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Journal articles on the topic 'Hypatios'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Kosiński, Rafał. "Postać Hypatiosa, pierwszego igumena klasztoru w Rufinianach, a ideał świętego męża w późnoantycznym społeczeństwie wschodniego cesarstwa w świetle relacji Kallinikosa." Vox Patrum 36 (December 15, 1999): 387–406. http://dx.doi.org/10.31743/vp.7840.

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Der vorliegende Artikel vergleicht die Gestalt von Hypatios (ca. 366-446) des ersten Igumen der Ruphinianai mit dem Idealbild des spatantiken Heiligen. Kenntnisse uber Hypatios sind uns durch die Vita Hypatii bekannt, die bereits kurz nach dem Tod des Igumen Mitte des 5. Jahrhunderts von seinem Junger Kallinikos verfasst wurde.

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2

Déroche, Vincent, and Bénédicte Lesieur. "Notes d’hagiographie byzantine. Daniel le Stylite – Marcel l’Acémète – Hypatios de Rufinianes – Auxentios de Bithynie." Analecta Bollandiana 128, no. 2 (December 2010): 283–95. http://dx.doi.org/10.1484/j.abol.5.101719.

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3

BIERBAUMS, M. "Ephrem the Syrian on 'Freedom of Will' in Manichaeism (Pr. II-XXVIII: first discourse to Hypatios)." ARAM Periodical 16 (January 1, 2004): 263–77. http://dx.doi.org/10.2143/aram.16.0.504683.

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4

BIERBAUMS M. "Ephrem the Syrian on 'Freedom of Will' in Manichaeism (Pr. II-XXVIII: first discourse to Hypatios)." ARAM Periodical 16, no. 1 (April 14, 2005): 263–77. http://dx.doi.org/10.2143/aram.16.1.504683.

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5

Simons, Margaret. "Confronting an Impasse: Reflections on the Past and Future of Beauvoir Scholarship." Hypatia 25, no. 4 (2010): 909–26. http://dx.doi.org/10.1111/j.1527-2001.2010.01132.x.

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Hypatia's twenty-fifth anniversary in 2009, coming on the heels of Simone de Beauvoir's 100th birthday in 2008, provides an ideal moment to reflect on the past and future of research on Beauvoir's philosophy—the subject of two past Hypatia issues. Reviewing these early issues in the light of more recent publications reveals both the progress in Beauvoir scholarship and a scholarly impasse that must be confronted if that progress is to continue.

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6

Belenkiy, Ari. "The Novatian ‘Indifferent Canon’ and Pascha in Alexandria in 414: Hypatia’s Murder Case Reopened." Vigiliae Christianae 70, no. 4 (September 30, 2016): 373–400. http://dx.doi.org/10.1163/15700720-12341264.

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In an earlier paper I suggested that the murder of the Alexandrian philosopher Hypatia by a clique of Bishop Cyril’s zealots resulted from her involvement in the conflict between the Roman and Alexandrian Churches regarding the date of Easter in the year 417. The murder would have been committed in March 416 after she had performed controversial astronomical observations that supported the Roman date over the Alexandrian one. This version faces severe problems from various sides. Therefore, I suggest here another scenario, where an unorthodox position of the Novatian Church on determining the time of Easter and early Passover celebration in 414 triggered the chain of events leading to Hypatia’s murder. This scenario places the murder in March 415 and offers a unique time frame for all the related events. Here Hypatia displays astronomy skills that justify her subsequent historical reputation. I also shed light on the immediate circumstances of her murder, specifically suggesting it happened on the day she was making the equinoctial observations. Finally, I propose instituting a memorial day for Hypatia on the day of the vernal equinox.

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7

Świerkosz, Monika. "Dramatopisarki w «republice braci»: Komu potrzebna jest (i jaka) kobieca historia polskiego teatru?" Pamiętnik Teatralny 69, no. 3 (November 11, 2020): 183–98. http://dx.doi.org/10.36744/pt.498.

