Relevant bibliographies by topics / I.S. Bach

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'I.S. Bach'

Author: Grafiati
Published: 7 June 2025
Last updated: 2 August 2025

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Journal articles on the topic "I.S. Bach"

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Dirksen, Pieter. "Zur Echtheit der Johann Christoph Bach (1642-1703) zugeschriebenen Clavierwerke." Bach-Jahrbuch 96 (March 13, 2018): 217–48. http://dx.doi.org/10.13141/bjb.v20101886.

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Der Artikel geht auf die Echtheit folgender J. C. Bach möglicherweise zuzuordnender Werke ein: Präludium und Fuge ES-Dur BWV Anh. 177, zwei Variationsreihen über Aria-Melodien in ES-Dur und a-moll und eine über eine Sarabande, sowie Choralbearbeitungen. Eine Zugehörigkeit zu den Sarabanden-Variationen J. C. Bachs wird im Artikel auch für BWV 990 diskutiert. Unter den Choralbearbeitungen wird besonders Ach Gott, vom Himmel sieh darein beleuchtet, die als BWV 741 bisher J. S. Bach zugeschrieben wurde, im vorliegenden Text aufgrund verschiedener Überlegungen jedoch J. C. Bach zugewiesen wird. Zud
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Maul, Michael, and Peter Wollny. "Quellenkundliches zu Bach-Aufführungen in Köthen, Ronneburg und Leipzig zwischen 1720 und 1760." Bach-Jahrbuch 89 (March 12, 2018): 97–141. http://dx.doi.org/10.13141/bjb.v20031784.

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Die drei Fallstudien des Artikels stellen neue Erkenntnisse zur Biografie Johann Sebastian Bachs und der frühen Rezeption seines Schaffens vor. Es geht dabei im Einzelnen um eine Köthener Aufführung von Kantate BWV 21 Ich hatte viel Bekümmernis durch Bach selbst vermutlich 1721; Johann Wilhelm Koch und die Bach-Pflege in Ronneburg; schließlich um den "Schreiber der Doles-Partituren", der als der Thomasschüler und spätere Bornaer Kantor Carl Friedrich Barth identifiziert wird und Hinweis auf die Leipziger Bach-Pflege nach 1750 gibt. Im Anhang werden einige der den Erkenntnissen zugrundeliegende
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Maul, Michael. "Zur zeitgenössischen Verbreitung von Bachs Vokalwerken in Mitteldeutschland." Bach-Jahrbuch 91 (March 9, 2018): 95–107. http://dx.doi.org/10.13141/bjb.v20051762.

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Der Autor stellt sich der tradierten Auffassung entgegen, Bachs Vokalschaffen sei seinerzeit lediglich ausnahmsweise außerhalb seiner eigenen Wirkungsstätten erklungen und er lediglich als Tastenvirtuose von weitergehendem Ruf gewesen. Er skizziert die Genese dieses Bach-Bildes und zeichnet parallel die Entwicklung einer gegenläufigen Sicht nach, die sich auf verschiedene nach und nach zu Tage getretene Dokumente stützt. Um solche systematisiert und stichhaltig auswerten zu können, werden zunächst die Grundlagen der Auswahl und Auswertung solcher Quellen festgestellt. Vier Beispielbetrachtunge
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Wollny, Peter. "Fundstücke zur Lebensgeschichte Johann Sebastian Bachs 1744-1750." Bach-Jahrbuch 97 (February 9, 2018): 35–50. http://dx.doi.org/10.13141/bjb.v20111227.

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Der Text konstatiert eingangs einen Mangel an aussagekräftigen Hinweisen zu einem Bild von Bachs letzten Lebensjahren und versucht im Weiteren, nach einzelnen Aspekten geordnet, aus neueren Quellenfunden und Indizien einige Schlüsse zur Lebensgeschichte J. S. Bachs im genannten Zeitraum zu ziehen. Grundlage dafür bilden die Auseinandersetzung mit den in Bachs Besitz befindlichen Bibeln, Überlegungen anhand eines neu aufgefundenen Fragments der chromatischen Fantasie BWV 903 sowie Bachs letztes Schriftzeugnis in Eintragungen in die autographe Partitur des Magnificats Wq 215 seines Sohnes Carl P
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Norman, Philip K. "J. S. Bach?" Musical Times 128, no. 1730 (1987): 188. http://dx.doi.org/10.2307/965415.

