Relevant bibliographies by topics / Hymns – History and criticism

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Hymns – History and criticism'

Author: Grafiati
Published: 4 June 2021
Last updated: 31 July 2024

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Journal articles on the topic "Hymns – History and criticism"

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Vollenweider, Samuel. "Hymnus, Enkomion oder Psalm? Schattengefechte in der neutestamentlichen Wissenschaft." New Testament Studies 56, no. 2 (2010): 208–31. http://dx.doi.org/10.1017/s0028688509990269.

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For much of the twentieth century scholars tried to reconstruct various cultic hymns beneath the surface of NT texts. With the rise of rhetorical criticism the focus of research has shifted to the properties of epideictic rhetoric. Exegetes, therefore, often tend to contrast ‘encomia’ with ‘hymns’ or ‘psalms’. To avoid any shadow boxing one has to consider whichdescriptive languagewould fit best the texts. A brief examination of ancient hymnic traditions and their treatment in rhetoric demonstrates that while encomia interact strongly with hymns each genre has its own characteristics; hymns, w
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Høirup, Henning. "Nekrolog over Uffe Hansen." Grundtvig-Studier 46, no. 1 (1995): 18–25. http://dx.doi.org/10.7146/grs.v46i1.16174.

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Uffe Hansen 14.12. 1894 - 11.9. 1994By Henning HøirupThe obituary begins with a description of Uffe Hansen’s background as an Independent Congregation clergyman (from 1925) to the Grundtvigian Independent Congregation (Danish valgmenighed, i.e. a congregation within the National Church, claiming the right to employ their own minister) of Ubberup, where the prominent clergymen V.J.Hoff and Carl Koch were his predecessors. Carl Koch’s extensive writings, theologically erudite, but .popular. in their language, and thus accessible to the layman, were to become the model for Uffe Hansen’s studies i
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Taylor, Paul Beekman, and Sophie Bordier. "Chaucer and the Latin Muses." Traditio 47 (1992): 215–32. http://dx.doi.org/10.1017/s0362152900007236.

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Muse of the uniqueHistorical fact, defending with silenceSome world of yours beholding, a silenceNo explosion can conquer, but a lover's yesHas been known to fill.W. H. Auden, ‘Homage to Clio’The Clio and Calliope evoked in the prohemia of Books II and III of Troilus and Criseyde are handily glossed in Chaucer editions as Muses of history and epic poetry respectively, but without citations of sources for these attributions. Stephen A. Barney's notes in The Riverside Chaucer suggest that in both evocations Chaucer is following Statius rather than Dante, and both he and B. A. Windeatt mention th
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Springer, Carl P. E. "Of Roosters and Repetitio: Ambrose’s Aeterne rerum conditor." Vigiliae Christianae 68, no. 2 (2014): 155–77. http://dx.doi.org/10.1163/15700720-12341158.

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Abstract This article examines Ambrose’s use of repetitio in his morning hymn Aeterne rerum conditor. Thanks in part to a long tradition of criticism that has focused primarily on the unadorned ‘simplicity’ of the Ambrosian hymn, relatively little attention has been paid to the poet’s artful use of rhetorical figures. Aeterne rerum conditor features a rooster whose repetitive cry is replicated in the third and fourth stanzas of the hymn in a striking figure that, upon a close reading, is found to be integrally connected with the poem’s meaning and message.
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David, Alun. "Sir William Jones, Biblical Orientalism and Indian Scholarship." Modern Asian Studies 30, no. 1 (1996): 173–84. http://dx.doi.org/10.1017/s0026749x00014128.

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For many students of late-eighteenth and nineteenth-century British intellectual and literary history, Sir William Jones (1746–94) has lately come to seem a figure of great significance for our understanding of the period. A notable if implicit claim for his importance is to be found in Jerome McGann's revisionist New Oxford Book of Romantic Period Verse (1993); A Hymn to Na'ra'yena (1785), Jones's translation from the Sanskrit, is symbolically placed as the anthology's first item. This essay will argue that Jones's Indian scholarship will be better understood in the light of its links with co
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Samarrai, Ghanim. "Hymn of the Rain: Assayyab’s Decolonizing Task." International Journal of Arabic-English Studies 6, no. 1 (2005): 35–46. http://dx.doi.org/10.33806/ijaes2000.6.1.3.

