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Dissertations / Theses on the topic 'Hysteria – History'

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1

Kalbfleisch, Elizabeth. "Making history, picturing hysteria, archaeology, ficto-criticism, and the critical history of Nicole Jolicoeur's La vérite folle." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape2/PQDD_0016/MQ54347.pdf.

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2

Wirth, Madeleine M. "A Content Analysis of How the Language Used by Medical Professionals Influenced the Diagnosis of Hysteria in Women from 1870 to 1930." Walsh University Honors Theses / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=walshhonors1523995018507643.

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3

Kurcgant, Daniela. "Uma visão histórico-crítica do conceito de crise não-epiléptica psicogênica." Universidade de São Paulo, 2010. http://www.teses.usp.br/teses/disponiveis/5/5137/tde-21062010-173758/.

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As crises não-epilépticas são definidas como crises, ataques ou acessos recorrentes que podem ser confundidos com epilepsia, devido à semelhança das manifestações comportamentais existentes entre ambas, mas difere da crise epiléptica por não ser conseqüente de descargas elétricas cerebrais anormais. Podem ter origem fisiogênica ou psicogênica. Os diagnósticos psiquiátricos que mais freqüentemente apresentam-se sob a forma de crises não-epilépticas psicogênicas são o transtorno conversivo e o transtorno de somatização. Na prática clínica, a diferenciação entre crises epilépticas e crises não-ep
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4

Heath, Joanne Margaret. "Bodies, gazes and images between hysteria and modernism : tracing the maternal in the case history of 'Frau Emmy von N' and in selected paintings by Suzanne Valadon." Thesis, University of Leeds, 2011. http://etheses.whiterose.ac.uk/5227/.

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This thesis is structured around the dual scenarios of doctor/patient and artist/model. Having analysed the underlying politics of class and gender that structured the relationship between doctor and patient, and between artist and model, at the fin-de-siecle, it goes on to examine how these relations were transformed by two developments: the emergence of psychoanalysis in relation to hysteria, and the growing involvement of women as artists in the field of modernist painting. Its key research questions fall, therefore, upon identifying a historical method for understanding the impact of women
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5

Rheeder, Elle-Sandrah. "Pathologies of vision : representations of deviant women and the cyborg body." Thesis, Rhodes University, 2015. http://hdl.handle.net/10962/d1020319.

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This thesis investigates the figure of the cyborg as conceptualised by Donna Haraway in The Cyborg Manifesto (1991). The figure of the cyborg, as a transgressive figure in the late twentieth century within socialist feminist discourse, is problematized with regard to its efficacy as a creature that challenges the constructed nature of gender and contests the boundary between human and machine through its ambiguous nature. Haraway’s notions of the cyborg, which she bases partly on cyborg characters from Science Fiction literature, deny the ocularcentric traditions that have structured gender an
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6

Schmidt, Eder. "Charcot e a Escola da Salpêtrière: a afirmação de uma histeria neurológica." Universidade Federal de Juiz de Fora (UFJF), 2017. https://repositorio.ufjf.br/jspui/handle/ufjf/6075.

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Submitted by Geandra Rodrigues (geandrar@gmail.com) on 2018-01-11T10:44:55Z No. of bitstreams: 1 ederschmidt.pdf: 1289167 bytes, checksum: 940c0a29647adcf0becbe8b6d86e2e69 (MD5)<br>Approved for entry into archive by Adriana Oliveira (adriana.oliveira@ufjf.edu.br) on 2018-01-23T13:11:52Z (GMT) No. of bitstreams: 1 ederschmidt.pdf: 1289167 bytes, checksum: 940c0a29647adcf0becbe8b6d86e2e69 (MD5)<br>Made available in DSpace on 2018-01-23T13:11:52Z (GMT). No. of bitstreams: 1 ederschmidt.pdf: 1289167 bytes, checksum: 940c0a29647adcf0becbe8b6d86e2e69 (MD5) Previous issue date: 2017-10-30<br>Na lit
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7

Wolf, Erin Irene. "A Thesis is Not a Diary and Other Myths." Oberlin College Honors Theses / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=oberlin1565810728861941.

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8

GANGLOFF, LAURENT. "Hysterie et institutions : histoire et actualite." Lille 2, 1993. http://www.theses.fr/1993LIL2M092.

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9

Pinheiro, HerÃclito AragÃo. "O Fantasma no Castelo do Materialismo: Uma HistÃria do Inconsciente Freudiano." Universidade Federal do CearÃ, 2009. http://www.teses.ufc.br/tde_busca/arquivo.php?codArquivo=4267.