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Artykuł omawia efekty projektu feministycznej historii teatru HyPaTia w kontekście szerszego zjawiska, jakim jest uprawiana od lat siedemdziesiątych XX wieku historia kobiet. Autorka stawia pytania o rewindykacyjny charakter podjętego w projekcie dialogu z kanonem i konstruktorski gest (od)tworzenia kobiecej historii polskiego teatru. Poprzez figury „siostry Szekspira” i „sióstr Hypatii” zwrócona zostaje uwaga na specyficzne uwikłanie biografii i twórczości dramatopisarek w patriarchalną ramę (określaną jako „republika braci”), które problematyzuje rozumienie emancypacji jako uwalniania się od męskiej opresji czy ucieczki na marginesy.

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8

Laflı, Ergün, and Maurizio Buora. "Three Unpublished Byzantine Lead Seals from Western Asia Minor (With an Appendix on an Amulet from Izmir)." Vestnik Volgogradskogo gosudarstvennogo universiteta. Serija 4. Istorija. Regionovedenie. Mezhdunarodnye otnoshenija, no. 6 (February 2021): 160–67. http://dx.doi.org/10.15688/jvolsu4.2020.6.12.

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This paper presents three formerly unpublished Byzantine lead seals and an amulet that were examined in the archaeological museum of Izmir (nos. 1, 3 and figs. 5a–b) and Akhisar (no. 2) in western Turkey. They date from the 7th to the 13th century AD. The seal of a Manuel apo hypaton (no. 1) reveals the relations between the court of Constantinople and the city of Smyrna in the 7th century AD. Another one of Ioannes hypatos spatharios (no. 2) comes from Akhisar (8th century AD). No. 3 is dated to the 11th and 12th centuries AD. A lead amulet at the appendix part (figs. 5a–b), which perhaps originates from the Early Byzantine period, bears the name of Sabaṓth.

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9

Mills, Victoria. "Charles Kingsley’s Hypatia, Visual Culture and Late-Victorian Gender Politics." Journal of Victorian Culture 25, no. 2 (January 10, 2020): 240–63. http://dx.doi.org/10.1093/jvcult/vcz059.

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Abstract Charles Kingsley’s Hypatia or New Foes with an Old Face was first published in Fraser’s Magazine in 1852, but was reissued in numerous book editions in the late nineteenth century. Though often viewed as a novel depicting the religious controversies of the 1850s, Kingsley’s portrayal of the life and brutal death of a strong female figure from late antiquity also sheds light on the way in which the Victorians remodelled ancient histories to explore shifting gender roles at the fin de siècle. As the book gained in popularity towards the end of the century, it was reimagined in many different cultural forms. This article demonstrates how Kingsley’s Hypatia became a global, multi-media fiction of antiquity, how it was revisioned and consumed in different written, visual and material forms (book illustrations, a play, painting and sculpture) and how this reimagining functioned within the gender politics of the 1880s and 1890s. Kingsley’s novel retained a strong hold on the late-Victorian imagination, I argue, because the perpetual restaging of Hypatia’s story through different media facilitated the circulation of pressing fin-de-siècle debates about women’s education, women’s rights, and female consumerism.

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10

Russell, Camisha. "On Black Women, “In Defense of Transracialism,” and Imperial Harm." Hypatia 34, no. 2 (2019): 176–94. http://dx.doi.org/10.1111/hypa.12470.

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This essay is a response to the events surrounding Hypatia's publication of “In Defense of Transracialism.” It does not take up the question of “transracialism” itself, but rather attempts to shed light both on what some black women may have experienced following from the publication of the article and on how we might understand this experience as harm. It also suggests one way for feminist journals to reduce the likelihood of similar harms occurring in the future. I begin by describing a discussion that occurred in my classroom that bears some resemblance to the much larger debate that emerged around Hypatia. Next, I elaborate a concept of imperial harm. I then address how this concept comes to be relevant to the experience of black women within the discipline of philosophy in general, before briefly describing how academic feminism (including feminist philosophy) has served as a particular site of imperial harm for black women. Finally, touching on the idea of expressive harm, I conclude with an appeal for the adoption of more feminist publication ethics.