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The Waste Land has always been considered as Eliot’s most celebrated poem in the critical writings in Arabic. Many critics often attribute the revolutionary change brought into Arabic poetry partially to this poem, and Badr Shakir Assayyab himself stresses that it should be admitted that The Waste Land has had a great influence on modern Arabic literature. Likewise, Assayyab’s poem, Unshudat al-Matar (Hymn of the Rain), has always been viewed as a landmark in the history of modern Arabic poetry. The poem has received a great deal of criticism, focused mainly on its new style, themes and images
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Baldanmaksarova, Elizaveta E. "The Early Stage of Buryat-Mongol Literature." Studia Litterarum 6, no. 1 (2021): 320–37. http://dx.doi.org/10.22455/2500-4247-2021-6-1-320-337.

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The article examines the genesis of Buryat literature, which is key to the modern literary studies of Buryatia. Its aim is to recreate the history of Buryat literature and place it in the cultural and philosophical context of the history of Mongolian ethnos. It is well known that the genesis of Buryat literature owes to the literary work as well as to the theoretical and literary research of the first Buryat scholars and writers from among the Buddhist clergy. The search, introduction, and study of literary works written by Buryat authors in the 18 th — early 20 th centuries is one of the rele
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Du Rand, J. A. "Die Narratiewe Funksie van die Liedere in Openbaring 4:1-5:15." Verbum et Ecclesia 12, no. 1 (1991): 27–36. http://dx.doi.org/10.4102/ve.v12i1.1027.

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The Narratological Function of the Hymns in Revelation 4:1-5:15 The problem is that research on the hymns in the book of Revelation has concentrated up till now one-sidedly on pre-textual issues and internal structure. Narrative criticism is recently proving that the Apocalypse could be treated as a full literary text. The application of narratological insights on plot development, focalisation/point of view and reader response as well as employing some insights from the socio cultural milieu enables the text as dramatic narrative to deliver its own message even more dynamically. The function
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Grane, Leif. "Grundtvigs forhold til Luther og den lutherske tradition." Grundtvig-Studier 49, no. 1 (1998): 21–41. http://dx.doi.org/10.7146/grs.v49i1.16265.

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Grundtvig's Relations with Luther and the Lutheran TraditionBy Leif GraneGrundtvig’s relations with Luther and the Lutheran tradition are essential in nearly the whole of Grundtvig’s lifetime. The key position that he attributed to Luther in connection with his religious crisis 1810-11, remained with the Reformer until the very last, though there were changes on the way in his evaluation of the Reformation.The source material is overwhelming. It comprises all Grundtvig’s historical and church historical works, but also a large number of his theological writings, besides a number of his poems a
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Hussey, Ian. "The Songs We Sing: A Textual Analysis of Popular Congregational Songs of the 20th and 21st Century." Ecclesial Practices 6, no. 2 (2019): 217–34. http://dx.doi.org/10.1163/22144471-00602003.

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Contemporary worship songs have been the subject of criticism over their lyrical quality. Objective assessment of the veracity of the criticisms has been difficult to achieve. This research seeks to address this issue by performing a textual analysis of the most popular hymns of the 19th and 20th centuries and contemporary popular worship songs and comparing the results. The research concludes that although there are differences in the lyrical content they are not crucial and that both contemporary worship songs and traditional hymns should find a home in congregational song.
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Dissertations / Theses on the topic "Hymns – History and criticism"

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McKenzie, Hope Bussey. "The Craft of the Old English Glossator: Latin Hymns in the Anglo-Saxon Hymnarium." Thesis, University of North Texas, 1991. https://digital.library.unt.edu/ark:/67531/metadc332508/.