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Wollny, Peter. "Neue Bach-Funde." Bach-Jahrbuch 83 (March 13, 2018): 7–50. http://dx.doi.org/10.13141/bjb.v19971836.

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Der Artikel versammelt vier Fallstudien mit dem Ziel, anhand von neuem Quellenmaterial einige offene Fragen stilkritischer, werkgeschichtlicher und biografischer Natur zu Johann Sebastian Bach einer Klärung entgegen zu führen. Die erste Studie widmet sich einem Beleg für Bachs frühe Beschäftigung mit der Gattung der italienischen Solokantate, den ein in der Staatsbibliothek zu Berlin verwahrtes Einzelblatt mit dem Beginn einer Komposition Antonio Biffis liefert, das von Bachs Hand stammt. Ebenfalls in der Berliner Staatsbibliothek fand sich der originale Textdruck zur Aufführung von BWV 194 be
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Wollny, Peter. "Eine unbekannte Bach-Handschrift und andere Quellen zur Leipziger Musikgeschichte in Weißenfels." Bach-Jahrbuch 99 (October 22, 2018): 129–70. http://dx.doi.org/10.13141/bjb.v20132980.

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Der Artikel stellt die Ergebnisse einer systematischen Untersuchung der im Weißenfelser Heinrich-Schütz-Haus verwahrten Musiksammlung der ehemaligen Ephorialbibliothek ebenda vor. Dabei liegt der Schwerpunkt auf einer von Johann Sebastian Bach und einem weiteren Kopisten, möglicherweise Johann Gottlieb August Fritzsche, gefertigten Abschrift der ersten beiden Sätze von Francesco Gasparinis Missa canonica. Im Folgenden werden weitere Quellen Leipziger Provenienz aus der vorgefundenen Sammlung vorgestellt und dabei besonders auf Johann Gottlieb Wiedner und Carl Hartwig eingegangen, die mit mehre
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Breig, Werner. "Formprobleme in Bachs frühen Orgelfugen." Bach-Jahrbuch 78 (February 8, 2018): 7–21. http://dx.doi.org/10.13141/bjb.v19921116.

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Nach einleitender Begriffsklärung befasst sich der Artikel eingehender mit dem Corpus des frühen Bach'schen Orgelwerks und widmet sich dabei Fragen der Stilentwicklung, Vorbildern und Kompositionstechniken.
 
 Erwähnte Artikel: Christoph Wolff: Johann Adam Reinken und Johann Sebastian Bach: Zum Kontext des Bachschen Frühwerkes. BJ 1985, S. 99-118
 Friedhelm Krummacher: Bach und die norddeutsche Orgeltoccata: Fragen und Überlegungen. BJ 1985, S. 119-134
 Robert Hill: Die Herkunft von Bachs "Thema Legrenzianum". BJ 1986, S. 105-107
 Jean-Claude Zehnder: Georg Böhm und Jo
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Wellner, Ulf. "Ein unbekanntes Möbelstück aus dem Besitz Johann Sebastian Bachs." Bach-Jahrbuch 95 (March 13, 2018): 214–25. http://dx.doi.org/10.13141/bjb.v20091868.

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Eine im Museum des Meißner Doms verwahrte Geldkiste mit Bachs Monogramm bildet den Gegenstand des Beitrags, wird mit verschiedenen anderen nachweislich Bach’schen Möbelstücke in Verbindung gebracht und als zu diesen gehörig identifiziert.
 
 Erwähnte Artikel: Conrad Freyse: Ein Bach-Pokal. BJ 1936, S. 101-108
 Friedrich Schnapp: Das Notenrätsel des Bach-Pokals und seine Deutung. BJ 1938, S. 87-94
 Conrad Freyse: Die Spender des Bach-Pokals. BJ 1953, S. 108-118
 Friedrich Smend: Der Pokal im Eisenacher Bach-Museum. BJ 1955, S. 108-112
 Conrad Freyse: Noch einmal: D
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Wollny, Peter. "Carl August Hartung als Kopist und Sammler Bachscher Werke." Bach-Jahrbuch 97 (February 9, 2018): 81–101. http://dx.doi.org/10.13141/bjb.v20111229.

