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Journal articles on the topic 'Hymns writers'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2025

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1

Masud, Noreen. "Sound Words: Hymns in Twentieth-Century Literature." Review of English Studies 70, no. 296 (2019): 732–51. http://dx.doi.org/10.1093/res/hgy130.

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Abstract Why, in the twentieth century, do atheist or agnostic authors write so many hymns into their poems and novels? This essay contends that attending to the frequent but overlooked hymn episodes in early to mid-twentieth-century literature, and to their historical contexts, can complicate our understanding of literary postures of faith, and of everyday sounds as ‘filler’ in modernist literature. Focusing on Stevie Smith and D. H. Lawrence, with reference to a range of other writers, it draws on unpublished archival material to argue that hymn-history reveals an alternative narrative to th

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2

Hall, Nancy E. "Singing our way to justice: A conversation with Dan Damon—hymn writer, composer, and pastor." Review & Expositor 114, no. 3 (2017): 403–13. http://dx.doi.org/10.1177/0034637317721984.

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Hymnody has long reflected both the theology and the changing concerns of the Christian church. Dan Damon, a leading practitioner with more than a hundred published hymns, has conducted large-scale research into the representation of social justice issues in contemporary hymnals. Damon is interviewed about his creative process as hymn text writer and as composer (a process deeply intertwined with his work as pastor of a United Methodist church), shedding additional light on the questions that motivate his research: “What are we already singing about justice?” and “What justice issues have our

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3

Love, Rosalind C. "Frithegod of Canterbury's Maundy Thursday hymn." Anglo-Saxon England 34 (December 2005): 219–36. http://dx.doi.org/10.1017/s0263675105000104.

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In his Catalogus of British writers, John Bale's account of the tenth-century scholar, Frithegod, includes incipits for two hymns, of which the first, on Mary Magdalen (‘Dum pietas multimoda’), was long thought lost. In fact it is not lost, but has simply become uncoupled from its author's name, and is transmitted anonymously in three manuscripts of French origin, and in some Spanish liturgical books, whence it was first printed in 1897. Frithegod's authorship is suggested by Patrick Young's seventeenth-century catalogue of Salisbury Cathedral manuscripts. Young noticed two ‘carmina Frethogodi

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4

Hauge, Hans. "Alt-i-alt: Et gensyn med Poul Borums syn på Digteren Grundtvig." Grundtvig-Studier 60, no. 1 (2009): 188–202. http://dx.doi.org/10.7146/grs.v60i1.16545.

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Alt-i-alt: Et gensyn med Poul Borums syn på Digteren Grundtvig[All in all: Poul Borum''s view of Grundtvig the poet revisited]By Hans HaugePoul Borum was a well-known poet and an influential critic. His book on poetic modernism was a milestone. Few contemporaries associated him with N. F. S. Grundtvig so it was perhaps something of a surprise when in 1983 he published a full-length study of Grundtvig’s texts, focusing upon and rehabilitating Grundtvig the poet. He was of the opinion that literary critics and writers at large as well as established Grundtvig-scholars lacked something.The litera

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Kyfenko, Anna, and Tetyana Romanova. "FEATURES OF WORK WITH SACRED CHORAL WORKS IN THE CLASSES OF THE EDUCATIONAL CHORAL COLLECTIVE." Collection of Scientific Papers of Uman State Pedagogical University, no. 2 (June 29, 2022): 148–54. http://dx.doi.org/10.31499/2307-4906.2.2022.262954.

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The article analyzes the problem of working with sacred choral works in classes of an educational choir. The role of religious and spiritual culture and sacred choral art is covered. Domestic national values and priorities in the current conditions are outlined. The importance of sacred choral music in the repertoire of the student choir is also substantiated; the system of Christian values based on the Holy Scriptures, and the conciliar spiritual experience of the Church is singled out. The norms of phonetics of hymns in the Church Slavonic language are outlined, it is noted that the texts of

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Minić, Ana. "NJEGOŠ U NJEMAČKIM PUTOPISIMA SVOGA DOBA NJEGOŠ IN GERMAN TRAVELOGUES OF HIS TIME." Folia linguistica et litteraria XII, no. 37 (2021): 69–83. http://dx.doi.org/10.31902/fll.37.2021.6.