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The ten hymns of this study cover such overlapping categories as doctrine, solemn occasions in the rites of the Anglo-Saxon Church, and hymns prescribed in the Regularis concordia for the "little hours" of the daily office, as well as a historical overview from the fourth to the early tenth centuries.
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Kindley, Carolyn E. "Miriam's timbrel : a reflection of the music of Wesleyan Methodism in America, 1843-1899." Virtual Press, 1985. http://liblink.bsu.edu/uhtbin/catkey/454809.

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The purpose of the study was to examine nineteenth century church music practices. This was done by 1) studying the attitudes displayed in the church periodical of The Wesleyan Methodist Connection (later, Church) of America; 2) locating and analyzing 44 tunes suggested in Miriam's Timbrel, a hymnal published for the Connection in 1853. This church was formed by people who seceded from a number of different denominations over the issue of slavery. It therefore represented the music practices of several American Protestant groups of the time.Findings1. Vocal music dominated music worship practi
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Watt, William David. "Creation praise : from psalmody to traditional hymnody." Thesis, University of St Andrews, 2005. http://hdl.handle.net/10023/13589.

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This thesis examines the types of creation imagery used in the Psalms, looking at the historical and cultural influences that affected the Old Testament concepts encapsulated in this Psalmody, and at how traditional creation hymnody has incorporated and modified these concepts. The first chapter examines creation psalmody and argues that there is an overall inclusiveness to be found in such Psalms, where God is viewed as working through the whole of creation and that such Psalms are generally less anthropocentric than some other Biblical texts. This immanent approach is particularly evident th
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Wissmann, Cheryl. "Worship practice in the Churches of Christ, Central Luzon, Philippines." Thesis, University of St Andrews, 2005. http://hdl.handle.net/10023/13642.

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Worship practice in Christian churches around the world has changed rapidly in the last two decades. The impact of contemporary Christian music on non-western churches has been little studied. The Filipino Churches of Christ of Central Luzon have utilized tools of a worship service order and a hymnbook provided by American missionaries in the early twentieth century to establish a consistent worship practice. As the new music has entered through international marketing and communication, the worship order has remained the same while the usage of the Tagalog himnario has declined. This research
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Sims, Scott G. "Dissonance Treatment in Fuging Tunes by Daniel Read from The American Singing Book and The Columbian Harmonist." Thesis, North Texas State University, 1987. https://digital.library.unt.edu/ark:/67531/metadc501161/.

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This thesis treats Daniel Read's music analytically to establish style characteristics. Read's fuging tunes are examined for metric placement and structural occurrence of dissonance, and dissonance as text painting. Read's comments on dissonance are extracted from his tunebook introductions. A historical chapter includes the English origins of the fuging tune and its American heyday. The creative life of Daniel Read is discussed. This thesis contributes to knowledge of Read's role in the development of the New England Psalmody idiom. Specifically, this work illustrates the importance of unders
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Carnes, Tara Barker. "Hartley Wood Day: Inventor of Numeral Notation and Adversary of Lowell Mason." Thesis, University of North Texas, 1991. https://digital.library.unt.edu/ark:/67531/metadc500655/.

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Ignorance of the basic principles of music reading was one of the primary obstacles to the improvement of congregational singing in nineteenth-century America. Six separate numeral notation systems arose to provide a simple way for the common man to learn the basic principles of music. Hartley Day developed his own numeral notation system and published six tune-books that enjoyed modest success in the New England area. This thesis examines Day's numeral notation system as it appeared in the Boston Numeral Harmony (1845), and the One-Line Psalmist (1849). It also studies Day's periodical, The M
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Robb, Stuart James. "To begin, continue and complete : music in the wider context of artistic patronage by Pope Alexander VI (1492-1503) and the hymn cycle of CS 15." Thesis, University of Manchester, 2011. http://www.manchester.ac.uk/escholar/uk-ac-man-scw:122374.

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This thesis takes as its area of exploration the papal chapel choir and its repertory, alongside the papacy and its patronage of the arts at the end of the fifteenth century. It draws on previous research concerning the singers, polyphonic manuscripts and artistic culture of the Vatican, but places Pope Alexander VI as the central figure of the thesis, showing schemes of patronage that shaped his reign. The research presents a transcription and analysis of the hymn cycle contained within the manuscript Cappella Sistina 15, alongside an assessment of the polyphonic music collection and places t
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Wilkinson, Richard William. "A history of "Hymns ancient and modern"." Thesis, University of Hull, 1985. http://hydra.hull.ac.uk/resources/hull:8304.

