Relevant bibliographies by topics / Hysteria in literature

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Hysteria in literature'

Author: Grafiati
Published: 4 June 2021
Last updated: 29 July 2024

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Journal articles on the topic "Hysteria in literature"

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Reich, Marlene. "Sprechende Körper: Somatische und semiotische Spuren der Hysterie in T. S. Eliots „Hysteria“." arcadia 52, no. 2 (October 30, 2017): 361–77. http://dx.doi.org/10.1515/arcadia-2017-0026.

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AbstractT. S. Eliot’s rarely discussed prose-poem “Hysteria” poses a riddle insofar as its title’s reference remains ambiguous: Both the male and female protagonist may be the locus of hysteria’s disturbing presence, as well as the text itself. This article tries to unravel the hysterical knot by taking recourse to psychoanalytic theory and elucidating the dichotomies manifest in “Hysteria,” in form as well as in content. The prose-poem is characterized by a divide between mind and body, male and female, symbolic and semiotic. Instead of complying with this disjunction and attributing the signs of hysteria to either side of the dichotomy, I suggest situating the origin of hysteria beyond it. Since hysteria’s characteristic is transgression and role-play, it may not be confined to one pole of a binary, to the man or the woman, body or mind, but always already transcends these binary structures. Indeed, as a social malady par excellence, I believe hysteria arises out of the void at the base of the male and female protagonist’s relationship and is thus a jointly produced and somatically encoded sign of distress.
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Ng, Zhao. "Of Beasts Blond and Damned." Twentieth-Century Literature 66, no. 1 (March 1, 2020): 79–102. http://dx.doi.org/10.1215/0041462x-8196718.

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This essay engages in a critique of soteriological desire, alongside its corporeal and affective correlates, mobilized in different ways in German fascism of the thirties and Djuna Barnes’s 1936 novel, Nightwood. In contrasting the “fascist body” with the “hysterical body,” I seek to account for the psychic logic co-implicating narcissism and fascist eschatology in order to dissociate it from the expressive enactment of hysteria in Nightwood’s Doctor O’Connor and, in so doing, to offer a revisionary account of the novel’s political unconscious. Both narcissism and hysteria bind the subject to the figure of the sovereign in a soteriological relation. However, where the narcissist disavows the lack internal to his constitution in the identification with his idol, the hysteric, though placed in the field of the sovereign’s desire, ultimately foregrounds the failure of the redemptive promise encoded in this relation.
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Abed, Maha Yasir, and Lajiman Bin Janoory. "Approaching Hysteria and Abjection through Freudian Reading of Toni Morrison’s Paradise." International Journal of Applied Linguistics and English Literature 7, no. 6 (November 1, 2018): 153. http://dx.doi.org/10.7575/aiac.ijalel.v.7n.6p.153.

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This paper examines the representation of hysteria in Toni Morrison’s Paradise. The study will mainly focus on the psychological traits of the female protagonists. Such traits provide amble instance of the influence of hysteria on the protagonists’ conscious behavior. For this reason, the primary conceptual formwork will be psychoanalysis. Accordingly, Sigmund Freud’s concept of hysteria will be applied to interpret the hysteric symptoms which result from harmful sexual experiences like rape, molestation and violation in a male dominated society. In this regard, the protagonist’s suffering from hysteric symptoms, like fear, silence, nightmare, and many other symptoms are going to be scrutinized in order to identify the influence of hysteria on the protagonist’s reaction. Freud asserts that sexual experience or molestation that occur within childhood is the main source of hysteria which appear later. Thus, this paper will illustrate the causes that lead the protagonist to be hysteric from Freudian perspective and emergence of self- actualization to gain subjectivity and independence.
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Dakić, Mirela. "Analiza fragmenta: književnost, histerija, biseksualnost." Umjetnost riječi: časopis za znanost o književnosti, izvedbenoj umjetnosti i filmu 65, no. 1-2 (2021): 51–72. http://dx.doi.org/10.22210/ur.2021.065.1_2/03.

