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Dissertations / Theses on the topic '<i>The Picture of Dorian Gray<'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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1

Augustsson, Anna. "En Adaptationsanalys av Oscar Wildes roman 'The Picture of Dorian Gray' och David Rosenbaums film 'The Picture of Dorian Gray'." Thesis, Halmstad University, School of Humanities (HUM), 2007. http://urn.kb.se/resolve?urn=urn:nbn:se:hh:diva-645.

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<p>Uppsatsen studerar hur Oscar Wildes roman 'The Picture of Dorian Gray' har överförts till filmen, genom att jämföra centrala karaktärer, förhållandet mellan 'story' och 'plot' samt hur man skildrar tiden och rummet i de olika medierna. Detta för att se vilken form av adaptation som använts. Teorin baseras på Brian McFarlane, Susan Hayward och Louis Giannetti m.fl.</p>
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2

Upchurch, David A. "Irish Celtic folklore in The picture of Dorian Gray." Virtual Press, 1989. http://liblink.bsu.edu/uhtbin/catkey/720138.

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Although critics have studied Oscar Wilde's The Picture of Dorian Gray for nearly one hundred years, no one has examined the author's Irish Celtic heritage in relation to such unanswered questions as the source for the supernatural power that grants Dorian's wish to remain young and creates the central conflict, the purpose of the eleventh chapter, or the apparent "overwriting" or "purple patches" of prose.As a result, the novel has remained elusive, yet fascinating, to both critics and readers. This study asserts that the problem with the traditional approaches critics have taken to solve the
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3

Gustafsson, Sara. "Aesthetic Principles in Oscar Wilde's The Picture of Dorian Gray." Thesis, Högskolan i Halmstad, Sektionen för humaniora (HUM), 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:hh:diva-15893.

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This study problematizes the criticism Oscar Wilde received for his novel The Picture of Dorian Gray and aims to explore the aesthetic style he employed when writing the novel. The theoretical approach used in this essay is based on the perspectives of New Historicism; Wilde’s life and how people reasoned during his lifetime are brought into focus and different influences on his work are examined, especially evidence of biographical aspects as well as aesthetic elements in the novel. Wilde himself refuted that he had written an immoral story, insisting that morality was not part of Aestheticis
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4

GAMMEL, JEAN-PHILIPPE Lautel Alain. "LES TRADUCTIONS FRANCAISES DE THE PICTURE OF DORIAN GRAY D'OSCAR WILDE /." [S.l.] : [s.n.], 1997. ftp://ftp.scd.univ-metz.fr/pub/Theses/1997/Gammel.Jean_Philippe.LMZ9715_1.pdf.

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5

Gammel, Jean-Philippe. "Les traductions françaises de The Picture of Dorian Gray d'Oscar Wilde." Metz, 1997. http://docnum.univ-lorraine.fr/public/UPV-M/Theses/1997/Gammel.Jean_Philippe.LMZ9715_1.pdf.

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Cette étude se propose d'analyser l'histoire des traductions françaises de the Picture of Dorian gray d'Oscar Wilde. Les sept traductions du roman Tardieu (1895), Jaloux et Frapereau (1924), Etienne (1951), Hertz (1958), Lack (1975), Gattegno (1992), et Crevier (1995) ont été prises en compte afin de déterminer leur impact respectif sur la réception de l'œuvre de Wilde en France, ainsi que sur l'image de l'auteur. Après un examen approfondi du texte original qui met l'accent sur les révisions de Wilde et qui révèle la multiplicité des lectures possibles, les textes anglais et français ont été
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6

Edsman, Martina. "The Immortal Life and Immoral Values of Dorian Gray : A Study of Immortality and Immoral Behavior in The Picture of Dorian Gray." Thesis, Högskolan i Gävle, Engelska, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:hig:diva-26195.

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This essay aims to examine how immortality and immoral behavior are represented in The Picture of Dorian Gray by Oscar Wilde. The claim in this essay is that an immortal life is not a desirable life and that it traps you in a paradoxical existence that cannot be desirable. The method used in this essay is close reading of the narrative focusing on the protagonist Dorian Gray examined through two theories, ‘The Makropulos case’ and the subsequent analysis regarding contingent and categorical desires introduced by Bernard Williams as well as a theory focusing on endless frustration by Aaron Smut
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7

Jansson, Isabelle. "Mode som narrativ : En analys av modets roll i The Picture of Dorian Gray." Thesis, Stockholms universitet, Centrum för modevetenskap, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-113203.

