Relevant bibliographies by topics / Ian (1948-....)

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Academic literature on the topic 'Ian (1948-....)'

Author: Grafiati
Published: 4 June 2021
Last updated: 17 February 2022

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Journal articles on the topic "Ian (1948-....)"

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de Keizer, Madelon. "Memory as Rite de Passage. Towards a Postmoralistic Historiography of the Second World War." Itinerario 20, no. 2 (July 1996): 118–27. http://dx.doi.org/10.1017/s0165115300007026.

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As a native of the Netherlands, I have been imbued with an awareness of the history of the Second World War in both Europe and the Pacific ever since I was a child, though I must admit that the Japanese occupation of the Dutch colony in the Dutch East Indies from 1942 to 1945 plays a less important part in my imagination than thefiveyears of German occupation of the Netherlands. My parents and brothers can directly recollect the latter dark period, and I see it vividly in my mind's eye, born (in 1948) and bred as I was in Rotterdam, the city whose centre was razed to the ground by the German air raid in May 1940. The effects of the bombs were still clearly visible during the years in which I was growing up there. Given this double Dutch memory – memory of the hostilities in Europe, and memory of South-East Asia – it hardly seems fortuitous that the Dutch scholar Ian Buruma chose the German and Japanese memory of the Second World War and of the War in the Pacific as the theme for his 1994 publication The Wages of Guilt.
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Trotman, Ken T. "Vale Emeritus Professor Ian Zimmer 2 April 1948-1 November 2017." Accounting & Finance 58, no. 1 (March 2018): 3–4. http://dx.doi.org/10.1111/acfi.12352.

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Fischer, Gad, and Robert G. Gilbert. "Ian Gordon Ross 1926 - 2006." Historical Records of Australian Science 20, no. 1 (2009): 91. http://dx.doi.org/10.1071/hr09003.

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Ian Gordon Ross (1926?2006) was educated at the University of Sydney (BSc 1943?1946, MSc 1947?1949) and University College London (PhD 1949?1952), did postdoctoral research at Florida State University (1953?1954), and was a staff member at the University of Sydney, 1954?1967. In 1968, he moved to the Australian National University (ANU) as Professor of Chemistry, where he also became Dean of Science (1973), Deputy Vice-Chancellor (1977) and Pro-Vice-Chancellor (Special Projects) (1989?1990). He was instrumental in setting up Anutech, the commercial arm of the University. He was a driving force behind the establishment of undergraduate and postgraduate engineering at the ANU. His research centred on electronic spectroscopy of pi systems.
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Saladžinsks, Sigits Vlads, and Kristina Vaisvalavičiene. "Latviešu izcelsmes Lietuvas arhitekta un inženiera Kārļa Reisona (1894–1981) darbība (1930–1981) Kauņā, Panevēžā un Adelaidā." Inženierzinātņu un augstskolu vēsture 3 (October 15, 2019): 34–49. http://dx.doi.org/10.7250/iav.2019.003.

