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Journal articles on the topic 'Hyperbole in literature'

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Published: 4 June 2021
Last updated: 4 March 2023

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1

Saffah, Mariam. "Hyperbole: A Pragmatic Perspective." Advances in Social Sciences Research Journal 8, no. 8 (September 5, 2021): 571–74. http://dx.doi.org/10.14738/assrj.88.10699.

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Unlike most previous studies which investigate hyperbole in literary contexts, the present review tries to portray it as an interactional pragmatic phenomenon occurring in everyday conversations. The listener’s awareness that there is a difference between what is said and what is meant is essential for the recognition of hyperbole. Therefore, context is crucial for interpreting hyperbolic utterances. As a pragmatic notion, hyperbole has not been given its due attention. Hence, this review attempts to bridge this gap in the literature through answering the following questions: What are the functions, types, and forms of hyperbole? What is the relationship between hyperbole and other notions such as irony? And how it can be used as persuasive device?
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2

Najjar, Ibrahim, Kais Amir Kadhim, and Sami Al-Heeh. "Morphological shift of hyperbolic patterns in the Quran, with reference to English translation." FORUM / Revue internationale d’interprétation et de traduction / International Journal of Interpretation and Translation 19, no. 2 (December 31, 2021): 148–63. http://dx.doi.org/10.1075/forum.21010.naj.

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Abstract This study addresses the use of hyperbole in the Quran at the word level and its English translation. It investigates the morphological shift of hyperbolic patterns such as ‘Fa’uul (فعول), Fa’eel (فعيل) and Fa’aal’ (فعال) and their corresponding English translations. We attempt to determine the implications underlying the translation strategies for the translation quality of the data under study. Under this circumstance, the translator applied a series of translation strategies, such as literal translation, paraphrase, transposition, and morphological strategies, with transposition being the most employed strategy. Such strategies were in some cases a problem for the functions of the Quranic hyperboles. As such, the translation quality was occasionally poor.
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Abdul-Hameed Ali, Ghufran. "THE USE OF HYPERBOLE IN LITERATURE: ED POEMS." International Journal of Language Academy 6, no. 23 (January 1, 2018): 593–602. http://dx.doi.org/10.18033/ijla.3943.

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4

Llewelyn, Stephen Robert, and William Robinson. "“If Your Hand Causes You to Stumble, Cut It Off”." Novum Testamentum 63, no. 4 (September 9, 2021): 425–51. http://dx.doi.org/10.1163/15685365-12341702.

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Abstract A number of Jesus’ sayings have been taken to be instances of hyperbole. Mark 9:43–47 is so construed by many. The present article uses Relevance Theory and other work on hyperbole to define its scalar nature and expressive function. The encoded meanings of language and the roles of co-text (discursive factors) and context (non-discursive factors) in inferring meaning are investigated in relation to Mark 9:43–47 and its synoptic parallels. It is concluded that considerations of language and co-text provide no evidence that Mark 9:43–47 is hyperbolic; if it was construed as hyperbolic by the Markan audience, the reason for this lies in its now unknown context of utterance. The opposite is the case with Matthew’s treatments of the saying. He provides a co-text that prompts for a spiritualised and thus metaphorical interpretation of it.
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Stanivukovic, Goran V. "“Mounting Above the Truthe”: On Hyperbole in English Renaissance Literature." Forum for Modern Language Studies 43, no. 1 (January 1, 2007): 9–33. http://dx.doi.org/10.1093/fmls/cql112.

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6

Martinet, Marie-Madeleine. "Hyperbole donquichottesque et spatialité cervantine chez Sterne." Revue de littérature comparée 319, no. 3 (2006): 261. http://dx.doi.org/10.3917/rlc.319.0261.

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7

Efendi, Dedi. "Stylistics Analysis In Literature of Figurative Language Used In Black Lives Matter Community’s Poems." Jurnal Ilmiah Langue and Parole 4, no. 2 (August 2, 2021): 1–12. http://dx.doi.org/10.36057/jilp.v4i2.474.

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This research analyzed about figurative language and social values in three poems of Black Live Matter (BLM) community’s poem in America. The purposes of this research are to describe the kinds of figurative language and social values in three poems of BLM community’s poem. In this research, the writer used the descriptive qualitative method and used theory of figurative language by Perrine (1992) and theory of social values by Amir in Sukatman (1991). Data are explained by find the meaning and described them based on the kinds of figurative language through four procedure, they are: identifying, classiying, analyzing and making the conclusion from the data. The result of this research are the writer found about 19 data of figurative language of the poems. Hyperbole is the dominant kind of figurative language in those three poems ,because hyperbole is the appropriate of figurative language for BLM’s proponents for looking for help. Beside, social values also found in these poems, the most dominant social value in these poems is social value of humanity. Humanity is one of the biggest issue for black people in United State of America.
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8

Nilawijaya, Rita. "Gaya Bahasa dalam Novel Till It’s Gone Karya Kezia Evi Wiadji terhadap Pembelajaran Sastra." Jurnal Kajian Bahasa, Sastra dan Pengajaran (KIBASP) 2, no. 1 (December 23, 2018): 11–23. http://dx.doi.org/10.31539/kibasp.v2i1.299.

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The purpose of the research are to analyze language style im Till It's Gone and the relevance of language style toward learning in SMA. Data collection used documentation, meanwhile data analysis used fiction analysis. The steps includes identification, classification, interpretation, and conclusion of the data. The result of the research found 18 simile, 8 hyperbole, 5 personification, 2 metaphor, 2 euphemisms, 2 anaphoric, and 3 sarcasm. It is concluded that Till It's Gone Novel by Kezia Evi Wiadji more dominant used simile and hyperbole in language style. For relevance in learning literature for SMA, This novel can be used as additional material in learning Indonesia languange and literature subject for eleventh grade students about intrinsic and extrinsic elements of novel related to three aspects namely language, psychology and cultural background. In summary, Till It's Gone by Kezia Evi Wiadji used comparative, affrimative and allusive language styles. Keywords: Language style and relevance. literary learning
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9

Collings, David. "Covenant in Hyperbole: The Disruption of Tradition in "Michael"." Studies in Romanticism 32, no. 4 (1993): 551. http://dx.doi.org/10.2307/25601033.

