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1

Dieffenbach, Angela Lena. "Corporeal curiosity: seeking salubrity." Thesis, University of Iowa, 2011. https://ir.uiowa.edu/etd/947.

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As a result of modern medical practices, our bodies are becoming increasingly transparent. This transparency not only adds to the perceived omnipotence of medicine, but to curiosities with these modes of bodily exploration. Even with this new visibility, many questions remain as curiosity continues.
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Crabtree, Benjamin S. "Corporeal narratives architecture of experience /." Cincinnati, Ohio : University of Cincinnati, 2006. http://www.ohiolink.edu/etd/view.cgi?acc%5Fnum=ucin1147897305.

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Thesis (Master of Architecture)--University of Cincinnati, 2006.<br>Title from electronic thesis title page (viewed July 24, 2006). Includes abstract. Keywords: tactility; architecture; sensory; sensorial; sensuous; vision; senses. Includes bibliographical references.
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Cephus, Heidi Nicole. "Corporeal Judgment in Shakespeare's Plays." Thesis, University of North Texas, 2017. https://digital.library.unt.edu/ark:/67531/metadc1062843/.

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In this dissertation, I examine the complex role that the body played in early modern constructions of judgment. Moving away from an overreliance on anti-theatrical texts as the authority on the body in Shakespeare's plays, my project intervenes in the field Shakespearean studies by widening the lens through which scholars view the body's role in the early modern theater. Through readings of four plays—Richard II, Hamlet, King Lear, and The Winter's Tale—I demonstrate that Shakespeare uses a wide range of ideas about the human body from religious, philosophical, medical, and cultural spheres o
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CRABTREE, BENJAMIN S. "CORPOREAL NARRATIVES: ARCHITECTURE OF EXPERIENCE." University of Cincinnati / OhioLINK, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1147897305.

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5

Knight, Bernadette. "Making and Performance - Corporeal Transformations." Thesis, The University of Sydney, 2012. http://hdl.handle.net/2123/9502.

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This research documents the process of making objects for the purpose of performance. It explores the significance that performance generates for the objects, the artist and the audience. The creative works examined include David, Mark Making Tools and Lines of Flight. These were produced and submitted during my candidature for the Masters of Fine Arts at the Sydney College of the Arts between 2009 and 2012. They are a combination of performance, object making and installation, which use processes of metal smithing, body piercing and documentation. On a gross level, the works generate physical
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McFarlane, Kate. "Corporeal tracings visuality, power and culture /." Phd thesis, Australia : Macquarie University, 2005. http://hdl.handle.net/1959.14/45968.

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"2004".<br>Thesis (PhD)--Macquarie University, Division of Society, Culture, Media & Philosophy, Department of Critical and Cultural Studies, 2005.<br>Bibliography: p. 315-327.<br>Introduction -- Aporias and openings in the architecture of the mind's eye: deconstructing pure visuality in Descartes -- Visuality, universal flesh and phenomenal circularity: visio-corporeal generality with Merleau-Ponty -- Corporeal envisionings as power-knowledge: Foucault and diffuse visio-governmentality -- The grammatology of visuality: visio-corporealising Derrida's "science" of the trace -- Conclusion.<br>Th
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McIntyre, Matthew. "Corporeal Violence in Early Modern Revenge Tragedies." Digital Archive @ GSU, 2012. http://digitalarchive.gsu.edu/english_diss/86.

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In the four early modern revenge tragedies I study, Thomas Kyd’s The Spanish Tragedy, William Shakespeare’s Titus Andronicus, Thomas Middleton’s The Revenger’s Tragedy, and John Webster’s The Duchess of Malfi, the ubiquitous depictions of corporeal violence underscore the authors’ skepticism of the human tendency to infuse bodies – physical manifestations of both agency and vulnerability – with symbolism. The revengers in these plays try to avenge the death of a loved one whose disfigured body remains unburied and often continues to occupy a place on stage, but their efforts to infuse corpses
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McBlane, Angus. "Corporeal ontology : Merleau-Ponty, flesh, and posthumanism." Thesis, Cardiff University, 2013. http://orca.cf.ac.uk/56960/.