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Unter Bezugnahme auf den voranstehenden Artikel von Andrew Talle "'Die kleine Wirthschafft Rechnung' von Carl August Harthung" wird die Bedeutung Harthungs für den Musikalienhandel seienr Zeit beleuchtet. Zunächst wird Harthung auf Grundlage der von Talle ausgewerteten Quelle als Schreiber zweier thematischer Verzeichnisse von Werken Bachs identifiziert. Daran knüpfen weiterführende Überlegungen zur Verbreitung bestimmter Bachscher Werke im 18. Jh. an. Weiterhin wird aufgrund der Notenschrift Harthungs ein bisher anonymer Bach-Kopist mit ihm Gleichgesetzt. Ein Anhang bietet einen Katalog aller
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Dissertations / Theses on the topic "I.S. Bach"

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AUCLAIR, FRANCIS. "L'interpretation des oeuvres de j. S bach." Université Marc Bloch (Strasbourg) (1971-2008), 1997. http://www.theses.fr/1997STR20068.

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Etude de tous les documents d'epoque et de tous les textes litteraires et musicaux de bach concernant l'interpretation de son oeuvre musicale<br>Study of every theorical and musical texts about the interpretation of the musical works of j. S. Bach
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Mašlaň, Petr. "Johann Sebastian Bach. Kantáty s obligátním violoncellem." Master's thesis, Akademie múzických umění v Praze.Hudební a taneční fakulta. Knihovna, 2014. http://www.nusl.cz/ntk/nusl-177718.

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This thesis is engaged in cantatas of Johann Sebastian Bach, in which composer calls for violoncello piccolo. It is divided into four chapters. The first chapter deals with the issue of instrument, the following chapter is dedicated to the historical kontext of cantatas and their instrumentation in connection with violoncello piccolo. The third chapter is a musical analysis of individual arias in nine subsections. The fourth chapter deals with the question, on which instrument can be now these solos. The thesis contains actual score examples and the footnotes.
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Linsley, Dennis Edward. "Melodic inversion in J. S. Bach's keyboard suites / by Dennis Edward Linsley." Connect to title online (Scholars' Bank), 2008. http://hdl.handle.net/1794/7770.

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Arnaud, Catherine. "Variations d'après un thème de J. -S. Bach." Paris 1, 1990. http://www.theses.fr/1990PA010612.

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L'objectif de mon projet de recherche est de mettre en évidence des relations spirituelles entre musique et peinture. L'analyse de mon dispositif mis en place est centrée sur une étude visuelle et sonore d'un rouleau à musique de piano mécanique. Visuellement, les rouleaux de partitions de piano mécanique se présentent comme une grille à base de trous perforés. Les trous représentent les notes sur le piano. Le processus inventif a pour but de transposer la partie musicale en code plastique. Il s'agit d'écouter et de regarder la musique. Ainsi, l'ai compose une série de 6 tableaux correspondant
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Costa, Gustavo Silveira. "Seis sonatas e partias para violino solo de J. S. Bach ao violão: fundamentos para adaptação do ciclo." Universidade de São Paulo, 2012. http://www.teses.usp.br/teses/disponiveis/27/27157/tde-08032013-133951/.

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Os Sei solo â Violino senza Ba&#223;o accompagnato de Johann Sebastian Bach (BWV 1001-1006) têm sido transcritos para violão em movimentos isolados desde o final do século XIX e a transcrição (1934) da grandiosa Ciaccona pelo espanhol Andrés Segovia (1893-1987) tornou-se uma peça central no repertório para violão, sobretudo porque que a escrita para violino sofreu um redimensionamento na adaptação do violonista. Por outro lado, as abordagens do ciclo completo no violão têm se aproximado cada vez mais da escrita original para violino. Kazuhito Yamashita (1989), autor da primeira gravação do cic
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Šulc, Marek. "J. S. Bach a jeho kantátová tvorba pro bas." Master's thesis, Akademie múzických umění v Praze. Hudební fakulta AMU. Knihovna, 2006. http://www.nusl.cz/ntk/nusl-78562.

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The purpose of my diploma dissertation is J.S.Bach and his cantata works for bass. I divided the work into the three chapters. The first one is about Bach´s life and works. In the second chapter is the analyse of three cantatas for bass BWV 82, BWV 56, BWV 158. The third one is the list of recitaives, duets and arias for bass in Bach´s sacred cantatas. I sang the cantata " Ich will den Kreuzstab gerne tragen" BWV 56 at my graduate´s concert.
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Hausmann, Christiane. "Bach digital: Ein „work in progress“ der digitalen Musikwissenschaft." De Gruyter, 2018. https://slub.qucosa.de/id/qucosa%3A36383.