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Mubarok, Ridwan Arzak. "Stilistika Novel "Ayat-Ayat Cinta" dan Implikasinya Sebagai Bahan Ajar Bahasa Indonesia." Dinamika 1, no. 1 (February 28, 2018): 22. http://dx.doi.org/10.35194/jd.v1i1.536.

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Artikel ini membahas gaya bahasa yang terdapat dalam novel “Ayat-Ayat Cinta” karya Habiburraman El Shirazy dan implementasinya dalam pengajaran sastra di MTs. Penelitian dilakukan menggunakan metode studi kasus dan kajian pustaka . Metode ini untuk menganalisis penggunaan sistem tanda yang mengandung ide, gagasan dan nilai estetis tertentu, sekaligus untuk memahami makna yang dikandungnya. Data penelitian ini berupa penggalan gaya bahasa dalam novel “Ayat-Ayat Cinta” yang diduga berisi kalimat-kalimat bergaya bahasa tertentu. Dari hasil penelitian ini ditemukan jenis-jenis gaya bahasa dalam novel “Ayat-Ayat Cinta” meliputi gaya bahasa klimaks, antiklimaks, paralelisme, antitesis, repetisi, hiperbola, silepsis, aliterasi, litotes, asonansi, eufemisme, pleonasme, paradoks, retoris, personifikasi, ironi, sarkasme, metafora, perumpamaan/ simile, dan metonimia. Gaya bahasa yang dominan dalam novel “Ayat-Ayat Cinta”, yaitu gaya bahasa hiperbola. Implikasi gaya bahasa dalam novel “Ayat-Ayat Cinta” terhadap pengajaran sastra di MTs menitikberatkan pada sumber bahan ajar. Kata kunci: stilistika, novel, gaya bahasa, bahan ajarThis article discusses the style of language contained in the novel "Ayat-Ayat Cinta" by Habiburraman El Shirazy and its implementation in the teaching of literature at MTs. The study was conducted using the case study method and literature review. This method is to analyze the use of sign systems that contain ideas, ideas and certain aesthetic values, as well as to understand the meaning they contain. The research data is in the form of fragments of language style in the novel "Ayat Ayat Ayat Cinta" which allegedly contains sentences in a specific language style. From the results of this study found the types of language styles in the novel "Ayat Ayat Ayat Cinta" include climax, anticlimax, parallelism, antithesis, repetition, hyperbole, silepsis, alliteration, litotes, asonance, euphemism, pleonasm, paradox, rhetoric, rhetoric, personification, repetition, hyperbole, silepsis, alliteration, litotes, asonance, euphemism, pleonasm, paradox, rhetoric, rhetoric, personification, repetition, hyperbole, silepsis, alliteration, litotes, asonance, euphemism, pleonasm, paradox, rhetoric, rhetoric, personification. , irony, sarcasm, metaphor, simile, and metonymy. The dominant language style in the novel "Ayat-Ayat Cinta", namely the hyperbole language style. The implication of language style in the “-Ayat Cinta” novel towards the teaching of literature in MTs emphasizes the source of teaching material.Keywords: stylistics, novels, language style, teaching materials
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11

García, María Dolores Vivero. "L’ironie, la litote et l’hyperbole dans les chroniques humoristiques du journal Le Monde." Revue Romane / Langue et littérature. International Journal of Romance Languages and Literatures 48, no. 2 (December 5, 2013): 207–20. http://dx.doi.org/10.1075/rro.48.2.01viv.

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Our goal is to analyse the role played by irony, litotes and hyperbole in humour. Our theoretical perspective is that of discurse analysis. We study the different forms of irony in journalistic texts as well as their relation with litotes. We also study the forms and functions of hyperbole, depending on whether it magnifies the positive or the negative. Furthermore, we propose to divide the figures of speech analysed in this paper into three broad categories of polyphonic play : parody, irony and caricature. We take our examples from a sample of newspaper columns published on the French newspaper le Monde between 2000 and 2003 and between 2006 and 2009.
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12

Davies, M. "Comic priamel and hyperbole in Euripides, Cyclops 1–10." Classical Quarterly 49, no. 2 (December 1999): 428–32. http://dx.doi.org/10.1093/cq/49.2.428.

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13

Abdul-kareem Kadhim, Hanan, and Wafaa Sahib Mehdi Mohammed. "Aggressive Language in Literature: A Pragmatic Approach." Arab World English Journal 12, no. 4 (December 15, 2021): 224–42. http://dx.doi.org/10.24093/awej/vol12no4.16.

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Aggression is a negative form of an anti-social behavior. It is produced because of a particular reason, desire, want, need, or due to the psychological state of the aggressor. It injures others physically or psychologically. Aggressive behaviors in human interactions cause discomfort and disharmony among interlocutors. The paper aims to identify how aggressive language manifests itself in the data under scrutiny in terms of the pragmatic paradigm. Two British literary works are the data; namely, Look Back in Anger by John Osborne (1956), and The Birthday Party by Harold Pinter (1957). This paper endeavors to answer the question of how aggressive language is represented in literature pragmatically? It is hoped to be significant to linguistic and psychological studies in that it clarifies how aggression is displayed in human communications linguistically. Qualitative and quantitative analyses are conducted to verify the findings. It ends with some concluding remarks, the most important of which are: insulting, belittling, ridiculing and threatening are prevalent speech acts; simile, hyperbole, metaphor and repetition appear due to Grice’s maxims breaching while the use of taboo words, calling names, or abusive words are the impoliteness strategies that are distinguished in the data.
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14

Harrawood, Michael. "Overreachers: Hyperbole, the “circle in the water,” and Force in1 Henry 6." English Literary Renaissance 33, no. 3 (September 2003): 309–27. http://dx.doi.org/10.1111/j.1475-6757.2003.00030.x.

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15

Seymour, M. C. "Hypothesis, hyperbole, and the hengwrt manuscript of the canterbury tales." English Studies 68, no. 3 (June 1987): 214–19. http://dx.doi.org/10.1080/00138388708598509.

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16

Grieb, A. Katherine, and Carol H. Schlueter. "Filling up the Measure: Polemical Hyperbole in 1 Thessalonians 2.14-16." Journal of Biblical Literature 115, no. 4 (1996): 766. http://dx.doi.org/10.2307/3266380.