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As posthumanism has developed in the last twenty-five years there has been hesitation in elucidating a robust posthumanist engagement with the body. My thesis redresses this gap in the literature in three intertwined ways. First, it is a critical assessment of posthumanism broadly, focusing on how the body is read in its discourse and how there is a continuation of a humanist telos in terms which revolve around the body. Second, it is a philosophical interrogation, adaptation, and transformation of aspects of the work of Maurice Merleau-Ponty, focusing its reading on Phenomenology of Perceptio
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Powers, Mary Melinda. "A genealogy of corporeal culture in Bakchai." Diss., Restricted to subscribing institutions, 2007. http://proquest.umi.com/pqdweb?did=1383468101&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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Davis, Todd S. "Corporeal Man: A Latter-day Saint Perspective." Diss., CLICK HERE for online access, 2009. http://contentdm.lib.byu.edu/ETD/image/etd3300.pdf.

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Yu, Chang-Min. "Corporeal modernism: transnational body cinema since 1968." Diss., University of Iowa, 2019. https://ir.uiowa.edu/etd/7051.

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As in physics, one faces a three-body problem in film studies. Similarly, neither logic has a general solution. There are bodies on screen as representation, bodies before the screen as audiences, and supposedly film’s body as a quasi-subject that perceives and expresses through the screen. However, no scholarship has addressed the central question of the body’s medium specificity in determining how the story on screen is told in a socio-historical context. Using phenomenology and media studies, Corporeal Modernism: Transnational Body Cinema Since 1968 fills the gap by articulating how the bod
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Hubbard, Frances Rosina. "Screendance : corporeal ties between dance, film, and audience." Thesis, University of Sussex, 2014. http://sro.sussex.ac.uk/id/eprint/48856/.

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I explore the sensuous, kinaesthetic experience and analysis of screen dance and the interconnectivity between our bodies, film, and heightened embodied sensibility. This physicality creates a dialogue between the rich diversity of screen dance genres under consideration, thereby avoiding hierarchical classifications. It also focuses attention on more abstract cinematic qualities, investigating how cinematic technique (as well as thematic content) generates emotional impact; allowing for the enjoyment of film as a material and sensual medium. However, since our senses have been trained accordi
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Callow, Susannah Mary. "Contested bodies : corporeal transformations in twentieth century conflict." Thesis, University of Bristol, 2014. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.665458.

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Research was conducted to increase understandings of the human body and its contributions to material culture and embodied experience, and its position in relation to concepts of ethnicity in twentieth century conflict. A multidisciplinary research framework was created. Adopting a constructivist position, analytical concepts were drawn from archaeology, anthropology, material culture studies and psychology, and theories of embodiment and material culture entanglements in particular directed the approach taken. The interpretive framework was applied to analysis of three studies, to identify an
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14

Taggart, Emma. "Corporeal identification in selected works by Berni Searle." Thesis, Rhodes University, 2008. http://hdl.handle.net/10962/d1004576.

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Through a detailed analysis of a selection of works produced between 1999 and 2003 by the South African artist Berni Searle, this thesis explores the need to theorise a corporeal viewer in the process of interpreting art works. Such an approach is particularly necessary when dealing with an artist such as Searle because her work, which deals predominantly with the theme of identity, appeals not only to conceptual but also to experiential and corporeal understandings of identity. Searle incorporates the viewer into an experience of her own identity through a physical identification that the vie
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O'Gorman, Sally Ann. "Corporeal remains of the nineteenth century female body." Thesis, University of London, 2011. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.542375.

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This thesis looks at adaptations of nineteenth-century novels/plays by Mats Ek, Robert Wilson, Shared Experience, Foursight Theatre, Company:Collisions and The Maly. All the productions, companies and individuals discussed have used past material remains in the form of a novel or dramatic text to create a contemporary interpretation. In my research, I have used nineteenth-century material remains as a guide to understanding how these past indicators have affected the female performing body today. For instance, how the choreographer/director’s knowledge of past forms of physical inscription and
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Brown, Samuel Jacob. "Corporeal punishment and child abuse : a pastoral perspective." Diss., University of Pretoria, 2013. http://hdl.handle.net/2263/40361.