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When the first Edition was published in 1861, Hymns Ancient and Modern Was just one of many collections of hymns. However, it rapidly established itself as the most popular of all. The subject of this thesis is the way that the Proprietors reacted to this success by bringing out enlarged and revised editions until the publication of the New Standard Edition in 1983. The background and the compilation of the First Edition is only briefly touched upon (I) although some attempt will be made to analyse its characteristics. The first major episode to be covered in detail will be the 1904 Edition, i
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Mellas, Andrew. "Tears of Compunction in Byzantine Hymnody: The Hymnography of Romanos the Melodist, Andrew of Crete and Kassia." Thesis, The University of Sydney, 2017. http://hdl.handle.net/2123/17919.

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This thesis explores the Byzantine experience of the emotion of compunction through the hymns of Romanos the Melodist (c. 490–560), Andrew of Crete (c. 660–740) and Kassia (c. 810–865). It reimagines the performance of their compunctious hymns, which were sung during the liturgical cycle of Great Lent and Holy Week in Constantinople. In doing so, it understands compunction in Byzantium as a liturgical emotion, intertwined with paradisal nostalgia, a desire for repentance and a wellspring of tears. For the Byzantine faithful, this emotion was not merely an ideational construct, but also an embo
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Simpson, Nigel. "Post-structuralism and history." Thesis, University of Sussex, 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.282616.

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Books on the topic "Hymns – History and criticism"

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Szövérffy, Joseph. Latin hymns. Brepols, 1989.

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Kennedy, Pamela. Hymns of praise. Ideals Publications, 2001.

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Frank, Colquhoun, ed. A Hymn companion: Insight into three hundred Christian hymns. Hodder and Stoughton, 1985.

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1954-, Arnold Richard, ed. English hymns of the eighteenth century: An anthology. P. Lang, 1991.

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C, Bradley Ian, ed. The Book of hymns. Overlook Press, 1989.

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C, Bradley Ian, ed. The book of hymns. Testament Books, 2000.

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1844-1924, Thompson Robert Ellis, ed. The Latin hymn-writers and their hymns. Funk & Wagnalls, 1990.

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McConnell, Cecilio. La historia del himno en castellano. 3rd ed. Casa Bautista de Publicaciones, 1987.

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Penna, Harold La. Hymn search: The hymnists and the hymns of Ocean Grove. [H. La Penna], 1992.

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Penna, Harold La. Hymn search: The hymnists and the hymns of Ocean Grove. H. La Penna, 1989.

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Book chapters on the topic "Hymns – History and criticism"

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Millgate, Jane. "Biography, History, Criticism." In Macaulay. Routledge, 2022. http://dx.doi.org/10.4324/9781003335412-6.

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Capecchi, Danilo. "Poinsot’s criticism." In History of Virtual Work Laws. Springer Milan, 2012. http://dx.doi.org/10.1007/978-88-470-2056-6_14.

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Andersen, Nina Marie. "Aesthetically Performed Landscape Criticism." In Environmental History. Springer International Publishing, 2024. http://dx.doi.org/10.1007/978-3-031-25713-1_44.

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Bowring, Jacky. "History of landscape architectural criticism." In Landscape Architecture Criticism. Routledge, 2020. http://dx.doi.org/10.4324/9780429450983-2.

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Selden, Raman. "The Plural Text and History." In Criticism and Objectivity. Routledge, 2023. http://dx.doi.org/10.4324/9781003408185-5.

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Rajan, B. "6. Scholarship and Criticism." In Literary History of Canada, edited by William New, Carl Berger, Alan Cairns, et al. University of Toronto Press, 1990. http://dx.doi.org/10.3138/9781487589547-008.

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de Roo, Jos. "Antillean Literary Criticism." In Comparative History of Literatures in European Languages. John Benjamins Publishing Company, 2001. http://dx.doi.org/10.1075/chlel.xv.62roo.