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17

Schrott, Raoul, and Arthur Jakobs. "Ironia, mejoza i hiperbola." Poznańskie Studia Polonistyczne. Seria Literacka, no. 34 (January 11, 2019): 245–63. http://dx.doi.org/10.14746/pspsl.2018.34.12.

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The subject of the translated article is irony understood as one of the formative elements of human speech. The author discusses the etymology of this idea, referring primarily to its definition formulated by Socrates, showing its relations with sarcasm, cynicism, meiosis and hyperbole. In terms of content, irony also has a moral element, since it is a challenge to traditional ideas, beliefs or shared cultural references. Irony is also a stylistic convention of poetics, helping to portray in literature what is paradoxical and ambiguous.
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18

Kabuta, Ngo Semzara. "De Eigennaam en het “Zelflofdicht” in de Afrikaanse Orale Literatuur." Afrika Focus 17, no. 1-2 (February 11, 2001): 15–50. http://dx.doi.org/10.1163/2031356x-0170102003.

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The proper name and “selfpraise poetry” in the African oral literature There is a particular poetic genre in African oral literature, based on selfpraise. Selfpraise poetry is built on proper names and formulas, with the metaphor and hyperbole as central style figures. In this article, we situate the proper name inside African culture and show the link between the proper name and selfpraise. Furthermore, we try to grasp the meaning of praising oneself in African culture. The study relies essentially on Cilubà and Kilubà data, but references are made to other languages, in order to show that the genre is not limited to the Lubà oral literature. The first part concentrates on name giving and its meaning. The second part is an analysis of selfpraise poetry, with examples in different languages.
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Azmi, Dhila Nurul, Didin Nuruddin Hidayat, Nida Husna, Alek Alek, and Sri Lestari. "A discourse analysis of figurative language used in English storytelling on BBC Learning English." Leksika: Jurnal Bahasa, Sastra dan Pengajarannya 17, no. 1 (February 17, 2023): 32. http://dx.doi.org/10.30595/lks.v17i1.16249.

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This study aims to discover the kinds of figurative language used that describe the meaning of those figurative languages in English Storytelling on BBC learning English. This study uses a qualitative method with a descriptive analysis approach. For the data, the primary source of this study is Storytelling from BBC Learning English. Secondary sources include books, publications, journal articles, English encyclopedias, observations, and documentation relevant to the research. After analyzing the kinds of figurative language in Storytelling on BBC Learning English, the study found 15 sentences that involve figurative language in English storytelling. There are four kinds of figurative language: personification, metaphor, hyperbole, and simile. The most frequently used figurative language on BBC Learning English Storytelling is personification because figurative language is easier to describe the behavior of objects that resemble human activities. Personification contains five sentences, metaphor contains four sentences, hyperbole consists of 4 sentences, and simile contains two sentences. Further researchers should consider the differences between each type of figurative language used as a context for evaluating the topic, find figurative language on other English education websites such as VOA (Voice of America), and have background knowledge of literature, such as songs and their features.
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Muhammad Syaeba, Nur Hafsah Yunus,. "Gaya Bahasa dan Pesan Moral pada Lirik Lagu Bahasa Mandar (Suatu Kajian Stilistika)." Celebes Education Review 1, no. 2 (October 29, 2019): 63–70. http://dx.doi.org/10.37541/cer.v1i2.182.

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Abstract. To understand language style and moral messages, the first thing to do is describe the language contained in the song's lyrics and then examine its aesthetic functions and valuesby stylistics theory. The purpose of this research is to describe the style of language and moral messages contained in the lyrics of the song Mandar. This type of research used in this research is descriptive qualitative. The method used in this research is a case study. The first stage, a preliminary study. The second stage, set / formulate the problem and determine the focus of research. The third stage, the study of literature and research analysis. The fourth step is collecting data. The fifth stage, data processing and interpretation. The sixth stage, making a research report. While for data collection, it is carried out by means of tests, observations, and documentation. The results showed that the linguistic style contained in the mandar song lyrics in broad outline, namely the opposing language style (hyperbole, litotes, antithesis), comparative language style (personification, hyperbole, metaphor, sinekdoke pars pro toto), affirmative language style (tautology, climax, repertis, anticlimax, inversion), while the moral message contained in the lyrics of the mandar song about the importance of maintaining loyalty and sharing in a relationship.
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Ekasani, Kadek Ayu. "The Use of Figurative Expression in Novel the Doomsday Conspiracy by Sidney Sheldon." International Journal of Linguistics, Literature and Culture 1, no. 1 (July 1, 2015): 38. http://dx.doi.org/10.21744/ijllc.v1i1.104.

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This writing is entitled “The Use of Figurative Expression in Novel ‘The Doomsday Conspiracy’ by Sidney Sheldon”. The discussion is focussed on the analysis of figurative expression in the novel. This study is aimed to identify the types of figurative expression found in the novel and to determine the meaning represented by the use of figurative expression in the novel. The novel entitled “The Doomsday Conspiracy” by Sidney Sheldon is chosen as the data source for this writing. The main theory is adopted from the book “Interpreting Literature” by Knickerbocker and Reninger (1963) about the theory of figurative language, namely about simile, metaphor, personification, synecdoche, hyperbole, metonymy, paradox, irony, dead metaphor, and allusion as a frame or reference. There are also some supporting theories, such as Halliday’s theory (1985) about the metaphorical modes of expressions and Leech’s theory (1974) about seven types of meanings. The finding of the analysis shows that the figurative expression used in the novel can be divided into three groups: (a) comparison included simile, metaphor and personification; (b) contradiction included hyperbole; and (c) connection included metonymy and allusion. But among these types of figurative expression, the groups of comparison, simile, metaphor and personification are those commonly applied in the novel, because they are used to describe the persona’s having a deep feeling which is brought by the main character in the novel.
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22

Lysanets, Yuliia, Olena Bieliaieva, and Ivanna Znamenska. "ANATOMICAL AND PHYSIOLOGICAL TERMINOLOGY IN THE AUSTRIAN EXPRESSIONIST LITERATURE." Scientific Journal of Polonia University 51, no. 2 (June 14, 2022): 69–78. http://dx.doi.org/10.23856/5109.