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My aim with this study has been to examine how the fashion is a leading component in the novel The Picture of Dorian Gray. I have studied the role fashion plays in the novel and in which way it can be seen as a way of letting the reader know the important role of fashion in 19tcentury England and the morals of Oscar Wilde. To prove my thesis I have used literature that shows how Oscar Wilde uses influences from his own life in his writing of The Picture of Dorian Gray. I have also used Judith Butler's theory of performativity in analyzing the characters in ordet to display their way of staging
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8

Johnson, Marshall Lewis. "The Importance of Being Useless: Revolution and Judgment in 'The Picture of Dorian Gray'." OpenSIUC, 2011. https://opensiuc.lib.siu.edu/theses/670.

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The preface to The Picture of Dorian Gray is often dismissed as merely an addendum to the novel intended to detract hostile readers and absolve the text itself of any accusations of immorality. When coupled with the narrative itself, however, the novel shows both the impossibility of producing the new through traditional notions of revolution, as well as the way in which the Deleuzian conception of judgment inhibits Dorian from ever viewing the portrait as insignificantly amoral, as not symbolic of his sins. Yet the preface, coupled with the various aesthetic objects in the text, is producti
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9

Siméus, Jenny. "A Study of Art and Aestheticism in Oscar Wilde’s The Picture of Dorian Gray." Thesis, Växjö University, School of Humanities, 2004. http://urn.kb.se/resolve?urn=urn:nbn:se:vxu:diva-2149.

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<p>My twofold aim with this essay is, firstly, to examine the ideas about art expressed in the novel The Picture of Dorian Gray by the Victorian author Oscar Wilde. Secondly, I analyse how Oscar Wilde has implemented the philosophy of aestheticism throughout his novel. I achieve this by discussing the novel from the perspectives of the arts of painting, acting and literature. I examine the ideas expressed through the three main characters Dorian Gray, Basil Hallward and Lord Henry Wotton. I give occurrences of alliteration, epigrams and theatrical traits of the novel as examples of how the nov
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10

Matsuoka, Mitsuharu, та 光治 松岡. "Aestheticism and Social Anxiety in The Picture of dorian Gray (美と文化)". 名古屋大学言語文化部・国際言語文化研究科, 2003. http://hdl.handle.net/2237/8093.

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11

McLeod, Deborah S. "Beauty, Objectification, and Transcendence: Modernist Aesthetics in The Picture of Dorian Gray and Pale Fire." [Tampa, Fla.] : University of South Florida, 2007. http://purl.fcla.edu/usf/dc/et/SFE0002060.

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12

Mir, Ashkan. "The Different Faces of Narcissism : A Psychoanalytic Reading of The Great Gatsby and The Picture of Dorian Gray." Thesis, Karlstads universitet, Institutionen för språk, litteratur och interkultur, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-39762.

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The purpose of this essay is to perform a comparative psychoanalytic reading of The Great Gatsby (1925) and The Picture of Dorian Gray (1891) in terms of the titular characters’ narcissistic behavior. My claim is that Jay Gatsby and Dorian Gray can be seen as different depictions of narcissism. Literary critics in previous research characterized Gatsby and Gray as narcissists, but, there has not been a comparison between the two with focus on their narcissism. Gatsby and Gray display crucial differences which suggests that they portray narcissism in different ways. Theodore Millon identified f
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13

Karlsson, Fouda Annet. "Looking for the Victorian Man: Signs of Femininity in Oscar Wilde's The Picture of Dorian Gray." Thesis, Högskolan i Halmstad, Sektionen för humaniora (HUM), 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:hh:diva-21673.

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14

Svensson, Andreas. "Forsake Thy Art, Forsake Thyself : A Lacanian Reading of Oscar Wilde's The Picture of Dorian Gray." Thesis, Högskolan i Gävle, Engelska, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:hig:diva-32531.