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For many decades, violence that is perpetuated by parents and loved ones against children in the name of physical child discipline or corporal punishment, has been a major concern for various governments and church leaders among most nations of the world. This does not only take into account hitting or beating a child with a stick, belt, slapping, or choking, but also spanking; especially when it is aggressive or excessive (Bradshaw 2009; Straus 1994; Kanyandago in Waruta & Kinoti 2005, Wolfe 1991; Carl 1985). A very prominent and highly respected religious figure, here in South Africa,
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McAuslane, Louise C. "Corporeal punishment : the social construction of fatness in women." Thesis, University of East London, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.532411.

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Wilson, Natalie. "Bodily subversions : the corporeal grotesque in contemporary American fiction." Thesis, Birkbeck (University of London), 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.406328.

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Ayesta, Iban. "Berlin, fin de millenium : an experiment in corporeal ethnography." Thesis, University College London (University of London), 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.408654.

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Maheras, Aspasia S. (Aspasia Susanna). "Bath house : corporeal consciousness & the permeability of space." Thesis, Massachusetts Institute of Technology, 1997. http://hdl.handle.net/1721.1/68323.

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Thesis (M. Arch.)--Massachusetts Institute of Technology, Dept. of Architecture, 1997.<br>Includes bibliographical references (p. 69-71).<br>New York City. Row Houses, Two. Dense Urban Fabric. Water. Work, Work, Work. Light. Lower East Side. Screens, 25' x 200' long. Comfort.<br>by Aspasia S. Maheras.<br>M.Arch.
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Huber, Wesley Blake. "Gynecomastia, Hegemonic Masculinity, and Stigma: Researching Male Corporeal Deviance." Kent State University / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=kent1349640475.

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Garrett, Raina Brella. "Corporeal Rhetorics: Embodied Composing and the Teaching of Writing." Miami University / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=miami1335727105.

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Simmons, Daniel J. "Performing posthuman : constructing, inhabiting, and evaluating techno/corporeal networks /." Available to subscribers only, 2008. http://proquest.umi.com/pqdweb?did=1594480401&sid=15&Fmt=2&clientId=1509&RQT=309&VName=PQD.

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Bray, Abigail. "Corporeal feminism and the ill logic of (dis)embodiment." Thesis, Bray, Abigail (1997) Corporeal feminism and the ill logic of (dis)embodiment. PhD thesis, Murdoch University, 1997. https://researchrepository.murdoch.edu.au/id/eprint/50708/.

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Whether one dismisses the "ludic" theorisation of embodiment as a form of middle-class anti-rationalism (Teresa Ebert, 1996) or heralds a thinking-through- the-body as the oppositional imagination's most revolutionary innovation (Rosi Braidotti, 1991), one cannot simply ignore the body. From medievalism to cultural studies the body has become theory's new fetish object. Often described as the repressed matter of abstract speculation, the number of journals, conferences and books dedicated to the body indicate that the repressed has returned with remarkable force. Given that an interdisciplinar
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Martin, Jarred H. "Trans-corporeal bodybuilding: an exploration of the trans-corporeal relations between South African competitive male bodybuilders and their more-than-human world(s)." Doctoral thesis, Faculty of Humanities, 2019. http://hdl.handle.net/11427/31138.

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The unique community of men’s organised competitive bodybuilding has long displayed a peculiar humanocentrism his/torically ingrained by a subcultural reliance on patriarchal, Cartesian, and Western tropes which discursively encode competitive male bodybuilders as the prototypical Hu/Man(ist) subject: disembodied and disembedded from the materiality of their bodies and their more-than-human world(s). This humanocentric bias has itself been reproduced in the taken-for-granted ways academic work on competitive male bodybuilders often reinscribes exclusionary and hierarchal relations between male
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Reyes, Xavier Aldana. "Consuming mutilation : affectivity and corporeal transgression on stage and screen." Thesis, Lancaster University, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.659172.