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Although travelogue is a marginalized literary genre, its role in imagological research is enormous and it cannot be disputed that as a media for studying relations between cultures, it mediated vast knowledge and information that was often taken as the only authoritative one. German travel writings of the 19th century about Montenegro were very scarce until Petar II Petrović Njegoš came to power, and with the change of government in Montenegro, the attitude of foreigners towards it also changed, so travel writers from Germany headed to this South Slavic country. Translations played a great ro

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Salvador-González, José María. "Paradisi porta—An Iconographic Analysis of Mary as a Humanity’s Mediator in the Light of Medieval Liturgical Hymns." Religions 14, no. 2 (2023): 284. http://dx.doi.org/10.3390/rel14020284.

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This article aims to highlight the rich doctrinal meanings underlying the textual and iconic designation of the Virgin Mary as the gate of Heaven, a highly brilliant metaphor used by writers and artists to symbolize her saving mediation before her divine Son on behalf of humankind. To justify our interpretations of this textual and iconic symbol, we will proceed first by analyzing an abundant set of fragments of medieval liturgical hymns, which designate the Virgin Mary as the “gate of Paradise” (porta Paradisi) or “gate of Heaven” (ianua Coeli) and other expressions alluding to her power to f

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McGuckin, John Anthony. "St Symeon the New Theologian (969-1022): Byzantine spiritual renewal in search of a precedent." Studies in Church History 33 (1997): 75–90. http://dx.doi.org/10.1017/s042420840001319x.

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St Symeon the New Theologian is, without question, one of the most original and intriguing writers of medieval Byzantium. Indeed, although still largely unknown in the West, he is surely one of the greatest of all Christian mystical writers; not only for the remarkable autobiographical accounts he gives of several visions of the divine light, but also for the passionate quality of his exquisite Hymns of Divine Love, the remarkable intensity of his pneumatological doctrine, and the corresponding fire he brings to his preaching of reform in the internal and external life of the Church. He was a

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Hussein, Temam Hajiadem. "Atete: A Multi-functional Deity of Oromo Women with Particular Emphasis on Human Rights and Conflict Resolution Management." Current Research Journal of Social Sciences and Humanities 2, no. 1 (2019): 15–30. http://dx.doi.org/10.12944/crjssh.2.1.03.

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The roles of women in any society were the focuses of many researchers. Some of them compared with the role of men in the development of human rights and conflict resolution concluded that the women role was limited. But this is not true for Oromo women. For this reason, this paper briefly discusses the roles of Atete Oromo women deity in socio-cultural lives of the Oromo nation. The research explores how Oromo women used this deity to defend their rights and solve the arising conflict in society peacefully. It also outlines special cultural and ritual objects women used to promote peace, huma

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KALEZIĆ, Sofija. "ŽARKO VUČINIĆ’S ROMANESQUE TRILOGY FOR CHILDREN AND YOUTH." Lingua Montenegrina 23, no. 1 (2019): 99–107. https://doi.org/10.46584/lm.v23i1.675.

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As a means to escape from the harshness of reality, motifs of fantasy have a deeper artistic function – the layers of the fantastic are a sublimation of the idea of the meaning of life and the human mission in it. Fairy tales tend to create a world of beauty, wealth and shine, which will relax the reader or the listener, causing a feeling of admiration and enjoyment. In artistic fairy tales, the human world is most often represented by young people, and hence they represent hymns or odes to achievements of youth that teach the little ones, to preserve the joy, optimism and the need to help ano

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Balling, Jakob. "Creative recycling: A Note on Two Grundtvig Hymns." Grundtvig-Studier 51, no. 1 (2000): 27–35. http://dx.doi.org/10.7146/grs.v51i1.16353.

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Creative Recycling: A Note on Two Grundtvig HymnsBy Jakob BallingThis short article, which consists in a slightly revised extract from the writer’s contribution to the Grundtvig conference in York, August 24th-27th, 2000, discusses two examples of the use by Grundtvig, the hymn-writer, of central elements of old church and old European tradition.The intention is to demonstrate how, in Tag det sorte kors fra graven he resumes and transmits, in his own independent way, the idea of older Christianity - engendered in part by its Biblical view - about the convergence of times in the now of the chur

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Korshunova, Evgeniya A. "S.N. Durylin’s Easter story “On someone else's grave”: genre update." Philological Sciences. Scientific Essays of Higher Education, no. 3 (May 2021): 82–86. http://dx.doi.org/10.20339/phs.3-21.082.

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The article explores poetics of the unpublished Easter story by S.N. Durylin “On an unrelated grave” (1922). The story is important mainly because the author manages to renew the genre not only by returning to the original spiritual meanings, but also presenting the unique ontological project. Taking into account the experience of the predecessors-classics, first of all, A.P. Chekhov and his story “Holy night” (1886), the writer expands possibilities of the biblical subtext by creating an intertextual evangelical plot that unfolds in parallel with the main one. Using modernist experience of L.