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nÃo hÃ<br>Esta dissertaÃÃo tem por objetivo compreender o percurso de Freud em sua elaboraÃÃo da noÃÃo de inconsciente, perceber de que maneira ele chega atà essa noÃÃo crucial para a fundaÃÃo do saber psicanalÃtico. Para alcanÃar esse objetivo decidi abordar os modelos e os referentes de Freud. Os principais achados com relaÃÃo aos modelos que tiveram maior peso em sua elaboraÃÃo do inconsciente foram sua clÃnica com as histÃricas, bem como seu confronto com as idÃias vigentes sobre essa afecÃÃo, seu contato com a hipnose e a interlocuÃÃo que estabeleceu com Charcot, Breuer e Flies. E os prin
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10

Reeher, Jennifer M. "“The Despair of the Physician”: Centering Patient Narrative through the Writings of Charlotte Perkins Gilman." Ohio University / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1523435451243392.

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11

Van, Praet Eric. "Parcours de l'hystérie." Montpellier 1, 1990. http://www.theses.fr/1990MON11013.

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12

Lejosne-Guigon, Renaud. "Rimbaud, Laforgue. Une poétique de la folie." Thesis, Sorbonne Paris Cité, 2017. http://www.theses.fr/2017USPCA172.

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Cette thèse examine l’œuvre poétique de Rimbaud et de Laforgue du point de vue de la catégorie de « folie ». La notion de folie a très souvent été mobilisée dans la première réception de tout un pan de la poésie écrite dans le dernier tiers du XIXe siècle, pour étiqueter des textes considérés comme illisibles. À tel point qu’avec ses corollaires d’époques (manie, névrose, dégénérescence, hystérie), elle est devenue un véritable paradigme de lecture du texte poétique. La folie est envisagée ici non pas seulement dans sa définition médicale, mais aussi comme objet hybride, construit par une mult
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13

Ronningen, Kari. "Trois cas d'hysterie litteraire d'henrik ibsen : rosmersholm (1886), la dame de la mer (1888), hedda gabler (1890)." Université Louis Pasteur (Strasbourg) (1971-2008), 1991. http://www.theses.fr/1991STR1M031.

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14

Bonin-Livet, Déborah. "Salomé dans la France musicale au début du XXe siècle. Approche comparative de La Tragédie de Salomé de Florent Schmitt et de Salomé d’Antoine Mariotte." Thesis, Paris 4, 2011. http://www.theses.fr/2011PA040019.

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L’histoire biblique de Salomé est un vaste sujet qui passionne artistes et écrivains depuis longtemps. En musique, il semble toutefois plus présent au début du XXe siècle. L’œuvre testamentaire sur le sujet demeure encore aujourd’hui l’opéra de Richard Strauss, créé à Dresde en 1905. Pourtant, maints compositeurs vont également traiter la légende qui met en cause Salomé à la même époque, dont notamment Florent Schmitt, avec son ballet La Tragédie de Salomé et Antoine Mariotte qui s’inspirera, tout comme Strauss, de la pièce théâtrale éponyme d’Oscar Wilde pour écrire son opéra.Considérant la d
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15

JUBAULT, RICHARD. "L'hysterie chez charles dickens." Rennes 1, 1992. http://www.theses.fr/1992REN1M098.

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16

PINHEIRO, Heráclito Aragão. "O fantasma no castelo do materialismo: uma história do inconsciente Freudiano." http://www.teses.ufc.br, 2009. http://www.repositorio.ufc.br/handle/riufc/2230.

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PINHEIRO , Heráclito Aragão. O fantasma no castelo do materialismo: uma história do inconsciente Freudiano. 2009. 91 f. Dissertação (Mestrado em Psicologia) – Universidade Federal do Ceará, Departamento de Psicologia, Programa de Pós-Graduação em Psicologia, Fortaleza-CE, 2009.<br>Submitted by moises gomes (celtinha_malvado@hotmail.com) on 2012-01-17T12:22:11Z No. of bitstreams: 1 2009_dis_HAPinheiro.PDF: 1002277 bytes, checksum: 98f8aa06827023a320f586b7fffbfdaf (MD5)<br>Approved for entry into archive by Maria Josineide Góis(josineide@ufc.br) on 2012-03-08T12:15:30Z (GMT) No. of bitstreams: 1
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17

Bohmer, Mônica Gonçalves. "Uma noção de dor nos estudos sobre a histeria de Sigmund Freud." Pontifícia Universidade Católica de São Paulo, 2008. https://tede2.pucsp.br/handle/handle/13400.