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This thesis suggests the possibility that psychoanalytic frameworks may prove insufficient to apprehend the workings of post-millennial horror. Through a sustained exploration of how affect theory may be applied to horror, r propose a new affective corporeal model that accounts for the impact of recent films such as Saw (James Wan, 2004) and Hostel (Eli Roth, 2005). r also explore how such a theoretical approach exceeds cognitivism in favour of an understanding of the genre founded on phenomenology, Pain Studies and Deleuze and Guattari's notion of the 'body without organs'. This thesis finds
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Pitts, William Edward 1976. "Natural phenomena and the senses : linking memory and corporeal experience." Thesis, Massachusetts Institute of Technology, 2002. http://hdl.handle.net/1721.1/69432.

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Thesis (M.Arch.)--Massachusetts Institute of Technology, Dept. of Architecture, 2002.<br>Some ill. printed as leaves and folded.<br>Includes bibliographical references (p. 77-78).<br>How could the experience of our rituals be made more meaningful? Our experience of ritual exists as an exchange between our memory and natural phenomena in a place over time. These place specific phenomena are filtered by our senses of touch, taste, smell, hearing, sight and balance before becoming part of our memory. It is the task of the architect to create place that heightens certain qualities of local phenome
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Chasen, Laura Elizabeth. "Dislocated subjects transnational forced prostitution, African female bodies and corporeal resistance /." Connect to Electronic Thesis (CONTENTdm), 2010. http://worldcat.org/oclc/649823667/viewonline.

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Johnson, Paul. "Invisibilising the corporeal : exploring concepts of compositing and digital visual effects." Thesis, University of Exeter, 2011. http://hdl.handle.net/10036/4055.

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This thesis seeks to explore the way in which invisibility as a concept becomes explicitly housed within digital compositing, visual effects (VFX) and certain attendant techniques. The chapters will establish how compositing and effects techniques can be seen as pushing modern filmmaking into concealing, and therefore visually releasing, certain physical structures within films’ images and their production. This shall be achieved by drawing upon a combination of texts that disseminate the technical nature and make-up of VFX, alongside discussion and theorisation of their use within cinema, tog
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Liu, Chih-Chieh. "Corporeal pun : translations of the dancing body in Taiwanese popular culture." Thesis, University of Surrey, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.540710.

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McMullan, Paloma. "Corporeal territories : the body in American narratives of the Vietnam War." Thesis, University of Nottingham, 2004. http://eprints.nottingham.ac.uk/13216/.

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Focusing upon American veterans' depictions of the US intervention in Vietnam and its aftermath, this thesis argues that bodies and issues concerning embodiment form the epicentre of these representations. Chapter One uses narratives by Ron Kovic, John Ketwig, Philip Caputo and others to illustrate that military training is a transformative process wherein the recruit's body serves both as index of, and vehicle for, his metamorphosis into a soldier. As these authors suggest, training inculcates a utilitarian attitude towards embodiment: the soldier's body is, primarily, a disciplined body whos
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Sanders, Ryya Aviva. "Methodological embodiments : psychical corporeal performances of subjective specific auto(erotic)-representations." Thesis, University of Plymouth, 2001. http://hdl.handle.net/10026.1/2697.

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A great deal of critical attention has been paid over the last twenty years at least to the relation of 'self and 'Other'. But what happens when the external 'other' is displaced to the periphery of the concerns of textual production? In order to explore this question Methodological Embodiments employs an interdisciplinary praxis that is not limited to the classic model of written theory. At the same time, it does not negate this form that has historical and ideological precedence within an academic context. The aim of this thesis is to juxtapose written theory with artistic practices in order
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Anderson, Craig. "Physical element of possession of corporeal moveable property in Scots law." Thesis, University of Edinburgh, 2014. http://hdl.handle.net/1842/9581.

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Possession is a legal concept applying in a variety of legal contexts. In Scottish legal literature, however, there is little in-depth writing on the law of possession, and much of the law is uncertain. This thesis is intended to be a contribution to remedying this deficiency as far as one aspect of the law of possession is concerned, the physical element of possession of corporeal moveable property. As part of this, in the hope that this comparative and historical consideration would shed some light on the issues raised, the law of Rome is considered, along with the law of France, Germany and
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Hansen, J. Peter. "Corporeal Resurrection: The Pure Doctrine Restored Through the Prophet Joseph Smith." BYU ScholarsArchive, 2002. https://scholarsarchive.byu.edu/etd/4754.

