Academic literature on the topic 'Hyperaesthetic'

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Journal articles on the topic "Hyperaesthetic"

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BING., H. I. "Rudimentary Hyperaesthetic Zones of the Abdomen1." Acta Medica Scandinavica 82, no. 3-4 (2009): 338–41. http://dx.doi.org/10.1111/j.0954-6820.1934.tb09410.x.

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Livesley, W. John, and Malcolm West. "The DSM-III Distinction between Schizoid and Avoidant Personality Disorders." Canadian Journal of Psychiatry 31, no. 1 (1986): 59–62. http://dx.doi.org/10.1177/070674378603100112.

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The DSM-III distinction between schizoid and avoidant personality disorders is examined. This distinction derives from Mi/Ion's bio-social learning theory and his interpretation of Kretschmer's personality types. Kretschmer's depiction of schizoid personality emphasizes the ratio between hyperaesthetic and anaesthetic tendencies. It is argued, therefore, that the division of this continuous distribution into two distinct personality disorders is historically inaccurate. Clinical case material is used to illustrate this misconception.
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Goodale, Elizabeth C., Stephen D. White, Catherine A. Outerbridge, Angela D. Everett, and Verena K. Affolter. "A retrospective review of hyperaesthetic leucotrichia in horses in the USA." Veterinary Dermatology 27, no. 4 (2016): 294—e72. http://dx.doi.org/10.1111/vde.12327.

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Lars, Christian Grabbe. "The Hyperaesthetics of Technology." Art Style, Art & Culture International Magazine 3, no. 3 (2019): 39–49. https://doi.org/10.5281/zenodo.4116518.

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Art Style | Art & Culture International Magazine Abstract Analog and digital technologies are an immanent part of postmodern lifeworld’s around the globe, and they are a fundament or – in some cases – driving force for mass media, telecommunication, art, and design. This omnipresence and ordinariness of technology make it very difficult to take sides: the defender determines a specific value of technology for creative processes and the opponent proclaims a general worthlessness of technology for artistic creation. This essay focusses not on different judgements, but it will analyze some important aspects of the structural dynamic of technology in the context of a creative mediatization. This means, that a work of art, a design concept or a communication medium has to be understand as a specific aesthetic artefact that enables a perceptual relation or interaction of a technological repertoire, a specific mode of representation and a sensory awareness of the recipient. This interconnection can be understood within a phenosemiotic sign relation that allows an analytical structuring of aesthetic processes as embodied and perceptual processes. This phenosemiotic analysis gives insights in the specific interconnectedness of technological processes, sensory and perceptual dynamics and the construction of meaning in a cognitive perspective that is always embedded in the bodily processes of reception. Additionally, the phensosemiotic framework is also able to give insights into a possible redefinition or enhancement of the concept of aesthetics in general, which is highly correlated with the sensory processes of the recipient: This means, that postmodern artefacts of mediatization are more and more pushing the boundaries of perception and are simultaneously expanding the structural horizon of a classical aesthetics toward a technological-driven hyperaesthetics.
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Mohd Yusuf, Salma, Ilham Ameera Ismail, Rumihati Abdul Hamid, Nur Adliah Jamil, and Mazapuspavina Md Yasin. "Isolated Bilateral Pinna Swelling: A Rare Initial Presentation of Leprosy." Open Access Macedonian Journal of Medical Sciences 7, no. 11 (2019): 1815–17. http://dx.doi.org/10.3889/oamjms.2019.481.

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BACKGROUND: Leprosy or Hansen disease is a chronic infectious disease that causes social stigma due to its deforming bodily appearance and physical disability. It has a wide spectrum of presentation affecting diagnosis.CASE REPORT: A 21-year-old man who presented with chronic isolated bilateral pinna swelling as a result of leprosy is reported. The bilateral pinna swelling started as multiple shiny papules with an erythematous background and progressively became hyperpigmented and lobular over two years. This rare presentation of leprosy poses initial diagnostic difficulties, leading to misdiagnoses by various health care professionals. Diagnoses ascribed include eczema, insect bite and perichondritis. A suspicion of leprosy was raised when hyperaesthetic hypopigmentation of skin started to appear on the body after two years, with worsening of the pinna swellings. This was confirmed by identification of Mycobacterium leprae in slit skin smear test and skin biopsy.CONCLUSION: Isolated involvement of pinna in a patient without lesions in other body parts is an unusual initial presentation of leprosy. However, leprosy should be kept as a rare differential diagnosis of isolated lesions on the ear in patients not responding to conventional treatment.
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BRADSHAW, J. L. "Allodynia: a sensory analogue of motor mirror neurons in a hyperaesthetic patient reporting instantaneous discomfort to another's perceived sudden minor injury?" Journal of Neurology, Neurosurgery & Psychiatry 70, no. 1 (2001): 135a—136. http://dx.doi.org/10.1136/jnnp.70.1.135a.

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Grapes, Nicholas John, Rowena Mary Anne Packer, and Steven De Decker. "Clinical reasoning in canine cervical hyperaesthesia: which presenting features are important?" Veterinary Record 187, no. 11 (2020): 448. http://dx.doi.org/10.1136/vr.105818.

