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Relevant bibliographies by topics / Hymns and spiritual songs

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Academic literature on the topic 'Hymns and spiritual songs'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2025

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Journal articles on the topic "Hymns and spiritual songs"

1

Raath, Andries Gerhardus. "TUSSEN DIE AARDSE JERIGO EN DIE HEMELSE JERUSALEM. RUTGER SCHUTTE (1708-1784) EN DIE PELGRIMSMOTIEF IN SUSANNA SMIT (1799-1863) SE GODSDIENSTIGE DAGBOEKE." Studia Historiae Ecclesiasticae 42, no. 3 (2017): 85–101. http://dx.doi.org/10.25159/2412-4265/1820.

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Rutger Schutte (1708-1784), the pietistic author of popular hymnbooks, composed his spiritual verses at a time the religious culture of Pietism was approaching its zenith in the Netherlands and other European countries. In addition to his contribution to Een Nieuw Bundeltje Uitgeknipte Geestelyke Gezangen [A new collection of suitable spiritual songs] (third edition, 1721), he composed three collections of Stichtelijke Gezangen [Edifying hymns] from the early 1760s. In addition to the extensive prefaces in these collections, Schutte added long annotations, thereby creating the impression of ac

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Roberts, Hugh J. "Mary F. L. Keith, Spiritual Songs and Hymns." Black Sacred Music 2, no. 2 (1988): 88–95. http://dx.doi.org/10.1215/10439455-2.2.88.

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Peno, Vesna. "Communion songs not regulated by the typicon in the recent tradition of Serbian church singing." Muzikologija, no. 4 (2004): 121–52. http://dx.doi.org/10.2298/muz0404121p.

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In notated collections of Serbian church hymns from the 19th and 20th century there are, among others, communion songs with texts that were not regulated by the Typicon. These so-called "arbitrary communion songs" have been very popular in the recent tradition of Serbian church chanting. They have been gradually pushing out the hymns that are regulated for singing on concrete days and feasts during the church year. Analysis of possible influences that determined the way texts and the melodies delved into the recent Serbian church chanting follows two possible directions. The first commenced fr

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முனைவர், ச. ஆனந்தி /. Dr. S. Ananthi. "ஆழ்வார்கள் பாசுரங்களில் திவ்யதேசங்கள் / Divya Desangal in Azhwars Pasurangal". PTJTS 4, № 1 (2024): 1–12. https://doi.org/10.5281/zenodo.10586012.

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<em>In this article, the Vaishnava religion and the life of azhwars are recorded. There are twelve Alvars and they have sung four thousand divine Prabandhams. This article gives a clear idea about the hymns that induce the spiritual spirit. This research is also a study based on the original lines taken from the select songs and does a conducive study to know the Divyadesams portrayed in the spiritual hymns sung by the Alwars. The 108 Divyadeshas are indicated with ample citations. Through this study, it is known that the Alvars have recorded in their sacred scriptures about the Vaishnava holy

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Xu, Songzan, and Xiaoli Yang. "Hymns and the Singing Community: The Formation of the Canaan Hymns in Contemporary Chinese Churches." Review of Religion and Chinese Society 9, no. 2 (2022): 151–69. http://dx.doi.org/10.1163/22143955-12340004.

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Abstract This article studies the formation of the Canaan Hymns (Jianan shige 迦南诗歌) in relation to the history of the contemporary Chinese indigenous church. Over the last thirty years, Lü Xiaomin (吕小敏, 1970–) has composed more than two thousand hymns. They reflect not only her own personal life and evangelism, but also the growth of the Fangcheng Fellowship (方城团契) in Henan Province from a local home gathering to a national mission movement. Through textual studies, interviews, and archival research, this article examines how local congregants adopted Lü’s hymns, which are distinct from both w

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Krumhansl, Carol L., Jukka Louhivuori, Petri Toiviainen, Topi Järvinen, and Tuomas Eerola. "Melodic Expectation in Finnish Spiritual Folk Hymns: Convergence of Statistical, Behavioral, and Computational Approaches." Music Perception 17, no. 2 (1999): 151–95. http://dx.doi.org/10.2307/40285890.

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This study of Finnish spiritual folk hymns combined three approaches to understanding melodic expectation. The first approach was a statistical style analysis of a representative corpus of 18 hymns, which determined the relative frequencies of tone onsets and two- and three-tone transitions. The second approach was a behavioral experiment in which listeners, either familiar (experts) or unfamiliar (nonexperts) with the hymns, made judgments about melodic continuations. The third approach simulated melodic expectation with neural network models of the self-organizing map (SOM) type (Kohonen, 19

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Udok, Ekaette C. "Reflections on ethos and tenets of music in the Assemblies of God Uyo district, Akwa Ibom State." Journal of the Association of Nigerian Musicologists 16, no. 1 (2022): 141–57. http://dx.doi.org/10.4314/janm.v16i1.11.