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During Jesus' earthly ministry He taught the pure doctrine of corporeal resurrection to His disciples. Some of them became special witnesses to the literal bodily resurrection of Jesus after His death. Over time, men's philosophies perverted the true doctrine of the resurrection. Those teachings became the orthodoxy of the early Christian church and were handed down to modern Christianity. The pure doctrine of corporeal resurrection was weakened, and in some sects, was lost.The Lord restored the gospel through Joseph Smith. Part of the Restoration qualified him as a special witness of the Resu
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Dantas, Jacqueline Duarte. "Consciência corporal e gênero: uma experiência com narrativas de alun@s." Universidade Federal da Paraí­ba, 2012. http://tede.biblioteca.ufpb.br:8080/handle/tede/4755.

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Made available in DSpace on 2015-05-07T15:09:04Z (GMT). No. of bitstreams: 1 arquivototal.pdf: 587657 bytes, checksum: 808f1d4e8118106a2598a7a7881f5d7e (MD5) Previous issue date: 2012-06-18<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior<br>This research was made possible by the Graduate School of Education of the Federal University of Paraiba. The field research is related to Gender Studies. The thesis deals with the interpretation of questions related to the physical body and how it reflects culturally on gender among adolescents. The experiment was conducted in 2005 during
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Kisiel, Anna. "Corporeal Aesth/ethics : The Body in Bracha L. Ettinger's Theory and Art." Doctoral thesis, Katowice : Uniwersytet Śląski, 2019. http://hdl.handle.net/20.500.12128/9325.

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Rozprawa poświęcona jest niezwykle pojemnemu i wielopoziomowemu rozumieniu ciała, miejscu jakie zajmuje ono w pracach Ettinger oraz koncepcji (kobiecej) cielesności jako źródła etyki. Ettinger, należąca do drugiego pokolenia po Holokauście, jest psycholożką kliniczną, psychoanalityczką, teoretyczką oraz artystką wizualną. W niniejszej dysertacji podjęto przede wszystkim badania sztuki oraz teorii macierzy jej autorstwa w poszukiwaniu tropów ciała, które, choć istotne dla dzieła i myśli artystki, są niemal nieobecne w tekstach krytycznych poświęconych Ettinger. Niniejsza praca składa się z dw
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Cochran, Shannon M. Phd. "Corporeal (isms): Race, Gender, and Corpulence Performativity in Visual and Narrative Cultures." The Ohio State University, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=osu1281917081.

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Gobel, Alper. "Towards Affective Listening: Hearing Corporeal Memories in Cameraperson and Stories We Tell." The Ohio State University, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1555579405293041.

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Kecskes, Gabriella. "Representations of the Nation through Corporeal Narrativity in Contemporary Multicultural British Fiction." Diss., Temple University Libraries, 2010. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/61769.

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English<br>Ph.D.<br>This dissertation focuses on the function of human bodies in articulations of the nation in contemporary British multicultural fiction, more specifically in novels by Salman Rushdie, V. S. Naipaul, Hanif Kureishi, and Monica Ali. Combining the Andersonean claim that narrative fiction is an especially sensitive medium for imagining the nation with Daniel Punday‘s assertion that the human body is the basic organizing principle of narrative structure, this study examines the ways in which corporeal representations in novels negotiate dominant paradigms of the national ima
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Tan, Tobias. "Corporeal theology : the nature of theological understanding in light of embodied cognition." Thesis, University of Oxford, 2017. http://ora.ox.ac.uk/objects/uuid:619ef17b-7d2d-4fe6-a2e9-bf1be11115b8.

