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Relevant bibliographies by topics / Hypocrisy in fiction

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Academic literature on the topic 'Hypocrisy in fiction'

Author: Grafiati

Published: 4 June 2021

Last updated: 16 February 2022

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Journal articles on the topic "Hypocrisy in fiction"

1

Murtha, Mary Van Tassel, and Kenneth Marc Harris. "Hypocrisy and Self-Deception in Hawthorne's Fiction." American Literature 61, no. 2 (May 1989): 294. http://dx.doi.org/10.2307/2926710.

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Gollin, Rita K., and Kenneth Marc Harris. "Hypocrisy and Self-Deception in Hawthorne's Fiction." New England Quarterly 62, no. 1 (March 1989): 143. http://dx.doi.org/10.2307/366223.

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3

Pilditch, Jan. "Hypocrisy and Self-Deception in Hawthorne's Fiction (review)." Philosophy and Literature 13, no. 2 (1989): 413–14. http://dx.doi.org/10.1353/phl.1989.0020.

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Gura, Philip F. ": Hypocrisy and Self-Deception in Hawthorne's Fiction. . Kenneth Marc Harris." Nineteenth-Century Literature 44, no. 1 (June 1989): 101–4. http://dx.doi.org/10.1525/ncl.1989.44.1.99p02207.

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Dillingham, William B. "Hypocrisy and Self-Deception in Hawthorne’s Fiction by Kenneth Marc Harris." Studies in American Fiction 17, no. 2 (1989): 244–46. http://dx.doi.org/10.1353/saf.1989.0029.

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Sharma, Devika. "Kritik på delagtighedens betingelser. Om at være et problem." K&K - Kultur og Klasse 44, no. 122 (December 31, 2016): 263–92. http://dx.doi.org/10.7146/kok.v44i122.25056.

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In this article, I discuss the issue of critique under conditions of complicity. Complicity and privilege might be said, in some sense, always to be conditions of possibility for critical discourse. But the complicity, I consider here, is not of this general or abstract, conceptual kind. Rather, I examine a critical genre – critique under conditions of complicity – in which the critical subject is both complicit in and privileged by the system, he or she is nevertheless attempting a critique of. I discuss three rather different examples of critique under conditions of complicity: A literary genre that I term ‘hypocrite fiction’, French anti-imperialism represented by Jean-Paul Sartre, and Critical Whiteness Studies. What these three critical positions share is, most importantly, their distaste of a global system of which they are themselves beneficiaries. Each of these three discourses thus respond in its own way to the systemic inequality and injustice caused by specific configurations of capitalism, imperialism, and racism, respectively. I argue that the experience of complicity, guilt, and hypocrisy recorded in these critical discourses are forms of moral-existential and critical thinking. I also suggest that the cultural, intellectual, public, and academic discourses that register complicity do not overall testify to the withering of critique.

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Massie, Pascal. "Masks and the Space of Play." Research in Phenomenology 48, no. 1 (February 19, 2018): 119–46. http://dx.doi.org/10.1163/15691640-12341387.

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Abstract Masks are devices and symbols. In the first instance, they are artifacts that allow opposite poles to take each other’s place. They split the world into appearance and reality, manifest and repressed, sacred and profane. In this sense, they are dualistic. But by so doing they invert these terms. In this sense, they are dialectical. In the second instance, they exemplify doubt about people’s identities and the veracity of their words; they denote duplicity, inauthenticity, and hypocrisy. The conjunction of these two senses resides in the fact that masks are at the threshold between reality and fiction. Such a threshold makes possible the emergence of a space of play which asserts that the world does not express a determinate and final order but is infinitely open to the emergence of new, yet transient, forms of self-organization and open new spatiotemporal worlds.

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Reynolds, David S. "Deformance, Performativity, Posthumanism." Nineteenth-Century Literature 70, no. 1 (June 1, 2015): 36–64. http://dx.doi.org/10.1525/ncl.2015.70.1.36.

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David S. Reynolds, “Deformance, Performativity, Posthumanism: The Subversive Style and Radical Politics of George Lippard’s The Quaker City” (pp. 36–64) The most interesting American example of the genre known as city-mysteries fiction, George Lippard’s The Quaker City (1844–45), while rich in characters, stymies the novelistic stability conventionally provided by the struggles of heroes against villains in the mystery genre. Lippard’s style thus gets foregrounded as the locus of morality and politics, displaying an acerbic, presurrealistic edge. The current essay surveys linguistic and generic deformations (alinear narrative, irony and parody, bizarre tropes, performativity, and periperformativity) and biological and material deformations (posthuman images, including animals, objects, sonic effects, and vibrant matter) in The Quaker City to suggest how Lippard stylistically reinforces his goal of satirizing literary and social conventions and of exposing what he regards as hypocrisy and corruption on the part of America’s ruling class.