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11

Morgan, Frederick. "Hypatia." Critical Quarterly 40, no. 2 (July 1998): 79–80. http://dx.doi.org/10.1111/1467-8705.00158.

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12

Froehlich, G., and J. Schulz. "Sant’Ippazio (St. Hypatius von Gangra)." Der Urologe 54, no. 12 (October 10, 2015): 1806–10. http://dx.doi.org/10.1007/s00120-015-3969-y.

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13

Delamont, Sara. "Hypatia's Revenge?" Social Studies of Science 32, no. 1 (February 2002): 167–74. http://dx.doi.org/10.1177/0306312702032001007.

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14

McKenna, Erin. "Hypatia's Daughters." Teaching Philosophy 20, no. 3 (1997): 326–28. http://dx.doi.org/10.5840/teachphil199720338.

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15

Grant, Hardy. "Who's Hypatia? Whose Hypatia Do You Mean?" Math Horizons 16, no. 4 (April 2009): 11–15. http://dx.doi.org/10.1080/10724117.2009.11974823.

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16

Grant, Hardy. "Who's Hypatia? Whose Hypatia Do You Mean?" Math Horizons 16, no. 4 (April 1, 2009): 11–15. http://dx.doi.org/10.4169/194762109x468472.

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17

Harich-Schwarzbauer, Henriette. "Hypatie d’Alexandrie." Clio, no. 35 (May 1, 2012): 201–14. http://dx.doi.org/10.4000/clio.10575.

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18

Toomer, G. J. "Book Review: Hypatia of Alexandria: Hypatia of Alexandria." Journal for the History of Astronomy 27, no. 2 (May 1996): 174–76. http://dx.doi.org/10.1177/002182869602700206.

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19

D'Ottavio Cattani, Alberto Enrique. "Alejando Amenábar. Ágora: Hipatia en el Cine. España, 2009." Cuestiones de género: de la igualdad y la diferencia, no. 14 (June 27, 2019): 727. http://dx.doi.org/10.18002/cg.v0i14.5474.

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<p><strong>Ágora: Hipatia en el cine</strong></p><p>Título original: Ágora /Agora en inglés</p><p>Director: Alejando Amenábar</p><p>Productoras: Telecinco Cinema, <em>Himenóptero y</em> MOD Producciones </p><p>Reparto: Rachel Weisz (Hipatia de Alejandría); Max Minghella (Davos); Oscar Isaac (Orestes); Ashraf Barhom (Amonio); Michael Lonsdale (Teón); Rupert Evans (Sinesio de Cirene), Homayoun Ershadi (Aspasio) y Sami Samir (Cirilo)</p><p>Género: Drama histórico</p><p>Guionistas: Alejandro Amenábar y Mateo Gil</p><p>País de origen: España</p><p>Duración: 126 minutos</p><p>Año de lanzamiento: 2009</p><p> </p><p class="biog"><strong>Resumen</strong><strong></strong></p><p class="biog">Este trabajo perfila el marco histórico que le tocó vivir a Hipatia, maestra, matemática, astrónoma y filosofa en la Alejandría romana de los siglos IV y V de nuestra era, las turbulencias político-religiosas a las que estuvo expuesta así como al rol pionero y relevante que le cupo entre las mujeres científicas de la antigüedad. Finalmente, hace hincapié en el filme Ágora que, trayéndola desde el pasado al presente, permite revalorarla en su justa dimensión.</p><p class="biog"><strong>Abstract</strong></p><p class="biog"><strong></strong>This paper outlines the historical frame Hypatia lived as teacher, mathematician, astronomer and philosopher in the Alexandria Roman during the fourth and the fifth century of our era, the politico-religious turbulences she was exposed to as well as the pioneering and relevant Hypatia’s role among the scientific women of antiquity. Finally, the film Agora bringing Hypatia from the past to the present allows her to be reassessed in its proper dimension.</p>

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20

Laflı, Ergün, and Werner Seibt. "Four lead seals of the 11th century from Yozgat." Byzantinische Zeitschrift 113, no. 3 (August 1, 2020): 923–32. http://dx.doi.org/10.1515/bz-2020-0040.

