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1

Lassalle, Andrea. Bruchstück und Portrait: Hysterie-Lektüren mit Freud und Cixous. Würzburg: Königshausen & Neumann, 2005.

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2

Kronberger, Silvia. Die unerhörten Töchter: Fräulein Else und Elektra und die gesellschaftliche Funktion der Hysterie. Innsbruck: StudienVerlag, 2002.

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3

Matlock, Jann. Scenes of seduction: Prostitution, hysteria, and reading difference in nineteenth-century France. New York: Columbia University Press, 1994.

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4

Mayr, Daniela F. Der Riss der Geschlechter: MaDonna, der Diskurs, die Hysterie, und Hölderlin. Wien: Passagen, 1996.

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5

Alison, Fell, ed. Serious hysterics. London: Serpent's Tail, 1992.

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6

Ana, Pano Alamán, ed. L' hystérie de la Belgité: L'hystérie dans la littérature belge de langue française de la fin du 19. au début du 20. siècle. Bologna: CLUEB, 2003.

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7

Rey-Flaud, Henri. L' éloge du rien: Pourquoi l'obsessionnel et le pervers échouent là où l'hystérique réussit. Paris: Seuil, 1996.

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8

Richard, Faber. Erbschaft jener Zeit: Zu Ernst Bloch und Hermann Broch. Würzburg: Königshausen und Neumann, 1989.

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9

Giraud, Barbara. L'héroïne goncourtienne: Entre hystérie et dissidence. Oxford: Peter Lang, 2009.

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10

Švrljuga, Željka. Hysteria and melancholy as literary style in the works of Charlotte Perkins Gilman, Kate Chopin, Zelda Fitzgerald, and Djuna Barnes. Lewiston, NY: Edwin Mellen Press, 2011.

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11

H, Pickering James, and Hoeper Jeffrey D, eds. Literature. 2nd ed. New York: Macmillan Publishing Company, 1986.

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12

Glen, Colburn, ed. English malady: Enabling and disabling fictions. Newcastle: Cambridge Scholars Pub., 2008.

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13

Westerwelle, Karin. Ästhetisches Interesse und nervöse Krankheit: Balzac, Baudelaire, Flaubert. Stuttgart: J.B. Metzler, 1993.

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14

Hayward, Helen. Never marry a girl with a dead father: Women's troubled relationships in realist novels. London: I.B. Tauris, 1999.

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15

Quiello, Rose. Breakdowns and breakthoughts: The figure of the hysteric in contemporary novels by women. New York: P. Lang, 1996.

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16

Finn, Michael R. Proust, the Body, and Literary Form. Cambridge, U.K. New York: Cambridge University Press, 2004.

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17

García, Ana Cruz. Re(de-)generado identidades: Locura, feminidad y liberalización en la obra de Elena Garro, Susana Pagano, Ana Castillo y María Amparo Escandón. New York: Peter Lang, 2009.

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18

García, Ana Cruz. Re(de-)generado identidades: Locura, feminidad y liberalización en la obra de Elena Garro, Susana Pagano, Ana Castillo y María Amparo Escandón. Bern: Peter Lang, 2009.

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19

García, Ana Cruz. Re(de-)generado identidades: Locura, feminidad y liberalización en la obra de Elena Garro, Susana Pagano, Ana Castillo y María Amparo Escandón. Bern: Peter Lang, 2009.

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20

Miller, James Edwin. The United States in Literature. 7th ed. Glenview, Il, USA: Scott, Foresman and Company, 1985.

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21

García, Ana Cruz. Re(de-)generado identidades: Locura, feminidad y liberalización en la obra de Elena Garro, Susana Págano, Ana Castillo y María Amparo Escandón. New York: Peter Lang, 2009.

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22

García, Ana Cruz. Re(de-)generado identidades: Locura, feminidad y liberalización en la obra de Elena Garro, Susana Pagano, Ana Castillo y María Amparo Escandón. Bern: Peter Lang, 2009.

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23

Giraud, Barbara. L'héroïne goncourtienne: Entre hystérie et dissidence. Oxford: Peter Lang, 2009.

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24

Giraud, Barbara. L'héroïne goncourtienne: Entre hystérie et dissidence. Oxford: Peter Lang, 2009.

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25

Giraud, Barbara. L'héroïne goncourtienne: Entre hystérie et dissidence. Oxford: Peter Lang, 2009.