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9

Muhlestein, Daniel. "Marilynne Robinson, Wallace Stevens, and Louis Althusser in the Post/Secular Wilderness: Generosity, Jérémiade, and the Aesthetic Effect." Humanities 9, no. 2 (April 7, 2020): 30. http://dx.doi.org/10.3390/h9020030.

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In Restless Secularism (2017), Matthew Mutter points out that Wallace Stevens described three related techniques that could be used to attempt to purge secular life of its religious residue: adaptation, substitution, and elimination. Marilynne Robinson pushes back against such secularizing strategies by employing three related techniques of her own: negotiation, grafting, and invitation. She does so to attempt to bridge the gap between religious and humanistic perspectives and—in the process—mounts a spirited defense of religious faith and practice. Robinson uses a fourth technique as well: jérémiade. In its usual sacred form, jérémiade is a lamentation that denounces self-righteousness, religious hypocrisy, and social injustice. Much of what Robinson says about the Christian Right is essentially jérémiade. Robinson’s critique of parascientists is jérémiade as well, although its grounding assumptions are secular rather than sacred. While Robinson’s jérémiades against the Christian Right and against parascientists are effective in isolation, in aggregate they sometimes undercut her more generous and inclusive attempts at negotiation, grafting, and invitation. This may be because Robinson’s essays do not undergo the moderating influence of what Louis Althusser called the aesthetic effect of art, which in Housekeeping (1980), Gilead (2004), Home (2008), and Lila (2014) helps counterbalance the flashes of anger and tendencies toward judgement that periodically surface elsewhere in Robinson’s work. Taking into account the presence—or absence—of the aesthetic effect in Robinson’s work helps explain the sometimes startling differences between Robinson’s fiction and nonfiction and helps provides a new perspective from which to rethink two of the most influential postsecular readings of Robinson’s work to date: Amy Hungerford’s Postmodern Belief (2010) and Christopher Douglas’s If God Meant to Interfere (2016).

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10

Roychoudhary, Dr Mausumi. "‘Marriage: Freedom or Subjugation’: A Case Study of Paro’s Dreams by Namita Gokhale." SMART MOVES JOURNAL IJELLH 8, no. 5 (May 28, 2020): 125. http://dx.doi.org/10.24113/ijellh.v8i5.10589.

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The present paper searches to present a modest study of the novel of Namita Gokhale. It can be truly said that Namita Gokhale introduced herself to the world of English Literature through the novel Paro: dreams of passion and got recognition and appreciation as the best seller, as she realistically projected the elite class of Delhi. Her novel made her the talk of the town. It also aims at the exploration of the versatile personality of the author. Namita Gokhale is a world renowned Indian author and novelist known for her works in English language. She is a founder-director of the Jaipur Literature Festival along with the author, William Dalrymple, which started in 2006. Her writings often show a mixture of cultures expressed through the use of various languages. She has received numerous awards for her works. She is the author of several acclaimed novels like Paro - Dreams of Passion, Priya: In Incredible Indyaa, Gods, Graves and Grandmother, A Himalayan Love Story and Shakuntala: The Play of Memory. Her works of non-fiction include Mountain Echoes and The Book of Shiva. Her writings are unique and contributed a lot to Indian writing in English. The novel Paro: Dreams of Passion, created a stir by its frankness in the early 80s, and pioneered the sexually frank genre, which made her famous. It deals with the satire of Delhi’s upper class. Gokhale through her bold women characters talks about such society where woman is not free to lead her life in her own style. She depicts the double standard treatment for male and female, upper and lower class and the hypocrisy of the society. Therefore, Gokhale is known as woman activist and feminine writer. Her novel Paro: Dreams of Passion also deals with the same issues as it talks about the discriminations and identity crisis faced by women in society. She believes in frank narration of incidents and open heartedness. Particularly, the novel has portrayed the urge, necessity and consequences of freedom if not taken care. In a nutshell the novel is about women’s dream, emancipation and their struggle for existence.

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Dissertations / Theses on the topic "Hypocrisy in fiction"

1

Dobozy, Tamas. "Towards a definition of dirty realism." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp02/NQ56533.pdf.