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Music has always been an indispensable tool in any church setting. In Nigeria, the early missionaries appropriated music in liturgical services in form of hymn singing, chant and anthem as part of worship in the church. With continual apt growth of Christianity in Nigeria, Assemblies of God church evolved from the Pentecostal movement, with emphasis on the activity of the Holy Spirit and on holy living. Hence, contents and styles of music were made to suit the pattern and beliefs of Assemblies of God such as spirit motivated songs, evangelistic songs, mission songs and salvation songs other th

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Kalvāne, Skaidrīte. "SEARCHING FOR THE SOURCES OF 18TH AND 19TH CENTURY LATGALIAN RELIGIOUS SONGS." Via Latgalica, no. 7 (March 22, 2016): 172. http://dx.doi.org/10.17770/latg2015.7.1218.

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<p><em>Latgalian </em><em>„</em><em>svātuos dzīsmis”</em><em> (‘sacred songs’) were not only sung in the church in the 18<sup>th</sup> and 19<sup>th</sup> centuries. These songs became integral and necessary components of both home and spiritual life.</em></p><p><em>Some publications of spiritual song and prayer books written by the Latvians of Latgale have been preserved until today: </em><em>„</em><em>Nabożeństwo” (1771, 1786, etc.) and </em><em>„</em><

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முனைவர், ப. பிரதாப் /. Dr. P. Prathap. "சித்தர் பாடல்களில் மானுட விழுமியங்கள் / Human Values in Hymns of Tamil Siddhars". IJTLLS 6, № 2 (2024): 159–72. https://doi.org/10.5281/zenodo.12793521.

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<em>Siddhar literature is a high source of philosophy and spiritual excellence found in Tamil literature. The unique features of the Siddhar songs are that they stand unique apart from caste, religion, race, language and any barriers that hinder self-attainment. It aims only for the well-being of mankind. Siddhars are those who live ascetic life keeping them very close with Shiva in thought, voice and action. There are eighteen (Pathinen) Siddhars in Tamil siddha tradition. They lived by thinking the ‘Pathi’ of the Saiva Tradition. The word ‘Pathi’ means ‘Master&r

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Gelland, Carolyn. "Book Review: Stars Shall Bend Their Voices: Poets’ Favorite Hymns & Spiritual Songs." Anglican Theological Review 102, no. 2 (2020): 334–35. http://dx.doi.org/10.1177/000332862010200233.

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Dissertations / Theses on the topic "Hymns and spiritual songs"

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Zueger, Agnes C. "The Psalms, hymns and spiritual songs of the season of Advent." University of Portland, 2009. http://library2.up.edu/theses/2009_zuegera.pdf.

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Hammond, Susan J. "Psalms, Hymns, And Spiritual Songs For The Use Of The People Called Christians." Costa Mesa, CA : Vanguard University of Southern California, 2007. http://dx.doi.org/10.2986/tren.034-0051.

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Abbott, Rebecca L. ""What? bound for Canaan's coast?" songs of pilgrimage in the American church /." Online full text .pdf document, available to Fuller patrons only, 2002. http://www.tren.com.

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Eglite, Sarma A. "The sacred songs of the followers of the lamb an examination of Latvian Brudergemeine hymns from 1739 /." Theological Research Exchange Network (TREN), 2002. http://www.tren.com.

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La, Spata Adam Nunzio. "Psalms, Hymns, and Commercial Songs: Tradition and Innovation in James Lyon's "Urania"." Thesis, University of North Texas, 2020. https://digital.library.unt.edu/ark:/67531/metadc1707400/.

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This dissertation asserts the value of James Lyon's Urania to the field of American music history as a vital contribution to the development of music in the British colonies prior to the War for Independence. While previous scholarship acknowledges Urania's importance as the first publication in America to contain music by a native-born composer, this study argues that its subscription list and selection of anthems (both of which were new to the field of American music publishing) contribute to the status this compilation is due. The confluence of the English chapel tradition and American sing

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Ward, Peter. "Evangelical spiritual songs 1966-1996 : production, text and audience." Thesis, King's College London (University of London), 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.250680.

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Kassam, Tazim R. "Songs of wisdom and circles of dance : an anthology of hymns by the Satpanth Ismāʻīlī Saint, Pīr Shams". Thesis, McGill University, 1992. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=39477.

