion of heroic agency. Yet as I demonstrate, this purportedly neutral convention derives from the misreading of a riddle design that invites and then disrupts expectation in the accidental denouement of Grendel's self-destruction. As an alternative to heroic misprision, I locate Beowulf's salient analogues in the poetic hagiographies, Andreas and Juliana. Within these poems I demonstrate a distinctive Christian critique, which defines heroic order through its assertion of loyalty to insiders and enmity to outsiders, and aligns with René Girard's anthropology in marking enmity both as a source of social cohesion and instability. I also demonstrate a distinctive "crossover poetics" that switches godly and demonic attributes between the opposed communities. As this crossover design gives rise to tropes of heroic-hagiographic hybridity, it exposes a biblical prophetic distinction between the physical realm of objects, actions, and words, and the metaphysical realm of emotional, ethical, and relational principles--a distinction by which the poem locates the origin of enmity in the idolatrous gestalt of egoistic materialism and the origin of loyalty in the covenant ethos of transcendent affiliation. This crossover design, moreover, functions in rapprochement with heroic culture, to affirm the godliness of loyalty and reject demonic enmity, while also interrogating the idolatrous potentiality of Christian discourse. As an alternative to the instabilities marked within heroic social order, the hagiographies offer a new social order based in a two-fold conception: a Christological model that entails compassion for enemies and self-sacrificing obedience to the covenant ethos, and a prophetic model that resists violent contagion through egoistic effacement, entailed in acts of divine praise and benevolent prayer. Lacking these redemptive disciplines, Beowulf's pagan fictive world nevertheless incorporates the same hagiographic critique, but through dystopian patterns of demonic inversion. Thus, Beowulf synthesizes the cardinal hagiographic elements--the same narrative arcs, lexical patterns, and crossover poetics--in a drama that schools its audience in prophetic discernment: to see the essential, defining reality beneath the surface of human events and to recognize patterns of divine retribution as paradoxical enactments of demonic self- destruction.
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Reilly, Brendan Michael Declan. "Tiki to Mickey: The Anglo - American Influence On New Zealand Commercial Music Radio 1931-2008." Thesis, University of Canterbury. School of Social and Political Sciences, 2011. http://hdl.handle.net/10092/5248.

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Emerging consensus tends to suggest there is overwhelming American dominance of New Zealand radio in music. This study sets out to investigate such claims by looking at music, and incorporating a study of technology, announcing and programming as well. There is evidence emerging that instead of overwhelming dominance, there is a mixture of American as well as British influence. Foreign influence in the radio scene has been apparent since the time it became a popular addition to the New Zealand household in the 1920’s. Over the following decades, the radio industry has turned to the dominant Anglo-American players for guidance and inspiration. Now with a maturing local industry that is becoming more confident in its own skin, this reliance on foreign industry is coming under question regarding its effect on indigenous culture. The cultural cringe is slowly disappearing, but what is replacing it has been the centre of cultural debate. Utilising methods of content analysis and interviews, we set out to question which theory best describes the new landscape that the radio industry finds itself in, and how this is affecting the production of content received by the listening public. Working within a framework of cultural imperialism and hybridity, the findings indicate a complex mixture of the local and the global that could not be explained by simplistic notions of hybridity.
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Tagata, William Mineo. "\"Omo\'s wash keeps England in the black\": hibridismo em Minha Adorável Lavanderia e outros espaços intersticiais." Universidade de São Paulo, 2007. http://www.teses.usp.br/teses/disponiveis/8/8147/tde-07112007-132640/.

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O objetivo deste trabalho é investigar a relevância do conceito de hibridismo cultural para a compreensão dos fenômenos de mudança social e cultural. Pretendo me concentrar nos autores que questionam a homogeneidade das culturas e das identidades, e que em vez disso acreditam que todas as culturas são inerentementes híbridas, sendo a interação entre elas capaz de intensificar essa mistura de formas imprevisíveis. Ao mesmo tempo, analiso o modo como o filme Minha Adorável Lavanderia trata do hibridismo, procurando relacioná-lo com os autores investigados.
The aim of this dissertation is to investigate the relevance of the concept of cultural hydbridity to an understanding of the phenomena of social and cultural change. It is my intention to focus on those theorists who question the purity and homogeneity of cultures, and believe instead that all cultures are inherently hybrid, and that intercultural exchange helps to intensify the mixture in unpredictable ways. At the same time, I examine the concept of hybridity underlying My Beautiful Laundrette, trying to relate it to the theories above
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Vieira, Keila. "Trans*formations of the Womanly Body : hybrid feminine representation in manga-inspired quadrinhos." Thesis, Lyon, 2017. http://www.theses.fr/2017LYSE3052/document.