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Smiley, Caroline. "‘Sea of Wonders Never Sounded’: The Trinitarian Spirituality of Ann Griffiths." Evangelical Quarterly 90, no. 4 (2019): 357–69. http://dx.doi.org/10.1163/27725472-09004006.

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Ann Griffiths, an 18th-century farm wife and hymn writer, is well-known in her native Wales, though relatively unstudied in English. Even in translation her hymns and letters offer a strikingly beautiful as well as informative window into the Trinitarian spirituality of 18th-century Welsh Methodism. Historically, her Trinitarianism is notable in that it is largely assumed and primarily based in the economic Trinity, and yet, is nonetheless profound in its orthodoxy given the Trinitarian controversy of the long century prior. More than mere historical curiosity, however, Griffiths’s writing is

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Xiao-bing, Zhao, and Zhao Wenqing. "About the Chinese Book “The Book of Poetry”." Humanitarian Vector 16, no. 1 (2021): 25–34. http://dx.doi.org/10.21209/1996-7853-2021-16-1-25-34.

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“The Shi Jing’’(‘‘The Book of Poetry”） is one of the first poems in the world, including Chinese poems, from the 11th century BC to the 6th century BC. During this period, about 3 000 verses appeared, of which 305 poems were selected by Confucius. Poetic texts in “The Shi Jing’are divided into three categories: regional songs, odes, hymns. The composition of the poems uses such techniques as Fu, Bi and Xing. These poems constitute the creative source (source) of Chinese poetry. “Fu”，“Bi” and “Xing” are important artistic features of “The Shi Jing”. “Fu”” - direct narration, parallelism. “Bi” i

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15

Clarke, Martin V. "Music and Charles Wesley’s Legacy." Journal of Religious History, Literature and Culture 10, no. 2 (2024): 57–80. https://doi.org/10.16922/jrhlc.10.2.5.

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Charles Wesley is one of the most prominent figures in the history of Methodism, arguably second only in the popular imagination to his older brother, John. In large part, this is due to Charles’s prolific achievements as a hymn writer. A significant number of his hymns, albeit a small proportion of the estimated nine thousand he wrote, have been widely and continuously sung in worship by Methodists and other Christians in Great Britain and beyond since the eighteenth century. Charles’s hymn texts were written to be sung, whether by the early followers of Methodism in the small group meetings

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16

Michelsen, Signe. "Frederik Nielsen: N. F. S. Grundtvigip Tussiusiai kalaallisuunngiortitat. Nuuk 1985." Grundtvig-Studier 38, no. 1 (1986): 87–90. http://dx.doi.org/10.7146/grs.v38i1.15974.

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Grundtvig in GreenlandicN. F. S. Grundtvigip Tussiusiai Kalaallisungortitat, Nuuk 1985By Signe MichelsenIn 1985 the Greenland publishers Pilersuiffik (Nuuk/Godth.b) published a selection of Grundtvig’s hymns and songs translated into Greenlandic by the poet Frederik Nielsen. His translations represent a bold and many-sided choice, covering both the hymns and the bible-story songs as well as the fatherland songs. Translating Grundtvig is terribly difficult. Translating Grundtvig into Greenlandic is a noble feat. A language whose structure is completely different from Danish: a poly-synthetic la

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Dźwigała, Katarzyna Maria. "Romanos the Melodist as a teacher of the people in the struggle against heresies." Vox Patrum 68 (December 16, 2018): 513–21. http://dx.doi.org/10.31743/vp.3379.

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The article raises an issue of the didactic role of the Greek ecclesiastical hymns – the kontakia – in the context of the struggle of the Church in the sixth century against heresies. In the kontakia of Romanos the Melodist, who was the most prominent author of the hymns of that genre and probably a creator of the genre, we find numerous echoes of the struggles against heresies from the past centuries and from the lifetime of the poet. St. Romanos, when he writes his sung homilies, aims at the defence of the faithful assembled in the church against heretical views and at the instructing them w

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18

Balslev-Clausen, Peter. "Verdenssyn og menneskesyn i Grundtvigs salmedigtning." Grundtvig-Studier 41, no. 1 (1989): 46–65. http://dx.doi.org/10.7146/grs.v41i1.16018.