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Made available in DSpace on 2016-04-28T14:16:35Z (GMT). No. of bitstreams: 1 Monica Goncalves Bohmer.pdf: 366047 bytes, checksum: a17489d4c4c43ef7d0abcec370075e80 (MD5) Previous issue date: 2008-10-10<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>In this research, we have investigated the way of thinking of Sigmund Freud about pain, based on Studies in Hysteria, published in 1895. This work aproaches histery specifically, and has a grantee source for studying the proposed theme, as one of the major sympthoms in hysterical patients was some kind of pain. The painful sympth
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18

Rasheed, Ali Suad. "Economics Of Carbon Dioxide Sequestration In A Mature Oil Field." Master's thesis, METU, 2008. http://etd.lib.metu.edu.tr/upload/12610177/index.pdf.

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To meet the goal of atmospheric stabilization of carbon dioxide (CO2 ) levels a technological transformation should occur in the energy sector. One strategy to achieve this is carbon sequestration. Carbon dioxide can be captured from industrial sources and sequestered underground into depleted oil and gas reservoirs. CO2 injected into geological formations, such as mature oil reservoirs can be effectively trapped by hydrodynamical (structural), solution, residual (capillary) and mineral trapping methods. In this work, a case study was conducted using CMG-STARS software for CO2 sequestration
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19

Samé, Emmanuel. "La question du père et du fils dans l'autofiction (S. Doubrosky, A. Robbe-Grillet, H. Guibert)." Phd thesis, Université de Bourgogne, 2012. http://tel.archives-ouvertes.fr/tel-00687656.

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A travers Fils de S. Doubrovsky, Le Miroir qui revient d'A. Robbe-Grillet et A l'ami qui ne m'a pas sauvé la vie d'H. Guibert, notre étude abordera par une approche psychanalytique le fantasme à l'oeuvre dans l'autofiction. Reprenant la formule d'A. Robbe-Grillet sans toutefois nous imputer le propos, notre réflexion s'articulera autour de deux axes rendant compte du discours autofictionnel. Dans un premier temps, l'autobiographe est appréhendé dans cette pente à " faire sa propre statue ". Dans un second temps, l'autofictionnaliste y oppose cette volonté à " se projeter hors de soi ". Peu à p
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20

Kalbfleisch, Elizabeth. "Making history, picturing hysteria : archaeology, ficto-criticism, and the critical history of Nicole Jolicoeur's La vérité folle." Thesis, 2000. http://spectrum.library.concordia.ca/1230/1/MQ54347.pdf.

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For two decades, the work of Montréal artist Nicole Jolicoeur has been centred around medical photographs documenting the hysterical patients of Dr. Jean-Martin Charcot at the Salpêtrière hospital in late nineteenth century France. Jolicoeur's work is explored in the context of the constructed nature of both hysteria as an illness and the photograph for adeptly representing reality. Through her work, Jolicoeur performs a Foucauldian archaeology as she researches and re-assembles a visual history of hysteria. Using historical photographs, she proposes a new and critical history of hysteria t
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21

Eskew, Kelly R. "Hysteria on the Hardwood: A Narrative History of Community, Race, and Indiana's "Basketbrawl" Tradition." Thesis, 2012. http://hdl.handle.net/1805/3040.

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Indiana University-Purdue University Indianapolis (IUPUI)<br>In 1964, Muncie Central High School got the “death penalty” at the hands of the Indiana High School Athletic Association’s (IHSAA) new commissioner, Phil N. Eskew, after post-game brawling at a boys basketball game led to a broader investigation of the entire program. In the closing moments of the game, a Muncie Central opponent was bloodied by an inbound pass to the face and fans erupted in violence, swarming the floor. The ensuing investigation revealed racial tensions, issues of sexual mores, political discord, and deep problems
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22

Bonin, Déborah. "Salomé dans la France musicale au début du XXe siècle. Approche comparative de La Tragédie de Salomé de Florent Schmitt et de Salomé d’Antoine Mariotte." Thesis, 2011. http://www.theses.fr/2011PA040019.

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Abstract:
L’histoire biblique de Salomé est un vaste sujet qui passionne artistes et écrivains depuis longtemps. En musique, il semble toutefois plus présent au début du XXe siècle. L’œuvre testamentaire sur le sujet demeure encore aujourd’hui l’opéra de Richard Strauss, créé à Dresde en 1905. Pourtant, maints compositeurs vont également traiter la légende qui met en cause Salomé à la même époque, dont notamment Florent Schmitt, avec son ballet La Tragédie de Salomé et Antoine Mariotte qui s’inspirera, tout comme Strauss, de la pièce théâtrale éponyme d’Oscar Wilde pour écrire son opéra.Considérant la d
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23

CHEN, JIA-SHIN, and 陳嘉新. "History of Hysterical Stigmata: from Charcot to Freud." Thesis, 2004. http://ndltd.ncl.edu.tw/handle/57622174681724129336.

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