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A b s t r a c t AN ANALYSIS OF FRAGMENT: LITERATURE, HYSTERIA, BISEXUALITY The essay starts with Freud’s Fragment of an Analysis of a Case of Hysteria, relating its discordant lines of argumentation with the psychoanalytic concept of (bi)sexuality, as it was developed from Studies on Hysteria to Three Essays on the Theory of Sexuality, the latter of which was published in same year as the “Dora case”. We consider the aspects in which Freud’s contradictory analysis of the case becomes central to the feminist debate on hysteria in Hélène Cixous’s and Catherine Clément’s classic The Newly Born Woman. The analysis points to the constitutive relation of the authors’ disagreement on hysteria and different conceptions of literature and politics presented in their study and the subsequent polemical discussions. We further approach the dissent about the political and methodological framework of feminist criticism in the Anglo-American reception of the French authors, wherein gynocritics Elaine Showalter and Sandra M. Gilbert renounce the question of hysteria. Alternatively, deconstructive critical reading by Peggy Kamuf is grounded in Derrida’s approach to literature. Kamuf traces the main misunderstandings in Cixous’s reception, by interpreting her oeuvre as emblematic of so-called semi-theory and semi-politics, trying to deconstruct oppositions between a theoretical, political, and poetical text. Through the lens of semi-theory, the relation between Cixous’s semi-concept of a woman, as a reference without a referent, and the psychoanalytic understanding of bisexuality and hysteria, has far-reaching consequences on the reading of psychoanalytic text as literary and hysterical, as it compulsively repeats the very fragmentary pattern it tries to interpret. Keywords: hysteria, literature, feminist criticism, bisexuality, politics
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Albert, Noémi. "The Hysteric Belongs to Me: Helen Oyeyemi’s The Opposite House." Eger Journal of English Studies 20 (2020): 45–63. http://dx.doi.org/10.33035/egerjes.2020.20.45.

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The term hysteria has undergone several substantial changes throughout its history. A charged concept, deemed for a long time as pejorative and offensive to womanhood, it has lately been re-appropriated for literature under the concept of the “hysterical narrative.” This new trend purports to redeem hysteria and, together with it, redeem the feminine and show all its complexity. Helen Oyeyemi’s 2007 novel, The Opposite House, conflates the private and the public in two female characters, one human, the other divine. Through this double perspective the work self-reflexively re-evaluates hysteria both in the self and in the community.
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Shalev, Arieh, and Hanan Munitz. "Conversion Without Hysteria: A Case Report and Review of the Literature." British Journal of Psychiatry 148, no. 2 (February 1986): 198–203. http://dx.doi.org/10.1192/bjp.148.2.198.

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The term ‘conversion’ implies a correlation between conversion symptoms, hysteria, and hysterical personality. A clinical case of conversion related to chronic post-traumatic disorder, with paranoid features, was successfully treated by anti-psychotic drugs; it illustrates the non-specific nature of conversion symptoms. Mechanic's concept of ‘illness behaviour’ is a frame-work that meets the need for a broader understanding of conversion symptoms.
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Alanazi, Maha S. "Examining the Impact of the Advancements in Nineteenth Century Neuroscience on Drama: An Analysis of Jean-Martin Charcot’s Stages of Female Hysteria in August Strindberg’s Miss Julie." Theory and Practice in Language Studies 13, no. 9 (September 1, 2023): 2347–55. http://dx.doi.org/10.17507/tpls.1309.22.

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This study examines the depiction of female hysteria in August Strindberg's "Miss Julie" by analyzing its historical development, Julie's characterization, and the influence of neuroscience on the portrayal of mental illness in literature and drama. Utilizing a descriptive method, it investigates Julie's character and the impact of Charcot's theory on the stages of grand hysteria on her portrayal. The analysis is based on a close reading of the play, relevant literature on Charcot's research, and secondary sources to understand the relationship between neuroscience and the arts in the 19th century. A qualitative research design is employed to explore Charcot's research's impact on literature and drama. The study reveals that Strindberg's "Miss Julie" shows a clear influence of Charcot's stages of grand hysteria, with Julie being a good example of a hysterical woman. The complex portrayal of mental illness in the play highlights the impact of social and cultural factors on its depiction. The findings suggest that scientific discoveries, like Charcot's work on female hysteria, significantly impacted mental illness portrayals in books and plays, revealing the complex relationship between scientific progress and cultural perceptions of mental health. The study recommends further exploration of other pre-Freudian theories to gain a more comprehensive understanding of Strindberg's works and their portrayal of mental illness. In conclusion, the study emphasizes the importance of understanding the historical and cultural context of the portrayal of mental illness in literature and drama.
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Nayar, Ravi C., Sanjay R. Zanak, and Sahar M. Ahmed. "Hysterical Stridor: A Report of Two Cases." Ear, Nose & Throat Journal 82, no. 1 (January 2003): 46–48. http://dx.doi.org/10.1177/014556130308200114.