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Anatomical and physiological vocabulary is used in Expressionism for a range of specific artistic purposes. The paper identifies the situations, in which such lexical units are used and analyzes the purpose of their application in the context of Austrian Expressionist literature. Along with references to the most important theoreticians and experimentalists of Austrian Expressionism, the present research is largely based on the prose by Gustav Meyrink (1868-1932). The research demonstrated that the vocabulary of human anatomy and physiology in Meyrink’s prose effectively implements specific Expressionist intentions: (1) anti-aesthetic strategy and revolt against the classical canons of beauty; (2) erosion of the frontiers between the literary discourse and non-textual reality; (3) designing the atmosphere of horror and shocking the burghers; (4) synaesthetic word-formation for the purpose of lexical “condensation” of images; (5) the motif of conflict between the father and the son; (6) development of the grotesque image of the City through the techniques of synecdoche and hyperbole; (7) reconstruction of the divine component that would unify people. In addition to a range of classical Expressionist intentions, Meyrink’s prose also employs the anatomical vocabulary for the manifestation of intellectual sensualism, which is typical of Viennese Expressionism. Thus, the analysis of Gustav Meyrink’s prose demonstrated the author’s deliberate choice of anatomical and physiological terminological units, which gives us ground to conclude that the vocabulary of human anatomy and physiology constitutes an integral part of Expressionism in general, and a significant feature of Austrian Expressionist literature in particular.
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Anggraini, Galuh, and Soenarjati Djajanegara. "GAYA BAHASA DAN PESAN MORAL DALAM PUISI TERPILIH WILLIAM SHAKESPEARE." INFERENCE: Journal of English Language Teaching 3, no. 2 (July 1, 2020): 115. http://dx.doi.org/10.30998/inference.v3i2.5767.

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<p>The aim of the research is to find out the use of figurative languages, the<br />dominant one, and the moral values in the selected poems of William Shakespeare. This<br />research uses a qualitative descriptive method. The results obtained include: there are 14 kinds of figurative language used in the selected poems, they are metaphor, simile, symbol, personification, litotes, hyperbole, metonymy, synecdoche, allusion, alliteration,<br />repetition, assonance, parallelism, and paradox. The dominant of figurative language used in the selected poems is a metaphor. There are five moral values, such as appreciation, joy, love, honesty, and loyalty.<br />Keywords: literature; figurative language; moral value; poetry</p>
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24

Mavlonova Ugiloy Khamdamovna. "Similarities and differences between types of comic." International Journal on Integrated Education 3, no. 9 (September 6, 2020): 105–7. http://dx.doi.org/10.31149/ijie.v3i9.596.

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On the pages of literary works, the reader is often confronted with funny characters or episodes, funny names of characters, ridiculous features of speech. In all these cases, we are dealing with manifestations of the comic in literature. The reader understands that the writer set himself the task of causing the audience to laugh, to portray something funny. But at the same time, we cannot fail to notice how different such laughter can be. In literary criticism, it is customary to distinguish the following types of comic: humor, irony, satire and sarcasm. Also, experts distinguish between the techniques of the comic. These include hyperbole, absurdity, grotesque, fantasy, self-exposure and some others.
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Zhang, Wenping, Wei Du, Yiyang Bian, Chih-Hung Peng, and Qiqi Jiang. "Seeing is not always believing: an exploratory study of clickbait in WeChat." Internet Research 30, no. 3 (March 13, 2020): 1043–58. http://dx.doi.org/10.1108/intr-09-2019-0373.

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PurposeThe purpose of this study is to unpack the antecedents and consequences of clickbait prevalence in online media at two different levels, namely, (1) Headline-level: what characteristics of clickbait headlines attract user clicks and (2) Publisher-level: what happens to publishers who create clickbait on a prolonged basis.Design/methodology/approachTo test the proposed conjectures, the authors collected longitudinal data in collaboration with a leading company that operates more than 500 WeChat official accounts in China. This study proposed a text mining framework to extract and quantify clickbait rhetorical features (i.e. hyperbole, insinuation, puzzle, and visual rhetoric). Econometric analysis was employed for empirical validation.FindingsThe findings revealed that (1) hyperbole, insinuation, and visual rhetoric entice users to click the baited headlines, (2) there is an inverted U-shaped relationship between the number of clickbait headlines posted by a publisher and its visit traffic, and (3) this non-linear relationship is moderated by the publisher's age.Research limitations/implicationsThis research contributes to current literature on clickbait detection and clickbait consequences. Future studies can design more sophisticated methods for extracting rhetorical characteristics and implement in different languages.Practical implicationsThe findings could aid online media publishers to design attractive headlines and develop clickbait strategies to avoid user churn, and help managers enact appropriate regulations and policies to control clickbait prevalence.Originality/valueThe authors propose a novel text mining framework to quantify rhetoric embedded in clickbait. This study empirically investigates antecedents and consequences of clickbait prevalence through an exploratory study of WeChat in China.
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Yasir, Yasir. "Political Economy of Religious and Cultural Symbols in the Soap Opera of Tukang Bubur Naik Haji At RCTI." Al-Ulum 15, no. 1 (June 1, 2015): 157. http://dx.doi.org/10.30603/au.v15i1.220.

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Television is a very influential media and important tool in capital accumulation. This study aims to reveal the use of Islamic and Betawi ethnic symbols, workers, and also the audiences of Tukang Bubur Naik Haji (TBNH) soap opera at RCTI. This research used a political economy of communication perspective. The data were collected by using interview, observation, documentation, and literature study. The result shows that the religious symbols of Islam and Betawi culture have been exploited as comodity to be traded. Those symbols have been commercialized dan manipulated through the use of sensational, provocative, and hyperbole words or sentences to entertain audiences and to attract the advertisers. The hyper-comercialization and politicization of symbols caused the soap opera workers and Moslem audiences have been exploited.
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Mitchell, T. N. "The Leges Clodiae and Obnuntiatio." Classical Quarterly 36, no. 1 (May 1986): 172–76. http://dx.doi.org/10.1017/s0009838800010624.