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Duport, Michelle. "De l’usage de l’altérité dans le management des ressources humaines : entre hétérologie et homologie dans les EIE en Chine." Thesis, Montpellier 3, 2010. http://www.theses.fr/2010MON30062.

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Cette recherche porte sur l’usage de l’altérité par le management des ressources humaines(MRH) dans les filiales de groupes multinationaux implantées en Chine. Elle s’intéresseautant à l’usage discursif de la prise en compte de l’Autre qu’à son effectivité. Elle recherchele sens des pratiques de management à partir d’entretiens menés sur six années entre 2005 et2010. La réflexion est complétée par une approche historique et des regards disciplinairescroisés sur les modes d’organisation des entreprises en Europe et en Amérique du Nordd’une part et en Chine d’autre part. Les résultats de l’analyse mettent en évidence les incohérences observées dans les pratiques de gestion : entre l’approche discursive sur l’altérité et la création d’une culture-fiction sur laChine, entre l’idéologie affichée d’un management interculturel éthique soucieux des différences culturelles et des pratiques de MRH élitistes et discriminatoires, entre un modèle de management universaliste exporté par les sièges et des organisations parallèles qui s’accompagnent de stratégies de dissimulation mises en place par les filiales, entreomniscience des sièges et volonté d’autonomie des filiales. La question centrale est celle des incohérences : sont-elles inhérentes au management ? La thèse montre une refondation possible du modèle managérial occidental par la confrontation des cultures
This research concerns the use of alterity by Human Resources Management (HRM) in subsidiaries of multinational groups implanted in China. It is as interested in the discursive use of consideration of others as in its effectiveness. It looks for a sense of management practices from interviews carried out over six years between 2005 and 2010, and is completedby an historic approach and crossed disciplinary scrutiny of organization patterns of companies in Europe and in North America on the one hand and in China on the other hand. The results of these analysis bring certain incoherencies, observed in management practices, to light: between the discursive approach on alterity and the creation of a fictional cultureabout China; between the ideology displayed by an ethical and cross-cultural management worried about cultural differences and elitist, discriminatory MRH practices; between a model of universalist management imposed by headquarters and parallel organizations which carry with them dissimulation strategies organized by subsidiaries; and between the omniscience of headquarter and the desire of autonomy from subsidiaries. The main questionis the one of incoherencies: are they inherent to management? The thesis shows a possible refondation of a Western management model through this confrontation of cultures

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Books on the topic "Hypocrisy in fiction"

1

Nanda, Ravi. Hypocrisy. New Delhi, India: Lancers Books, 1991.

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Hypocrisy and self-deception in Hawthorne's fiction. Charlottesville: University Press of Virginia, 1988.

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Bashford, H. H. Augustus Carp, Esq., by himself: Being the autobiography of a really good man. London: Folio Society, 1988.

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Augustus Carp, Esq., by himself: Being the autobiography of a really good man. Harmondsworth, Middlesex, England: Penguin, 1987.

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5

Dobychin, Leonid. Gorod Ėn. Daugavpils: "Saule", 2007.

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6

The trap. Minneapolis, Minn: Bethany House Publishers, 1998.

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Dangerous skies. New York: Farrar, Straus, and Giroux, 1996.

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Staples, Suzanne Fisher. Dangerous skies. New York, NY: HarperTrophy, 1998.

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Junquera, Rafael. Don Julián echa su gato a retozar. México, D.F: Nueva Imagen, 2004.

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Dobychin, Leonid. The town of N. Evanston, Ill: Northwestern University Press, 1998.

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Book chapters on the topic "Hypocrisy in fiction"

1

"4. Bentham and the Utility of Fiction." In Political Hypocrisy, 116–41. Princeton: Princeton University Press, 2018. http://dx.doi.org/10.23943/9781400889662-007.

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"4. Bentham and the Utility of Fiction." In Political Hypocrisy, 116–41. Princeton: Princeton University Press, 2009. http://dx.doi.org/10.1515/9781400828197.116.

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"4. Bentham and the Utility of Fiction." In Political Hypocrisy, 116–41. Princeton University Press, 2018. http://dx.doi.org/10.1515/9781400889662-007.

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Hall, Jon. "From Polite Fictions to Hypocrisy." In Politeness and Politics in Cicero's Letters, 78–106. Oxford University Press, 2009. http://dx.doi.org/10.1093/acprof:oso/9780195329063.003.0003.

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