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Raksts iepazīstina ar latviešu izcelsmes Lietuvas arhitekta un inženiera Kārļa Reisona (Karolis Reisonas; 1894–1981) profesionālo darbību mūža otrajā pusē – no 1930. gada Kauņā, Panevēžā un Adelaidā – un viņa darbu nozīmi Lietuvas arhitektūras vēsturē. K. Reisons bija viens no spilgtākajiem 20. gadsimta starpkaru perioda Lietuvas modernās arhitektūras radītājiem, kopā ar citiem slaveniem Lietuvas arhitektiem veidoja īpašo starpkaru perioda Kauņas modernās arhitektūras stilu. K. Reisons ir reprezentatīvu celtņu Šauļos, Kauņā un citās Lietuvas pilsētās, kā arī Rīgā un Adelaidā autors vai līdzautors. Arhitekts un inženieris K. Reisons strādāja par Šauļu pilsētas inženieri un pašvaldības Būvniecības nodaļas vadītāju (1922–1930), Šauļu arodskolas direktoru (1926), Lietuvas Lauksaimniecības kameras konsultantu (1927–1928), Kauņas pašvaldības Būvniecības nodaļas vadītāju (1930–1938), Panevēžas inženieri (1940) un birģermeistaru (1941–1944). No 1949. gada Reisonu ģimene dzīvoja Adelaidā, Austrālijā. Pēc viņa projektiem Lietuvā uzcelti trīs neatkarības pieminekļi – Šauļu Neatkarības piemineklis, Kauņas Brīvības pieminekļa postaments un Kauņas Romas katoļu Kristus Augšāmcelšanās baznīca. 14 no viņa projektētām celtnēm Kauņā un Šauļos ir iekļautas Lietuvas nekustamo kultūras vērtību sarakstā. Agrīniem K. Reisona projektiem raksturīgs historisms, eklektisma elementi, «ķieģeļu stils», vēlākie projekti iezīmējas ar modernismam raksturīgu askētisko racionālismu, funkcionālismu, piemērošanos pie pilsētbūvnieciskā un kultūrvēsturiskā konteksta. The article introduces the professional activities of Latvian-born Lithuanian architect and engineer Karolis Reisonas (in Latvian: Kārlis Reisons; 1894–1981) in the second half of his life – from 1930 in Kaunas, Panevėžys and Adelaide cities – and his role in the history of Lithuanian architecture. K. Reisonas was one of the most prominent creators of modern 20th-century interwar Lithuanian architecture and together with other famous Lithuanian architects formed a special style of Kaunas modern architecture in interwar period. K. Reisonas is the author or co-author of representative buildings in Šiauliai, Kaunas and other Lithuanian cities, as well as in Riga and Adelaide cities. Architect and engineer K. Reisonas worked as Šiauliai City Engineer and Head of Municipal Construction Department (1922–1930), Director of Šiauliai Vocational School (1926), Consultant of Lithuanian Chamber of Agriculture (1927–1928), Head of Construction Department of Kaunas Municipality (1930–1938), Panevėžys City Engineer (1940) and Burgomaster (1941–1944). From 1949, the Reisonas family lived in Adelaide city, Australia. To his projects three monuments of independence were built in Lithuania – Monument of Independence in Šiauliai city, Podium of the Freedom Monument of Kaunas city and Roman Catholic Christ’s Resurrection Church in Kaunas city. Fourteen of buildings in Lithuania (in Kaunas and Šiauliai cities) designed by him are included in the list of cultural values of Lithuania. Early K. Reisonas’ projects are characterized by historism, elements of eclecticism and «brick style», later projects are characterized by austere rationalism, functionalism, adaptation to urban construction and cultural and historical context.
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Aldrich, Richard J. "Reviews of Books:The Economic Cold War: America, Britain and East-West Trade, 1948-63 Ian Jackson." American Historical Review 107, no. 4 (October 2002): 1198–99. http://dx.doi.org/10.1086/532690.

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Campbell, R. H. "IAN LEVITT, Poverty and Welfare in Scotland 1890-1948. (Edinburgh, Edinburgh University Press, 1988, pp. 248, £30.00)." Scottish Economic & Social History 10, no. 1 (May 1990): 109–10. http://dx.doi.org/10.3366/sesh.1990.10.10.109.

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Gladstone, David. "Ian Levitt, Poverty and Welfare in Scotland 1890–1948, Edinburgh University Press, Edinburgh, 1988. 241 pp. £30.00." Journal of Social Policy 19, no. 1 (January 1990): 136–38. http://dx.doi.org/10.1017/s0047279400017992.

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Sheinin, David. "Latin America Between the Second World War and the Cold War, 1944-1948, edited by Leslie Bethell and Ian RoxboroughLatin America Between the Second World War and the Cold War, 1944-1948, edited by Leslie Bethell and Ian Roxborough. New York, Cambridge University Press, 1992. xi, 350 pp. $49.95 U.S." Canadian Journal of History 28, no. 3 (December 1993): 627–30. http://dx.doi.org/10.3138/cjh.28.3.627.

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Ghandhi, Sandy. "II. AVENA AND OTHER MEXICAN NATIONALS {MEXICO v UNITED STATES OF AMERICA), PROVISIONAL MEASURES, ORDER OF 5 FEBRUARY 2003." International and Comparative Law Quarterly 53, no. 3 (July 2004): 738–46. http://dx.doi.org/10.1093/iclq/53.3.738.

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The International Court of Justice is not a human rights court but it does hear human rights cases.1This is hardly remarkable. As Professor Ian Brownlie has pointed out ‘[h]uman rights problems occur in specific legal contexts. The issues may arise… within the framework of a standard-setting convention, or within general international law.’2Because human rights treaties normally have their own dispute settlement procedure, the situations in which the International Court of Justice is more likely to have to grapple with human rights issues lie within the realms of general international law or in non-human rights specific treaty provisions, which may, nevertheless, raise such issues. In addition, some human rights treaties, such as the Convention on the Prevention and Punishment of the Crime of Genocide 1948, contain provisions specifically referring disputes to the International Court of Justice.3Thus, it should come as no surprise that the Court has been involved in a number of cases involving human rights questions.
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Wallace, W. Angus, and David L. Hamblen. "Ian George Kelly, 25 June 1948 - 10 August 2004 BSc, MB ChB, MD (University of Edinburgh) FRCS(Edinburgh), FRCS(Glasgow)." Journal of Shoulder and Elbow Surgery 13, no. 6 (November 2004): 684–85. http://dx.doi.org/10.1016/j.jse.2004.10.001.