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This dissertation offers for the first time an extensive scholarly translation of an anthology of 106 ginans (sacred hymns) attributed to the Isma'ili saint-composer, Pir Shams. The Ginan tradition is a sacred corpus of devotional poetry belonging to a sub-sect of the Shiah Muslims known as the Satpanth Isma'ili Khojahs. Composed in various North Indian dialects, ginans are part of a broader rich and complex heritage of Indo-Muslim folk literatures in the Indian subcontinent. For centuries, however, the Satpanth Isma'ilis have carefully guarded this sacred tradition for fear of persecution. By

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Braitstein, Lara 1971. "Saraha's Adamantine Songs : texts, contexts, translations and traditions of the Great Seal." Thesis, McGill University, 2004. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=85132.

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My dissertation is focused on a cycle of Saraha's Adamantine Songs and their relationship to the Great Seal. Belonging to a genre known as 'Adamantine Songs'---Vajra Giti in Sanskrit, or rDo rje 'i gLu in Tibetan---their titles are: "A Body Treasury called the Immortal Adamantine Song"; "A Speech Treasury called the Manjughosa Adamantine Song" and "A Mind Treasury called the Unborn Adamantine Song". The dissertation is divided into two parts: the first is the contextualization of a Great Seal (Sanskrit: mahamudra; Tibetan: phyag rgya chenpo) root text by the adept Saraha; and the second

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Perry, Shirley Mercedes. "Selected Psalms, Old Verses and Spiritual Songs of the Canadian Doukhobors: Transcription and musical analysis." Diss., The University of Arizona, 1992. http://hdl.handle.net/10150/185897.

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The purpose of this research was to select songs specific to the Doukhobor song repertoire which were not previously notated and to record, notate and analyze the melodies for use in music education. The first limitation of the study was to focus on the sacred repertoire which is comprised of three genre of song, namely the Psalms, the Old Verses and the Spiritual Songs. A comparison of the song titles of Old Verses and Spiritual Songs which are found in the two major Canadian Doukhobor song text collections was made with other Russian song text collections to determine a subset of songs uniqu

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Seal, Jill. "Psalms, sonnets and spiritual songs : some traditions and innovations in English religious poetry, c. 1560-1611." Thesis, University of Nottingham, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.363689.

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Books on the topic "Hymns and spiritual songs"

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1760-1831, Allen Richard, ed. A collection of hymns and spiritual songs from various authors. Mother Bethel African Methodist Episcopal Church, 1987.

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America, Reformed Church in, Witvliet John D, Tel Martin, and Borger Joyce, eds. Lift up your hearts: Psalms, hymns, and spiritual songs. Faith Alive Christian Resources, 2013.

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Patterson, Daniel W. The Shaker spiritual. 2nd ed. Dover Publications, 2000.

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Metcalfe, John. Spiritual songs from the Gospels: In metre : according to the Authorized Version. Publishing Trust, 1985.

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Ministries, Visalia Christian. Hymns And Spiritual Songs. AuthorHouse, 2007.

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Watts, Isaac. Hymns and Spiritual Songs. BiblioBazaar, 2007.

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Starke, Dupuy. Hymns and Spiritual Songs /. Creative Media Partners, LLC, 2023.

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Starke, Dupuy. Hymns and Spiritual Songs /. Creative Media Partners, LLC, 2023.

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Hymns and Spiritual Songs. tredition Verlag, 2011.

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Hymns, Psalms, & Spiritual Songs. Westminster John Knox Press, 1996.

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Book chapters on the topic "Hymns and spiritual songs"

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Birrell, Anne. "Hymns." In Popular Songs and Ballads of Han China. Routledge, 2022. http://dx.doi.org/10.4324/9781003169680-1.

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Schutz, Rachel. "Traditional Songs, Hymns, and Patriotic Songs." In Welsh Vocal Music. Routledge, 2025. https://doi.org/10.4324/9781003347347-10.

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Hilton, Nelson. "What has Songs to do with Hymns?" In Blake in the Nineties. Palgrave Macmillan UK, 1999. http://dx.doi.org/10.1007/978-1-349-27602-8_6.

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Ó Ciosáin, Niall. "Books of Psalms, Hymns and Religious Songs." In Print and the Celtic Languages. Routledge, 2023. http://dx.doi.org/10.4324/9780429316432-6.

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Haydar, Adnan. "5. Qarrādī and Its Various Manifestations." In Semitic Languages and Cultures. Open Book Publishers, 2025. https://doi.org/10.11647/obp.0424.05.

