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Books on the topic 'Hypocrisy in fiction'

Author: Grafiati
Published: 4 June 2021
Last updated: 16 February 2022

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1

Nanda, Ravi. Hypocrisy. New Delhi, India: Lancers Books, 1991.

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2

Hypocrisy and self-deception in Hawthorne's fiction. Charlottesville: University Press of Virginia, 1988.

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3

Bashford, H. H. Augustus Carp, Esq., by himself: Being the autobiography of a really good man. London: Folio Society, 1988.

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4

Augustus Carp, Esq., by himself: Being the autobiography of a really good man. Harmondsworth, Middlesex, England: Penguin, 1987.

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5

Dobychin, Leonid. Gorod Ėn. Daugavpils: "Saule", 2007.

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6

The trap. Minneapolis, Minn: Bethany House Publishers, 1998.

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7

Dangerous skies. New York: Farrar, Straus, and Giroux, 1996.

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8

Staples, Suzanne Fisher. Dangerous skies. New York, NY: HarperTrophy, 1998.

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9

Junquera, Rafael. Don Julián echa su gato a retozar. México, D.F: Nueva Imagen, 2004.

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10

Dobychin, Leonid. The town of N. Evanston, Ill: Northwestern University Press, 1998.

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11

Storm. London: Red Fox, 1999.

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12

Jahnecke, Ursula. Heuchelei und Selbsttäuschung bei Dickens, Meredith und Murdoch. Witterschlick/Bonn: M. Wehle, 1990.

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13

Singminji ŭi chŏkchadŭl: Chosŏnjŏgin kŏt kwa Hanʾguk kŭndaesa ŭi kulchŏldoen imyŏndŭl. Sŏul-si: Pʻurŭn Yŏksa, 2005.

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14

Dickens, Charles. Martin Chuzzlewit. Oxford: Oxford University Press, 2009.

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15

Dickens, Charles. Martin Chuzzlewit. London: Penguin, 1994.

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16

Dickens, Charles. Martin Chuzzlewit. Ware: Wordsworth, 1994.

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17

Dickens, Charles. The life and adventures of Martin Chuzzlewit. London: Folio Society, 1988.

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18

Dickens, Charles. Martin Chuzzlewit. London: Vintage Classic, 2010.

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19

Dickens, Charles. Martin Chuzzlewit. Oxford: Oxford University Press, 2009.

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20

Dickens, Charles. Martin Chuzzlewit. New York: A.A. Knopf, 1994.

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21

Dickens, Charles. The life and adventures of Martin Chuzzlewit. New York: Oxford University Press, 1987.

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22

Dickens, Charles. Martin Chuzzlewit. Oxford: Oxford University Press, 1994.

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23

Dickens, Charles. Martin Chuzzlewit. Ware: Wordsworth Classics, 1994.

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24

Brett, R. Hypocrisy. Virtualbookworm.com Publishing, Incorporated, 2013.

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25

Howarth, Bashford Henry. Augustus Carp, Esq.: By Himself: Being the Autobiography of a Really Good Man. Penguin (Non-Classics), 1988.

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26

Howarth, Bashford Henry. Augustus Carp, Esq.: By Himself: Being the Autobiography of a Really Good Man. Penguin (Non-Classics), 1988.

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27

Dangerous Skies. Farrar, Straus and Giroux (BYR), 2006.

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28

Storm. Jonathan Cape, 1998.

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29

Milbank, Alison. Cain’s Castles. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198824466.003.0002.

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In Chapter 1, the Reformation is presented as the paradigmatic site of Gothic escape: the evil monastery can be traced back to Wycliffe’s ‘Cain’s castles’ and the fictional abbey ruin to the Dissolution. Central Gothic tropes are shown to have their origin in this period: the Gothic heroine is compared to the female martyrs of Foxe’s Acts and Monuments; the usurper figure is linked to the papal Antichrist; and the element of continuation and the establishment of the true heir is related to Reformation historiography, which needs to prove that the Protestant Church is in continuity with early Christianity—this crisis of legitimacy is repeated in the Glorious Revolution. Lastly, Gothic uncovering of hypocrisy is allied to the revelation of Catholicism as idolatry. The Faerie Queene is interpreted as a mode of Protestant Gothic and Spenser’s Una provides an allegorical gesture of melancholic distance, which will be rendered productive in later Gothic fiction.
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30

Ezell, Margaret J. M. 1659–1660. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198183112.003.0007.

