Relevant bibliographies by topics / Hypertext fiction

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Hypertext fiction'

Author: Grafiati
Published: 4 June 2021
Last updated: 30 July 2024

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Journal articles on the topic "Hypertext fiction"

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Miller, Ludmila V., and Nina L. Fedotova. "MODEL OF TEACHING FOREIGN STUDENTS FOR THE PERCEPTION OF FICTION MEANINGS WITH THE USE OF EDUCATIONAL FICTION HYPERTEXT." Proceedings of Southern Federal University. Philology 27, no. 1 (2023): 118–30. http://dx.doi.org/10.18522/1995-0640-2023-1-118-130.

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The relevance of the study is due to the fact that in recent years human relation with information flows have changed. The thinking and perception of meanings, especially by the younger generation, also begin to change noticeably. In this regard, the communication of an individual with a literary text presented in digital format deserves more attention. The purpose of the study is to create a model of learning to read this type of text, taking into account the features of a literary hypertext, which will optimize the process of learning to read a literary text in a foreign language. As an exam
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Pope, James. "A Future for Hypertext Fiction." Convergence: The International Journal of Research into New Media Technologies 12, no. 4 (2006): 447–65. http://dx.doi.org/10.1177/1354856506068368.

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Brooker, Sam. "Is There an Author in This Labyrinth?" ACM SIGWEB Newsletter 2023, Winter (2022): 1–6. http://dx.doi.org/10.1145/3583849.3583852.

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In 2017 Professor of Literature John Farrell published The Varieties of Authorial Intention. Joining other dissenting voices past and present, this work addressed what the author considered a key tenet of mid- to late 20th century literary criticism: that reference to authorial intention is out of bounds, literary works being constituted by the text alone. Hypertext fiction has its own complex relationship with the notion of intention. From earlier entanglement in post-structuralist approaches to network textuality and the potential for readers to evade authors via branching narratives, hypert
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Mangen, Anne. "Hypertext fiction reading: haptics and immersion." Journal of Research in Reading 31, no. 4 (2008): 404–19. http://dx.doi.org/10.1111/j.1467-9817.2008.00380.x.

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Segal, E. "The Possible Worlds of Hypertext Fiction." Poetics Today 32, no. 3 (2011): 614–16. http://dx.doi.org/10.1215/03335372-1375225.

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Owen, M. "Illusions of Democracy in Hypertext Fiction." Genre 41, no. 3-4 (2008): 177–200. http://dx.doi.org/10.1215/00166928-41-3-4-177.

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Atzenbeck, Claus. "Interview with Mariusz Pisarski." ACM SIGWEB Newsletter 2024, Winter (2024): 1–5. http://dx.doi.org/10.1145/3643603.3643606.

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Dr Mariusz Pisarski is a hypertext scholar, translator, publisher, the chief editor of "Techsty"---a Polish journal on new media and literature. He teaches creative writing, hypertext, Twine and non-linear storytelling. His translation and media translation projects include Polish editions of Michael Joyce's hypertext fictions, poetry generator "Sea and Spar Between" by Stephanie Strickland and Nick Montfort and "Hegirascope" by Stuart Moulthrop. Recently he has created the online English edition of "Twilight. A Symphony" (2022) by Michael Joyce. His forthcoming publication is "The Challenges
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Joyce, Michael. "Nonce Upon Some Times: Rereading Hypertext Fiction." MFS Modern Fiction Studies 43, no. 3 (1997): 579–97. http://dx.doi.org/10.1353/mfs.1997.0061.

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Towle, Brendon, and Wolff Dobson. "A framework for coherent hypertext fiction (abstract)." ACM SIGWEB Newsletter 5, no. 2 (1996): 26. http://dx.doi.org/10.1145/231738.232603.

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Rustad, Hans K. "A Four-Sided Model for Reading Hypertext Fiction." Hyperrhiz: New Media Cultures, no. 6 (October 2009): 1. http://dx.doi.org/10.20415/hyp/006.e01.