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One of four laws passed by Clodius early in 58 b.c. in some way modified the regulations governing obnuntiatio, the right possessed by magistrates and augurs to obstruct proceedings of the popular assemblies through announcement of unfavourable omens. The precise nature of the change is obscured by the fact that our main source, Cicero, describes it, as he does all of Clodius' legislation, in hyperbolic and polemical terms, alleging that it wholly abolished the right of obnuntiatio, a claim contradicted by other evidence in his writings, which provide many examples of its continuing use. The later ancient sources repeat the substance of Cicero's main allegations and, accordingly, do little to help disentangle the facts from the hyperbole. Inadequate information about the earlier regulations relating to obnuntiatio, which were contained in two laws of the mid-second century, the Leges Aelia et Fufia, further hampers the search for the precise terms of Clodius' amendment.None of this, however, has discouraged speculation. The problem has exerted a peculiar fascination and has generated a succession of careful studies. Five main hypotheses have emerged: that the right of obnuntiatio was taken from curule magistrates; that it was taken from curule magistrates, but only in relation to legislative comitia; that it was taken from both curule magistrates and tribunes, but only in relation to legislative comitia; that it was abolished entirely, but soon restored by senatorial annulment of the reform; that it was left intact, but the assemblies were empowered to disallow it on any given occasion.
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Raflis, Raflis, and Juni Rahmat Zai. "Figurative Languages in William Shakespeare’s Poem: a Fairy Song, a Madrigal, Bridal Song, Dirge, and Sonnet 116." Jurnal Ilmiah Langue and Parole 2, no. 1 (December 30, 2018): 53–58. http://dx.doi.org/10.36057/jilp.v2i1.334.

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The problem in this thesis is figurative language in Shakespeare's poetry. The reason for choosing the figurative language in William Shakespeare's poetry is because all of his works contain many literary qualities, which are figurative and each of these poems has a beautiful story that is translated into a beautiful figurative form.The purpose of this study is to analyze types of figurative language, figurative language formulas, and figurative language functions in Shakespeare's poetry. In this writing, library research is taken as a data collection method. As for the data analysis method, the researcher describes literary work as a not-based structure that forms it as an internal factor of literature. Data collection techniques use documentation techniques to find data relevant to the research. In data analysis techniques, the author uses a formalist approach, all elements needed to understand the work contained in the work itself. The main purpose for formalist criticism is to determine how elements in Shakespeare's poetry work together with text content to form meaning to the reader.The findings in this thesis are: 1) figurative language in Shakespeare's poetry can be divided into simile, metaphor, hyperbole, personification, and repetition. Simile can be found in Madrigal poetry; Metaphorical figurative languages ​​can be found in four Shakespearean poems, A Fairy Song, Song Bridal, Dirge, and Sonnet 116; personification can be found in two poems Shakespeare, A Madrigal and Dirge; hyperbole can be seen A Fairy Song, Dirge, and Sonnet 116; and Repetition can be seen in three poems of Shakespeare, A Fairy Song, A Madrigal, and Dirge.
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Mazer, Sharon. "Donald Trump Shoots the Match." TDR/The Drama Review 62, no. 2 (June 2018): 175–200. http://dx.doi.org/10.1162/dram_a_00713.

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Over a decade after he faced off against WWE owner and quintessential heel Vince McMahon in WrestleMania’s “Battle of the Billionaires,” Donald J. Trump is President of the United States. Professional wrestling makes a show of American values. The bodies are huge (“yuge!”), the hyperbole is excessive, and kayfabe rules. Wrestling is about heat, not truth. It’s never a fair fight. The guy with the money decides who wins, who loses, and on what terms. The audience knows this and plays along regardless. These are the people who voted for Trump. This is their, and his, ethos—the unreal violence of the game now the all too real brutality of the new regime.
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Wardana, I. Ketut, Putu Sri Astuti, and Niluh Sukanadi. "THE CHARACTER EDUCATION BUILDING IN BALINESE FIGURATIVE SPEECH WITHIN ECO-CULTURAL SUSTAINABILITY." International Journal of Social Science 2, no. 2 (August 3, 2022): 1227–40. http://dx.doi.org/10.53625/ijss.v2i2.2129.

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Balinese literature reflects numerous philosophical and spiritual concepts to live in harmony within the social and natural environment. Instead of identifying and describing the types of figurative speech, this study determined whether the figure of speech in Balinese literature reflected the education formation within Eco-cultural sustainability. Through a qualitative approach Balinese simile, metaphor, analogy, and personification found in 51 stanzas written in 7 lines to 10 lines were collected by a note-taking technique to know the dominant use of the figure of speech, characteristics, and education values. Each expression was analyzed using content analysis. The findings revealed that Balinese literature under investigation was composed of 42% comparative figures, 36% contradictive figures, and 22% correlative figures. Simile and metaphor were mostly expressed in Sampik Ingtai and the contradictive figure including hyperbole and irony took the second place. However, the number of animals, nature, and plants used as comparative words-object are rare and nearly extinct. This study enhanced a model of Ecocultural pedagogy to actualize character education for students’ social care and respect for the environment. So, the figure of speech in Balinese literature plays a prominent role in developing students’ affective competence holistically to gain sustainable intelligence, skills, and human value.
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Wijayanto, Zainnur, and Kusmanto Kusmanto. "GEOMETRI ANALITIK BIDANG PADA KOORDINAT MIRING." Science Tech: Jurnal Ilmu Pengetahuan dan Teknologi 2, no. 2 (August 5, 2016): 42–50. http://dx.doi.org/10.30738/jst.v2i2.379.

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The aim of this study was to determine (1) the shape and properties of any of the lines in the coordinate oblique, (2) the shape and properties of any of the circles on the coordinate oblique, (3) the shape and properties of any of parabola in oblique coordinates, (4) the shape and properties of any of the ellipse in oblique coordinates, (5) the shape and properties of any of the hyperbole in oblique coordinates.The method to be used is a literature review to collaborate with existing theories.The results showed that the equation of the line through p1=(x1-y1) and  p2=(x2-y2) at oblique coordinate  a becomes = y-y1 =mr(x-x1) with mr=tan (180-a) B mr=(y2-y1)/(x2-x1)
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Ahmed, EMAN ABDEL AZIZ Ali. "A STUDY OF FIGURATIVE LANGUAGE IN PROVERBS, with special Reference to Simile, Metaphor, Personification, and Hyperbole." Egyptian Journal of English Language and Literature Studies 11, no. 1 (December 1, 2022): 35–62. http://dx.doi.org/10.21608/ejels.2022.285062.