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Dissertations / Theses on the topic "Ian (1948-....)"

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Dufrene-Meur, Nadine. "L'univers imaginaire dans l'oeuvre d'Ian McEwan." Brest, 1990. http://www.theses.fr/1990BRES1001.

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Les personnages d'Ian McEwan sont influencés par le mythe. Les mythes du patriarcat, de la religion, de la sexualité avec ses tabous, du pouvoir illustré par l'état, la police et l'armée jouent un rôle important au sein de ses romans et nouvelles. Le couple idéal, la beauté idéale, la politesse, l'argent, la notoriété, le voyage, le passé avec ses lois ancestrales sont les normes mythiques à respecter. Dans cet univers, la maladie et la mort dérangent. La plupart des protagonistes sont des enfants ou des adolescents dont la liberté est contrecarrée par le soleil qui symbolise le père. Presque tous les personnages souffrent dans cette atmosphère étouffante. De plus, il existe une totale inadéquation entre eux et la société. McEwan insiste sur leurs fantasmes, leurs névroses, le travail du deuil ainsi que sur les notions de désordre et de solitude. A cause de ce malaise, ils se sentent exclus et créent leur propre bonheur en s'adonnant à la boisson ou à la drogue, en fumant, grace à la musique, au yoga etc. . . Ils souffrent de l'absence d'amour. Ce vif désir d'être aimés les pousse à essayer de sortir de leur solitude mais cette tentative les conduit à détruire l'innocence, la beauté et le sacré. En fait, ils trangressent les lois et les tabous. Le viol, l'inceste, les relations lesbiennes, le sadomasochisme, la peur de la procréation, la jalousie, la violence, le meurtre, la misogynie et la castration sont là pour illustrer leurs frustrations, leur besoin d'être aimés aussi bien que l'abus de pouvoir et d'autorité. Les armes stylistiques de McEwan sont la connivence entre décor et personnages, le suspense et l'ironie aussi bien que l'utilisation de l'argot et de métaphores. McEwan cultive l'ambigüité, le silence, l'obsession et le non-dit de par son style. Les personnages donnent l'impression de porter un masque permanent. Ils semblent en fait voués à l'échec car ils n'acceptent pas la réalité ni ses limites. Ils vivent dans un monde imaginaire qui les empêche de communiquer avec autrui. Comme ils ne s'acceptent pas et qu'ils ne s'aiment pas, ils ne peuvent pas aimer ni être aimés en retour
McEwan's characters are influenced by myth. The myths of patriarchy; religion; sexuality and its taboos; power as illustrated by the state, the police and the army, all play an important part in his novels and shorts stories. The idea couple, the ideal of beauty, politeness, money, the desire to make a name for oneself, travelling and the past with its ancestral laws are mythical values to be respected. Illness and death disturb. Most of the protagonists are children or teenagers whose freedom is curbed by the sun which symbolizes the father. Nearly all the characters suffer in a sultry, stifling atmosphere. Moreover, there is a total inadequacy between them and society. McEwan emphasizes all their phantasms and neuroses, the work of mourning as well as the notion of desorder and solitude. They feel exclused and create their own world of happiness by indulging in smoking, drinking, or through drugs, music, yoga etc. . . They suffer from the absence of love. This hankering ofter love pushes them to try to escape solitude but in the attempt they destroy innocence, beauty and all that is sacred. In the process, they trangress laws and taboos. Rape, incest, lesbian relationships, sadomasochism, the fear of procreation, the thirst for knowledge, the failure to become a father, jealousy, violence, murder, misogny and castration are all present to illustrate their frustrations and their need to be loved as well as the abuse of power and the misuse of authority. Mcewan's main stylistic devices are pathetic fallacy, suspence, and irony as well as the use of slang or metaphors. Thanks to his style, ambiguity, silence and obsession pervade the whole work. Some secret is always hidden behing the words and the characters who in turn seem to wear a permanent mask. In fact, the characters appear to be doomed for they cannot accept reality and its limits. They desperately try to transcend time and space. They live in an imaginary world which prevents them from communicating with the people arround them. As they do not accept themselves, nor love themselves, they cannot love nor be loved in return
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Le, Barzic David. "La responsabilisation esthétique : phénomènes et mécanismes de réponse dans l'oeuvre d'Ian McEwan." Angers, 2001. http://www.theses.fr/2001ANGE0035.

