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Books on the topic 'Iambic poetry, Greek'

Author: Grafiati

Published: 4 June 2021

Last updated: 3 February 2022

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1

Acosta-Hughes, Benjamin. Polyeideia: The Iambi of Callimachus and the archaic Iambic tradition. Berkeley: University of California Press, 2002.

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2

Miralles, Carlos. The poetry of Hipponax. Roma: Edizioni dell'Ateneo, 1988.

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3

S, Novelli, and Citti Vittorio 1932-, eds. Studies on elegy and iambus. Amsterdam: Hakkert, 2004.

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4

Bartol, Krystyna. Greek elegy and iambus: Studies in ancient literary sources. Poznań, Polska: Uniwersytet im. Adama Mickiewicza w Poznaniu, 1993.

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5

Iambos: Studien zum Publikum einer Gattung in der frühgriechischen Literatur. Hildesheim: Olms, 2000.

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6

Studi su Ipponatte. Zürich: Georg Olms Verlag Hildesheim, 2002.

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7

1937-, Henderson W. J., and Van Rooy, C. A., 1923-, eds. Kalliope. Pretoria: Universiteit van Suid-Afrika, 1986.

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8

Semonides. Semonide: Introduzione, testimonianze, testo critico, traduzione e commento. Roma: Edizioni dell'Ateneo, 1990.

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9

Critica e polemiche letterarie nei Giambi di Callimaco. Alessandria [Italy]: Edizioni dell'Orso, 2004.

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10

Lelli, Emanuele. Callimaco giambi XIV-XVII. Roma: Edizioni dell'Ateneo, 2005.

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11

Mayer, Péter. A líra születése: A korai görög iamboszköltészet. Budapest: Akadémiai Kiadó, 2009.

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12

Callimaco Giambi XIV-XVII: Introduzione, testo critico, traduzione e commento. Roma: Edizioni dell'Ateneo, 2005.

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13

Mayer, Péter. A líra születése: A korai görög iamboszköltészet. Budapest: Akadémiai Kiadó, 2009.

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14

Kerkhecker, Arnd. Callimachus' book of Iambi. Oxford [England]: Clarendon Press, 1999.

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15

Descroix, J. Le trimètre iambique: Des iambographes à la comédie nouvelle. New York: Garland Pub., 1987.

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16

Cruces, Juan L. López. Les Méliambes de Cercidas de Mégalopolis: Politique et tradition littéraire. Amsterdam: A.M. Hakkert, 1995.

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17

Christoph, Mülke, ed. Solons politische Elegien und Iamben: Einleitung, Text, Übersetzung, Kommentar von Christoph Mülke. München: K.G. Sauer, 2002.

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18

Bossi, Francesco. Studi su Archiloco. 2nd ed. Bari: Adriatica, 1990.

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19

Markus, Asper, ed. Werke: Griechisch und deutsch. Darmstadt: Wissenschaftliche Buchgesellschaft, 2004.

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20

Der neue Iambos: Studien zu den Formwegen eines griechischen Diskurses im Hellenismus und der Kaiserzeit. Hildesheim: Olms, 2009.

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21

Masson, Olivier. Les fragments du poète Hipponax. New York: Garland Pub., 1987.

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22

The idea of iambos. Oxford: New York, 2010.

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23

Old comedy and the iambographic tradition. Atlanta, Ga: Scholars Press, 1988.

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24

The poems of Callimachus. Oxford: Oxford University Press, 2001.

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25

Enzo, Degani, ed. Frammenti. Bologna: Pàtron, 2007.

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26

Acosta-Hughes, Benjamin. Polyeideia: The Iambi of Callimachus and the Archaic Iambic Tradition. University of California Press, 2002.

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27

1937-, West M. L., ed. Iambi et elegi Graeci ante Alexandrum cantati. 2nd ed. Oxford [England]: Oxford University Press, 1989.

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28

Greek iambic poetry: From the seventh to the fifth centuries BC. Cambridge, Mass: Harvard University Press, 1999.

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29

Greek elegy and iambus. Cambridge, Mass: Harvard University Press, 1993.