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Der Beitrag zeichnet die inhaltlichtechnische Entwicklung der Komponistendatenbank Bach digital nach und erläutert ihre Zielsetzungen. Damit einhergehend werden einerseits die Herausforderungen und Probleme digitaler Langezeitprojekte benannt. Andererseits wird dargestellt, wie durch die Entwicklung eines komplexen digitalen Recherche-Instruments die Organisation und Präsentation von Forschungsergebnissen transformiert werden und welche Veränderungen sich dadurch für das musikwissenschaftliche Arbeiten und die Forschungskommunikation ergeben.<br>The article outlines the content-technical devel
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Fernandes, Irene Trabulo. "Liberdade interpretativa nas invenções de J. S. Bach no piano." Master's thesis, Universidade de Aveiro, 2011. http://hdl.handle.net/10773/6081.

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Mestrado em Música - Performance<br>O presente projeto pretende demonstrar que se podem interpretar as Invenções e Sinfonias de J. S. Bach de diversas formas, sem pôr em causa a qualidade de interpretação. Faz uma reflexão sobre quais serão as condições necessárias para uma boa interpretação. Procura expor os passos percorridos até chegar à minha interpretação. Esse caminho, tem como ponto de partida uma análise comparativa dos autógrafos originais da obra, as fontes primárias. De seguida seleciona, pesquisa e analisa fontes secundárias, como cópias manuscritas, edições, gravações e out
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Lindley, Mark. "J. S. Bachs Klavierstimmung." Bärenreiter Verlag, 1987. https://slub.qucosa.de/id/qucosa%3A38348.

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Lim, Aesook. "The Long Chorale Preludes of J. S. Bach (1685-1750): Study of Accompaniments together with Three Recitals of Selected Works by Dietrich Buxtehude (1637-1707), J. S. Bach, Louis Vierne (1870-1937), and Others." Thesis, University of North Texas, 2006. https://digital.library.unt.edu/ark:/67531/metadc5219/.

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Johann Sebastian Bach's chorale preludes are varied and artistic not only in the treatment of chorale melodies, but also in the accompaniments of those chorale melodies. This study examines the accompaniments of Bach's long chorale preludes, focusing on identifying the various types and the characteristics that make them unique. This study investigates the two broad categories of accompaniments depending on whether the motives are chorale-derived or independent of the chorale. While the chorale prelude accompaniments in the first large group are closely related, the accompaniments of the cho
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Books on the topic "I.S. Bach"

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Guillard, Georges. J.-S. Bach et l'orgue. Presses universitaires de France, 1987.

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Stapert, Calvin. J. S. Bach. Lion Hudson PLC, 2009.

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Schweitzer, Albert. J. S. Bach. Macmillan Publishing Company, 2000.

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J. S. Bach. Creative Media Partners, LLC, 2022.

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Staff, Hal Leonard Corp. J. S. Bach. Leonard Corporation, Hal, 2013.

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Newman, Ernest, and Albert Schweitzer. J. S. Bach. Creative Media Partners, LLC, 2018.

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J. S. Bach. Editions de la Difference, 1985.

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Bach, Johann Sebastian. J. S. Bach. Leonard Corporation, Hal, 2010.

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J. S. Bach. Cambridge University Press, 2007.

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Palmer, Willard A. J. S. Bach - The Well-Tempered Clavier (J. S. Bach). Alfred Publishing Company, 1990.

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Book chapters on the topic "I.S. Bach"

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Stauffer, George B. "The Young Bach." In J. S. Bach. Oxford University Press, 2024. http://dx.doi.org/10.1093/oso/9780195108026.003.0002.

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Abstract Chapter 1 examines Bach’s upbringing and early training in Eisenach, Ohrdruf, Lüneburg, and Weimar. Born into a family of musicians in Eisenach, Bach was orphaned at the age of 10 and taken in by his older brother, Johann Christoph, an organist in Ohrdruf. After receiving his initial training in keyboard playing from Johann Christoph, who had studied with Pachelbel and owned a sizable collection of Central and North German keyboard works, Bach traveled to Lüneburg to complete his academic studies and sing in the choir of the St. Michael’s Latin School. During this time Georg Böhm took
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Stauffer, George B. "Bach in Weimar." In J. S. Bach. Oxford University Press, 2024. http://dx.doi.org/10.1093/oso/9780195108026.003.0008.