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La chaîne fictionnelle d'Ian McEwan est tramée de part et d'autre par l'auteur, par les critiques et les lecteurs qui, en l'accommodant et en la raccommodant selon les techniques interprétatives plus ou moins appropriées et maîtrisées, ne cessent de multiplier les fils directeurs de son tissu de réponses. Les critiques principalement mimétique, psychanalytique et féministe, sont à la fois sollicitées et déjouées ; les concepts de lecteurs (attentif ou implicite), pris en charge par les personnages ewaniens, deviennent caducs. La parodie de l'auto-analyse est un miroir tendu à la partialité de toutes les conclusions herméneutiques, à l'ignorance comme butin de toute quête effrénée du savoir. En déplaçant ludiquement les frontières spatiales et temporelles qui polarisent texte et hors-texte, écriture et lecture, en thématisant le doute et en piégeant les automatismes identificatoires du lecteur réel, l'oeuvre ewanienne pousse à renoncer à l'arsenal analytique, à interroger le bien-fondé des édifices identitaires (lectant, lisant, lu de Vincent Jouve), à explorer des zones liminaires de soi, à flotter temporairement dans l'entre-deux confessionnel des éthiques de lecture. L'observation de ces phénomènes dialogiques force le co-lecteur (auteur, critique et lecteur) à admettre sa part de responsabilité dans la formulation de la réponse esthétique, en rendant et en tenant compte des quatre grandes impulsions qui la sous-tendent : textuelles, épitextuelles, personnelles et temporelles
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Fortin-Tournès, Anne-Laure. "Les figures de la violence dans la littérature britannique contemporaine : Martin Amis, Ian McEwan, Graham Swift." Paris 3, 1998. http://www.theses.fr/1998PA030197.

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Ce travail interroge la représentation de la violence chez trois auteurs britanniques contemporains : Martin Amis, Ian McEwan et Graham Swift, emblématiques de deux courants distincts de l'écriture postmoderne. Ian McEwan et Graham Swift tentent de textualiser l'horreur nazie ainsi que l'ignominie du terrorisme, par le biais de la représentation d'un corps sémiotisé, qui désigne la violence de manière figurale, en présentifiant l'expulsion qu'elle entraîne, du sujet, puis du signe lui-même. Cette figuralité, qui constitue un événement dans l'ordre du discours, fait du texte un geste de mise en présence du référent. Martin amis prend pour objet de discours cette économie figurale de la représentation, qui est habitée, selon lui, par la logique du simulacre. Il l'exhibe alors dans ses conséquences littérales, sous la forme carnavalesque d'une révolution généralisée. Ce faisant, il révèle que, par essence, le roman postmoderne est hante par le néant, et se sous-tend du rien. Or si quelque chose peut faire supplément a ce manque, ce n'est pas l'écriture elle-même, condamnée qu'elle est a en décliner les modalités, mais la lecture, en tant qu'elle est coproductrice du texte. Désignée comme le dernier refuge du poétique en ces temps troubles de crise de la foi en le pouvoir symbolique du signe, la lecture serait-elle ce qui peut faire bouchon au vide de la représentation ? Il n'en est rien. Car si les textes offrent indiscutablement a la lecture des petits-plus-de-jouir, ils l'instaurent principalement, dans le manque qui la creuse, en lecture désirante qui, en se reconnaissant comme telle, emporte avec elle un savoir structurel sur l'absence
The representation of violence in novels by Martin Amis, Ian McEwan and Graham Swift exemplifies two major trends in postmodern British writing. McEwan and Swift incorporate the horror of the Second World War into their texts by means of the representation of a semiotized body that makes violence present through its consequences for the subject and the linguistic sign. This iconic body sets discourse into motion, because it endows language with the power to point to the very presence of its object. Amis denounces this economy of representation as prone to the logic of the simulacrum, by staging its consequences in the guise of a carnivalesque revolution, and revealing that the postmodern novel is haunted by nothingness. Henceforth, since writing appears as a mere simulacrum, only reading seems to retain the shaping power of imagination on the emptied stage of contemporary fiction. But even the reader fails to save the text from the wreckage of the collusion between words and things, since he is himself riddled with the hollows of desire. He can only attempt to relish the violent play of language that takes place before his eyes
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Escoza, Cássia [UNESP]. "O romance como veículo de preenchimento da falta humana: Reparação de Ian McEwan." Universidade Estadual Paulista (UNESP), 2013. http://hdl.handle.net/11449/122250.