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Leatherbarrow, David. "Crafting Architecture Criticism." In The Routledge Companion to Contemporary Architectural History. Routledge, 2023. http://dx.doi.org/10.4324/9781315674469-15.

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Bennett, Andrew, and Nicholas Royle. "History." In An Introduction to Literature, Criticism and Theory, 6th ed. Routledge, 2023. http://dx.doi.org/10.4324/9781003255390-18.

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Rowland, Susan. "Jung for history and historicity in literary studies." In Jungian Literary Criticism. Routledge, 2018. http://dx.doi.org/10.4324/9781315561752-6.

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Conference papers on the topic "Hymns – History and criticism"

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Zou, Jie, and Shunhui Wang. "History of Feminist Criticism in Japan." In Proceedings of the 4th International Conference on Contemporary Education, Social Sciences and Humanities (ICCESSH 2019). Atlantis Press, 2019. http://dx.doi.org/10.2991/iccessh-19.2019.245.

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Bedford, Joseph. "On the Uses of History, Theory, and Criticism for Architecture." In 110th ACSA Annual Meeting Paper Proceedings. ACSA Press, 2022. http://dx.doi.org/10.35483/acsa.am.110.47.

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It has been nearly two decades since Sarah Whiting, Bob Somol, Michael Speaks and Stan Allen, declared that architectural design practice should break from what they described as a design culture bogged down with theory, and restrained by what they called the “critical project.” This paper returns to the twin problematic of post theory and post critique. Yet it approaches the topic from a more institutional perspective, developing a new diagnosis based on the fate of institutional arrangements within schools of architecture involving the creation of “history, theory, and criticism” in the mid-
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Макарьев, И. В. "Friedrich Schlegel's understanding of history in the context of the philosophy of history of the XX – early XXI centuries." In Современное социально-гуманитарное образование: векторы развития в год науки и технологий: материалы VI международной конференции (г. Москва, МПГУ, 22–23 апреля 2021 г.). Crossref, 2021. http://dx.doi.org/10.37492/etno.2021.83.19.061.

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в философии истории ХХ в. можно выделить двоякую тенденцию. С одной стороны, классическая философия истории подвергается радикальной критике (в немецкой философской герменевтике, французском структурализме и постструктурализме, англоязычной аналитической философии), а с другой стороны, она продолжается и развивается в различных концепциях и теориях («столкновение цивилизаций» С. Хантингтона, «конец истории» Ф. Фукуямы). Такая двойственность (критика философии истории и ее развитие) не является характеристикой только нашей современности. Выдающийся немецкий филолог и философ Фридрих Шлегель (17
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Shcherbina, M. M. "Beading the womantory: art project as a way to tell about women’s history." In CULTURAL STUDIES AND ART CRITICISM: THINGS IN COMMON AND DEVELOPMENT PROSPECTS. Baltija Publishing, 2020. http://dx.doi.org/10.30525/978-9934-26-004-9-72.

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VUKIC, Fedja. "Art criticism and the semantic construction of the concept of Design." In Design frontiers: territories, concepts, technologies [=ICDHS 2012 - 8th Conference of the International Committee for Design History & Design Studies]. Editora Edgard Blücher, 2014. http://dx.doi.org/10.5151/design-icdhs-109.

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"A Study of the Literary Criticism Style in Xia Zhiqing's The History of Chinese Modern Novels." In 2017 4th International Conference on Literature, Linguistics and Arts. Francis Academic Press, 2017. http://dx.doi.org/10.25236/iclla.2017.45.

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FĂRCĂȘEL, Ligia. "A Perspective on the Musical Criticism of Iasi from the Interwar Period." In The International Conference of Doctoral Schools “George Enescu” National University of Arts Iaşi, Romania. Artes Publishing House UNAGE Iasi, 2023. http://dx.doi.org/10.35218/icds-2023-0007.