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Abstract Within a year of arriving in Mühlhausen, Bach accepted a position elsewhere, as organist to the ducal court in Weimar. Although Weimar was a sleepy, provincial town, it offered Bach special opportunities to expand his horizons through the extensive music collections of the court and of Johann Gottfried Walther, organist of the City Church. Bach was admired and well supported by the reigning dukes, Wilhelm Ernst and his nephew Ernst August, and the young Prince Johann Ernst, a prodigy and composer of progressive instrumental pieces. It was in Weimar that Bach wrote “the bulk of his org
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Stauffer, George B. "Bach in Cöthen." In J. S. Bach. Oxford University Press, 2024. http://dx.doi.org/10.1093/oso/9780195108026.003.0015.

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Abstract Chapter 14 focuses on Bach’s new position at the court of Prince Leopold in Cöthen, where he served as capellmeister from 1717 to 1723. The court was Calvinist, and as a result Bach was not responsible for church music or organ composition. Instead, he directed a small but highly talented instrumental ensemble, for which he wrote large amounts of chamber music and an occasional secular cantata. It was at this time, perhaps spurred by the acquisition of a new Michael Mietke harpsichord from Berlin, that Bach began to assemble pedagogical collections of keyboard music: the Inventions an
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Stauffer, George B. "Bach in Leipzig." In J. S. Bach. Oxford University Press, 2024. http://dx.doi.org/10.1093/oso/9780195108026.003.0018.

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Abstract In 1723 Bach left Cöthen to assume the post of St. Thomas cantor and town music director in Leipzig. Bach approached his new position with great energy, initially composing almost 300 church cantatas before taking up the directorship of the “Telemann” Collegium Musicum and then, late in life, turning to private projects. Chapter 17 examines the effect of these undertakings on Bach’s organ music, which include the influence of his cantatas, the fusion of national and historical styles, and the increased role of revision and recycling. Also coming into play was the shift in Central Germ
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Trautmann, Christoph. "J. S. Bach: New Light on His Faith." In Bach. Routledge, 2017. http://dx.doi.org/10.4324/9781315096704-5.

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Stauffer, George B. "Introduction." In J. S. Bach. Oxford University Press, 2024. http://dx.doi.org/10.1093/oso/9780195108026.003.0001.

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Abstract The introduction explores the rich musical life of Central Germany in Bach’s time. Music pervaded court, municipal, and church activities, requiring the composition, preparation, and performance of vast amounts of new music on a weekly—if not daily—basis. In his youth, Bach was surrounded by music and music-making. Also of critical importance in his upbringing was the primary role of the pipe organ in Central German culture. As the largest and most complex machine in Western civilization at the time, the pipe organ was the subject of veneration, awe, and civic pride. In Central and No
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Stauffer, George B. "Cantata and Passion Movements with Obbligato Organ and Miscellaneous Trios." In J. S. Bach. Oxford University Press, 2024. http://dx.doi.org/10.1093/oso/9780195108026.003.0019.

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Abstract Bach’s return to organ composition in Leipzig after a hiatus of almost 10 years took the form of cantata movements featuring obbligato organ. Seventeen such movements suddenly appeared in a series of six cantatas written for the third cantata cycle in 1726, and Bach went on to compose an additional 12 obbligato movements in later years. The instrument involved was not the small portative organ used in most recordings and performances today but the large type of organ found in the St. Thomas and St. Nicholas churches in Leipzig. The cantata music paved the way for the innovative Six So
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Stauffer, George B. "Small Chorale Settings." In J. S. Bach. Oxford University Press, 2024. http://dx.doi.org/10.1093/oso/9780195108026.003.0012.

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Abstract Chapter 11 is devoted to the small chorale settings Bach composed in Weimar—miscellaneous manual works, chorale fughettas, and pieces earmarked for the accompaniment of congregational hymns: figured-bass and interlude settings. Here, too, Bach demonstrated astonishing imagination, taking the manual chorale to unparalleled heights. Of special interest is the series of chorale fughettas that Bach appears to have composed as a set, systematically exploring the compositional possibilities of this popular Central German genre. The use of interlude settings for congregational singing is als
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Stauffer, George B. "Organ Teacher, Consultant, and Recitalist." In J. S. Bach. Oxford University Press, 2024. http://dx.doi.org/10.1093/oso/9780195108026.003.0016.