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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)
Este estudo é, em essência, uma reflexão sobre o romance Reparação, de Ian McEwan, e tem como objetivo verificar a possibilidade dessa obra se constituir como veículo de preenchimento da falta humana. Dessa maneira, num primeiro momento, o trabalho explana a trajetória artística do autor com a intenção de ressaltar Reparação como síntese das propostas estéticas de Ian McEwan. Na sequência, a partir de considerações teóricas, busca identificar uma possível leitura desse romance como elo entre a experiência artística e a realidade, focalizando o entrelaçamento das estratégias discursivas e da dimensão metalinguística que problematiza a questão da verdade ficcional. A seguir, a pesquisa procura investigar as intertextualidades que atestam a temática da reparação e as formas pelas quais elas estruturam a proposta principal defendida na obra. Por fim, o trabalho pretende averiguar o pensamento crítico que o autor imprime em seu texto sobre as questões do Homem no mundo para levantar de que modo as vozes sociais estão assimiladas na obra em foco, e como o romance procura condensar a experiência existencial e histórica para transformá-las em escrita. Assim, o trabalho se propõe afirmar que a produção de sentidos para o mundo atual constitui-se num dos elementos vitais na construção ficcional de McEwan
The nucleus of this study is a reflection concerning the novel Atonement, by Ian McEwan, with the objective of verifying the possibility that this novel constitutes a vehicle for the reparation of human error. As such at first, this study sets out to give an account of the artistic trajectory of the author, with the intention of highlighting Atonement as a synthesis of Ian McEwan’s aesthetic proposals. Next, based on theoretical considerations, the study seeks to identify a possible view of this novel as a link between artistic experience and reality; focusing on the interweaving of discursive strategies and the metalinguistic dimension which discusses the issue of fictional truth. The research goes on to investigate those intertextualities, which attesting to this theme of reparation, and the ways in which they structure the main proposal in the novel. Finally, the research investigates the critical thinking, of the author in the novel concerning issues of man’s place in the world in order to discuss the manner in which social voices are assimilated into the work in focus; and how the novel attempts to condense existential and historical experience so as to transform these into the written word. Thus, the study proposes that the production of meaning for the contemporary world is one of the vital elements in McEwan’s fictional construction
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Sbrissa, Fernanda de Souza [UNESP]. "A independência das adapatações cinematográficas: uma análise de Amor Obsessivo (2004) e Desejo e Reparação (2007)." Universidade Estadual Paulista (UNESP), 2012. http://hdl.handle.net/11449/99107.

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Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)
Este trabalho tem como objetivo discutir a noção de adaptação cinematográfica como independente do texto fonte, a partir de considerações a respeito do dialogismo e da intertextualidade, baseando-se principalmente em teóricos como Robert Stam (2000; 2004; 2008), Linda Hutcheon (2006), Christine Geraghty (2008) e Thomas Leitch (2008a; 2008b). Após um panorama das teorias da área, a dissertação analisa dois filmes baseados em dois romances do escritor inglês Ian McEwan, Amor Obsessivo (2004) e Desejo e Reparação (2007), para demonstrar como o critério de fidelidade não é determinante para a qualidade e/ou sucesso da adaptação cinematográfica
The objective of this study is to discuss the notion of cinematographic adaptation as being independent of its source text, beginning with considerations concerning dialogism and intertextuality, based mainly on theoreticians like Robert Stam (2000; 2004; 2008), Linda Hutcheon (2006), Christine Geraghty (2008) and Thomas Leitch (2008a; 2008b). After an overview of the theories of the area, the dissertation analyses two films based on two novels written by the English writer Ian McEwan, Enduring Love (2004) and Atonement (2007), in order to show how the criterion of fidelity is not a determining factor in the quality and/or success of the cinematographic adaptation
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Arquié, Bruno. "De Darwin à la littérature : un regard évolutionniste sur des romans d'Ian McEwan et de Margaret Drabble." Nantes, 2015. http://www.theses.fr/2016NANT3008.

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Meier, Daniela. "Helvetias guter Draht zum Pfauenthron : die Beziehungen der Schweiz zu Iran (1946 - 1978) /." Zürich : Orell Füssli, 2002. http://www.gbv.de/dms/sub-hamburg/340884347.pdf.

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Garcia, Joseph John. "The modern political and constitutional development of Gibraltar, 1940-1988." Thesis, University of Hull, 1991. http://hydra.hull.ac.uk/resources/hull:5344.

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Balta, Sebastian. "Rumänien und die Großmächte in der Ära Antonescu (1940-1944) /." Stuttgart : F. Steiner, 2005. http://catalogue.bnf.fr/ark:/12148/cb400912333.

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Safari, Hesari Valli. "Les relations franco-iraniennes entre les deux guerres (1918-1940)." Saint-Etienne, 1998. http://www.theses.fr/1998STET2055.