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Stridor as an initial symptom of a conversion reaction (hysteria) is rare. We report cases of hysterical stridor in two older women, unrelated and unacquainted, from the same rural community in Oman. Once the diagnosis was made, both patients were successfully treated with a single dose of an anxiolytic. We also review the literature on hysterical stridor and discuss the diagnostic dilemmas and therapeutic options.
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Stefańska, Alena, Ewelina Dziwota, Marcin Stefański, Alicja Nasiłowska-Barud, and Marcin Olajossy. "Modern faces of hysteria, or some of the dissociative disorders." Current Problems of Psychiatry 17, no. 3 (September 1, 2016): 214–25. http://dx.doi.org/10.1515/cpp-2016-0022.

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AbstractThe concept of “hysteria” comes from the Greek word “hystera” (uterus) and dates back to the time of Hippocrates, at least. Modern classifications differ regarding the area encompassed by the concepts of dissociation and conversion differ. Mental health professionals in the United States (DSM-5) use a standard classification of mental disorders codifying dissociative disorders as a distinct class of disorders, but subsumes conversion disorders under “somatoform disorders”. The history of hysteria is as long as the history of mankind. Apparently, both the essence and mechanisms of dissociative disorders remain unchanged despite the fact that many years have passed. According to Owczarek et al., dissociative symptoms are caused by the malfunctioning of defence mechanisms and anxiety. This article provides an overview of the available literature on the etiology and pathogenesis of dissociative disorders as well as disorders such as amnesia, dissociative fugue, trance and possession.
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Parker, Emma. "A New Hystery: History and Hysteria in Toni Morrison's "Beloved"." Twentieth Century Literature 47, no. 1 (2001): 1. http://dx.doi.org/10.2307/827854.

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Dissertations / Theses on the topic "Hysteria in literature"

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Brennan, Karen Morley. "Hysteria and the scene of feminine representation." Diss., The University of Arizona, 1990. http://hdl.handle.net/10150/185047.

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In the sense that women have been hystericized by male theories about femininity, Freudian psychoanalysis has functioned as an institution which seeks women's silence. Hysteria is the dis-ease of this silence; that is to say, it is a set of eloquent symptoms--a "writing" on the body--which signify women's oppression/repression. It is within this apparent contradiction that feminine representation takes place. The figure for such representation is, therefore, hysteria: working "in the gaps," "between the lines," telling the story of patriarchy only to disrupt this story, Frida Kahlo, Anais Nin, and Kathy Acker create feminine fictions. Kahlo's autobiographical painting is inextricable from her obsession with husband Diego Rivera, just as Nin's erotica is inextricable from her relationship with Henry Miller. Likewise, Acker's postmodern production is entangled in the androcentric agenda which attempts to recuperate patriarchy by appropriating the figure of Woman. The "engine" of transference/counter-transference becomes the most viable description of the hysterical process these women employ to represent themselves. The epilogue contains original fictions which extend comment on both hysteria and feminine representation.
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Stoddart, Helen. "Constructions of gender and hysteria in the modern Gothic." Thesis, University of Reading, 1991. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.306859.

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Wooler, Stephanie. "Performance Anxiety: Hysteria and the Actress in French Literature 1880-1910." Thesis, Harvard University, 2012. http://dissertations.umi.com/gsas.harvard:10246.

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My dissertation uses close readings of four texts dealing with the actress, spanning the naturalist novel (Zola’s Nana, 1880, and Edmond de Goncourt’s La Faustin, 1882), autobiography (Sarah Bernhardt’s Ma double vie, 1907) and autobiographical fiction (Colette’s La Vagabonde, 1910), in order to examine late nineteenth-century representations (and self-representations) of the actress in relation to the discourse of hysteria. I argue that in late nineteenth and early twentieth-century France, pathology and performance came together in the stereotype of the hysterical actress. In the wake of the French Revolution, and the subsequent political upheavals of the nineteenth century along with the emergence of a consumer capitalist society, \(fin-de-si\grave{e}cle\) society was living a moment of particular anxiety. This anxiety found a focal point in the hystericised figure of \(la com\acute{e}dienne\), who came to embody a threatening blurring of gender and class distinctions. Actresses were pathologised in a discursive gesture which sought to identify and contain the threat which they were seen to pose, and which seemed to offer an objective narrative which re-established boundaries and identities. The discourse of hysteria, however, was by no means as secure or monolithic as it might seem. I argue that the discourse of hysteria is underpinned by a fundamental performativity which has the potential to be profoundly subversive. By examining different modalities of response to the phenomenon of the hystericisation of the actress, I show how in both male and female-authored texts the discourse of pathology is undermined and reappropriated in a way which foreshadows twentieth-century feminist theories.
Romance Languages and Literatures
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Fordham, Finn William Montague. "'Languishing hysteria The clou historique?' : Lucia Joyce in 'Finnegans Wake'." Thesis, Birkbeck (University of London), 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.263602.