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This essay argues, with the help of Lacanian psychoanalysis, that Dorian Gray, the protagonist in Oscar Wilde’s novel, fails to abide by the rules governed by the culture of society. It is argued that Lacan’s theories about the mirror stage develop Dorian’s character and his realizations of his true self as part of the culture which shapes him. The mirror is represented by the four characters Basil Hallward, Lord Henry Wotton, Sibyl Vane, and Sibyl’s brother James. Basil, Henry, and Sibyl are all representations of different aspects of the mirror explained by Lacan’s theories, and these three
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15

Giudicelli, Xavier. "Oscar Wilde et les paradoxes de la représentation : étude des éditions illustrées de The Picture of Dorian Gray." Paris 4, 2006. http://www.theses.fr/2006PA040133.

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The Picture of Dorian Gray d’Oscar Wilde peut se lire comme l’histoire d’un portrait irreprésentable. Pourtant, ce roman a été illustré à plusieurs reprises. Ce travail se propose d’analyser dix-huit éditions illustrées de The Picture of Dorian Gray, publiées en Grande-Bretagne, aux Etats-Unis et en France entre 1908 et 2003. L’étude de ces illustrations conduit d’abord à souligner le fait qu’un texte est peut-être avant tout un livre : la première partie de cette thèse a pour but de replacer ces diverses éditions illustrées dans leur contexte éditorial, ainsi que dans l’évolution des techniqu
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Peterseil, Yakob Luisetti Federico. "To make a monster manipulation and invention in Oscar Wilde's The picture of Dorian Gray and Italo Svevo's Senilità /." Chapel Hill, N.C. : University of North Carolina at Chapel Hill, 2006. http://dc.lib.unc.edu/u?/etd,470.

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Thesis (M.A.)--University of North Carolina at Chapel Hill, 2006.<br>Title from electronic title page (viewed Oct. 10, 2007). "... in partial fulfillment of the requirements for the degree of Master of Arts in the Curriculum of Comparative Literature." Discipline: Comparative Literature; Department/School: Comparative Literature.
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17

Olsson, Linda. "The Unacceptance of a Sinful Protagonist's Moral Standards : The Cause and Effect of Censoring Oscar Wilde's The Picture of Dorian Gray." Thesis, Karlstads universitet, Institutionen för språk, litteratur och interkultur, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-35013.

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The aim of this essay is to show the significant effect censoring Oscar Wilde’s The Picture of Dorian Gray had on the protagonist’s moral standing. I compare the original uncensored version of The Picture of Dorian Gray with the censored version. The uncensored version, published by the Belknap Press and edited by Nicholas Frankel, has only been available to the public for three years. My comparison proves that a great deal has been changed in terms of content between the two versions of the novel. This essay will outline and discusses the changes made in order to make the text acceptable in t
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18

Hall, Anna. "”...to love what Death doesn’t touch” : Om tavlor och moraliskt förfall i The Picture of Dorian Gray och The Goldfinch." Thesis, Uppsala universitet, Litteraturvetenskapliga institutionen, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-323972.

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En komparativ uppsats som illustrerar tavlans inverkan och betydelse i Oscar Wildes The Picture of Dorian Gray (1891) och Donna Tartts The Goldfinch (2013). Fyra huvudteman utröns: tavlan som tidlöst objekt, undangömd, människans spegelbild och moraliskt korrumperande.
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19

Lingua, Catherine. "Les images ambigue͏̈s de la beauté dans "Monsieur Vénus" de Rachilde et "The Picture of Dorian Gray" d'Oscar Wilde (1880-1900)." Toulouse 2, 1993. http://www.theses.fr/1993TOU20046.

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L'objet de cette these est d'eclaircir a travers deux ouvrages distincts, quelques traits caracteristiques d'une revolte culturelle qui en france et en angleterre s'illustra surtout dans des temoignages d'ordre litteraire et plus generalement artistique, le decadentisme. L'androgyne-hermaphrodite, l'ephebe, l'homme-fille, le dandy, le travestissement intersexuel sont les motifs majeurs autour desquels s'est organisee cette etude qui demontre que la beaute ambigue est depositaire "voile" d'un certain nombre de revendications dont celle, particulierement epineuse pour l'epoque, de la reconnaissa
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20

Paquin, Marianne, and Marianne Paquin. "Shame and late Victorian gothic : The picture of Dorian Gray, The beetle, and The strange case of Dr Jekyll and Mr Hyde." Master's thesis, Université Laval, 2019. http://hdl.handle.net/20.500.11794/37625.