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Comme l'intitulé de la thèse l'indique, cette thèse s'inscrit dans le cadre des relations internationales, par conséquent, les rivalités et les alliances des grandes puissances (la Russie, la Grande-Bretagne, l'Allemagne, la France etc. . . ) en sont des éléments constants. Les principaux thèmes traités portent sur les relations culturelles, les relations économiques, les relations militaires, et les relations diplomatiques. Dans les relations culturelles nous étudions comment à la fin du 19e siècle et au début du 20e siècle la langue française devient la première langue étrangère en Iran et comment la pensée française, notamment à travers les traductions en persan des oeuvres des penseurs français, joue un rôle de première ordre dans la transformation de la société traditionnelle iranienne vers une société moderne. . . Concernant les relations économiques, outre les relations commerciales, nous nous intéressons aux courses aux pétroles du nord de l'Iran, auxquelles participent activement la France et les sociétés françaises. S'agissant des relations militaires, l'accent est mis notamment sur les missions militaires françaises en Iran. Et en fin pour ce qui est les relations diplomatiques, nous étudions les vicissitudes, en particulier celle provoquée par la campagne de presse française contre l'Iran et son souverain. Par ailleurs, nous faisons une étude rétrospective allant de 16e siècle au début de notre période, dont l'essentiel n'est que une synthèse des travaux effectués par d'autres auteurs sur cette longue période.
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Books on the topic "Ian (1948-....)"

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Nish, Ian. The History of Manchuria, 1840-1948. GB Folkestone: Amsterdam University Press, 2016. http://dx.doi.org/10.5117/9781898823421.

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In A History of Manchuria, Ian Nish describes the turbulent times which the three Northeastern Provinces of China experienced in the last two centuries. The site of three serious wars in 1894, 1904 and 1919, the territory rarely enjoyed peace though its economy progressed because of the building of arterial railways. From 1932 it came under the rule of the Japanese-inspired government of Manchukuo based at Changchun. But that was short-lived, being brought to an end by the punitive incursion and occupation of the country by Soviet forces in 1945. Thereafter the devastated territory was fought over by Chinese Nationalist and Communist armies until Mukden (Shenyang) fell to the Communists in October 1948. Manchuria, under-populated but strategically important, was the location for disputes between China, Russia and Japan, the three powers making up the 'triangle' which gives the name to the sub-title of this study. These countries were hardly ever at peace with one another, the result being that the economic growth of a potentially wealthy country was seriously retarded. The story is illustrated by extracts drawn from contemporary documents of the three triangular powers.
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Ian Fleming. London: Weidenfeld & Nicolson, 1995.

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Ian Fleming. London: Phoenix, 2008.

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McKeever, Ian. McKeever: Ian McKeever : paintings 1978-1990. London: Whitechapel Art Gallery, 1990.

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McKeever, Ian. McKeever: Ian McKeever paintings 1978-1990. London: Whitechapel Art Gallery, 1990.

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Godfrey, Ian. Ian Godfrey, 1942-1992: A celebration. London: Galerie Besson, 1993.

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McKeever, Ian. McKeever: Ian McKeever : paintings 1978-1990. London: Whitechapel Art Gallery, 1990.

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Cabell, Craig. Ian Fleming's secret war. Barnsley, England: Pen & Sword Military, 2008.

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Ian Fleming's secret war. Barnsley, England: Pen & Sword Military, 2008.

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1947-, Ritchie Ian, ed. Ian Ritchie: Technoecology. New York: Whitney Library of Design, 1998.

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Book chapters on the topic "Ian (1948-....)"

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McEwan, Neil. "Ian Hamilton 1938–." In The Twentieth Century (1900–present), 600–601. London: Macmillan Education UK, 1989. http://dx.doi.org/10.1007/978-1-349-20151-8_79.

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Stokes, John. "Ian Fletcher, 1920–1988." In Yeats Annual No. 8, 179–83. London: Palgrave Macmillan UK, 1991. http://dx.doi.org/10.1007/978-1-349-08861-4_9.

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Finney, Brian. "Ian McEwan: Atonement (2001)." In English Fiction Since 1984, 87–101. London: Palgrave Macmillan UK, 2006. http://dx.doi.org/10.1057/9780230207073_6.

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Raghavan, Srinath. "Hyderabad 1947–1948." In War and Peace in Modern India, 65–100. London: Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1057/9780230277519_4.

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Raghavan, Srinath. "Kashmir 1947–1948." In War and Peace in Modern India, 101–48. London: Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1057/9780230277519_5.

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Menn, Stephen. "In memoriam: Ian Mueller (1938--2010)." In Aestimatio: Critical Reviews in the History of Science (Volume 7), edited by Alan C. Bowen and Tracey E. Rihll, 193–228. Piscataway, NJ, USA: Gorgias Press, 2012. http://dx.doi.org/10.31826/9781463234973-016.

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Lansdale, Janet. "Chasing Voices: Ian Spink’s Dancing Fugue (1988)." In Decentring Dancing Texts, 107–24. London: Palgrave Macmillan UK, 2008. http://dx.doi.org/10.1057/9780230584426_7.