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AbstractIn the museum of Yozgat in eastern-central Anatolia four eleventh century A.D. seals of Byzantine dignitaries are stored, all of them originate probably from central Anatolia. Basileios Trichinopodes was hypatos and strategos of Anazarbus in Cilicia in the middle of the eleventh century, Katakalon was hypatos and strategos of Larissa in Cappadocia in the third quarter of the same century, a civil dignitary, probably named Pirmanes, was protospatharios and chartoularios of the Bucellarian Theme in the second half of the tenth or early eleventh century, and Samuel Alousianos, a grandson of the last Bulgarian tsar Ivan Vladislav, was proedros and dux, probably fighting the Turkish invaders in Eastern Anatolia during the difficult years in the 1070s.

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21

Streete, Gail Corrington, and Maria Dzielska. "Hypatia of Alexandria." Classical World 91, no. 4 (1998): 301. http://dx.doi.org/10.2307/4352086.

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22

Joan Alice Wood Kimball. "Hypatia, 415 CE." Arion: A Journal of Humanities and the Classics 23, no. 1 (2015): 53. http://dx.doi.org/10.2307/arion.23.1.0053.

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23

Serna-Montoya, Edgar. "Hypatia de Alejandría." Lámpsakos, no. 4 (July 15, 2010): 53. http://dx.doi.org/10.21501/21454086.805.

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Hypatia se considera la primera mujer en hacer significativos aportes al desarrollo de las matemáticas y la primera mujer científica en la historia. Aunque también hizo aportes en filosofía y astronomía, se le reconoce más por su trabajo en matemáticas. En una época en la que las mujeres no tenían acceso a la educación y mucho menos a las ciencias, su inteligencia, facilidad de expresión y belleza hicieron que los líderes de la iglesia cristiana la consideraran bruja, por lo que fue asesinada como enemiga de las creencias religiosas reinantes.

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24

Deakin, Michael A. B., and Maria Dzielska. "Hypatia of Alexandria." American Mathematical Monthly 103, no. 1 (January 1996): 83. http://dx.doi.org/10.2307/2975226.

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25

Knorr, W. R. "Hypatia of Alexandria." Science 268, no. 5211 (May 5, 1995): 744. http://dx.doi.org/10.1126/science.268.5211.744.

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26

KOBLITZ, A. H. "Women Scientists: Hypatia's Heritage." Science 235, no. 4792 (February 27, 1987): 1092. http://dx.doi.org/10.1126/science.235.4792.1092.

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27

Maiorov, Alexander V. "“I Would Sacrifice Myself for my Academy and its Glory!”." Russian History 45, no. 4 (November 27, 2018): 319–40. http://dx.doi.org/10.1163/18763316-04504002.

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The paper studies the role that Professor Schlözer played in the discovery of the Hypatian Chronicle – a most important example of Old Russian chronicle writing – and in introducing it into historical studies. Based on the documents from St. Petersburg archives, the author relates the reasons why the first attempt to publish the Hypatian Chronicle in the late 1760s failed and why the researchers lost sight of the manuscript for the subsequent forty years.

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28

Deakin, Michael A. B. "Hypatia and Her Mathematics." American Mathematical Monthly 101, no. 3 (March 1994): 234. http://dx.doi.org/10.2307/2975600.

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29

Deakin, Michael A. B. "Hypatia and Her Mathematics." American Mathematical Monthly 101, no. 3 (March 1994): 234–43. http://dx.doi.org/10.1080/00029890.1994.11996935.

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30

Holmes, Helen Bequaert. "Does Hypatia Rock Boats?" Hypatia 5, no. 3 (1990): 162–64. http://dx.doi.org/10.1111/j.1527-2001.1990.tb00616.x.