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Dissertations / Theses on the topic "Hypertext fiction"

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Bell, Alice M. "The possible worlds of hypertext fiction." Thesis, University of Sheffield, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.434659.

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Burgess, Elizabeth. "Understanding interactive fictions as a continuum : reciprocity in experimental writing, hypertext fiction, and video games." Thesis, University of Manchester, 2015. https://www.research.manchester.ac.uk/portal/en/theses/understanding-interactive-fictions-as-a-continuum-reciprocity-in-experimental-writing-hypertext-fiction-and-video-games(5202be2d-db6d-4791-aa53-004072ffa4a7).html.

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This thesis examines key examples of materially experimental writing (B.S. Johnson’s The Unfortunates, Marc Saporta’s Composition No. 1, and Julio Cortázar’s Hopscotch), hypertext fiction (Geoff Ryman’s 253, in both the online and print versions), and video games (Catherine, L.A. Noire, The Elder Scrolls IV: Oblivion, and Phantasmagoria), and asks what new critical understanding of these ‘interactive’ texts, and their broader significance, can be developed by considering the examples as part of a textual continuum. Chapter one focuses on materially experimental writing as part of the textual c
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Brooker, Samuel. "The liberator's labyrinth : stand-alone, read-only hypertext fiction and the nature of authority in literary & hypertext theory." Thesis, King's College London (University of London), 2018. https://kclpure.kcl.ac.uk/portal/en/theses/the-liberators-labyrinth(28ebc99d-35a9-46c4-8f3f-705058a1afa5).html.

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Theorists as diverse as Roland Barthes, Wolfgang Iser, and Stanley Fish have identified interpretation (the meaning derived from a fictional work by a reader) as distinct from the intentions of the author. This dissertation explores a common claim made in the first wave of hypertext fiction criticism: that the existence of authored choices created greater levels of interpretative freedom for the reader than in cinematic, theatrical, or traditional print works. Drawing primarily on literary theory, but selectively supported by computer and information science scholarship, this poststructuralist
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Gardner, Colin Barry. "Versions of interactivity : a theoretical and empirical approach to the study of hypertext fiction." Thesis, University of Sheffield, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.246930.

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Hartley-Smith, Rachel L. "Cella : a journal for creative storytelling through digital mediums." Virtual Press, 2007. http://liblink.bsu.edu/uhtbin/catkey/1379434.

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To complete my final creative project in seeking a Master of Arts degree in Telecommunication: Digital Storytelling through Ball State University, I have created a "pilot" online journal in Macrojnedia Flash 8 for the display of various methods of creative storytelling through the digital medium (currently located at http://rlhartleysmi.iweb.bsu.edu/cella.swf). Here, 1 review the concepts employed as well as my intentions in creating such a journal. I detail the interior workings of the journal and the categories of digital work represented. I outline requirements for future submissions and fi
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Polk, Jonathan D. "Not just fun with typography : remediation of the digital in contemporary print fiction /." View online, 2009. http://ecommons.txstate.edu/engltad/16.

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Thesis (M.A.)--Texas State University--San Marcos, 2009.<br>Vita. Reproduction permission applies to print copy: Blanket permission granted per author to reproduce. Includes bibliographical references (leaves 67-68).
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Pope, James. "How do readers interact with hypertext fiction? : an empirical study of readers' reactions to interactive narratives." Thesis, Bournemouth University, 2007. http://eprints.bournemouth.ac.uk/10503/.

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Yu, Liangzhi. "The effect of information cues in a hypertext system on fiction reading activity of public library readers." Thesis, Loughborough University, 1996. https://dspace.lboro.ac.uk/2134/7315.

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The purpose of this research was to examine the effect of information cues, presented via a hypertext system, on the fiction reading activity of public library readers and the practical implications of the effect. A three-group post-test experimental design was applied for this purpose. The groups were formed from readers in two public libraries near the university by random assignment. The experimental treatments were three versions of a fiction searching and browsing system, differing in the complexity of information cues and the hypertext features. Data for the experiment were gathered by a
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Linnemann, Martina E. "From page to screen : placing hypertext fiction in an historical and contemporary context of print and electronic literary experiments." Thesis, University of Warwick, 1999. http://wrap.warwick.ac.uk/4422/.