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The World Picture and the View of Man in Grundtvig’s Hymns.By Peter Balslev-ClausenThis lecture for the Degree in Divinity at the Faculty of Theology in Copenhagen is a summary of the writer’s studies in the hymns, written by Grundtvig over the years from 1810 to 1872, with a view to determining the overall view of human life and Christianity that constitutes their background. The lecture discusses central concepts in these hymns, taking the point of departure in the word, i.e., speech as expressing the fact that man was created in God’s image. Hymn-singing is seen as man’s reply to God’s addr

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19

رشوان, هاني. ""النار العاتية التي ذاقت من طعم وهج اللهيب:"". Al Abhath 68, № 1 (2020): 106–81. http://dx.doi.org/10.1163/2589997x-06801006.

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This article offers the first Arabic translation of a praise hymn dedicated to Ramsess II (d. 1213 B.C.E.), with philological and poetic commentaries. The text was carved on the facade of Abū Simbel temple twice because of its exceptional literary nature, as this study demonstrates. I discuss why Euro- American scholars were unable to separate the literary dimensions of the praise hymns from its political framework, and also tackle the pictorial nature of ancient Egyptian writing, providing the Arabic reader with the necessary instruments for understanding the several visual features that were

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رشوان, هاني. ""النار العاتية التي ذاقت من طعم وهج اللهيب:"". Al Abhath 68, № 1 (2020): 106–81. http://dx.doi.org/10.1163/18115586-00680105.

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This article offers the first Arabic translation of a praise hymn dedicated to Ramsess II (d. 1213 B.C.E.), with philological and poetic commentaries. The text was carved on the facade of Abū Simbel temple twice because of its exceptional literary nature, as this study demonstrates. I discuss why Euro- American scholars were unable to separate the literary dimensions of the praise hymns from its political framework, and also tackle the pictorial nature of ancient Egyptian writing, providing the Arabic reader with the necessary instruments for understanding the several visual features that were

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21

Noack, Bent. "Den oldengelske digtning og Grundtvig." Grundtvig-Studier 41, no. 1 (1989): 141–56. http://dx.doi.org/10.7146/grs.v41i1.16025.

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Grundtvig and Anglo-Saxon PoetryBy Bent NoackGrundtvig’s work on Anglo-Saxon poetry and his use of it is, in many respects, an important part of his legacy to his people and his church. It was the historian Grundtvig who, at the beginning of his career, used the Beowulf Poem in his mythological studies and both welcomed and criticized Thorkelin’s 1815 edition of it. His work on Beowulf went on, almost till the end of his life, with translations, reproduction and, finally, an edition in 1861.His journeys to England in 1829 to 1831 also had historical and mythological studies as their main purpo

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Thunberg, Lars. "Grundtvig og de latinske salmer - et teologisk perspektiv." Grundtvig-Studier 43, no. 1 (1992): 67–92. http://dx.doi.org/10.7146/grs.v43i1.16076.

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Grundtvig and the Latin Hymns - A Theological PerspectiveBy Lars ThunbergA number of scholars have devoted attention to Grundtvig’s hymns, as they are represented in his magnificent Sang-Værk. The hymns form a kind of corona of Christian poetry, intended for the congregation to use in its worship and outside the church. A number of them are congenial renderings of hymns from other traditions: the Greek, the Latin, the Anglo-Saxon, beside the Lutheran. As far as the Greek and the Latin material is concerned, Jørgen Elbek, the literary historian, has made a remarkable contribution. This article

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Heatley, R. P. "Hymn writers appear to live longer." Age and Ageing 31, no. 6 (2002): 485. http://dx.doi.org/10.1093/ageing/31.6.485.

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Berisha, Labinot, and Lorina Pervorfi. "Literary tradition and the Egyptian Book of the Dead." Technium Social Sciences Journal 32 (June 9, 2022): 691–97. http://dx.doi.org/10.47577/tssj.v32i1.6649.

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The oral literary tradition, which lasted for centuries among different tribes and peoples, preceded the art of the written word, the written literature that was born much later. Thus, written literature was based on the types of oral literature for many important elements of the design of literary works. Of course, writing enabled literature and its types to take a different course and development compared to the creations - works of oral literature, which were passed down orally from one person to another, from one generation to another, and over time many of them were forgotten and disappea

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Björkstrand, Gustav. "Grundtvig i finländskt perspektiv." Grundtvig-Studier 50, no. 1 (1999): 121–37. http://dx.doi.org/10.7146/grs.v50i1.16336.

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Grundtvig in a Finnish PerspectiveBy Gustav BjörkstrandFor several reasons it must cause surprise that Grundtvig did not show more attention to Finland. In Grundtvig’s well-known and noteworthy statements about the Nordic tradition, in which he also referred to the Scandinavian universities, one looks in vain for references to the Finnish institutes of higher education.This fact becomes so much more remarkable when it is considered that in 1835 Grundtvig was invited to become a corresponding member of the Finnish Literary Society. As far as it has been possible to establish, Grundtvig did not

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Минева, Евелина. "Проблеми при издирването на византийски първо-образци на средновековната славянска химнография". Palaeobulgarica 48, № 3 (2024): 3–36. http://dx.doi.org/10.59076/2603-2899.2024.3.01.