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Suite aux grands changements qui bousculèrent la société, la fin du dix-neuvième siècle fut une période de grande instabilité pour l’Angleterre. Les anxiétés créées par ces bouleversements se reflétèrent dans une prolifération de la littérature Gothique. Bien que le genre soit généralement étudié en relation avec la peur, ce mémoire soutient que le gothique tire son essence d’un large éventail d’émotions — et, tout particulièrement, de la honte. Étroitement liée à la notion de moralité, la honte est profondément ancrée dans les codes sociaux et les conventions. Dans une société aussi conservat
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21

Andreas, Santesson Papadopoulos. "When Escapism Becomes Neurotic : A Psychoanalytic Reading of Defense Mechanisms Employed in The Picture of Dorian Gray as a Medium to Escape Reality." Thesis, Högskolan i Gävle, Avdelningen för humaniora, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:hig:diva-35860.

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Using psychoanalysis as a theoretical framework, this essay examines the subject of escapism in The Picture of Dorian Gray by Oscar Wilde. Defense mechanisms of the ego, first thought of by Sigmund Freud, allow for a clearer understanding of what takes place during the plot. By taking the author’s background into account, along with clues in the plot of the novel, a more realistic reading of the novel is made possible instead of a supernatural take. A psychoanalytic perspective allows the essay to explore why and how the protagonist chooses to escape in the novel. The main focus of the analysi
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Hidaka, Maho. "A Study of Oscar Wilde and Adaptations of His Works." Kyoto University, 2015. http://hdl.handle.net/2433/198956.

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Kyoto University (京都大学)<br>0048<br>新制・論文博士<br>博士(人間・環境学)<br>乙第12939号<br>論人博第41号<br>新制||人||177(附属図書館)<br>27||論人博||41(吉田南総合図書館)<br>32149<br>京都大学大学院人間・環境学研究科環境相関研究専攻<br>(主査)教授 丸橋 良雄, 教授 前川 玲子, 教授 水野 眞理, 教授 廣野 由美子, 教授 松田 英男<br>学位規則第4条第2項該当
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O'Dell, Benjamin Daniel. "Henry Jekyll, Sherlock Holmes, and Dorian Gray: Narrative Politics and the Representation of Character in Late-Victorian Gothic Romance." Miami University / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=miami1215048065.

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Coulais, Catherine. "Au fil de l'eau-- ; : suivi de Étude sur la thématique de la liquidité dans le roman Le portrait de Dorian Gray d'Oscar Wilde." Thesis, Université Laval, 2007. http://www.theses.ulaval.ca/2007/24448/24448.pdf.

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Ounoughi, Samia. "Le lecteur dans l'oeuvre : enjeux linguistiques et discursifs de la refondation du sujet dans quelques oeuvres de la littérature britannique du dix-neuvième siècle." Aix-Marseille 1, 2009. http://www.theses.fr/2009AIX10109.

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Cette étude concerne trois oeuvres britanniques du dix-neuvième siècle : Frankestein or the Modern Prometheus (M. Shelley : 1831), The Strange case of Dr. Jekill and Mr. Hyde (R. L. Stevenson : 1886) et The Picture of Dorian Gray (O. Wilde : 1891). Dans ces textes, le personnage éponyme se trouve très tôt ou déjà confronté à une projection de lui-même, une créature fantastique qu'il a appelée de ses voeux. Le lecteur est alors invité à suivre ce face-à-face à travers le regard d'un récepteur intradiégétique. Il s'agira de mettre en lumière le rôle-clé de ce personage (principal ou secondaire).
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Ribeiro, Isa?as da Silva. "Murais modernos de Newton Navarro e Dorian Gray." Universidade Federal do Rio Grande do Norte, 2011. http://repositorio.ufrn.br:8080/jspui/handle/123456789/12366.