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Mahbobah, Albaraq Abdul. "Discourse of resistance: Reading hysteria in Hardy, James, Dickens, and modern anorexia." Diss., The University of Arizona, 1994. http://hdl.handle.net/10150/186672.

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Discourse of Resistance explores the representation of the mad woman in Nineteenth Century literary texts by such authors as Charles Dickens, Thomas Hardy, Henry James, and in modern Freudian psychoanalysis. Generally, in those representations, the figure of the mad woman appears as the outsider to a representational system which fails in representing her: her madness reveals the limits of the logical systems that govern representation; her language shows the failure of the censor; and her body mocks the codes of medicine and hygiene. In Henry James' The Turn of the Screw, Charles Dickens' Little Dorrit, and Thomas Hardy's Tess of the d'Urbervilles, Hysteria appears as a textual space which marks both the representational system's attempt at containing the female subject and her resistance to it. The Anorexia essay extends the scope of the study by analyzing the limits of the psychoanalytic representation of the women who suffer from this disease. In effect, each specific case studied reveals the representational systems' attempt to repression and containment, an attempt which only succeeds to a certain extent.
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Daly, Claire. "Constructing Difference: An Examination of Madness and Hysteria as Tools to Subjugate Women in Literature." Scholarship @ Claremont, 2017. http://scholarship.claremont.edu/scripps_theses/923.

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This thesis examines the constructions of madness and hysteria as diagnoses used to subjugate the protagonists in Bessie Head’s A Question of Power and Kate Chopin’s The Awakening. In juxtaposing these texts, themes including “lone womanhood” surface to identify both protagonists’ means for liberation from patriarchal and colonialist oppression. While for Edna of The Awakening, liberation from the hysteria diagnosis comes through bodily sovereignty, A Question of Power’s Elizabeth is freed from the madness rendering by reclaiming her mental interiority.
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Jackson, Laura Ann. "Representations of the hysteric in contemporary women's writing in French." Thesis, Queen Mary, University of London, 2014. http://qmro.qmul.ac.uk/xmlui/handle/123456789/8944.

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This thesis explores how the celebratory figure of the hysteric as imagined by proponents of écriture féminine is developed and complicated in more recent representations of hysterical female bodies in contemporary women’s writing in French. With the aim of understanding the evolution of the hysteric from a traditionally negative embodiment of patriarchal parameters of femininity to a potentially revolutionary female figure, this thesis undertakes single-chapter studies of the most telling contemporary representations of hysterical bodies. The first chapter focuses on the physicality of Lorette Nobécourt’s writing in La Démangeaison (1994) and La Conversation (1998), and argues that the abject subject matter of the former coupled with the innovative and experimental form and style of the latter constitutes an almost physical performance of ‘madness’. The second chapter focuses on Marie Darrieussecq’s Truismes (1996) and argues that Darrieussecq’s hybrid narrator harnesses the anti-establishment carnival force of the hysteric in a shifting and grotesque body which forms the epitome of all that threatens order. The final two chapters focus on anorexia as a contemporary equivalence of Victorian hysteria. The first of these deals with Petite (1994) by Geneviève Brisac and Thornytorinx (2005) by Camille de Peretti and examines how these writers recreate the fragmentation of the anorexic self through a realist, performative ‘rhetoric of anorexia’. The second deals with Amélie Nothomb’s Robert des noms propres (2002), Biographie de la faim (2004) and Métaphysique des tubes (2000), and argues that Nothomb privileges a disembodied aesthetic that presents a masculine fantasy of the female body which all but erases the feminine. Ultimately, this thesis seeks to discover how and why selected contemporary female authors choose to engage with – and reject – 1970s models in which writing by women was presented as a means of finding one’s own voice, as well as a platform for politically significant action. It argues that new configurations of the hysteric nevertheless achieve a certain social and political impact.
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Borossa, Julia. "Hysteria, discourse and narrative : Freud's early case histories of women in context." Thesis, McGill University, 1988. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=61919.