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26

Giraud, Barbara. L'héroïne goncourtienne: Entre hystérie et dissidence. Oxford: Peter Lang, 2009.

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27

Cummings, Katherine. Telling tales: The hysteric's seduction in fiction and theory. Stanford, Calif: Stanford University Press, 1991.

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28

Cole, Jenn. Hysteria in Performance. McGill-Queen's University Press, 2021.

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29

Cole, Jenn. Hysteria in Performance. McGill-Queen's University Press, 2021.

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30

McLaughlin, Becky Renee. Hysteria, Perversion, and Paranoia in the Canterbury Tales. de Gruyter GmbH, Walter, 2020.

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31

McLaughlin, Becky Renee. Hysteria, Perversion, and Paranoia in the Canterbury Tales. de Gruyter GmbH, Walter, 2020.

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32

Hysteria, Perversion, and Paranoia in the Canterbury Tales. De Gruyter, Inc., 2020.

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33

Furse, Anna. Performing Nerves: Four Plays, Four Essays, on Hysteria. Taylor & Francis Group, 2020.

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34

Furse, Anna. Performing Nerves: Four Plays Four Essays on Hysteria. Taylor & Francis Group, 2020.

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35

Furse, Anna. Performing Nerves: Four Plays Four Essays on Hysteria. Taylor & Francis Group, 2020.

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36

L'invention de l'hystérie au temps des Lumières, 1670-1820. Paris: Éditions de l'École des hautes études en sciences sociales, 2014.

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37

Sexing the mind: Nineteenth-century fictions of hysteria. Ithaca: Cornell University Press, 1995.

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38

Performing Nerves: Four Plays Four Essays on Hysteria. Taylor & Francis Group, 2020.

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39

Furse, Anna. Performing Nerves: Four Plays Four Essays on Hysteria. Taylor & Francis Group, 2020.

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40

Performing Nerves: Four Plays, Four Essays, on Hysteria. Taylor & Francis Group, 2020.

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41

Ventriloquized bodies: Narratives of hysteria in nineteenth-century France. Ithaca: Cornell University Press, 1994.

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42

Faxneld, Per. Subversive Satanic Women in Decadent Literature and Art. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190664473.003.0007.

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Chapter 7 discusses Decadence as a highly visible counter-discourse, which popularized tactics of counter-reading. Félicen Rops’s enthusiastically debauched engravings and paintings of Satanic women are examined. Next, J.-K. Huysmans’s novel Là-bas (1891) is considered, especially the female Satanist Mme Chantelouve who is portrayed in it. She is a self-governing woman with modern ideas about free love and described as hysterical. Hysteria carried connotations of feminism, and the independent Chantelouve can be seen as a caustic caricature of an emancipated New Woman. Certain bohemian females were undaunted and approached her as an object of identification. Finally, Stanislaw Przybyszewski’s highly ambivalent attitude towards the demonic feminine is read in view of his œuvre at large, which makes it difficult to understand his at times quite ghastly descriptions of female Satanists as a simple condemnation. At times unwittingly, Decadents contributed to a destabilization of gendered categories and ideals.
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43

The peculiar sanity of war: Hysteria in the literature of World War I. Lubbock: Texas Tech University Press, 2002.

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44

Mukherjee, Ankhi. Aesthetic Hysteria: The Great Neurosis in Victorian Melodrama and Contemporary Fiction. Taylor & Francis Group, 2013.

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45

Mukherjee, Ankhi. Aesthetic Hysteria: The Great Neurosis in Victorian Melodrama and Contemporary Fiction. Taylor & Francis Group, 2011.

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46

Mukherjee, Ankhi. Aesthetic Hysteria: The Great Neurosis in Victorian Melodrama and Contemporary Fiction. Taylor & Francis Group, 2013.

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47

Mukherjee, Ankhi. Aesthetic Hysteria: The Great Neurosis in Victorian Melodrama and Contemporary Fiction. Taylor & Francis Group, 2013.

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48

Die unerhörten Töchter. Studien Verlag, 2002.

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49

Wald, C. Hysteria, Trauma and Melancholia: Performative Maladies in Contemporary Anglophone Drama. Palgrave Macmillan, 2007.

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50

Samuel Beckett et la passion maternelle, ou, L'hystérie à l'oeuvre. Pessac: Presses universitaires de Bordeaux, 2009.

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