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Made available in DSpace on 2014-12-17T13:57:06Z (GMT). No. of bitstreams: 1 IsaiasSR_DISSERT.pdf: 2641861 bytes, checksum: 11dc543c4a539e8fee9c04f5d5b0a4ab (MD5) Previous issue date: 2011-04-11<br>Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior<br>This research aims to study wall paitings created by artists Newton Navarro and Dorian Gray, installed in public buildings of modern architecture, in Natal/RN from 1950 to 1970. The subject is seen by focusing on its concepts and characterization, linked to the ideia of integration of the arts and the meaning of modern mural painting i
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Reese, Angelika. "Forever young! : das Dorian-Gray-Syndrom im Jugendalter als Herausforderung für die Schule /." Idstein : Schulz-Kirchner, 2008. http://d-nb.info/989119858/04.

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González, de la Llana Natalia. "Adán y Eva, Fausto y Dorian Gray: Tres mitos de transgresión /." Herzogenrath : Shaker, 2009. http://www.gbv.de/dms/sub-hamburg/594434955.pdf.

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González, de la Llana Natalia. "Adán y Eva, Fausto y Dorian Gray: tres mitos de transgresión." Aachen Shaker, 2006. http://d-nb.info/993053327/04.

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Fratric, Glauco Correa da Cruz Bacic. "Epigramas e vozes: as autoconsciências em O retrato de Dorian Gray." Universidade Presbiteriana Mackenzie, 2016. http://tede.mackenzie.br/jspui/handle/tede/3027.

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Rezende, Sabrina Mesquita de. "O entre-fronteiras decadentista de Drácula e O retrato de Dorian Gray." Universidade Federal de Goiás, 2017. http://repositorio.bc.ufg.br/tede/handle/tede/7880.

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Submitted by Erika Demachki (erikademachki@gmail.com) on 2017-10-11T21:25:46Z No. of bitstreams: 2 Dissertação - Sabrina Mesquita de Rezende - 2017.pdf: 1163979 bytes, checksum: e62be6501abb18eefaf45d28cdd3f45b (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5)<br>Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2017-10-13T14:13:11Z (GMT) No. of bitstreams: 2 Dissertação - Sabrina Mesquita de Rezende - 2017.pdf: 1163979 bytes, checksum: e62be6501abb18eefaf45d28cdd3f45b (MD5) license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (M
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Araújo, Sandra Fátima da Silva. "O DUPLO NA OBRA O RETRATO DE DORIAN GRAY, DE OSCAR WILDE." Pontifícia Universidade Católica de Goiás, 2017. http://tede2.pucgoias.edu.br:8080/handle/tede/3671.

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Submitted by admin tede (tede@pucgoias.edu.br) on 2017-05-12T12:43:59Z No. of bitstreams: 1 SANDRA FÁTIMA DA SILVA ARAÚJO.pdf: 1107564 bytes, checksum: f9cff204766c4a51e868c55fa5507a2c (MD5)<br>Made available in DSpace on 2017-05-12T12:44:00Z (GMT). No. of bitstreams: 1 SANDRA FÁTIMA DA SILVA ARAÚJO.pdf: 1107564 bytes, checksum: f9cff204766c4a51e868c55fa5507a2c (MD5) Previous issue date: 2017-03-03<br>This work is an investigation about the duo in a perspective of the irony and the narcissism, by the use of the esthetic language in the Oscar Wilde‟s novel: The portrait of Dorian Gray. The
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Frasson, Raiane. "Retratos do retrato: tradução intersemiótica e adaptações cinematográficas do Retrato de Dorian Gray." reponame:Repositório Institucional da UFSC, 2015. https://repositorio.ufsc.br/xmlui/handle/123456789/169402.

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Dissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-Graduação em Estudos de Tradução, Florianópolis, 2015.<br>Made available in DSpace on 2016-10-19T12:50:41Z (GMT). No. of bitstreams: 1 339539.pdf: 1772502 bytes, checksum: 31af540ce6f79017019ae255e9bc1b54 (MD5) Previous issue date: 2015<br>Essa dissertação busca descrever os procedimentos semióticos nas adaptações da obra literária O retrato de Dorian Gray para as obras cinematográficas de 1973 e de 2009, focando no modo como Dorian Gray foi retratado em ambas as produções fílm
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Koonce, Elizabeth Godke. "SENSATION FICTION AND THE LAW: DANGEROUS ALTERNATIVE SOCIAL TEXTS AND CULTURAL REVOLUTION IN NINETEENTH-CENTURY BRITAIN." Ohio : Ohio University, 2006. http://www.ohiolink.edu/etd/view.cgi?ohiou1155670056.