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Nous nous concentrons sur la reproduction visuelle de la « femme » dans le quadrinhos en tant que référence de la période créatif et innovante de la littérature visuelle au Brésil au travers du manga. Cette thèse étudie le fait que la « femme » en tant que personnage principal peut être vu comme un simple critère esthétique pour un regard masculin érotique. Cependant, nous trouvons également dans ces caractéristiques un contrepoids, puisque dans ce référentiel érotique, ces personnages féminins sont devenus un exemple de liberté personnelle d´indépendance et d´autonomie au Brésil. Nous analysons de manière entrelaçé l´immigration au Brésil et au Japon, la représentation visuelle féminin en quadrinhos, manga et manga-inspirés quadrinhos, le fandom et les contradictions féminines
The visual reproduction of the "woman" in quadrinhos marks a creative and innovative period of the visual literature in Brazil concerning its hybridization with manga. This thesis concerns the fact that this "woman" can be seen as a simple aesthetic criterion for an erotic male gaze. However, we argue that this characteristic becomes a counterweight for women´s personal freedom, independence and autonomy in Brazil. We analyse it through a carnivalization which mark the immigration of Japanese to Brazil and of Brazilian Japanese to Japan with the female visual representation in quadrinhos, manga and manga-inspired quadrinhos, the fandom and feminine contradictions
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Fu, Xing. "On the hybridity of Chinese-English translation of Report on the Work of the Government." Thesis, University of Macau, 2009. http://umaclib3.umac.mo/record=b2456355.

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Even, Noa. "Examining François Rossé's Japanese-Influenced Chamber Music with Saxophone: Hybridity, Orality, and Primitivism as a Conceptual Framework." Bowling Green State University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1415549555.

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Books on the topic "Hybridity of Culture"

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Hybridity in Spanish culture. Newcastle upon Tyne: Cambridge Scholars Pub., 2011.

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Hybridity: Promises and limits. Whitby, ON: de Sitter Publications, 2011.

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Questioning hybridity, postcolonialism and globalization. New York: Palgrave Macmillan, 2011.

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Colonial desire: Hybridity in theory, culture, and race. London: Routledge, 1995.

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Papastergiadis, Nikos. The complicities of culture: Hybridity and 'New Internationalism'. Manchester: Cornerhouse, 1994.

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Lawrence, Adam. Hybridity, hospitality, and the changeling in contemporary Irish culture. Rock Hill, SC: Dept. of English, Winthrop University, 2005.

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Prabhu, Anjali. Hybridity: Limits, transformations, prospects. Albany, NY: State University of New York Press, 2007.

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Agnihotri, Rama Kant. "Impure languages": Linguistic and literary hybridity in contemporary cultures. New Delhi: Orient Blackswan Private Limited, 2015.

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Júnior, Benjamin Abdala. Fronteiras múltiplas, identidades plurais: Um ensaio sobre mestiçagem e hibridismo cultural. São Paulo: Editora SENAC São Paulo, 2002.

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Lunghi, Carla. Culture creole: Imprenditrici straniere a Milano. Milano: FrancoAngeli, 2003.

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Book chapters on the topic "Hybridity of Culture"

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Taylor, Norman. "Film and Hybridity." In Cinematic Perspectives on Digital Culture, 158–82. London: Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9781137284624_7.

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Brooks, Ann. "Popular Culture, Hybridity and Cultural Consumption." In Popular Culture: Global Intercultural Perspectives, 12–26. London: Macmillan Education UK, 2014. http://dx.doi.org/10.1007/978-1-137-42672-7_2.

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Brennan, Niall. "Unraveling Diaspora and Hybridity." In The Handbook of Diasporas, Media, and Culture, 137–50. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2019. http://dx.doi.org/10.1002/9781119236771.ch9.

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Collins, Georgina, and María López Ponz. "Translation, hybridity and borderlands." In The Routledge Handbook of Translation and Culture, 398–414. New York, NY : Routledge, 2018. | Series: Routledge handbooks in translation and interpreting studies: Routledge, 2018. http://dx.doi.org/10.4324/9781315670898-22.

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Brooks, Ann. "Cultural Consumption, Hybridity and Identity." In Popular Culture: Global Intercultural Perspectives, 40–53. London: Macmillan Education UK, 2014. http://dx.doi.org/10.1007/978-1-137-42672-7_4.

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Webb, Peter. "Popular Culture, Hybridity and Hip-hop." In Popular Culture: Global Intercultural Perspectives, 88–106. London: Macmillan Education UK, 2014. http://dx.doi.org/10.1007/978-1-137-42672-7_7.

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Fenske, Mindy. "Modern Primitives: Exoticism, Hybridity, and Photography." In Tattoos in American Visual Culture, 109–43. New York: Palgrave Macmillan US, 2007. http://dx.doi.org/10.1057/9780230609709_5.

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Osgerby, Bill. "Global media, local youth cultures, and hybridity." In Youth Culture and the Media, 153–74. Second Edition. | new york : routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9781351065269-8.

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Aston, James. "The Wolf Is Coming: Genre Hybridity in the Contemporary Chinese Blockbuster." In East Asian Popular Culture, 69–91. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-55077-6_4.