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Abstract In chapter 15, Bach’s interest in didactic works in Cöthen serves as the springboard for a discussion of his role as organ pedagogue, organ consultant, and organ recitalist. The handful of organ pieces Bach wrote in Cöthen point to instructional interests. Small manual chorale preludes illustrate the art of ornamentation, and the incomplete Fantasy in C Major, BWV 573, demonstrates the process of composing a short organ prelude. The Orgel-Büchlein, written in Weimar, was now repurposed for teaching. Moreover, Bach was frequently asked to inspect and inaugurate new instruments and prov
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Stauffer, George B. "Nineteen Large Chorales of Various Sorts." In J. S. Bach. Oxford University Press, 2024. http://dx.doi.org/10.1093/oso/9780195108026.003.0026.

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Abstract Around 1739 Bach began to assemble a portfolio of chorale settings written earlier, mostly during the Weimar period. He initially entered 13 settings into the portfolio before laying it aside to focus on other things. He returned to the collection some years later, first adding two more chorale settings and then a revised version of the Canonic Variations on “Vom Himmel hoch,” BWV 769a. At a still later point, his son-in-law Johann Christoph Altnickol inserted two more settings, and an unidentified scribe entered the deathbed chorale, “Vor deinen Thron tret ich hermit,” BWV 668. These
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Conference papers on the topic "I.S. Bach"

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Hausler, R. H., and S. G. Weeks. "Low Cost Low Volume Continuous Corrosion Inhibitor Application to Gas Production Tubulars." In CORROSION 1986. NACE International, 1986. https://doi.org/10.5006/c1986-86414.

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Abstract A low cost, low volume, continuous inhibitor injection technique for gas producing conduits was developed, and qualified through field studies for superficial gas velocities up to 40 ft/sec (12 m/s); maximum steady state corrosion rates down-hole are below 0.2 mpy (0.005 mm/y) and on the surface below 3 mpy (0.075 mm/y). The results of the new technique collected from 7 wells over several years are compared with the effectiveness of the so-called partial batch treatment, practiced on 12 wells of similar nature. The new technique results in corrosion rates which are from 2 to 6 times l
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Liu, Ruitong, Rui Zhu, Yu Liu, Gang Qian, and Quanhua Liu. "An Asymmetric Pulsed Load Modulation (PLM) Power Amplifier for Power Back-off Efficiency Enhancement." In 2024 IEEE MTT-S International Wireless Symposium (IWS). IEEE, 2024. http://dx.doi.org/10.1109/iws61525.2024.10713707.

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Nakamura, Masanori, Teruo Jyo, Munehiko Nagatani, et al. "628 Gb/s Net Bitrate IMDD Transmission Using Ultra-broadband InP-DHBT-based Electrical Mixer with Upper-sideband Gain-enhanced Mode." In Optical Fiber Communication Conference. Optica Publishing Group, 2025. https://doi.org/10.1364/ofc.2025.m3c.3.

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We demonstrate a net bitrate of 633-Gb/s back-to-back and 628-Gb/s 11-km IMDD transmission with 224-GBd PS-PAM14 signal using upper-sideband gain-enhanced mode of a 150-GHz-bandwidth electrical mixer for frequency-domain multiplexing, achieving the first &gt;600-Gb/s/lane IMDD transmission.
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Bulancea, Gabriel. "HARMONIC FORESHADOWS IN J. S. BACH�S CREATION." In 6th SWS International Scientific Conference on Arts and Humanities ISCAH 2019. STEF92 Technology, 2019. http://dx.doi.org/10.5593/sws.iscah.2019.1/s22.025.

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Steul, K., C. Benfer, and U. Heudorf. "Multiresistente Erreger in Oberflächengewässern – Spielen am Bach erlaubt?" In Der Öffentliche Gesundheitsdienst: Mitten in der Gesellschaft. Georg Thieme Verlag KG, 2019. http://dx.doi.org/10.1055/s-0039-1679403.

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Böhm, Christoph, and Stefan Weinzierl. "DIE HIMMELSBURG -AURALISATION EINER KANTATE VON J. S. BACH IN DER DIGITAL REKONSTRUIERTEN KAPELLE DES WEIMARER STADTSCHLOSSES." In BauSim Conference 2022. IBPSA-Germany and Austria, 2022. http://dx.doi.org/10.26868/29761662.2022.7.