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31

Campo-Engelstein, Lisa. "Goodbye Hypatia, My Friend." Hypatia 23, no. 3 (September 2008): 233–35. http://dx.doi.org/10.1111/j.1527-2001.2008.tb01218.x.

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32

Sholihah, Almatoroh, and Faulina Kaulin. "Hypatia dalam Novel Azazil dan Film Agora: Kajian Sastra Bandingan." Al-Ma‘rifah 14, no. 2 (October 20, 2017): 102–13. http://dx.doi.org/10.21009/almakrifah.14.02.07.

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Hypatia adalah ilmuan perempuan dalam bidang filsafat, astronomi, dan matematika keturunan Yunani dari Askandariyah Mesir yang terbunuh mengenaskan akibat tindakan represi agama. Kisah hidupnya yang begitu mengenaskan menarik para penggiat karya untuk mengangkat kisahnya dalam karya-karya mereka seperti yang terdapat dalam novel Azazil karya Youssef Ziedan dan juga dalam film Agora karya sutradara Alejandro Amenabar. Novel Azazil dan film Agora mengangkat kisah Hypatia dengan versi dan jalan cerita yang berbeda. Hypatia yang diangkat dalam kedua karya mereka terinspirasi dari sejarahnya, akan tetapi dari kedua karya tersebut tidak akan terpisah jauh dari kreativitas pengarang. Oleh karena itu untuk mengkaji kedua karya tersebut dari sisi persamaan dengan sejarah yang dijadikan sebgai hipogram dan perbedaanya, maka dibutuhkan cabang ilmu sastra yaitu kajian sastra bandingan. Pengkajian perbandingan novel Azazil dengan film Agora ini menggunakan metode deskriptif.

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33

Benedetto, Canio, Stefano Isola, and Lucio Russo. "Dating Hypatia’s birth : a probabilistic model." Mathematics and Mechanics of Complex Systems 5, no. 1 (January 31, 2017): 19–40. http://dx.doi.org/10.2140/memocs.2017.5.19.

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34

Longino, Helen. "Feminist Epistemology at Hypatia's 25th Anniversary1." Hypatia 25, no. 4 (2010): 733–41. http://dx.doi.org/10.1111/j.1527-2001.2010.01131.x.

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This essay surveys twenty-five years of feminist epistemology in the pages of Hypatia. Feminist contributions have addressed the affective dimensions of knowledge; the natures of justification, rationality, and the cognitive agent; and the nature of truth. They reflect thinking from both analytic and continental philosophical traditions and offer a rich tapestry of ideas from which to continue challenging tradition and forging analytical tools for the problems ahead.

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35

Vinicor, Frank. "Hypatia: Change, Limits, and Interconnectedness." Diabetes 46, no. 12 (December 1997): 1923–27. http://dx.doi.org/10.2337/diab.46.12.1923.

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36

Bartky, Sandra Lee. "4. Hypatia Unbound: A Confession." Feminism & Psychology 2, no. 3 (October 1992): 426–28. http://dx.doi.org/10.1177/0959353592023012.

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37

Uffelman, Larry K. "Kingsley's Hypatia: Revisions in Context." Nineteenth-Century Literature 41, no. 1 (June 1986): 87–96. http://dx.doi.org/10.2307/3045056.

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38

Martínez, Miguel Fonseca. "Hypatia o de la hermenéutica." Análisis, no. 75 (April 6, 2015): 197. http://dx.doi.org/10.15332/s0120-8454.2009.0075.07.

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<p>El presente trabajo muestra los resultados de la reflexión realizada en torno a la hermenéutica y la filosofía del lenguaje, en el marco del Seminario de Hermenéutica de la Maestría en Filosofía de la Universidad Santo Tomás. Siguiendo la tradición de Karl Otto Apel, este pequeño diálogo al estilo platónico plantea un análisis de la hermenéutica bajo el horizonte de ciertas categorías fundamentales de la Filosofía Analítica.</p>

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39

Uffelman, Larry K. "Kingsley's Hypatia: Revisions in Context." Nineteenth-Century Literature 41, no. 1 (June 1986): 87–96. http://dx.doi.org/10.1525/ncl.1986.41.1.99p0007z.