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In the first part of the article, some characteristic features of Orthodox hymnography as a macrogenre are highlighted, which need to be taken into account when interpreting medieval church poetry and when looking for Byzantine prototypes of Slavonic hymnographic works. These features are: 1. In Byzantium and among the Slavs, it was a common practice to transfer and rededicate works from one saint to another, through which the hymnographic corpus was updated and supplemented when new memories and holidays appeared. 2. Short hymns (prosomoia stichera, idiomela stichera, kondakia, etc.) are dist

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Clapp-Itnyre, Alisa. "WRITING FOR, YET APART: NINETEENTH-CENTURY BRITISH WOMEN'S CONTENTIOUS STATUS AS HYMN WRITERS AND EDITORS OF HYMNBOOKS FOR CHILDREN." Victorian Literature and Culture 40, no. 1 (2012): 47–81. http://dx.doi.org/10.1017/s1060150311000246.

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When Sandra Gilbert and Susan Gubar asked in 1979, “How then – since poets are priests – can women be poets?” (Madwoman in the Attic 546), they opened up to debate the predominant ideological holdover from the Victorians that “the very nature of lyric poetry is inherently incompatible with the nature or essence of femaleness” (541). More than thirty years later, while women's poetic contributions are regularly considered by literary scholarship, I would now advocate for the woman hymn writer for children – she who, as hymn writer or editor, surely enacted the role of religious “priest” for cou

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Dhondup, Kalsang, and Patrick Dowd. "Khenpo Kalsang Dhondup’s “Incomparable Guide,” Translated by Khenpo Kalsang Dhondup and Patrick Dowd." Journal of Tibetan Literature 2, no. 2 (2023): 189–96. http://dx.doi.org/10.58371/jtl.2023.66.

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In his poem "Incomparable Guide" (ston pa mtshungs med), Khenpo Kalsang Dhondup brings a modern, almost scientific, perspective to the traditional Indo-Tibetan genre of "hymns of praise" (Skt. stotra, Tib. bstod pa), a thematically-oriented verse form that may date as far back as the sixth century BCE. The poem offers us an intriguing glimpse at the poetry of a learned Khenpo who writes beautifully, but whose humility has previously prevented him from sharing his work more widely with others.

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Kidson, Lyn M. "Naming 1 Timothy 3.16b: A ‘Hymn’ by another Name?" New Testament Studies 69, no. 1 (2022): 43–56. http://dx.doi.org/10.1017/s002868852200025x.

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AbstractMost scholars assume that 1 Timothy 3.16b is a hymn, or a fragment of a hymn, belonging to another context. However, Furley (1995) points out that even the ancients had difficulty categorising their poetic materials. 1 Timothy 3.16b has no metre and neither praises God nor asks him for benefits, which are the usual indicators of a hymn. This article argues that 1 Timothy 3.16b was written by the writer for insertion into the letter, and it was intended to be used in his congregation as a bulwark (1 Tim 3.15) against his opponents. 1 Timothy 3.16b more closely resembles an epigram, norm

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Podosokorsky, Nikolay. "FREEMASONRY IN THE LIFE AND WORK OF APOLLON GRIGORIEV." Lomonosov Journal of Philology, no. 6 (March 19, 2023): 158–70. http://dx.doi.org/10.55959/msu0130-0075-9-2022-6-158-170.

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The article touches upon a set of questions about the role of Freemasonry in the writer’s life and how Masonic teaching was expressed in his texts. Grigoriev considered himself a hereditary mason and, according to his confession, “believed in some mysterious connection” of his soul with the soul of his late grand-father, the mason Ivan Grigoriev. A friend of Grigoriev’s youth and his comrade at Moscow University, the poet Afanasy Fet recalled that Grigoriev had repeatedly told him “about his admission to the Masonic lodge”. Freemasonry and Hermeticism also inspired (directly or indirectly) the

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Cho, Nancy Jiwon. "Gender and Authority in British Women Hymn-Writers’ Use of Metre, 1760-1900." Literature Compass 6, no. 2 (2009): 540–48. http://dx.doi.org/10.1111/j.1741-4113.2008.00617.x.