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The fifth chapter provides a thorough discussion of Qarrādī, starting with Maronite hymns (Afrāmiyyāt) and folk poetry, caddiyyāt (counting rhymes), hymns, and other examples. Included are musical transcriptions of popular Lebanese songs in the qarrādī style. An in-depth analysis of Khuzām (Lebanese Muwashshaha style) is undertaken, including an example in Lebanese dialect and French, reminiscent of Hispano-Arabic prototypes.

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Desplenter, Youri. "Songs of Praise for the ‘Illiterate’: Latin Hymns in Middle Dutch Prose Translation." In Medieval Church Studies. Brepols Publishers, 2004. http://dx.doi.org/10.1484/m.mcs-eb.3.3597.

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Brooks, Joanna. "Hymns." In The Collected Writings of Samson Occom, Mohegan. Oxford University PressNew York, NY, 2006. http://dx.doi.org/10.1093/oso/9780195170832.003.0006.

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Abstract Samson Occom maintained a lifelong interest in hymnody. Song had long been an important element of community life and ritual among Occom’s Mohegan and other southern New England tribes. However, forces of dispersal including war, territorial infringement, indentured servitude, and boarding schools removed young people from their families, clans, and tribes, reducing their exposure to traditional languages, songs, and stories, and threatening the continuity of tribal song traditions. After the Great Awakening, many tribal communities in New England adopted hymn singing as a ritual of c

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"Hymns and Spiritual Songs." In Christopher Smart. Liverpool University Press, 2004. http://dx.doi.org/10.2307/jj.3079176.9.

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"Psalms and Hymns and Spiritual Songs." In Music and Faith. Boydell and Brewer Limited, 2019. http://dx.doi.org/10.1017/9781787445147.004.

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"PSALMS AND HYMNS AND SPIRITUAL SONGS." In Music and Faith. Boydell & Brewer, 2019. http://dx.doi.org/10.2307/j.ctvb4bws3.9.

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Conference papers on the topic "Hymns and spiritual songs"

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Wiśniewski, Piotr. "Polish church songs - Easter tropes." In ALTITUDO MUNDI SPIRITUALIS. Духовність у сучасному світі: просвітницько-культурогічний підхід. Publishing House "Krok", 2024. http://dx.doi.org/10.37835/ams-2024-17-18-04-1.01.

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The article notes that Gregorian chant had a special influence on the emergence and development of Polish liturgical hymns. Crucial for the development of Easter hymns was the appearance in the church liturgy of the so-called troparas, i.e. short phrases or whole sentences that supplement the original liturgical texts, which are considered the primary source of religious hymns in national languages. The oldest Polish sources on this topic date back to the 14th century. It has been noted that the custom of singing Polish Easter songs during the procession of the Resurrection of Christ dates bac

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ZAMFIR, Oana Diana. "Myriam Marbé – Avant-garde and Ideological Neutrality." In The International Conference of Doctoral Schools “George Enescu” National University of Arts Iaşi, Romania. Artes Publishing House UNAGE Iasi, 2024. https://doi.org/10.35218/icds-2024-0005.

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Myriam Marbé (1931-1997) was part of the Golden Generation of Romanian composers, involved in developing the technique of composition following the model of the European avant-garde. This objective was at odds with the aesthetic of socialist realism officially promoted in the 1950s and 1960s. The composer managed to avoid political conformism due to her style, in which she combines innovative language with musical and spiritual sources of Romanian folklore. The artist’s creative prestige reached a first climax with the famous work Ritual for the thirst of the earth (1968). The interest in capi

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Shakspo, N. Ts. "THE KESAR SAGA THROUGH LADAKHI SONGS AND DANCE." In The Epic of Geser — the spiritual heritage of the peoples of Central Asia. BSC SB RAS, 2020. http://dx.doi.org/10.31554/978-5-7925-0594-0-2020-34-37.

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Van, I. D., and N. D. Tsyrenova. "BURYAT FOLK SONGS IN THE MANUSCRIPT OF THE CHRONICLER DASHA BUBEEV." In The Epic of Geser — the spiritual heritage of the peoples of Central Asia. BSC SB RAS, 2020. http://dx.doi.org/10.31554/978-5-7925-0594-0-2020-208-211.

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Butnaru, Tatiana. "An Archetypal Symbol of Immortality." In Conferinta stiintifica nationala "Lecturi în memoriam acad. Silviu Berejan", Ediția 6. “Bogdan Petriceicu-Hasdeu” Institute of Romanian Philology, Republic of Moldova, 2023. http://dx.doi.org/10.52505/lecturi.2023.06.22.