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DuCharme, Rose. "Mad Love and Narrative Uncertainty in the Twentieth Century: A Study of the Good Soldier and Le Ravissement de Lol V. Stein." Scholarship @ Claremont, 2014. http://scholarship.claremont.edu/scripps_theses/415.

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This thesis examines narrative uncertainty in the twentieth century novel as it relates to madness, adultery, and the convention of the unreliable narrator. The unreliable narratives of Ford Madox Ford’s The Good Soldier and Marguerite Duras’ Le Ravissement de Lol V. Stein expose their characters’ investment in illusions, the doubling of the narrators’ and readers’ desires to interpret, the transfer of madness through narrative, and the possibility that a void of meaning underlies the text.
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Brundan, Katherine. "Mysterious women : memory, madness, and trauma in the nineteenth-century sensation narrative /." view abstract or download file of text, 2006. http://proquest.umi.com/pqdweb?did=1192179961&sid=4&Fmt=2&clientId=11238&RQT=309&VName=PQD.

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Thesis (Ph. D.)--University of Oregon, 2006.
Typescript. Includes vita and abstract. Includes bibliographical references (leaves 204-216). Also available for download via the World Wide Web; free to University of Oregon users.
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Books on the topic "Hysteria in literature"

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Lassalle, Andrea. Bruchstück und Portrait: Hysterie-Lektüren mit Freud und Cixous. Würzburg: Königshausen & Neumann, 2005.

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Kronberger, Silvia. Die unerhörten Töchter: Fräulein Else und Elektra und die gesellschaftliche Funktion der Hysterie. Innsbruck: StudienVerlag, 2002.

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Matlock, Jann. Scenes of seduction: Prostitution, hysteria, and reading difference in nineteenth-century France. New York: Columbia University Press, 1994.

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Mayr, Daniela F. Der Riss der Geschlechter: MaDonna, der Diskurs, die Hysterie, und Hölderlin. Wien: Passagen, 1996.

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Alison, Fell, ed. Serious hysterics. London: Serpent's Tail, 1992.

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Ana, Pano Alamán, ed. L' hystérie de la Belgité: L'hystérie dans la littérature belge de langue française de la fin du 19. au début du 20. siècle. Bologna: CLUEB, 2003.

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Rey-Flaud, Henri. L' éloge du rien: Pourquoi l'obsessionnel et le pervers échouent là où l'hystérique réussit. Paris: Seuil, 1996.

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Richard, Faber. Erbschaft jener Zeit: Zu Ernst Bloch und Hermann Broch. Würzburg: Königshausen und Neumann, 1989.

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Giraud, Barbara. L'héroïne goncourtienne: Entre hystérie et dissidence. Oxford: Peter Lang, 2009.

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Švrljuga, Željka. Hysteria and melancholy as literary style in the works of Charlotte Perkins Gilman, Kate Chopin, Zelda Fitzgerald, and Djuna Barnes. Lewiston, NY: Edwin Mellen Press, 2011.

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Book chapters on the topic "Hysteria in literature"

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Parkin-Gounelas, Ruth. "The Subject of Hysteria." In Literature and Psychoanalysis, 131–62. London: Macmillan Education UK, 2001. http://dx.doi.org/10.1007/978-1-137-13362-5_6.

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Finn, Michael R. "Retrospective Medicine, Hypnosis, Hysteria and French Literature, 1875–1895." In Framing and Imagining Disease in Cultural History, 173–89. London: Palgrave Macmillan UK, 2003. http://dx.doi.org/10.1057/9780230524323_8.

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Randolph, Robert E. "Wanderlust, Hysteria, and Insurrection: (Re)presenting the “Beloved” Sweet Home Men." In Presenting Oprah Winfrey, Her Films, and African American Literature, 105–25. New York: Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137282460_5.

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Noble, Charles. "Behind Master Mind up on Time Misprisoners Once Escape Literature." In The Hysterical Male, 49–54. London: Macmillan Education UK, 1991. http://dx.doi.org/10.1007/978-1-349-12532-6_4.