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Marhamah, Marhamah. "FIGURATIVE LANGUAGE IN RIHANNA’S “SELECTED SONGS”." AICLL: ANNUAL INTERNATIONAL CONFERENCE ON LANGUAGE AND LITERATURE 1, no. 1 (April 17, 2018): 357–64. http://dx.doi.org/10.30743/aicll.v1i1.46.

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This research is concerned with the analysis of figurative language portrayed in Rihanna’s selected songs. Figurative language is a kind of literature that emphasize in connotation meaning than literary one. It is language that uses word or expression with a different meaning than literal interpretation. It can be found in literature and poetry where the writing appeals to the senses. It can do this by giving a word with a specific meaning, by comparing two things in such a way that it finds the comparison interesting or by using words that have unusual constructions or sounds.The objectives of the study are to identify the types of figurative language and to state how the figurative language is in Rihanna’s selected songs. Figurative language theory applied in this paper is proposed by Perrine (1969) stating that figurative languages are another way of adding extra dimension to language. The findings show that there are significant figurative language in Rihana’s selected songs: Hyperbole, Personification, Simile, Metaphor, Symbol, Repetition, Imagery, Alliteration, Metonymy, and Assonance.
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Ardiansyah, Nur Muhammad, and Vidya Mandarani. "An Analysis of Figurative Language Elements upon an American Short Story Entitled “The Monkey’s Paw." JEES (Journal of English Educators Society) 3, no. 1 (April 4, 2018): 13. http://dx.doi.org/10.21070/jees.v3i1.1326.

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This article describes the study of semantic in a specified domain of figurative language upon a selected work of American English literature, in form of short story written by the renowned writer and author, William Wymark Jacobs, entitled as ‘The Monkey’s Paw’. Several objectives are deduced by the researcher in quest of finding the forms of this figurative language within the passage. Briefly, figurative language itself is a feature of every languages, which emphasized the use of expression to symbolize a different meaning from the usual literal interpretation. In our analysis of ‘The Monkey’s Paw’, the varieties of figurative language: Metaphor, Personification, Hyperbole, Symbolism, also another terms used to represent unusual words construction or combination such as Onomatopoeia, Idiom, and even Imagery, are discussed in order in relation with true meaning discovery behind each figurative language properties.
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Mallory, Anne. "Burke, Boredom, and the Theater of Counterrevolution." Publications of the Modern Language Association of America 118, no. 2 (March 2003): 224–38. http://dx.doi.org/10.1632/003081203x67631.

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A rich critical literature explores the relation between Edmund Burke's theatrical style and his counterrevolutionary argument. Redirecting this line of inquiry, the essay treats Reflections on the Revolution in France (1790) as a histrionic literary performance, arguing that to appreciate its significance we must recover a neglected subtext: a preoccupation with boredom and restlessness. Burke's loyalties are divided: defending England, he counsels against extremes of torpor and excitement. He works to preserve England in a state of settled “repose,” yet his rhetoric reveals a baseline of boredom. Indulging in fantasies of reform and utopia and deploying strategies of tragic hyperbole and self-parody, he mobilizes conventional associations of boredom and revolution to negotiate a new position from which to exercise cultural authority. Textual histrionics do more than contain a revolutionary threat; they establish an alternative theater of boredom.
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Bowie, Katherine A. "Unraveling the Myth of the Subsistence Economy: Textile Production in Nineteenth-Century Northern Thailand." Journal of Asian Studies 51, no. 4 (November 1992): 797–823. http://dx.doi.org/10.2307/2059037.

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For decades, scholarship on the Thai peasantry has proceeded as if the history of the peasantry were known. Scholars have luxuriated in tourist-brochure images of primeval abundance, reiterating unchallenged the famous adage from the thirteenth-century stele of King Ramkhamhaeng, “There is fish in the water and rice in the fields.” Little hyperbole exists in Thadeus Flood's statement, “For the past century much Western imperialist scholarship and Thai royalist scholarship has sought to perpetuate the image of benign Thai royalty ruling over a happy, carefree, and subservient populace dwelling in a land of sunshine and smiles” (1975:55). For observers of modern Thai society, demonstrations by discontented peasants and assassinations of their leaders have destroyed the myth of a rustic paradise. Nonetheless, the theme of self-sufficiency continues to dominate the literature on Thai history.
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Anindyana, Ni Luh Yunda, and Made Henra Dwikarmawan Sudipa. "Majas Dalam Lirik Lagu Answer Karya Bump of Chicken: Kajian Stilistika." KIRYOKU 6, no. 2 (October 1, 2022): 144–51. http://dx.doi.org/10.14710/kiryoku.v6i2.144-151.

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This research discusses the figure of speech in the lyrics of the song Answer by Bump of Chicken. The data used is obtained from the lyrics of the song by Bump of Chicken with the title Answer. The purpose of this research is to analyze the figure of speech and meaning contained in the lyrics of the song Answer. The theory used in the research is the stylistic theory of Burhan Nurgiyantoro (2019). The method and technique of data collection used is the literature study method while the data collection technique uses listening and recording techniques. The data analysis method used is descriptive method with qualitative techniques. The method of presenting the results of data analysis uses informal methods. The result of this research is 1 hyperbole, 1 personification, 1 metaphor, 2 similes, 1 repetition, and 1 allegory.
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De Michele, Giustino. "Affirming a Weak Force: The Pious Vow of an Animal to Come?" Oxford Literary Review 40, no. 1 (July 2018): 55–75. http://dx.doi.org/10.3366/olr.2018.0238.

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The appearance, in 1967, of the name of Jacques Derrida on the scene of contemporary thought was indeed plural; given the number of books published under his signature in that year, but also, more intrinsically, because this appearance was declined under a contradictory aegis: since the beginning, the problem of writing had to struggle between ‘two interpretations of interpretation’, one affirmative, the other nostalgic, between a Nietzschean affirmation and a Rousseauist reverie. This internal debate carried on its labour, remarking itself much later at the surface of the page, according to more or less conscious protocols. This contribution retraces the terms of this conflict starting from two problems, if not words, where this conflict finds a very economical condensation: ‘pity’ and ‘weak force’, the problems of compassion for the living and of the hyperbole of political interpellation, in the short-circuit that takes shape between the ‘economy of pity’ (1967) and the ‘question of the animal’ (1997).
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Torres Cacoullos, Anna. "‘Salve, risueña mentira’: Cosmic Hyperbole, Confession and Historical Consciousness in Ramón del Valle-Inclán’s Sonata de invierno (1905)." Bulletin of Spanish Studies 96, no. 6 (June 3, 2019): 975–91. http://dx.doi.org/10.1080/14753820.2019.1613743.