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Dolukhanyan, Aelita. "Asoociation between “Book of Lamentations” by Grigor Narekatsi and Byzantine Mystic Literature." Armenian Folia Anglistika 3, no. 2 (4) (2007): 135–43. http://dx.doi.org/10.46991/afa/2007.3.2.135.

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There are striking similarities between the Book of Lamentations by Grigor Narekatsi, the ingenius poet of the 10th century and the hymns by the 11th century Byzantine mystic writer Symeon the New Theologian. The article points out the similarities and states that Grigor Narekatsi could not have used the ideas of Symeon the New Theologian. The two poets composed separately from each other presenting the highest level of Christian mystic thinking. The author of the article, based on the interpretation of the symbols preserved in Manuscript N 7703 of the Matenadaran comes up with a new interpret

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Haemig, Mary Jane. "Elisabeth Cruciger (1500?-1535): The Case of the Disappearing Hymn Writer." Sixteenth Century Journal 32, no. 1 (2001): 21. http://dx.doi.org/10.2307/2671393.

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Stuart, Streeter S. "The Exodus Tradition in Psalm 105 and the Wisdom of Solomon: Notable Similarities." Evangelical Quarterly 90, no. 2 (2019): 132–41. http://dx.doi.org/10.1163/27725472-09002003.

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The hymn found in 1 Chronicles 16:8–36 contains portions of Psalms 105:1–15; 96:1–13; and 106:47–48. Since the hymn occurs in a context which focuses upon placing the Ark of the Covenant on Mt. Zion, it is noteworthy that the verses from Pss. 105 and 106 say nothing about the Exodus, since the other verses of these two Pss. are heavy in the Exodus tradition, the primary location of the Ark narrative in the Pentateuch. Is it possible that these Pss. were known only in part or that portions were known to other writers? This article focuses on the similarities that exist between Ps. 105:16–45 and

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Nguyen Van, Lich. "Unique artistic and poetic art of Huy Thong in period 1932-1945 on the aspect of language topic." Journal of Science Social Science 66, no. 2 (2021): 37–43. http://dx.doi.org/10.18173/2354-1067.2021-0023.

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The article points out that Huy Thong’s drama is biased towards historical topics. This is also a popular topic in Vietnamese literature in the early twentieth century due to the special nature of the nation’s fate. And, also in the trendy nature of the era, Huy Thong’s historical drama is often associated with the theme of love- a love bound to history, an example of former personal tragedy and responsibility. In his efforts, he has made a separate contribution to the drama genre in terms of structure and language. Huy thong’s poems are like hymns of endless love and natural lines. About expr

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Zych-Chludzińska, Magdalena. "RECEPCJA TWÓRCZOŚCI JÓZEFA WITTLINA PO 1989 ROKU." Colloquia Litteraria 19, no. 2 (2016): 105. http://dx.doi.org/10.21697/cl.2015.2.08.

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The article surveys the current state of research on Józef Wittlin’s works. It examines and summarizes evidence of the reception of his writings after 1989. The name of the writer remains obscure to Polish readership, while opinions about his works do not go beyond trite phrases. Wittlin’s debut work, Hymny, is overlooked by critics, his essays await edition, and Sól Ziemi – Wittlin’s greatest achievement – unjustly became a forgotten novel.

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Aisha, Umar, and J. E. Acheoah. "Investigating the Pragmatic Functions of Context in Literature: A Linguistic Appraisal of Andrew Kure's Harvest of Woes." Global Journal of Research in Education & Literature 3, no. 5 (2023): 28–33. https://doi.org/10.5281/zenodo.8411264.

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This study is a pragmatic approach to the investigation of the functions of context in literature (literary writing). Literary writers are conscious of phenomena in society. Literature is a representation of life; literary writers (playwrights, novelists and poets) write to awaken the consciousness of society regarding certain vices. The themes of literary texts are essentially focused speech acts. Besides speech act, other theoretical concepts in pragmatics include context, presupposition, implicature, world knowledge and inference. However, this study is restricted to the investigation of co

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Granquist, Mark. "Preaching From Home: The Stories of Seven Lutheran Women Hymn Writers by Gracia Grindal (review)." Swedish-American Studies 64, no. 2 (2013): 102–3. http://dx.doi.org/10.1353/swe.2013.a939382.

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Ansari, Ni Made Saraswati, and Ni Nyoman Padmadewi. "LANGUAGE STYLES OF JOKO WIDODO’S SPEECH IN CHATTING ON YOUTUBE CHANNELS." Lingua Scientia 29, no. 1 (2022): 33–44. http://dx.doi.org/10.23887/ls.v29i1.36976.