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TENÓRIO, Patricia Gonçalves. "O retrato de Dorian Gray, de Oscar Wilde: um romance indicial, agostiniano e prefigural." Universidade Federal de Pernambuco, 2015. https://repositorio.ufpe.br/handle/123456789/16430.

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Submitted by Haroudo Xavier Filho (haroudo.xavierfo@ufpe.br) on 2016-04-08T18:59:56Z No. of bitstreams: 2 license_rdf: 1232 bytes, checksum: 66e71c371cc565284e70f40736c94386 (MD5) Dissertação_PatriciaTenório_BC.pdf: 884166 bytes, checksum: 0a78095c224981af6d91420fd610f878 (MD5)<br>Made available in DSpace on 2016-04-08T18:59:56Z (GMT). No. of bitstreams: 2 license_rdf: 1232 bytes, checksum: 66e71c371cc565284e70f40736c94386 (MD5) Dissertação_PatriciaTenório_BC.pdf: 884166 bytes, checksum: 0a78095c224981af6d91420fd610f878 (MD5) Previous issue date: 2015-09-17<br>Dissertação resultado da pesqui
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Toffoli, Tânia 1984. "O retrato de Dorian Gray : um romance em três tempos - circulacão entre Inglaterra e Brasil." [s.n.], 2013. http://repositorio.unicamp.br/jspui/handle/REPOSIP/270141.

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Orientador: Orna Messer Levin<br>Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem<br>Made available in DSpace on 2018-08-22T16:26:57Z (GMT). No. of bitstreams: 1 Toffoli_Tania_M.pdf: 4489343 bytes, checksum: 7ed0bd40c4c0b187ed4497cc828dfc8c (MD5) Previous issue date: 2013<br>Resumo: O objetivo deste trabalho é comparar o contexto de publicação do único romance de Oscar Wilde, \O Retrato de Dorian Gray", na Inglaterra e no Brasil. A obra aparece pela primeira vez no Reino Unido e EUA em 1890 na Lippincott's. É editada em livro em 1891. A tradução d
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Vieira, Marcus Rodrigues Jacobina. "Oscar Wilde e Dorian Gray: sobre a experiência da perda, da dor e do luto." Pontifícia Universidade Católica de São Paulo, 2014. https://tede2.pucsp.br/handle/handle/15380.

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Made available in DSpace on 2016-04-28T20:38:58Z (GMT). No. of bitstreams: 1 Marcus Rodrigues Jacobina Vieira.pdf: 1160437 bytes, checksum: 442a325aeb410a9a2ce12e8ce617c63a (MD5) Previous issue date: 2014-12-12<br>Conselho Nacional de Desenvolvimento Científico e Tecnológico<br>This is a research on mourning and melancholy, the challenges of going through a mourning process and the refusal to accept aging and the passage of time.The research was inspired in psychoanalytic theory and on the reading of the novel The portrait of Dorian Gray, by Oscar Wilde, whose main character, Dorian Gray ref
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González, de la Llana Natalia [Verfasser]. "Adán y Eva, Fausto y Dorian Gray: Tres mitos de transgresión / Natalia González de la Llana." Aachen : Shaker, 2009. http://d-nb.info/1126378135/34.

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Bromling, Laura Cappello, and University of Lethbridge Faculty of Arts and Science. "From the pens of the contrivers : perspectives on fiction in the nineteenth-century novel." Thesis, Lethbridge, Alta. : University of Lethbridge, Faculty of Arts and Science, 2003, 2003. http://hdl.handle.net/10133/154.