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30

Iambic Poetics In The Roman Empire. Cambridge University Press, 2014.

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31

Lane, Mary Corwin. Index To The Fragments Of The Greek Elegiac And Iambic Poets: As Contained In The Hiller-Crusius Edition Of Bergk's Anthologia Lyrica. Kessinger Publishing, LLC, 2007.

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32

Lane, Mary Corwin. Index To The Fragments Of The Greek Elegiac And Iambic Poets: As Contained In The Hiller-Crusius Edition Of Bergk's Anthologia Lyrica. Kessinger Publishing, LLC, 2007.

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33

Muelke, Christoph. Solons politische Elegien und Iamben (fr. 1-13, 32-37 W.) (BZA 177). K.G. Saur (An Impint of Walter de Gruyter), 2002.

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34

Gerber, Douglas E., Hipponax, Semonides, and Archilochus. Greek Iambic Poetry: From the Seventh to the Fifth Centuries B.C. (Loeb Classical Library No. 259). 2nd ed. Loeb Classical Library, 1999.

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35

Aloni, Antonio. Iambic Ideas: Essays on a Poetic Tradition from Archaic Greece to the Late Roman Empire (Greek Studies). Rowman & Littlefield Publishers, Inc., 2002.

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36

1937-, West M. L., ed. Greek lyric poetry: The poems and fragments of the Greek iambic, elegiac, and melic poets (excluding Pindar and Bacchylides) down to 450 B.C. Oxford [England]: Clarendon Press, 1993.

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37

1937-, West M. L., ed. Greek lyric poetry: The poems and fragments of the Greek iambic, elegiac, and melic poets (excluding Pindar and Bacchylides) down to 450 B.C. Oxford: Oxford University Press, 2008.

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38

1937-, West M. L., ed. Greek lyric poetry: The poems and fragments of the Greek iambic, elegiac, and melic poets (excluding Pindar and Bacchylides) down to 450 bc. Oxford: Oxford University Press, 1994.

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39

Aloni, Antonio. Iambic Ideas: Essays on a Poetic Tradition from Archaic Greece to the Late Roman Empire (Greek Studies-Interdisciplinary Approaches). Rowman & Littlefield Publishers, Inc., 2002.

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40

Schein, Seth L. The Iambic Trimeter in Aeschylus and Sophocles: A Study Material Form (Supplements to Novum Testamentum). Brill Academic Publishers, 1997.

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41

1937-, West M. L., ed. Greek lyric poetry: The poems and fragments of the Greek iambic elegiac and melic poets (excluding Pindar and Bacchylides) down to 450 B.C. Oxford: Oxford University Press, 1999.

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42

Alberto, Cavarzere, Aloni Antonio, and Barchiesi Alessandro, eds. Iambic ideas: Essays on a poetic tradition from Archaic Greece to the late Roman Empire. Lanham, Md: Rowman & Littlefield, 2001.

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43

West, M. L. Greek Lyric Poetry: The poems and fragments of the Greek iambic, elegiac, and melic poets (excluding Pindar and Bacchylides) down to 450 BC (The Wor). Oxford University Press, USA, 1994.

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44

Greek Elegy and Iambus: A Selection. Cambridge University Press, 2019.

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45

Allan, William. Greek Elegy and Iambus: A Selection. Cambridge University Press, 2019.

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46

Allen, William. 3. Lyric and personal poetry. Oxford University Press, 2014. http://dx.doi.org/10.1093/actrade/9780199665457.003.0003.

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Abstract:

‘Lyric and personal poetry’ focuses on a wide range of poetry, from early Greek lyric to Roman love elegy. These various forms are united in their basis in the world of the speaker (the ‘I’ of the poem), whose ideas and experiences come to the fore. Greek lyric poetry embraces all early Greek poetry that is not epic or drama, and is sub-divided into smaller genres — iambus, elegy, and lyric poetry proper, both solo and choral. The main performance venues for these different forms of poetry were the symposium and the public festival. The lyric poetry of Sappho, Pindar, Ovid, Catullus, Tibullus, Propertius, and Horace is discussed.

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