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40

Trebilcot, Joyce. "Preface: New Editors for Hypatia." Hypatia 10, no. 1 (1995): vii—viii. http://dx.doi.org/10.1111/j.1527-2001.1995.tb01349.x.

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41

Hadot, Ilsetraut. "Maria Dzielska, Hypatia of Alexandria." Zeitschrift für antikes Christentum / Journal of Ancient Christianity 4, no. 2 (January 1, 2000): 379–80. http://dx.doi.org/10.1515/zac-2000-0214.

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42

Fox. "Comment on “Realizing Love and Justice”." Hypatia 8, no. 4 (1993): 134–35. http://dx.doi.org/10.1111/j.1527-2001.1993.tb00283.x.

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43

Trigilio, Jo. "Open Letter To the Editors and Advisors of Hypatia." Hypatia 6, no. 2 (1991): 218–19. http://dx.doi.org/10.1111/j.1527-2001.1991.tb01405.x.

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44

Leask, Ian. "From Serena to Hypatia: John Toland's Women." Royal Institute of Philosophy Supplement 88 (October 2020): 195–214. http://dx.doi.org/10.1017/s1358246120000193.

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AbstractThis paper focusses on John Toland's influential Hypatia (1720), an account of the neo-Platonist philosopher and mathematician murdered in ancient Alexandria; it also considers segments of his Letters to Serena (1704), and suggests various conjunctions between the two texts which confirm Toland's genuine and sustained feminist commitment. As I try to establish, Toland's concern is as much about contemporaneous events as it is about ‘disinterested’ history: by promoting Hypatia as the representative of philosophy in its perennial struggle with superstition and priestcraft, Toland is able to underscore the wider case for an inclusive and capacious conception of ‘enlightenment’.

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45

Ayim, Maryann. "In Praise of Clutter as a Necessary Part of The Feminist Perspective." Hypatia 6, no. 2 (1991): 211–15. http://dx.doi.org/10.1111/j.1527-2001.1991.tb01403.x.

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46

Al‐Hibri, Azizah. "Remembering Hypatia's Birth: It Took a Village." Hypatia 28, no. 2 (2013): 399–403. http://dx.doi.org/10.1111/hypa.12019.

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47

Murphy, Susan M. "Hypatie ou la fin de l’Histoire." Études 32, no. 2 (August 28, 2007): 93–108. http://dx.doi.org/10.7202/016313ar.

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Résumé Hypatie ou la fin des dieux (1989) est le premier volet du Triptyque des temps perdus de Jean Marcel, oeuvre qui, d’après son surtitre et les titres des trois romans qui la composent, se présente comme un tableau d’une époque révolue — celle de la fin de l’Antiquité et de l’essor du christianisme, peinte à partir des biographies de personnages historiques. À l’aide d’une analyse de la structure du roman, des formes et de l’agencement de ses éléments constituants, et d’une comparaison entre les faits relatés et les données historiques, cet article situe Hypatie dans une tendance contemporaine caractérisée par l’usage de la « métafiction ».

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48

Frances, Esther. "Some Thoughts on the Contents of Hypatia." Hypatia 5, no. 3 (1990): 159–61. http://dx.doi.org/10.1111/j.1527-2001.1990.tb00615.x.

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49

Sampson, Kristin. "Den kjente og den glemte Hypatia." Norsk filosofisk tidsskrift 53, no. 02-03 (September 7, 2018): 53–65. http://dx.doi.org/10.18261/issn.1504-2901-2018-02-03-02.

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50

Mitra, Namrata. "Disciplinary Matters in the Hypatia Controversy." Atlantis: Critical Studies in Gender, Culture & Social Justice 39, no. 2 (2018): 74. http://dx.doi.org/10.7202/1064074ar.

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