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Günther, C. "Zehnjährige Erfahrung mit dem „ESCEO-IOF-Song“ – unterstützt durch Johann Sebastian Bach – im Kampf gegen die Volkskrankheit Osteoporose." In Osteologie 2020. © Georg Thieme Verlag KG, 2020. http://dx.doi.org/10.1055/s-0039-3402872.

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Roy, Sukanta, Prasenjit Mukherjee, and Ujjwal K. Saha. "Aerodynamic Performance Evaluation of a Novel Savonius-Style Wind Turbine Under an Oriented Jet." In ASME 2014 Gas Turbine India Conference. American Society of Mechanical Engineers, 2014. http://dx.doi.org/10.1115/gtindia2014-8152.

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The Savonius-style wind turbine, a class of vertical axis wind turbines, can be a viable option for small scale off-grid electricity generation in the context of renewable energy applications. A better self-starting capability at low wind speeds is one of the major advantages of this turbine. However, as reported in open literature, the power coefficient of the conventional design is found to be inferior as compared to its counterparts. In this regard, a new blade design has been developed. In the present investigation, the aerodynamic performance of this newly designed turbine is assessed und
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Portalés, Cristina, Francisco Giner, and Francisco Sanmartín. "Back to the 70's." In the 2005 ACM SIGCHI International Conference. ACM Press, 2005. http://dx.doi.org/10.1145/1178477.1178509.

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"Back Cover." In 2004 IEEE MTT-S International Microwave Symposium Digest. IEEE, 2004. http://dx.doi.org/10.1109/mwsym.2004.1335986.

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Reports on the topic "I.S. Bach"

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Zhu, Qiqi, Jie Deng, Chong Xu, Meixi Yao, and Yu Zhu. Effects of physical activity on visuospatial working memory in healthy individuals: a systematic review and meta-analysis. INPLASY - International Platform of Registered Systematic Review and Meta-analysis Protocols, 2022. http://dx.doi.org/10.37766/inplasy2022.8.0053.

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Review question / Objective: P: Healthy individuals (including children, adolescents, adults, and seniors); I: Individuals who join various physical activities (including aerobic exercise, HIT, yoga, resistance training, Tai Chi, balance training, skill training, et al); C: Individuals who have no movement, do reading, or do same as normal activities; O: 1-Back Test, 2-Back Test, Trail Making Test-A, Trail Making Test-B, Digit Span Forward, Digit Span Backward; S: Randomized Controlled Trial (RCT). Condition being studied: Healthy individuals without any cognitive disorders.
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Mesquita Moreira, Mauricio. Fear of China: Is there a Future for Manufacturing in Latin America? Inter-American Development Bank, 2006. http://dx.doi.org/10.18235/0008603.

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China¿s emergence has raised pointed questions about the future of manufacturing in Latin America. This paper looks at this challenge and its implications. It begins by asking: Does manufacturing still matter for Latin America? It argues that the region cannot afford to turn its back to a well-proven road to development. It then moves on to show that endowments, productivity, scale and the government¿s role, all work together to make China a formidable competitor. The importance of this challenge is confirmed by an analysis of the trade data, which suggests a small impact so far, but a disquie
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Shafer, A. Evaluation of ISDP Batch 2 Qualification Compliance to 512-S, DWPF, Tank Farm, and Saltstone Waste Acceptance Criteria. Office of Scientific and Technical Information (OSTI), 2010. http://dx.doi.org/10.2172/978448.

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กุลปรีชา, ส่งศรี. การผลิตโปรตีนจากจุลินทรีย์โดยใช้น้ำทิ้งจากโรงงานอุตสาหกรรมเลี้ยงสัตว์ : รายงานผลการวิจัย. จุฬาลงกรณ์มหาวิทยาลัย, 1997. https://doi.org/10.58837/chula.res.1997.17.