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This research analyzed the language style of Joko Widodo's speech in chatting with the hosts of three YouTube channels. The videos were published on January 18, March 17, and April 16, 2019. The writer applied two theories in analyzing the speech: S.P.E.A.K.I.N.G theory from Dell Hymes (1974) and Martin Joos' theory (1976) about language styles. S.P.E.A.K.I.N.G is derived from the situation, participants, ends, act, key, instrumentality, norms, and genre. While language styles are divided into five, those are frozen or oratorical, formal or deliberative, consultative, casual, and intimate styl

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Provitasari, Meryka, Dwi Setiyadi, and Lusia Kristiasih Dwi Purnomosasi. "ILLOCUTIONARY ACTS FOR DIFFERENT RACES IN DR. KING’S UTTERANC S OF AVA DUVERNAY’S SELMA MOVIE." English Teaching Journal : A Journal of English Literature, Language and Education 4, no. 1 (2019): 45. http://dx.doi.org/10.25273/etj.v4i1.4359.

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<p class="ParaAttribute4">This research aims to find out the racism occurs from verbal language by using Selma movie as the object. It is based on insight from Yule’s (1996) illocutionary act theory to analyze the type of Martin Lurther King’s utterances and Hymes’ (in Wardhaugh, 2006) speaking ethnography theory to analyze the context behind Martin Lurther King’s utterances. The writer finds commissive act (8%); expressive act (44%); and directive act (48%) as the illocutionary act which be used by King, and some datum of speaking ethnography without genre because genre can be found in

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Panteleev, Sergey. "Origins of the Trisagion song in the written sources of the Armenian Church." St. Tikhons' University Review. Series III. Philology 73 (December 30, 2022): 58–70. http://dx.doi.org/10.15382/sturiii202273.58-70.

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One of the issues vigorously discussed by the supporters and opponents of the Council of Chalcedon was that of the Trisagion song text, namely the possibility of using it in the phrase “crucified for us”. During these discussions the question about the circumstances and the time of its origin was also raised. The Armenian literature provides various examples showing who originally used the Trisagion song and when it happened. This article presents a number of extracts from the writings by Catholicos Ovan of Odzoun, vardapet Abraham, Mkhitar Gosh, Grigor of Tatev, Stepanos of Syunik, Armenian t

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Gervytė, Dovilė. "Maironio autoredagavimas: neapsisprendimo dėl pakeitimų pernaša." Archivum Lithuanicum, no. 23 (December 31, 2021): 9–40. http://dx.doi.org/10.33918/26692449-23001.

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Dovilė Gervytė The Self - editing of Maironis’ Late Poetry: the Transport of Indecision Over Revisions S u m m a r y The 20th century Lithuanian writer Maironis is known for his collection of poems called The Voices of Spring. It was reprinted five times during the author’s lifetime and contains revisions made by the poet himself. Yet the strongest textual evidence of doubt, rejection, and pondering upon poetical decisions is to be found in the surviving manuscripts (drafts). The reconstructed dynamics of the textual variation within the fragments (a verse or a word phrase) or the segments (a

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Borowski, Andrzej. "Pius Vates." Tematy i Konteksty specjalny 1(2020) (2020): 63–73. http://dx.doi.org/10.15584/tik.spec.eng.2020.4.

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The question dealt with in the paper is as follows: to what extent might the notion of “religious literature” be functional if applied both to the early modern literature and the contemporary literary culture? Does it mean “sacred literature,” simply opposed to the “secular” one, whatever it might mean? The author’s suggestion is to use the notion of “religious literature” more consistently, depending strictly on the liturgical functions of the text (e.g. of prayers, hymns or homilies), while the term “sacred literature” should be used only with reference to the so-called “Sacred Books,” i.e.

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McKay, Belinda. "Finding Voice: Emily Coungeau and ‘Australia's National Hymn of Progress’." Queensland Review 13, no. 2 (2006): 13–33. http://dx.doi.org/10.1017/s1321816600004402.

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In late nineteenth and early twentieth century Brisbane, writing became a profession that was increasingly open to women. This phenomenon developed partly in response to a rapidly expanding urban female audience, but in turn it helped to form the tastes, reading habits and social attitudes of new generations of female readers. The prolific and popular poet Emily Coungeau exemplifies a new, self-consciously cosmopolitan type of woman writer who emerged in Brisbane in the early twentieth century.

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POTNITSEVA, Tetiana. "THE SOUNDS OF SWEET FREEDOM: THE ECHOES OF INTERNATIONAL IN THE EUROPEAN LITERATURE AT THE END OF THE 19th THE BEGINNING OF THE 20th CENTURY." Astraea 4, no. 1 (2023): 90–103. http://dx.doi.org/10.34142/astraea.2023.4.1.05.