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This thesis investigates the way that moral and aesthetic concerns about the relationship between fiction and reality are manifested in the work of particular novelists writing at different periods in the nineteenth century, Chapter One examines an early-century subgenre of the novel that features deluded female readers who fail to differentiate between fantasy and reality, and who consequently attempt to live their lives according to foolish precepts learned from novels. The second chapter deals with the realist aesthetic of W. M. Thackeray; focusing on the techniques by which his fiction mar
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Medeiros, Arilene Lucena de. "Dorian Gray Caldas: a trajet?ria biogr?fica de um artista precursor de uma identidade potiguar (1950-1989)." PROGRAMA DE P?S-GRADUA??O EM HIST?RIA, 2017. https://repositorio.ufrn.br/jspui/handle/123456789/24750.

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Submitted by Automa??o e Estat?stica (sst@bczm.ufrn.br) on 2018-02-15T11:59:35Z No. of bitstreams: 1 ArileneLucenaDeMedeiros_DISSERT.pdf: 4245921 bytes, checksum: b136d05868354bdbaba77438119a7a0f (MD5)<br>Approved for entry into archive by Arlan Eloi Leite Silva (eloihistoriador@yahoo.com.br) on 2018-02-19T19:00:14Z (GMT) No. of bitstreams: 1 ArileneLucenaDeMedeiros_DISSERT.pdf: 4245921 bytes, checksum: b136d05868354bdbaba77438119a7a0f (MD5)<br>Made available in DSpace on 2018-02-19T19:00:14Z (GMT). No. of bitstreams: 1 ArileneLucenaDeMedeiros_DISSERT.pdf: 4245921 bytes, checksum: b136d058
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Cummings, Ashlee Mae. "The Shelter of Philosophy: Repression and Confrontation of the Traumatic Experience in the Works of Sarah Kofman." Oxford, Ohio : Miami University, 2009. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=miami1248976254.

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Bacon, Edwin Bruce. "Confronting eternity : strange (im)mortalities, and states of undying in popular fiction." Thesis, University of Canterbury. English, 2014. http://hdl.handle.net/10092/9680.

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When the meritless scrabble for the bauble of deity, they ironically set their human lives at the “pin’s fee” to which Shakespeare’s Hamlet refers. This thesis focuses on these undeserving individuals in premillennial and postmillennial fiction, who seek immortality at the expense of both their humanities, and their natural mortalities. I will analyse an array of popular modern characters, paying particular attention to the precursors of immortal personages. I will inaugurate these analyses with an examination of fan favourite series
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Corvini, Helena de Lima. "Quem tem medo de Oscar Wilde? vida como obra-de-arte." Pontifícia Universidade Católica de São Paulo, 2012. http://tede2.pucsp.br/handle/handle/2322.

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Made available in DSpace on 2016-04-25T20:20:40Z (GMT). No. of bitstreams: 1 Helena de Lima Corvini.pdf: 402435 bytes, checksum: c27b65909c893b98758526a82026bf2a (MD5) Previous issue date: 2012-05-23<br>Conselho Nacional de Desenvolvimento Científico e Tecnológico<br>This present dissertation intends to accompany Oscar Wilde's steps through late Victorian London, the booming center of an already decadent Empire. At this time being, positivist and imperialist discourses explain the reality. Both the medical science and the law fight over the theme of homosexuality. In a time when the symbolic
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Sung, Mei-hui, and 宋美慧. "The Aesthetics of Oscar Wilde and The Picture of Dorian Gray." Thesis, 2004. http://ndltd.ncl.edu.tw/handle/98689536005551526754.

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碩士<br>國立中正大學<br>外國語文研究所<br>92<br>Oscar Wilde shows a true talent for extensive use of literary genres, and he is considered as one of the most prominent aesthetes. However, in 1895 he is labeled as a public figure of notoriety. Today, his seemingly “inappropriate” comments and conducts are no more eccentricity but justification of individualism. Wilde proves to the world that he is a victim to hypocrisy and a pioneer of modern trends. In light of Wilde’s peculiar philosophy of art and legendary lifestyle, this thesis aims to mainly discuss the long unsettled relationship between art and mo
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Chen, Rita Ming-hsiu, and 陳明秀. "Distance and Beauty: Wilde's Aesthetics in The Picture of Dorian Gray." Thesis, 1999. http://ndltd.ncl.edu.tw/handle/75532525723790654550.