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40

Connor. "When Hyperbole Enters Politics: What Can Be Learned From Antiquity and Our Hyperbolist-In-Chief." Arion: A Journal of Humanities and the Classics 26, no. 3 (2019): 15. http://dx.doi.org/10.2307/arion.26.3.0015.

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Kaplan, Caren. "Transporting the Subject: Technologies of Mobility and Location in an Era of Globalization." Publications of the Modern Language Association of America 117, no. 1 (January 2002): 32–42. http://dx.doi.org/10.1632/003081202x63492.

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At the turn of the twenty-first century, the rhetoric of cyberspace and information technologies relies heavily on a hyperbole of unlimited power through disembodied mobility. References to boundless space, unfettered mobility, and speedy transfers abound. In this heady environment, new technologies promise ever-increasing powers of transformation and transport—applied to information, business, and self—and the benefits of surveillance and tracking. More and more in this context, the concept of a person or of human beings appears to depend on the attenuated possibilities of cyberspace. If the heavy, even immovable, facts of embodied existence can be ameliorated or discharged through the creation of new identities on the Internet, for example, or through new collective personas or communities, then what or who counts as a person becomes transformed.
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Astutik, Novia, Dadang Danugiri, and Dian Hartati. "ANALISIS GAYA BAHASA PADA NOVEL JALAN PASTI BERUJUNG KARYA BENYARIS ADONIA PARDOSI DAN PEMANFAATANNYA SEBAGAI RENCANA PELAKSANAAN PEMBELAJARAN (RPP) DI SMA." Tunjuk Ajar: Jurnal Penelitian Ilmu Pendidikan 5, no. 1 (February 28, 2022): 78. http://dx.doi.org/10.31258/jta.v5i1.78-86.

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This study aims to describe the results of the analysis of language style in the novel Jalan Pasti Berujung by Benyaris Adonia Pardosi. The final result of this research is its use as lesson plan. This type of research is descriptive research with descriptive analysis method. Descriptive method of analysis is done by describing the facts which are then followed by analysis. The data of this research is in the from of text along with quotations related to language style. The data collection technique ysed is a literature study technique. From the results of the research, it can be concluded that the novel Jalan Pasti Berujung by Benyaris Adonia Pardosi contains figurative language which includes: a) Comparative language styles are metaphor, personification, allegory; b) Contradictions include hyperbole, paradox, irony, and sarcasm; c) There is a link between synecdoche, metonymy, and allusions; d) Repettition has chiasmus, anaphora, aand mesodilopsisi language style.
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Agyekum, Kofi. "The language of Akan herbal drug sellers and advertisers." Language and Dialogue 7, no. 3 (November 27, 2017): 360–86. http://dx.doi.org/10.1075/ld.7.3.04agy.

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Abstract This paper addresses the language and pragmatic strategies used by Akan herbal drug sellers to persuade would-be-buyers. It adopts the theoretical framework of Weigand’s Mixed Game Model (MGM) and defines persuasion as a variable of competence-in-performance, and language use as the basis of dialogic interaction. It investigates how sellers employ politeness, honorifics, humour, digression, personification, proverbs, metaphors and hyperbole in dialogic action games. The herbal drug sellers are grouped into three: (a) those normally plying on Ghana’s major roads and at bus stations, (b) those who are on radio and TV and (c) those who advertise on radio and TV. We will discuss excerpts of five recordings in the Akan language and translated into English.
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Ginsberg, Lauren Donovan. "VT ET HOSTEM AMAREM: JOCASTA AND THE POETICS OF CIVIL WAR IN SENECA'S PHOENISSAE." Ramus 46, no. 1-2 (December 2017): 58–74. http://dx.doi.org/10.1017/rmu.2017.5.

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Over the past two decades, scholars have devoted increasing attention to Roman civil war literature and its poetics, from the vocabulary of nefas, paradox, and hyperbole to the pervasive imagery of the state as a body violated by its citizens. Thebes and especially the civil war between Oedipus’ sons became prominent lenses through which Romans explored their country's strife-ridden past. Seneca's Phoenissae, however, has received comparatively little attention in this regard, often overshadowed by Statius’ epic Thebaid of the next generation. This paper investigates Seneca's contribution to the wider poetics of civil war through his expansion of the theme of incest, which Seneca uses to articulate civil war's most invasive, penetrative, and disintegrative effects. In particular, Seneca capitalizes on both the metaphorical potential of maternal violation and the eroticized imagery of Roman conquest to create disturbing points of contact between two generations of Jocasta's sons: the one who invaded her bed in the past, and the other who will soon invade his mother city. Seneca writes his Phoenissae to be an escalated return to the original sins of Oedipus’ incesta domus as another of Thebes’ native sons prepares to conquer his motherland.
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Salbiah, Rahma. "Gaya Bahasa dalam Puisi Aḥinnu ilá Khubzi Ummī Karya Mahmoud Darwish." Al-Ma‘rifah 19, no. 1 (April 30, 2022): 83–94. http://dx.doi.org/10.21009/almakrifah.19.01.07.

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Literature is an art mediated by language, while literary works are a product of imagination with the medium of language. A poem is a literary work that has a dense language of figures and symbols. Therefore, research is needed to analyse the meaning of a poem. One of the analyses of poem research is using stylistic analysis. The poem that is the object of this study is the poem Aḥinnu ilá Khubzi Ummī by Mahmoud Darwish. This poem describes the poet's longing for his mother, which is full of figurative language. This study aims to describe the various styles of language in the poem Aḥinnu ilá Khubzi Ummī by Mahmoud Darwish. The method used is a content analysis by describing the form of language style in Mahmoud Darwish’s poem. The results of this study indicate that the author uses several language styles in the poem, which include (1) hyperbole, (2) paradox, and (3) personification.
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Teixeira da Silva, Jaime Α. "A dangerous triangularization of conflicting values in academic publishing: ORCID, fake authors, and risks with the lack of criminalization of the creators of fake elements." Epistēmēs Metron Logos, no. 7 (October 17, 2021): 1. http://dx.doi.org/10.12681/eml.27238.