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In the present article - the archetypal meaning of the bird - cuckoo, a folkloric topos of wide distribution in the novelistic epic, with obvious sacred meanings and springs of maximum inner concentration, found expression. The image of the bird - cuckoo is present in several folklore texts, lyrical songs, ballad subjects, being placed in the context of ritual situations, with openness to new ontological dimensions, it expresses different postures of the human spirit, with an orientation towards a dramatic contemplation of human joints, of vital life problems. The cuckoo bird participates in t

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Стрікаленко, Т. В. "ОБРАЗ-СИМВОЛ «ВОДА» В МЕНТАЛЬНОСТІ, КУЛЬТУРІ ТА ЕТИЦІ УКРАЇНСЬКОГО НАРОДУ". У Proceedings of the XXVI International Scientific and Practical Conference. RS Global Sp. z O.O., 2021. http://dx.doi.org/10.31435/rsglobal_conf/25022021/7421.

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The article analyzes the features in mentality, culture and ethics of the Ukrainian people in theirs attitude to image-symbol of "water". Opoetization of water, of the water world is some kind of narodnopoetichesky dominant which is shown in folklore, the art word. Opoetization of water often defines outlook of Ukrainians, gets into national consciousness, speaks about valid and her even solemn perception. The respect of water and its mystified image can be tracked in all components of spiritual culture of Ukrainians: in folklore, ceremonial songs, Christmas carols, etc. It is proved that such

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Barbakadze, Tamar. "Besik Kharanauli's Latest Metapoetic Books – at the Crossroads of Tradition and Innovation." In XII Congress of the ICLA. Georgian Comparative Literature Association, 2025. https://doi.org/10.62119/icla.4.9007.

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Besik Kharanauli called the „intersection of prose and poetry“ an innovative, alternative genre which has been established by him in Georgian literature in 2020s. In his metapoetic collections („Eh, Bessarion“, „The Great Drinking“), Kharanauli talks about the latest hard times, caused not only by the pandemic, but also by the movement of man’s soul, national pain, and blowing of the dream. In our view, Besik Kharanauli's lyrical poems reflect the spiritual kinship of the poet's work, on the one hand, with Nikoloz Baratashvili's lyrical judgment and the attempt to answer the main epochal ques

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Olărescu, Dumitru. "Folk music in cinematographic formulas." In Simpozion internațional de etnologie: Tradiții și procese etnice, Ediția III. Institute of Cultural Heritage, Republic of Moldova, 2023. http://dx.doi.org/10.52603/9789975841733.11.

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Th e folk music, being a complete sociocultural phenomenon, expresses over the centuries the most diverse emotional-psychic states about the inner wealth of man, his emotional relationships with other people, with society, with his native lands. Th e local documentary fi lm managed to record the images and voices of several popular music performers in order to preserve and capitalize on this art, which contains priceless samples of our spiritual culture, of our identity valences. Several fi lmmakers devoted their fi lms to the creation of popular music performers: Emil Loteanu, Anatol Codru, A

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Olărescu, Dumitru. "The evolution of the documentary film, dedicated to popular music performers." In Conferința științifică internațională "Învăţământul artistic – dimensiuni culturale". Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2022. http://dx.doi.org/10.55383/iadc2022.17.

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Our folk songs, coming from over centuries, still today express the deepest soul of the man’s inner world, his sentimental experiences in the middle of the world, the connections with loved ones, with his native land, with society. These musical pieces, very diverse from the melodic perspective and the ideational background, form a complex socio-cultural phenomenon, which has interested scientists, men of art and culture. Back in the 1950s, at the beginnings of our cinema, current affairs topical cinematographic magazines already included subjects about some folk music performers, such as Tama

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Galaicu, Violina. "Th e autochthonous element in Byzantine pew singing from the Romanian area in the XVI - XVII centuries." In Conferința științifică internațională Patrimoniul cultural: cercetare, valorificare, promovare. Ediția XIV. Institute of Cultural Heritage, Republic of Moldova, 2022. http://dx.doi.org/10.52603/pc22.16.

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A fi rst and precious Romanian contribution to the Byzantine musical heritage of the designated period is contained in the codices from medieval Putna (most of them date from the XVI century). Th e psalters of Putna, led by Evstatie Protopsaltu, developed, through joint eff ort, a special melodic style, recognizable in the landscape of Eastern European Byzantine sound art. Th e songs written or transcribed in Putna (with texts in Greek and Slavonic) stand out for their melismatic luxuriance, the variety of rhythmic structures, the improvisational momentum in the melodic proliferation. Even if

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