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Only recently has our perception of the computer, now a familiar and ubiquitous element of everyday life, changed from seeing it as a mere tool to regarding it as a medium for creative expression. Computer technologies such as multimedia and hypertext applications have sparked an active critical debate not only about the future of the book format, ("the late age of print" {Bolter} is only one term used to describe the shift away from traditional print media to new forms of electronic communication) but also about the future of literature. Hypertext Fiction is the most prominent of proposed ele
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Magnuson, Markus Amalthea. "The Dig : De grafiska äventyrsspelen som flyktigt medium." Thesis, Stockholms universitet, Filmvetenskapliga institutionen, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-179044.

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Books on the topic "Hypertext fiction"

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Bell, Alice. The Possible Worlds of Hypertext Fiction. Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1057/9780230281288.

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Bell, Alice. The possible worlds of hypertext fiction. Palgrave Macmillan, 2010.

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Bell, Alice. The possible worlds of hypertext fiction. Palgrave Macmillan, 2010.

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Ciccoricco, David. Reading network fiction. University of Alabama Press, 2007.

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Yu, Chŏng-wŏn. Wep sosŏl t'amgu: Uri nŭn wae wep sosŏl e yŏlgwang hanŭn'ga. Chisik ŭi Nalgae, 2020.

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Yoo, Hyun-Joo. Text, Hypertext, Hypermedia: Ästhetische Möglichkeiten der digitalen Literatur mittels Intertextualität, Interaktivität und Intermedialität. Königshausen & Neumann, 2007.

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Mourão, José Augusto. Textualidade electrónica: Literatura e hiperficção. Vega, 2009.

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Datlow, Ellen. Digital domains: A decade of science fiction and fantasy. Prime Books, 2010.

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Gaggi, Silvio. From text to hypertext: Decentering the subject in fiction, film, the visual arts, and electronic media. University of Pennsylvania Press, 1997.

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Linnemann, Martina E. From page to screen: Placing hypertext fiction in an historical and contemporary context of print and electronic literary experiments. typescript, 1999.

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Book chapters on the topic "Hypertext fiction"

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Trimarco, Paola. "Hypertext Fiction." In Digital Textuality. Macmillan Education UK, 2015. http://dx.doi.org/10.1007/978-1-137-33497-8_7.

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Bell, Alice, and Astrid Ensslin. "Hyperlinks in Hypertext Fiction." In Reading Digital Fiction. Routledge, 2024. http://dx.doi.org/10.4324/9781003110194-3.

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Leslie, Christopher. "The End of Science Fiction." In From Hyperspace to Hypertext. Springer Nature Singapore, 2023. http://dx.doi.org/10.1007/978-981-99-2027-3_8.

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Leslie, Christopher. "Science Fiction and the University." In From Hyperspace to Hypertext. Springer Nature Singapore, 2023. http://dx.doi.org/10.1007/978-981-99-2027-3_9.

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Mitchell, Alex. "Using Theme to Author Hypertext Fiction." In Interactive Storytelling. Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-48279-8_41.

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Bell, Alice. "Introduction: The Universe of Hypertext Fiction." In The Possible Worlds of Hypertext Fiction. Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1057/9780230281288_1.

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Bell, Alice. "Theory: Hypertext Fiction and the Significance of Worlds." In The Possible Worlds of Hypertext Fiction. Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1057/9780230281288_2.

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Bell, Alice. "Communication, Contradictions and World Views in Michael Joyce’s afternoon: a story." In The Possible Worlds of Hypertext Fiction. Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1057/9780230281288_3.

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Bell, Alice. "Interrupting the Transmission: the Slippery Worlds of Stuart Moulthrop’s Victory Garden." In The Possible Worlds of Hypertext Fiction. Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1057/9780230281288_4.