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The mainstream publishing establishment is under attack from multiple known and unknown forces. This is neither hyperbole nor fantasy. Many academics may believe that the main threat lies with “predatory” journals or publishers, but this is not necessarily the case because such entities are not always easy to distinguish clearly from veritable scholarly journals or publishers. Moreover, there is a gray zone that may involve both predatory and exploitative qualities. Current submission systems are not fail-safe because they allow unscholarly or fraudulent elements to register and abuse them, for example for submitting fake research or falsified peer reports, while author identification tools like ORCID are imperfect and provide a platform for similar-minded individuals to “validate” themselves. This toxic mix of tools aimed at fortifying integrity, while allowing fake authors to breed, currently without many, or any, ethical or legal repercussions will rapidly erode the entire publishing landscape if serious legal action is not taken. The creation of fake papers by fake authors will eventually trickle down into valid literature, by virtue of the fact that cited literature cannot be thoroughly vetted, even in peer review. The integrity of valid scholarly venues is thus at high risk unless suitable, strict and ethically and legally enforceable preventative measures are implemented.
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Anastasya Putri Aziza and Marudut Bernadtua Simanjuntak. "Analysis Figure of Speech and Theatrical Story In No Longer Human Novel by Osamu Dazai." International Journal of Education and Literature 1, no. 1 (April 22, 2022): 68–76. http://dx.doi.org/10.55606/ijel.v1i1.29.

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No Longer Human novel is a literature study that tells the life journey of a young man who lives in the real world. This story will be related to today's era, reflecting social criticism with the surrounding influences that make the most hypocritical living beings and easily lead to bad things. This novel, which tells the story of a young man's crisis, also has a psychological influence on the author in the process of making it. The process analysis, No Longer Human novel uses a qualitative descriptive method by collecting the data and processing it by reading the story thoroughly and analyzing the qualitative narrative. The results of the study represent the story of Oba Yozo's theatrical story and his regrets as well as the figure of speech used in Osamu Dazai's art, including (1) Idiomatic (2) Alliteration (3) Onomatopoeia (4) Personification (5) Simile (6) Metaphor (7) Hyperbole. Based on the analysis, it is found that the expression to beautify a literature study used by the author, the enrichment and disposition of the language used and the meaning of the story about fear and the harshness of the world make this Japanese novel in demand by connoisseurs of psychology or sociology genre novels.
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Sanni, Amidu. "THE HISTORIC ENCOUNTER BETWEEN AL-MUTANABBI AND AL-HATIMI ITS CONTRIBUTION TO THE DISCOURSE ON GHULUWW (HYPERBOLE) IN ARABIC LITERARY THEORY." Journal of Arabic Literature 35, no. 2 (August 1, 2004): 159–74. http://dx.doi.org/10.1163/1570064041527891.

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Kochanek, Piotr. "Ślady biblijnej, świętej Północy i antycznej Hyperborei w literaturze patrystycznej i średniowiecznej." Vox Patrum 81 (March 15, 2022): 31–64. http://dx.doi.org/10.31743/vp.12364.

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„Hyperborea” to pojęcie dobrze znane już badaczom starożytności. Porozmawiaj święta Północ biblijna, jako antyteza złowrogiej Północy Goga, jest dobrze do złaczom Biblii. Ten artykuł wyjścia za punkt wyjścia te dwie koncepcje. Jednak celem niniejszego artykułu jest skonfrontowanie biblijnej i antycznej wizji Północy z wybranymi źródymi patrystycznymi i średniowiecznymi. Chodzi o przedstawienie zmian w historycznym i geograficznym znaczeniu „Hyperborea”. Literatura grecka opisuje Hyperboreę jako raj leżący na najdalszych krańcach Północy. Pozornie ta wizja Północy się się być podobna do północnego raju w Biblii. Jednak literatura patrystyczna, która dobrze zna grecki mit o Hyperborejczykach, nie aplikuje żadnych dalszych analiz egzegetycznych. Hyperborea jest dla Ojców Kościoła „przedłużeniem” Scytii, a więc nie jest ona ona ani rajem, ani też idealną ziemią obiecaną. Jest ona odpowiedzią ekumeny i posiada wszystkie dobre i złe cechy terytorium, które zamieszkują zwykli ludzie. Hyperborea została przekształcona z greckiej krainy idealnej w historyczną, realnie wcześnie rzeczywistość. Nazwa ta wymagana jest podróżon do terytorium scytyjskiego, jak i do terenów leżących na północ od Scytii. Jednak rozwój horyzontu geograficznego przesuwał nieaktualne pojęcie „Hyperborea” coraz bardziej na północ. Linia tego horyzontu geograficznego wyznaczona w literaturze bizantyńskiej przez Teofanesa w VIII wieku i przez Nicefora Gregorasa w wieku XIV. Ten ostatni skazał na Ruś Moskiewską jako na leżącą na północnym-wschodzie chrześcijańską Hyperboreę. Taka sama linia geograficznego horyzontu w literaturze łacińskiej została bardzo delikatnie wskazana przez Adama z Bremy, który pisał o hyperborejskiej Skandynawii. Obok horyzontu geograficznego funkcjonował horyzontstricte literacki, gdzie dominował klasyczny topos, oparty na tekstach autorów klasycznych.
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Kayam, Orly. "Donald Trump’s rhetoric." Language and Dialogue 8, no. 2 (October 12, 2018): 183–208. http://dx.doi.org/10.1075/ld.00012.kay.

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Abstract The paper explores the rhetorical strategies Donald Trump employed during the 2016 U.S. presidential primary campaign. The study shows that Trump aimed at garnering public support by defining himself as an anti-politician or anti-political establishment candidate. His rhetorical strategies were aimed at building the depiction of his character as a successful businessman who came from outside the political realm to save America and restore it to its former greatness. He denounced the traditional rules of politics, avoided calculated, logical and politically correct utterances, and modeled himself as the only candidate who was fit for the presidency. The analysis reveals Trump’s prominent rhetorical strategies, and shows how each one of them fulfilled what I refer to as the ultimate “Anti-Political Rhetorical Strategy”, from an anti-politically correct strategy, which is by nature anti-political, to more common strategies such as negativity, simplicity, repetition and hyperbole.
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