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An overview of events following the death of Oliver Cromwell and the return of Charles II and his court from the Continent. Although John Milton continued to write urging the preservation of the Commonwealth, public opinion, as seen in the diaries of John Evelyn and Samuel Pepys, led the army to invite the return of the royal family. The literary response to Cromwell’s death which depicted him as a heroic general and leader of the Commonwealth soon changed to celebration of the royal family and the hypocrisy of Puritan rule. The theatres were reopened and two companies were granted patents; influenced by French theatres, companies now included professional women actors. The demand for new plays offered opportunities for writers. Fiction dealt with contemporary issues, using romance conventions to satirize.
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31

Filban, Lori Peach. Confessions of a Hypocrite. NF Publishing, 2007.

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32

Wolff, Nathan. Not Quite Hope and Other Political Emotions in the Gilded Age. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198831693.001.0001.

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Not Quite Hope and Other Political Emotions in the Gilded Age argues that late-nineteenth-century US fiction grapples with and helps to conceptualize the disagreeable feelings that are both a threat to citizens’ agency and an inescapable part of the emotional life of democracy—then as now. In detailing the corruption and venality for which the period remains known, authors including Mark Twain, Harriet Beecher Stowe, Henry Adams, and Helen Hunt Jackson evoked the depressing inefficacy of reform, the lunatic passions of the mob, and the revolting appetites of lobbyists and office seekers. Readers and critics of these Washington novels, historical romances, and satirical romans à clef have denounced their fiercely negative tone, seeing it as a sign of cynicism and elitism. This book argues, in contrast, that their distrust of politics is coupled with an intense investment in it—not quite apathy, but not quite hope. Chapters examine both common and idiosyncratic forms of political emotion, including “crazy love,” disgust, “election fatigue,” and the myriad feelings of hatred and suspicion provoked by the figure of the hypocrite. In so doing, the book corrects critics’ too-narrow focus on “sympathy” as the American novel’s model political emotion. We think of reform novels as fostering feeling for fellow citizens or for specific causes. Not Quite Hope argues that Gilded Age fiction refocuses attention on the unstable emotions that shape our relation to politics as such.
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33

The Life and Adventures of Martin Chuzzlewit. E-Classics, 2003.

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34

Vida y aventuras de Martin Chuzzlewit. Alba, 2017.

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35

Life and Adventures of Martin Chuzzlewit. IndyPublish.com, 2003.

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36

Dickens, Charles. Martin Chuzzlewit (New Oxford Illustrated Dickens). Oxford University Press, USA, 1987.

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37

Dickens, Charles, and Chronology by Stephen Wall Edited with an Introduction and Notes by Patricia Ingham. The Life and Adventures of Martin Chuzzlewit. E-Classics, 2003.

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38

Dickens, Charles. Martin Chuzzlewit: Parts 1 & 2 (Classic Books on Cassettes Collection). Audio Book Contractors, Inc., 1991.

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39

Holder, Nancy. Martin Chuzzlewit. Quiet Vision, 1999.

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40

(Editor), Margaret Cardwell, ed. Martin Chuzzlewit (Oxford World's Classics). Oxford University Press, USA, 1998.

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41

Dickens, Charles. Martin Chuzzlewit (Everyman Paperback Classics). Everymans Library, 1994.

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42

Dickens, Charles. Martin Chuzzlewit (Ultimate Classics). New Millennium Audio, 2001.

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43

Martin Chuzzlewit. Chatham: Fictionwise, Inc., 2004.

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44

Dickens, Charles. Martin Chuzzlewit (Wordsworth Classics) (Wordsworth Collection). Wordsworth Editions Ltd, 1998.

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45

Dickens, Charles. Life and Adventures of Martin Chuzzlewit. IndyPublish.com, 2003.

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46

Dickens, Charles. Martin Chuzzlewit. Naxos AudioBooks, 2010.

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47

Martin Chuzzlewit. Audio Literature, 1994.

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48

Dickens, Charles. Martin Chuzzlewit. Turtleback Books Distributed by Demco Media, 2003.

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49

Dickens, Charles. Martin Chuzzlewit (Everyman's Library Classics). Everyman's Library, 1994.

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50

Dickens, Charles. Martin Chuzzlewit. Heinemann (Txt), 1991.

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