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Routledge, Christopher. "Ian Fleming (1908–1964), 1953: Casino Royale." In 100 British Crime Writers, 231–36. London: Palgrave Macmillan UK, 2020. http://dx.doi.org/10.1057/978-1-137-31902-9_50.

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Müller, Peter. "Tonantzintla 1941–1942." In Sternwarten in Bildern, 204–5. Berlin, Heidelberg: Springer Berlin Heidelberg, 1992. http://dx.doi.org/10.1007/978-3-642-58082-6_73.

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James, Alan. "The Costa Rican—Nicaraguan Disputes (1948–1949, 1955 and 1978–1979)." In Peacekeeping in International Politics, 46–49. London: Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1007/978-1-349-21026-8_8.

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Conference papers on the topic "Ian (1948-....)"

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Harring, Mona. "Kino- und Filmpolitik in Dresden zwischen 1945 und 1949." In Urbane Kinokultur. Das Lichtspieltheater in der Großstadt 1895-1949. Institut für Sächsische Geschichte und Volkskunde, Dresden, 2021. http://dx.doi.org/10.25366/2021.12.

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Brezinka, C. "Kriegsbedingte Ausquartierungen von Frauenkliniken 1943 bis 1945 Beispiele, Abläufe, Folgen." In Wissenschaftliche Sitzungen 2017 der Gesellschaft für Gynäkologie und Geburtshilfe in Berlin (GGGB). Georg Thieme Verlag KG, 2018. http://dx.doi.org/10.1055/s-0038-1625050.

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Fried, Nathaniel M., and Luke Hardy. "Comparison of 1908 and 1940 nm wavelengths for thulium fiber laser lithotripsy." In Therapeutics and Diagnostics in Urology 2019, edited by Hyun Wook Kang. SPIE, 2019. http://dx.doi.org/10.1117/12.2506779.

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DEWITT-MORETTE, CECILE. "FREEMAN IN 1948." In Conference in Honour of the 90th Birthday of Freeman Dyson. WORLD SCIENTIFIC, 2014. http://dx.doi.org/10.1142/9789814590112_0017.

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Sudovtsov, Nikolay. "Hospital Base Of The North Caucasus During Great Patriotic War (1941-1945)." In International Scientific Conference «Social and Cultural Transformations in the Context of Modern Globalism» dedicated to the 80th anniversary of Turkayev Hassan Vakhitovich. European Publisher, 2020. http://dx.doi.org/10.15405/epsbs.2020.10.05.451.

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BARLAS, Dilek. "TÜRKİYE CUMHURİYETİ DIŞ POLİTİKASINA GENEL BAKIŞ 1923-1960." In 9. Uluslararası Atatürk Kongresi. Ankara: Atatürk Araştırma Merkezi Yayınları, 2021. http://dx.doi.org/10.51824/978-975-17-4794-5.13.

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1923-1938 Atatürk dönemi dış politikasını bağlantısız bir dış politika diye nitelendirebiliriz. Bu dönemde Türkiye hiçbir büyük güce kendisini bağımlı hissetmemiştir. Zaten dünya ekonomik krizi nedeniyle tüm ülkeler içlerine kapanmak zorunda kalmıştır. Öte yandan kriz nedeniyle güçlenen Faşist İtalya ve Nazi Almanya’sı çevrelerine tehdit oluşturmaya başlamışlar ve bu durum Türkiye’yi komşuları ile daha yakın bir ilişkiye girmesini sağlamıştır. Atatürk özellikle Balkan ülkeleri ile iş birliğine önem vermiş hatta bu iş birliğini Akdeniz’e de yaymak istemiştir. 1939 yılında savaşın başlamasıyla Türkiye, İngiltere ve Fransa ile ittifak antlaşması imzalamak zorunda kalmıştır. Buna rağmen Türkiye bu ülkeler safında savaşa girmeyerek tarafsız bir politika izlemiştir. Savaşın sonuna doğru Birleşmiş Milletlerin bir parçası olabilmek için Mihver devletlerine savaş ilan etmiştir. 1946 yılında Missouri’nin Türkiye’yi ziyareti Ankara’nın Washington ile yakınlaşmasına doğru atılan ilk adımdır. Bundan sonraki adım Truman doktrinini Türkiye’nin kabul etmesidir. 1947’den sonra Pax Britannica döneminden Pax Americana dönemine geçilmiş, Türkiye de kaçınılmaz olarak yeni dünya düzeninin içerisinde yerini almaya başlamıştır. Türkiye’nin ABD ile ilişkisi Avrupa devletleri ile olan ilişkilerinden farklıdır. Osmanlı mirasından dolayı Avrupa’nın büyük güçlerine karşı temkinli davranan Türkiye, ABD ile ilişkileri geliştirmekte daha istekli davranmıştır. Oysa İngiltere bölgeden hemen çekilmemiştir. 1957 Eisenhower Doktrinine kadar özellikle Ortadoğu bölgesinde ABD ve İngiltere birlikte hareket etmişlerdir. Ankara Washington ile daha yakın ilişkiye girmek istese de ABD bölgeye temkinli yaklaşmaktadır. 1952 yılında Türkiye’nin NATO’ya girişi iki ülkeyi birbirine daha yakınlaştırmıştır. 1955 yılında ABD, İngiltere’nin üye olduğu Bağdat Paktını desteklese de ancak 1957 yılında Eisenhower Doktrini ile Ortadoğu’da daha etkili hale gelmiştir. Ankara’nın İngiltere ve ABD’ye karşı ikilemli tutumu da bu tarihten sonra daha netleşmiştir.
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"Reusable Man-Rated Rocket Engines: The French Experience, 1944-1996." In 55th International Astronautical Congress of the International Astronautical Federation, the International Academy of Astronautics, and the International Institute of Space Law. Reston, Virigina: American Institute of Aeronautics and Astronautics, 2004. http://dx.doi.org/10.2514/6.iac-04-iaa.6.15.3.02.