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The advantage of learning history through the perspective of the criticism of a certain period lies in the fact that the journalist does not merely reproduce the information, but also describes the state emanating from the events commented upon, himself being contemporary with them. For us, readers of later decades, newspapers are, objectively speaking, a genuine history textbook. However, discovering interwar periodicals from Iasi has proven to be a fairly difficult task. In order to identify the titles from Iasi, I have consulted the catalogues of three major libraries in the city: “Mihai Em
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Kolomiets, G. "ON THE QUESTION OF MUSICAL HERMENEUTICS IN AESTHETICS." In Aesthetics and Hermeneutics. LCC MAKS Press, 2022. http://dx.doi.org/10.29003/m2548.978-5-317-06726-7/65-69.

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The report assumes a dialogue between aesthetic and art history methods of interpreting a piece of music. Musical hermeneutics in art criticism, guided by a more historical, educational and detailed approach, is complemented by an anthropo-axiological method in aesthetics.
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Abbas, Prof Dr Nada Mousa. "AL-YAQOUBI'S PHILOSOPHY OF HISTORY." In I. International Dubai Social Sciences and Humanities Congress. Rimar Academy, 2024. http://dx.doi.org/10.47832/dubaicongress1-2.

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The philosophy of history needs the availability of basic components, namely: historical material (cognitive), historical thought (historical mentality represented by sense and historical awareness), and a balanced academic method (organized and precise) in order for the rational philosophical vision to emerge from comprehensive study of a civilizational nature for which laws (theories) can be formulated. ), with realistic evidence and evidence, called the philosophy of history! . Al-Yaqubi (third century AH / ninth century AD) showed comprehensive analysis with his sense and historical awaren
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Grebenshchikov, Yu. "AKSAKOLOGY IN THE PRACTICE OF LITERARY CRITICISM OF THE XX-XXI CENTURIES." In VIII International Conference “Russian Literature of the 20th-21st Centuries as a Whole Process (Issues of Theoretical and Methodological Research)”. LCC MAKS Press, 2023. http://dx.doi.org/10.29003/m3729.rus_lit_20-21/210-213.

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The article highlights the history of aksakology of the XX-XXI centuries. The beginning of scientific practice is associated with the name of S.I. Mashinsky and his monograph on the work of S.T. Aksakov. The research of E.L. Voitolovskaya, O.N. Belokopytova, A.V. Chicherin became the most systematic research of the 1950s - 1970s. It is shown that the main vectors of aksakology, since the 1980s, were set in the works of E.I. Annenkova, V.A. Koshelev, Yu.V. Mann. The efforts of Ufa linguists and literary critics, as well as participants of the Samara conferences of 2017 and 2020, were particular
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Reports on the topic "Hymns – History and criticism"

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Halych, Valentyna. SERHII YEFREMOV’S COOPERATION WITH THE WESTERN UKRAINIAN PRESS: MEMORIAL RECEPTION. Ivan Franko National University of Lviv, 2021. http://dx.doi.org/10.30970/vjo.2021.49.11055.

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The subject of the study is the cooperation of S. Efremov with Western Ukrainian periodicals as a page in the history of Ukrainian journalism which covers the relationship of journalists and scientists of Eastern and Western Ukraine at the turn of the XIX-XX centuries. Research methods (biographical, historical, comparative, axiological, statistical, discursive) develop the comprehensive disclosure of the article. As a result of scientific research, the origins of Ukrainocentrism in the personality of S. Efremov were clarified; his person as a public figure, journalist, publisher, literary cri
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Carty, Anthony, and Jing Gu. Theory and Practice in China’s Approaches to Multilateralism and Critical Reflections on the Western ‘Rules-Based International Order’. Institute of Development Studies (IDS), 2021. http://dx.doi.org/10.19088/ids.2021.057.

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China is the subject of Western criticism for its supposed disregard of the rules-based international order. Such a charge implies that China is unilateralist. The aim in this study is to explain how China does in fact have a multilateral approach to international relations. China’s core idea of a community of shared future of humanity shows that it is aware of the need for a universal foundation for world order. The Research Report focuses on explaining the Chinese approach to multilateralism from its own internal perspective, with Chinese philosophy and history shaping its view of the nature
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