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The investigation focuses on the conceptual lines of the Communists hymn “International” in the light of their estimation by European writers of the end of the XXth the beginning of the XXth century. The analysis of the explicit and implicit meaning of the hymn which many writers of the time thought over proves their ambiguous attitude towards revolutionary, radical way in achieving freedom and happiness. Being witnesses of the end of the heroic Revolutionary epoch, and carrying the decadence world view they expressed their great doubt both in the “bloody battles” for everlasting freedom (even

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Otterbeck, Jonas. "For the Love of the Beloved." AURA - Tidsskrift for akademiske studier av nyreligiøsitet 13 (December 22, 2023): 21–46. http://dx.doi.org/10.31265/aura.721.

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Rock artist Peter Murphy (Bauhaus, Dali’s Car, solo) has drawn from Sufism in his lyrics since 1986. Throughout his career Murphy has been open about this but no one has analysed his lyrics before. This article illustrates and discusses how tropes from Sufi genres, such as poetry, hymns and tales, are reused and reformulated in the form of post-punk rock lyrics. Sufi tropes, combined with Murphy’s dramatic rock songs, empower him as a writer and enable him to create unusual, ambiguous, and dramatic lyrics. The songs rarely propagate Sufism; they are not Sufi songs and, indeed, are communicatin

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Nodes, Daniel. "The Organization of Augustine's Psalmus contra Partem Donati." Vigiliae Christianae 63, no. 4 (2009): 390–408. http://dx.doi.org/10.1163/157007208x377283.

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AbstractAugustine of Hippo writes in the Retractations that he composed his Psalmus contra Partem Donati (393) as a retort to the rhymed "psalms" which Donatist congregations chanted, and that he had intended his own Psalm for chanting in his congregation. Instead of a lyrical hymn, however, Augustine composed a brilliant defense of the catholic understanding of the nature and mission of the Christian community in the world. The piece was meant for his congregation to sing according to individual capacity but was structured and delivered as a homily rather than a hymn. To produce his didactic,

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Ириней, (Пиковский),. "The covenant of the Lord with David in Psalm 132 (131)." Библейские схолии, no. 1(2) (June 15, 2022): 84–106. http://dx.doi.org/10.31802/bsch.2022.2.1.005.

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Псалом 131 (132 по Масоретскому тексту) является одним из наиболее ярких поэтических библейских гимнов, воспевающих власть царя на Сионе. Его содержание напоминает молитву Соломона при освящении храма (3 Цар. 8, 25; 9, 4-5), а его присутствие в сборнике «песен восхождения» (Пс. 119 - 133) - о послепленном литургическом употреблении. Многие комментаторы трактуют данный псалом как пророчество о безусловной незыблемости трона Давида, не принимая во внимания возможные исторические предпосылки появления данного гимна. В настоящем исследовании анализируется процесс переинтерпретации ключевых выражен

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Hasan, Bustan, Sudirman Maca, and Dahlia D. Moelier. "The Politeness Principle Actualization in Rodger and Hammerstein’s Drama “King and I”." Humaniora: Journal of Linguistics, Literature, and Education 1, no. 1 (2021): 21–32. http://dx.doi.org/10.56326/jlle.v1i1.1134.

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The aims of the research are to find out and to examine the characters in the drama consider politeness principle when they make dialogue to others, especially in imperative dialogue, politeness types and strategy used by charactersm and factors that influence use of politeness principle. This research is library research by applying qualitative descriptive method and through pragmatic study. By use pragmatic study, the writer has to understand and pay attention well context of the dialogue in the drama. In this study the dialogue of the drama assumed as speech act and characters assumed as sp

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Risman, Noviyanti, and Sukardi Weda. "ILLOCUTIONARY ACTS IN THE MAIN CHARACTERS’ UTTERANCES IN “SPIDER-MAN: NO WAY HOME” MOVIE." Journal of English Literature and Linguistic Studies 2, no. 2 (2024): 81. https://doi.org/10.26858/jells.v2i2.61970.

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This study concerns the types of illocutionary acts contained in the main character’s utterances in Spider-Man: No Way Home Movie. As well as the context that builds the illocutionary act. The writer aims to examine the illocutionary acts in the utterances uttered by Peter Parker aka Spider-Man, the main character in this movie. The writer uses a pragmatic approach to discussing illocutionary acts and the context that builds them on the main character’s utterances. The data in this study are the main character’s utterances contained in the film script. The data collection procedure was to watc

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