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Gödde, Günter. "Freud, Sigmund / Breuer, Josef: Studien über Hysterie." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_22991-1.

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Rowland, Susan. "Feminist Ethical Reading Strategies in Michéle Roberts’s In the Red Kitchen: Hysterical Reading and Making Theory Hysterical." In The Ethics in Literature, 169–83. London: Palgrave Macmillan UK, 1999. http://dx.doi.org/10.1007/978-1-349-27361-4_11.

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Lindhoff, Lena. "Dekonstruktive Hysterie oder Die Entrückung der ‘Frau’ in die Texte der Männer." In Literatur und Leben, 164–96. Stuttgart: J.B. Metzler, 1996. http://dx.doi.org/10.1007/978-3-476-04250-7_9.

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Schönauer, Sonja. "Eustathios von Thessalonikē: Eustathiu tu Thessalonikēs syngraphē tēs eithe hysteras kat' autēn halōseōs." In Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_7816-1.

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Roof, Judith. "Hysteria." In The Bloomsbury Handbook to Literature and Psychoanalysis. Bloomsbury Academic, 2023. http://dx.doi.org/10.5040/9781350184183.ch-022.

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Tambling, Jeremy. "Freud, Lacan: hysteria, paranoia, psychosis." In Literature and Psychoanalysis, 120–46. Manchester University Press, 2012. http://dx.doi.org/10.7228/manchester/9780719086731.003.0007.

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Conference papers on the topic "Hysteria in literature"

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Zendehbad, Mohsen, Mohammad S. Saidi, and Mahdi Sani. "Effects of Geometric Hystersis in Lung Deformation on Irreversibility in Trajectories of Fine Inhaled Particles." In ASME 2010 10th Biennial Conference on Engineering Systems Design and Analysis. ASMEDC, 2010. http://dx.doi.org/10.1115/esda2010-25116.

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In order to perform the drug delivery via lung, tracking the trajectories of fine inhaled particles in the acinar airways is of high importance. The causes of irreversibility in the motion of fine particles (0.1–1 micron) and chaotic flow deep in the acinar region of lung has been always under investigation. In this study we demonstrate the importance of geometric hystersis and asynchrony of lung deformation on the issue. We adapted a 2D axisymmetric geometry of alveolated duct from recent relative works and deformed it in a way that some hystersis would appear in a respiration period. The overall deformation of duct was corresponding to the transpulmonary pressure of lung reported in physiological books and the Re number was matched with the actual flow in acinar airways. The geometric hystersis had the same amount as the measured hystersis in rat lungs available in relative literature. We performed a lagrangian particle tracking for different cases with and without geometric hystersis. Results confirm that as soon as some asynchrony appears in wall motion the trajectories of particles become extremely irreversible and hence we propose that the geometric hystersis can be a principal reason for observed irreversibility in acinar airways.
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Beconcini, Maria Luisa, Paolo Cioni, Pietro Croce, Paolo Formichi, Filippo Landi, and Caterina Mochi. "Influence of shear modulus and drift capacity on non-linear static analysis of masonry buildings." In IABSE Symposium, Guimarães 2019: Towards a Resilient Built Environment Risk and Asset Management. Zurich, Switzerland: International Association for Bridge and Structural Engineering (IABSE), 2019. http://dx.doi.org/10.2749/guimaraes.2019.0876.

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<p>In nonlinear static analysis of masonry buildings, the hysteric behaviour of masonry walls is commonly idealized through a bi-linear resistance envelope defined by the lateral stiffness of the wall, the ultimate shear resistance and the ultimate inter-storey drift. Therefore, it becomes fundamental to properly set the modulus of elasticity and shear modulus for masonry as well as to properly evaluate the drift capacity of the walls.</p><p>In the paper, the combined influence of shear modulus and drift capacity definition on the assessment of seismic performance of masonry buildings is investigated in details by means of a simplified non-linear pushover type algorithm developed by the authors. In particular, two different definitions are considered for the drift capacity, in terms of ductility and in terms of percentage of the inter-storey height, while for the shear modulus a reasonable set of values is investigated according a database collected combining masonry test results available in the relevant scientific literature with an in situ experimental campaign carried out by the authors.</p><p>The results show how the variation in shear modulus can lead to conflicting outcomes for the evaluation of seismic performance of masonry buildings depending on the assumed definition of drift capacity.</p>
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