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de Coning, Cedric, and Lawrence McDonald-Colbert. "Hybridity, Adaptive Peacebuilding and Complexity." In Operationalisation of Hybrid Peacebuilding in Asia, 37–58. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-67758-9_3.

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AbstractComplexity science provides us with a theoretical framework for understanding how complex social systems lapse into violent conflict, and how they can prevent, or recover from conflict. For a peace process to become self-sustainable, resilient social institutions need to emerge from within, i.e. from the culture, history and socio-economic context of the relevant society. International actors can assist and facilitate this process, but if they interfere too much, they will undermine the self-organising processes necessary to sustain resilient social institutions. Adaptive Peacebuilding navigates this hybrid peacebuilding dilemma with an adaptive methodology where peacebuilders, together with the communities and people affected by the conflict, actively engage in a structured process to sustain peace and resolve conflicts by employing an iterative process of learning and adaptation. A complexity informed approach to hybrid peacebuilding aims to safeguard, stimulate, facilitate and create the space for societies to develop resilient capacities for self-organisation.
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Conference papers on the topic "Hybridity of Culture"

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Padika, Muhammad Rangga, Nita Novianti, and Ruswan Dallyono. "Hybridity in Pramoedya Ananta Toer’s Child of All Nations." In 3rd International Conference on Language, Literature, Culture, and Education (ICOLLITE 2019). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200325.081.

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Merritt, Samantha, and Erik Stolterman. "Cultural hybridity in participatory design." In the 12th Participatory Design Conference. New York, New York, USA: ACM Press, 2012. http://dx.doi.org/10.1145/2348144.2348168.

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Febiyanti, Anita, and Hani Yulindrasari. "Cultural Hybridity in Parenting in Indonesia." In 5th International Conference on Early Childhood Education (ICECE 2020). Paris, France: Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210322.035.

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Van, Thanh Vo, Thanh Le Minh, Thang Huynh Quoc, Son Quang Van, and Uyen Do Thi Ngoc. "Cultural hybridity: The vitality of Hoi An ancient town world cultural heritage." In 1ST VAN LANG INTERNATIONAL CONFERENCE ON HERITAGE AND TECHNOLOGY CONFERENCE PROCEEDING, 2021: VanLang-HeriTech, 2021. AIP Publishing, 2021. http://dx.doi.org/10.1063/5.0066480.

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Abdullah Abdulateef Al-Hassani, Huda. "Cultural Differences in Hybridity: A Study of Asal Eswed (Black Honey) and New York Movie." In المؤتمر العلمي الدولي الاول. نقابة الاكاديميين العراقيين/ مركز التطور الاستراتيجي الاكاديمي, 2019. http://dx.doi.org/10.24897/acn.64.68.289.

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Hadzantonis, Michael. "Eastern Girls and Boys: Mapping Lesbian and Gay Languages in Kuala Lumpur." In GLOCAL Conference on Asian Linguistic Anthropology 2019. The GLOCAL Unit, SOAS University of London, 2019. http://dx.doi.org/10.47298/cala2019.1-3.

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Abstract:
Lesbian and gay communities in Kuala Lumpur, Malaysia, evidence unique and highly localized language practices, influenced by the specific organization and appropriation of a variety of social and cultural factors and networks. A hybridity and restylizing of Islamic, Confucianist, neoliberal, and transnational discourses significantly shape these communities, thus providing a lens through which to effect description of these speech communities. This paper discusses language styles in lesbian and gay communities in Kuala Lumpur, and evidences that their language practices, language ideologies, and identities, are fostered and legitimized in culturally complex ways. These complexities become predicated on a specific reapropriation of transnational factors, sociocultural histories, and patriarchal standpoints, mediated by society at large. As such, the study explores and finds a significant bias across these two communities, in that the language practices specific to gay communities far exceed those of lesbian communities. These language practices are mediated by gendered practices and gendered differentials pervasive of larger Malaysian society.
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Qiu, Yue. "Study on Global Cultural Hybridity in International Film Media based on the Film "Godzilla 2 · The King of Monsters"." In Proceedings of the 1st International Symposium on Innovation and Education, Law and Social Sciences (IELSS 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/ielss-19.2019.101.

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Maru, Mister Gidion, Arie Tulus, Ekawati M. Dukut, Nithta Liando, Jans G. Mangare, and Agustine Clara Mamentu. "Children’s Story Books: Introducing Cultural Hybridity, Shaping Intercultural Sensitivity for Foreign Language Young Learners (An Observation to Gramedia Books in 2017)." In Proceedings of the 1st International Conference on Social Sciences (ICSS 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/icss-18.2018.185.

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Basit, A. "Practices for Using Social Media in Students of Islamic Boarding School Collaborating with IAIN Purwokerto and its Implications on the Establishment of Students Cultural Hybridity." In Proceedings of the 19th Annual International Conference on Islamic Studies, AICIS 2019, 1-4 October 2019, Jakarta, Indonesia. EAI, 2020. http://dx.doi.org/10.4108/eai.1-10-2019.2291671.

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