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Bell, Alice. "Is there a Mary/Shelley in this World? Rewrites and Counterparts in Shelley Jackson’s (1995) Patchwork Girl." In The Possible Worlds of Hypertext Fiction. Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1057/9780230281288_5.

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Conference papers on the topic "Hypertext fiction"

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Mitchell, Alex, and Kevin McGee. "The HypeDyn hypertext fiction authoring tool." In the 2nd workshop. ACM Press, 2012. http://dx.doi.org/10.1145/2310076.2310081.

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Mitchell, Alex, and Kevin McGee. "The paradox of rereading in hypertext fiction." In the 23rd ACM conference. ACM Press, 2012. http://dx.doi.org/10.1145/2309996.2310014.

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Styles, Matthew G., Shin-Young Jung, Chihiro Eto, and Geoffrey M. Draper. "An approach to hypertext fiction for mobile devices." In the 2nd workshop. ACM Press, 2012. http://dx.doi.org/10.1145/2310076.2310078.

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Kearns, Edward. "Annotating and quantifying narrative time disruptions in modernist and hypertext fiction." In Proceedings of the First Joint Workshop on Narrative Understanding, Storylines, and Events. Association for Computational Linguistics, 2020. http://dx.doi.org/10.18653/v1/2020.nuse-1.9.

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Bouchardon, Serge. "The boundary between reality and fiction in hyperfictions for smartphone." In HT '23: 34th ACM Conference on Hypertext and Social Media. ACM, 2023. http://dx.doi.org/10.1145/3603163.3609081.

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Popovic, Tanja. "Milorad Pavic’s Khazar Dictionaryas a Postmodern Comment on theHagiography of Saints Cyril and Methodius." In Tenth Rome Cyril-Methodian Readings. Indrik, 2020. http://dx.doi.org/10.31168/91674-576-4.24.

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Thеаim of this paper is to investigate the relationship between the texts of the Hagiography of Saint Cyril (Konstantin Philosopher) and the M. Pavich’s novel “Khazar Dictionary”. The focuses of this research are intertextuality (hypertext / hypothesis) and metatextuality (auto-referential comments), the philosophy of fi ction, the principle of complementarity and possible worlds. Erasing the boundaries between fiction and faction create a special kind of literary discourse, new semantic and formative functions of the text.
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Reports on the topic "Hypertext fiction"

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STROYKOV, S., and I. NIKITINA. THE CURRENT STATE OF THE PROBLEM OF HYPERTEXT IN LINGUISTIC LITERATURE. Science and Innovation Center Publishing House, 2022. http://dx.doi.org/10.12731/2077-1770-2022-14-2-3-50-73.

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In this paper it’s the first time the authors have reviewed linguistic literature (2008-2022) devoted to the problem of literary and electronic hypertext. The purpose of the paper is to review linguistic literature and identify the current state of the problem of literary and electronic hypertext. Materials and methods. On the basis of this purpose we reviewed 42 scientific papers published in 2008-2022 and representing the results of linguistic research of literary and electronic hypertext. For our study we used an analytical and descriptive method, which is traditional for linguistics and al
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TARAKANOVA, V., A. ROMANENKO, and T. TROITSKAYA. FACTORS AND RISKS OF ENVIRONMENTAL SAFETY OF THE CITIES OF THE MOSCOW REGION. Science and Innovation Center Publishing House, 2022. http://dx.doi.org/10.12731/2077-1770-2022-14-2-2-19-29.

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In this paper it’s the first time the authors have reviewed linguistic literature (2008-2022) devoted to the problem of literary and electronic hypertext. The purpose of the paper is to review linguistic literature and identify the current state of the problem of literary and electronic hypertext. Materials and methods. On the basis of this purpose we reviewed 42 scientific papers published in 2008-2022 and representing the results of linguistic research of literary and electronic hypertext. For our study we used an analytical and descriptive method, which is traditional for linguistics and al
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