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Books on the topic 'I Married a Monster From Outer Space'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 January 2023

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Consult the top 38 books for your research on the topic 'I Married a Monster From Outer Space.'

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1

ill, Holmes Gerald L., ed. The garbage monster from outer space. New York: Viking Books, 1999.

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2

King, Stephen. Stephen King's Danse Macabre. New York, USA: Berkley Books, 1986.

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3

King, Stephen. Danse macabre. Roma-Napoli: Edizioni Theoria, 1985.

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4

King, Stephen. Stephen King's Danse Macabre. New York, USA: Berkley Books, 1985.

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5

King, Stephen. Pli︠a︡ska smerti. Moskva: AST, 2001.

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6

King, Stephen. Stephen King's danse macabre. 2nd ed. New York: Berkley Books, 2001.

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7

King, Stephen. Danse macabre: Die Welt des Horrors in Literatur und Film. 2nd ed. München: Heyne, 1989.

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8

King, Stephen. Danse macabre. New York: Gallery, 2010.

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9

King, Stephen. Danse macabre. London: Macdonald, 1992.

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10

King, Stephen. Stephen King's Danse Macabre. London: Futura, 1985.

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11

King, Stephen. Stephen King's Danse Macabre. New York: Berkley Books, 1986.

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12

King, Stephen. Danse Macabre. 2nd ed. London: Hodder, 2004.

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13

King, Stephen. Danse Macabre. London, England: Warner Books, 2000.

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14

Barson, Michael. I MARRIED A MONSTER FROM OUTER SPACE!: Tear-and-Send Postcards from the Truly Terrible Fantasy and .... Pantheon, 1994.

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15

Erickson, John R. The Garbage Monster from Outer Space. Maverick Books, 2017.

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16

Funnyman Meets the Monster from Outer Space. Scholastic, 1987.

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17

(Illustrator), Clare Bowes, ed. David and the Monster from Outer Space (Tui Turbo). HarperCollins New Zealand, 1995.

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18

The Garbage Monster from Outer Space Hank the Cowdog Audio. Maverick Books (TX), 2002.

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19

The Garbage Monster from Outer Space Hank the Cowdog Paperback. Maverick Books (TX), 2011.

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20

Little, Jean. Hank the Cowdog: The Garbage Monster from Outer Space (Hank the Cowdog, 32). Perfection Learning Prebound, 1999.

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21

Danse Macabre. Wydawnictwo Prószyński i S-ka, 2014.

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22

King, Stephen. Plyaska smerti. AST, 2004.

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23

King, S. Danse Macabre. Livre de Poche, 2010.

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24

King, Stephen. Danse Macabre. Tandem Library, 1987.

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25

King, Stephen. Danse Macabre. Pocket Books, 2011.

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26

Danse macabre. Jean-Claude Lattès, 1993.

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27

King, Stephen. Plyaska smerti. AST, 2005.

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28

King, Stephen. Danse Macabre. Time Warner Paperbacks, 1991.

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29

King, Stephen. Danse Macabre. Berkley, 1985.

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30

Danse macabre. Wydawnictwo Prószyński i S-ka, 2014.

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31

Plyaska smerti. AST, 2001.

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32

Dufris, William, and Stephen King. Danse Macabre. Brilliance Audio, 2015.

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33

King, Stephen. Danse Macabre. Little, Brown Book Group Limited, 1998.

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34

King, Stephen. Danse Macabre. Die Welt des Horrors. Ullstein Tb, 2000.

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35

Dufris, William, and Stephen King. Danse Macabre. Brilliance Audio Lib Edn, 2010.

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36

King, Stephen. Danse Macabre. Little, Brown Book Group Limited, 1998.

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37

Shining / Salem / Danse macabre. Paris: J.C. Lattès, 1990.

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38

Bartlett, Becky. Badfilm. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474450423.001.0001.

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Abstract:

This book examines badfilms, a subcategory of ‘bad cinema’ marked by incompetence and typically exacerbated by material poverty and restrictive production conditions. It establishes a framework through which the formal characteristics of failure can be established and analysed, and identifies intentionality as central to how badfilms are recognised and valued as cult texts. Drawing on debates about cult cinema, film form, cultural value and taste, and interrogating critical concepts such as ‘so bad it’s good’, the book investigates the impact of failure, incompetence, and ineptitude in post-production sound, uses of recycled footage, performance and editing through a series of case studies. Focusing primarily on ‘classic’ American badfilms from the 1950s and 1960s, such as Plan 9 from Outer Space, Robot Monster, The Beast of Yucca Flats, and Manos: The Hands of Fate, this book proposes a means of ‘taking the badness of badfilms seriously’. With the films discussed within this book characterised by incompetence and failed intentions, they provide unique opportunities to consider not only how we identify, respond to, and potentially value failure, but how failure itself works within the films.

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