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Appropriating insights from empirical findings and theoretical constructs of 'embodied cognition', this study explores how theological understanding is accommodated to the bodily nature of human cognition. An emerging paradigm in cognitive science, embodied cognition proposes that human cognition depends upon bodily sensorimotor systems to ground concepts and to exploit environmental resources. A theological framework for exploring the human capacities which embodied cognition describes is the principle of accommodation, because it posits that revelation is accommodated to human capacities. Em
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Costa, Diana Vinagre. "A influência de uma intervenção psicomotora sobre a vivência do corpo na velhice." Master's thesis, Universidade de Évora, 2017. http://hdl.handle.net/10174/21797.

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O envelhecimento acarreta alterações nas caraterísticas pessoais, quer sejam genético-biológicas, psicológicas e socioculturais. Também a vivência do corpo vai sendo alterada ao longo da vida, consoante a influência de diversos fatores. Assim, este estudo tem como principal objetivo a compreensão da forma como uma intervenção psicomotora pode influenciar as representações que os idosos têm de si e do seu corpo. Fizeram parte do estudo oito pessoas idosas que frequentavam uma associação que presta apoio a idosos, no concelho de Montemor-o-Novo. Foi utilizada uma metodologia qualitativa, numa pe
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Dudek, Debra Lynn. "Creative displacement and corporeal defiance, feminist Canadian modernism in Margaret Laurence's Manawaka novels." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/NQ63861.pdf.

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Kenny, Nicolas. "Forging urban culture : modernity and corporeal experiences in Montreal and Brussels, 1880-1914." Thèse, Universite Libre de Bruxelles, 2008. http://hdl.handle.net/1866/6659.

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Alencar, Brayner Aquiles Ratti. "Body, corporeal perception and aesthetic experience in the work of João Gilberto Noll." Thesis, King's College London (University of London), 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.429484.

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Erickson, Lucas, and Lucas Erickson. ""Their Flag and Skulls Are Ours": Corporeal Trophy Taking in the Pacific War." Thesis, University of Oregon, 2012. http://hdl.handle.net/1794/12541.

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This thesis explores the taking of Japanese remains as trophies by American servicemen during the Second World War in the Pacific. It examines the historical and contemporary motives for American trophy taking in modern warfare and shows that corporeal trophy taking was both prevalent and multifaceted and how Japanese war materials and bodies were repurposed into trophied objects that were recorded, kept, displayed, exchanged, and even celebrated both in the battlefield and on the home front. This study also recognizes and analyzes relatively new and useful sources of evidence, such as recentl
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Born, Frank [Verfasser], and Christian [Akademischer Betreuer] Hagl. "Extra Corporeal Life Support und linksventrikuläre Entlastung / Frank Hans Born ; Betreuer: Christian Hagl." München : Universitätsbibliothek der Ludwig-Maximilians-Universität, 2020. http://d-nb.info/1216039364/34.

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Maxhera, Bujar [Verfasser]. "„Survival Predictors in Ventricular Assist Device Patients with Prior Extra-Corporeal / Bujar Maxhera." Düsseldorf : Universitäts- und Landesbibliothek der Heinrich-Heine-Universität Düsseldorf, 2017. http://d-nb.info/1127707949/34.

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Born, Frank Hans [Verfasser], and Christian [Akademischer Betreuer] Hagl. "Extra Corporeal Life Support und linksventrikuläre Entlastung / Frank Hans Born ; Betreuer: Christian Hagl." München : Universitätsbibliothek der Ludwig-Maximilians-Universität, 2020. http://d-nb.info/1216039364/34.

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Blum, Michael. "Piercing the Corporeal Veil: The Extra Stanza of "Pearl" as Spiritual Focal Point." W&M ScholarWorks, 1996. https://scholarworks.wm.edu/etd/1539626063.

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McCartney, Lauren. "Beyond Gesture: An Investigation into a Corporeal Language of Feminist Performative Anti-Painting." Thesis, Curtin University, 2017. http://hdl.handle.net/20.500.11937/66604.

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This PhD explores how the female body can parody histories of objectification, and conventions of appropriate female behaviour. It examines how the performing female body has overcome masculine ideals of action painting, and applies a reading of anti-painting to the performative processes attributed to becoming painting, rather than a perceived final stage of being painting. It establishes forms of feminist performative painting that not only provoke patriarchal hierarchies in painting, but also reveal a corporeal feminism that defies them.
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