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BackgroundTo evaluate whether clinical features from the history, presentation, physical and neurological examination of dogs with cervical hyperaesthesia are statistically predictive of the underlying diagnosis.MethodsTwo hundred and ninety-eight dogs presenting with cervical hyperaesthesia between January 2010 and October 2018 were investigated. Only neurologically normal dogs with cervical hyperaesthesia on examination were included, while those with concurrent neurological deficits including gait abnormalities and proprioceptive deficits were excluded. Univariate analysis of clinical variables was performed, and those associated with each diagnosis were retained for multivariable binary logistic regression models.ResultsNinety-five per cent of cervical hyperaesthesia presentations were represented by eight conditions that included steroid-responsive meningitis arteritis (SRMA; n=100), intervertebral disc extrusion (n=78), syringomyelia (SM; n=51), intervertebral disc protrusion (n=30), neoplasia (n=8), cervical spondylomyelopathy (n=7), immune-mediated polyarthritis (n=5) and meningoencephalomyelitis of unknown aetiology (n=5). Younger age (P=0.003), pyrexia (P=0.003) and haematology abnormalities (P=0.03) comprising leucocytosis, neutrophilia or monocytosis were associated with a diagnosis of SRMA.ConclusionsEasy-to-recognise clinical features can be used to identify the most likely differential diagnosis in neurologically normal dogs with cervical hyperaesthesia, which may aid the decision making of veterinary surgeons evaluating dogs with this presentation.
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Amarnath Gupta and A P Singh. "A Study to Evaluate the Significance of Sherren’s Triangle Hyperaesthesia in a Treatment of Acute Appendicitis." Academia Journal of Surgery 3, no. 1 (2020): 12–15. http://dx.doi.org/10.47008/ajs/2020.3.1.3.

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Background: Acute appendicitis is the most common surgical emergency. In spite of sophisticated new investigations mainstay of diagnosis depends on clinical sign and symptoms, Sherren‘s triangle hyperaesthesia is very important sign with controversial efficacy about it in available literature. The aim of this study was to explore the significance of hyperaesthesia in Sherren’s triangle in a treatment of acute appendicitis. Subjects and Methods: This study was conducted in 418 patients with 186 females and 251 males. Patients were of acute appendicitis operated for appendicectomy included in the study. Results: Sensitivity and specificity of hyperaesthesia in Sherren’s triangle were 47.7% and 42.9% respectively with positive and negative predictive values were 92.1% and 5.56%. Conclusion: Hence it indicates that hyperaesthesia in Sherren’s triangle is important sign to suspect to support diagnosis of acute appendicitis. It has minimal significance to rule out it. This sign plays very important role in a diagnosis of complicated appendicitis like obstructive appendicitis.
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Taylor, Pamela G. "Hyperaesthetics: Making Sense of Our Technomediated World." Studies in Art Education 45, no. 4 (2004): 328–42. http://dx.doi.org/10.1080/00393541.2004.11651779.

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Colebunders, R., E. De Droogh, K. Depraetere, Y. Pelgrom, and P. De Jonghe. "Painful hyperaesthesia caused by protease inhibitors?" Infection 26, no. 4 (1998): 250–51. http://dx.doi.org/10.1007/bf02962375.

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Book chapters on the topic "Hyperaesthetic"

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Svendsen, Kristina B., Troels Staehelin Jensen, and F. W. Bach. "Hyperaesthesia, Assessment." In Encyclopedia of Pain. Springer Berlin Heidelberg, 2013. http://dx.doi.org/10.1007/978-3-642-28753-4_1805.

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Ramírez-Méndez, Alejandro. "Toward a Hyperaesthetics of Migration." In Digital Culture and the U.S.-Mexico Border. Routledge, 2024. http://dx.doi.org/10.4324/9781003519263-10.

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"hyperaesthetic, adj." In Oxford English Dictionary, 3rd ed. Oxford University Press, 2023. http://dx.doi.org/10.1093/oed/8828795281.

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Lezama, Nigel. "Intensified: Alessandro Michele’s hyperaesthetic at Gucci." In Fashion, Dress and Post-postmodernism. Bloomsbury Visual Arts, 2021. http://dx.doi.org/10.5040/9781350115934.ch-004.

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"Hyperaesthetics." In Snap to Grid. The MIT Press, 2000. http://dx.doi.org/10.7551/mitpress/6279.003.0007.

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"Hyperaesthesia." In Dictionary of Rheumatology. Springer Vienna, 2009. http://dx.doi.org/10.1007/978-3-211-79280-3_462.

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"hyperaesthesic, adj." In Oxford English Dictionary, 3rd ed. Oxford University Press, 2023. http://dx.doi.org/10.1093/oed/3279219695.

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"hyperaesthesia, n." In Oxford English Dictionary, 3rd ed. Oxford University Press, 2023. http://dx.doi.org/10.1093/oed/6002659796.

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Gildersleeve, Jessica. "Hyperaesthesia and futile rage." In Rose Macaulay, Gender, and Modernity. Routledge, 2017. http://dx.doi.org/10.4324/9781315465654-2.

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Caygill, Howard. "Hyperaesthesia and the Virtual." In Bergson and the Art of Immanence. Edinburgh University Press, 2013. http://dx.doi.org/10.3366/edinburgh/9780748670222.003.0015.

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