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碩士<br>國立中正大學<br>外國語文研究所<br>87<br>Abstract This thesis uses Edward Bullough’s ideas of psychical distance and the antinomy of distance to clarify and justify Oscar Wilde’s aesthetics, advanced in his two dialogues, “The Decay of Lying” and “The Critic as Artist,” and exemplified in The Picture of Dorian Gray. Insisting on the aesthetic nature of art, Wilde asserts that art aims at the creation of beauty, that art ends in itself, that art should tell beautiful lies conceived by the artist’s imagination, and that art precludes ethical concerns. All these claims can be clari
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Liu, David Yi-ting, and 劉羿廷. "Revisiting the Double in The Picture of Dorian Gray: A Psychosocial Consideration." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/99584257634121300273.

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碩士<br>國立中正大學<br>外國語文研究所<br>101<br>The studies on Oscar Wilde’s The Picture of Dorian Gray generally revolve around the protagonist’s psychology and the motif of duality in the story. When critics scrutinize the novel, the double is the most discussed subject, especially in terms of its connection to Dorian’s portrait and the impact it has on the young man’s mental state. That is, many have approached the question of the double with respect to its influence on Dorian’s mental workings and feelings. However, in my research, I found that the element of duality and its effects on Dorian’s mind
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Immelman, J. M. "Vertaalstrategieë na aanleiding van Oscar Wilde se The picture of Dorian Gray." Thesis, 2009. http://hdl.handle.net/10210/2119.

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M.A.<br>The life and work of Oscar Wilde are characterised by ambivalence and paradox. In certain of his works he identifies with the moral codes pertaining to the Victorian era and in others he satirizes, and even rejects, the existing morality. The translator of Wilde’s literary works is confronted with numerous contextual and textual challenges, for example how to translate the moral codes of the Victorian era in a manner that will be relevant to an Afrikaans readership and how to do justice to his specific style of writing. This study aims to identify procedures and strategies to meet thes
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Chien, Wen-chen, and 簡文珍. "Re-reading Oscar Wilde's Aestheticism: The Subversion in The Picture of Dorian Gray." Thesis, 2004. http://ndltd.ncl.edu.tw/handle/91751783445261243057.

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碩士<br>國立清華大學<br>外國語文學系<br>92<br>Abstract Re-reading Wilde’s Aestheticism: The Subversion in The Picture of Dorian Gray Until the 1980s, Oscar Wilde’s The Picture of Dorian Gray was generally considered to be a flawed novel. This study aims to justify The Picture of Dorian Gray as Wilde’s aesthetic presentation and exploration of the Victorian morality in terms of allegorical reading. My thesis re-examines the nineteenth-century literary Aesthetic tradition, tracing from Pre-Raphaelite movement postulated by Ruskin, through Walter Pater’s influence, to Oscar Wilde’s advocacy of Art for Art’s
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Chen, Pei-hua, and 陳沛樺. "Reading Oscar Wilde’s Aesthetics: The Paradoxical Morality in The Picture of Dorian Gray." Thesis, 2008. http://ndltd.ncl.edu.tw/handle/71540419490190528020.

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碩士<br>淡江大學<br>英文學系碩士班<br>96<br>This thesis focuses on Wilde’s aesthetic philosophy of art and life and its relation to his sole novel The Picture of Dorian Gray. Through Wilde’s aesthetics, this thesis argues that the ending of the novel is not as moral as it may first appear. The publication of The Picture of Dorian Gray arouses severe criticism of its immoral sensuality. The novel is Wilde’s mediation on a large number of subjects. It includes Wilde’s reflection on the contemporary literary atmosphere in late-Victorian England, notably Ruskin and Pater and aestheticism and Decadence. It
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Dammermann, Sarah. "A beautiful soul : Frederick Philip Grove's re-vision of The Picture of Dorian Gray." 1990. http://hdl.handle.net/1993/7207.

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This thesis is concerned with the influence which Oscar Wilde's doctrine of aesthetic self-creation had on the life and writings of Felix Paul Greve/Federick Philip Grove. It is well established that Gerve not only translated Wilde's works into German but into life during the early years of this century. What is less well known is that this "translation" of art into life continued throughout most of Grove's Canadian career as well. The discovery of a previously unpublished short story written late in FPG's life seems to be the last word on Wilde's influence on FPG: this story, "A Beautiful
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