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ในการศึกษาการผลิตโปรตีนจากจุลินทรีย์ โดยใช้น้ำทิ้งจากโรงงานอุตสาหกรรมเลี้ยงสัตว์เพื่อใช้เป็นแหล่งอาหารสำหรับสัตว์ และเป็นการบำบัดน้ำทิ้งได้ในขณะเดียวกัน จากการวิเคราะห์ตัวอย่างน้ำทิ้งพบว่า น้ำทิ้งมีค่าบีโอดี และค่าซีโอดีเฉลี่ยเท่ากับ 558 และ 941 มิลลิกรัมต่อลิตร ตามลำดับ มีไขมันเป็นองค์ประกอบเฉลี่ยเท่ากับ 3.27 กรัมต่อลิตร มีโปรตีนเป็นองค์ประกอบเฉลี่ยเท่ากับ 1.44 กรัมต่อลิตร จากการคัดแยกและรวบรวมสายพันธุ์ยีสต์ที่เติบโตได้ในน้ำทิ้งสามารถรวบรวมสายพันธุ์ยีสต์ได้ทั้งหมด 7 สายพันธุ์ ได้แก่ C5045 C5046 S 0001 T 0001 Y 8662 N 0001 และN 0002 เมื่อเลี้ยงเชื้อยีสต์ดังกล่าวในอาหารเลี้ยงเชื้อจากน้ำทิ้งที่ไ
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Monteferrante, Patricia, and Samuel Freije. Common Problems of Back Door Neighbors: Social Security and Informal Employment in Barbados, Trinidad and Tobago and Venezuela (Executive Summary). Inter-American Development Bank, 2002. http://dx.doi.org/10.18235/0012248.

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The causes of informality are many and range from imperfections in existing legislation and segmentation of the labor markets to macroeconomic adjustment programs and globalization. Some see in informality a mechanism for escaping unemployment, while for others it generates a spirit of entrepreneurship. The study has two objectives: i) To evaluate the degree of poverty and lack of social protection of informal workers in three of the region¿s countries: Barbados, Trinidad and Tobago, and Venezuela. ii) To recommend mechanisms for broadening social security and assistance coverage of informal w
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Williams, C. K. Is Reach Back" a Viable Means to Provide Geospatial Information and Services (GI&S) Support for the Objective Force?". Defense Technical Information Center, 2002. http://dx.doi.org/10.21236/ada401703.

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Valentine-Darby, Patricia, Kimberly Struthers, and Dale McPherson. Natural resource conditions at Cedar Creek & Belle Grove National Historical Park: Findings & management considerations for selected resources. National Park Service, 2024. http://dx.doi.org/10.36967/2303413.

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The National Park Service?s Natural Resource Condition Assessment (NRCA) Program developed an NRCA with managers at Cedar Creek &amp; Belle Grove National Historical Park (CEBE), a partner park located in western Virginia in Frederick, Shenandoah, and Warren counties. An NRCA?s purpose is to synthesize information on the primary drivers and stressors affecting natural resource conditions, and to report conditions for specific natural resources selected by park managers. Condition assessments were conducted for three of CEBE?s resources?visual resources, night sky, and soundscape?and gap analys
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Lahav, Ori, Albert Heber, and David Broday. Elimination of emissions of ammonia and hydrogen sulfide from confined animal and feeding operations (CAFO) using an adsorption/liquid-redox process with biological regeneration. United States Department of Agriculture, 2008. http://dx.doi.org/10.32747/2008.7695589.bard.

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The project was originally aimed at investigating and developing new efficient methods for cost effective removal of ammonia (NH₃) and hydrogen sulfide (H₂S) from Concentrated Animal Feeding Operations (CAFO), in particular broiler and laying houses (NH₃) and hog houses (H₂S). In both cases, the principal idea was to design and operate a dedicated air collection system that would be used for the treatment of the gases, and that would work independently from the general ventilation system. The advantages envisaged: (1) if collected at a point close to the source of generation, pollutants would
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Edwards, T. B., and D. K. Peeler. Analytical Plans Supporting The Sludge Batch 8 Glass Variability Study Being Conducted By Energysolutions And Cua's Vitreous State Laboratory. Office of Scientific and Technical Information (OSTI), 2012. http://dx.doi.org/10.2172/1055761.

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RAYMOND, S., A. ZHELUDEV, T. MASUDA, K. KAKURAI, E. RESSOUCHE, and A. WILDES. MAGNETIC EXCITATIONS AND DOUBLE GAP IN THE S=1/2 LINEAR CHAIN QUANTUM ANTIFERROMAGNET BaCu{sub 2}Si{sub 2}O{sub 7}. Office of Scientific and Technical Information (OSTI), 2000. http://dx.doi.org/10.2172/759036.

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