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Saenko, A. "The problem of the development of the historical and cultural heritage of the Returned Lands (Poland) on the pages of the Osadnik magazine: the experience of content analysis." In Historical research in the context of data science: Information resources, analytical methods and digital technologies. LLC MAKS Press, 2020. http://dx.doi.org/10.29003/m1800.978-5-317-06529-4/134-139.

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After the Second World War the former eastern provinces of Germany, called the Recovered Territories, were joined to Poland. The purpose of the study is to identify the main approaches to the development of the historical and cultural heritage of new territories, presented on the pages of the Polish magazine “Osadnik” (1946–1948), using the methods of computerized text analysis. It is concluded that two interrelated tendencies were the main ones in the policy of the state – the removal from the cultural landscape German features and the return of its Polish appearance.
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Saenko, A. "The problem of the development of the historical and cultural heritage of the Returned Lands (Poland) on the pages of the Osadnik magazine: the experience of content analysis." In Historical research in the context of data science: Information resources, analytical methods and digital technologies. LLC MAKS Press, 2020. http://dx.doi.org/10.29003/m1800.978-5-317-06529-4/134-139.

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After the Second World War the former eastern provinces of Germany, called the Recovered Territories, were joined to Poland. The purpose of the study is to identify the main approaches to the development of the historical and cultural heritage of new territories, presented on the pages of the Polish magazine “Osadnik” (1946–1948), using the methods of computerized text analysis. It is concluded that two interrelated tendencies were the main ones in the policy of the state – the removal from the cultural landscape German features and the return of its Polish appearance.
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Shyshkin Ivan, I. "Peculiarities of negotiation process between Ukrainian national liberation movement and Polish resistance movement during 1943–1944." In IX International symposium «Humanities and Social Sciences in Europe: Achievements and Perspectives». Viena: East West Association GmbH, 2016. http://dx.doi.org/10.20534/ix-symposium-9-68-73.

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Reports on the topic "Ian (1948-....)"

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Yablonskyy, Maxym. «NEW DAYS» WEEKLY AND PETRO VOLYNIAK, PUBLISHER AND AUTHOR. Ivan Franko National University of Lviv, February 2021. http://dx.doi.org/10.30970/vjo.2021.49.11058.

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In the article on the material of the Salzburg weekly «New Days» (1945–1947) various spheres of activity of Peter Volyniak are presented. It is noted that this edition was a business card of the publishing house of the same name and had a history of continuation: in Toronto Petro Volyniak restored the publishing house of the same name and continued the publication in the format of the universal monthly «New Days» (1950–1969). The article also presents periodicals («Latest News», «New Days», «Timpani», «Our Way») and literary, artistic and scientific collection «Steering Wheel», which were published in the Salzburg publishing house of Peter Volyniak «New Days». The purpose of the publication is to trace the path of Petro Volyniak from a writer to a literary critic, journalist and publisher. This trend is reproduced in chronological order. Peter Volyniak as a writer is informed in the article «Literary Evening of P. Volyniak» (author – M. Ch-ka). O. Satsyuk’s literary-critical article is devoted to the coverage of ideological and artistic aspects of Petro Volyniak’s collection «The Earth Calls» (Salzburg, 1947). Petro Volyniak as a literary critic is presented in an article devoted to a collection of literary tales by A. Kolomiyets (Salzburg, 1946), which was published by «New Days». Petro Volyniak as a journalist presents the essay «This is our song…». With the help of content analysis it was observed that the text is divided into two parts: the first contains the author’s reflections on the Ukrainian song, its role in the life of the Ukrainian people; in the second, main, Peter Okopny’s activity abroad is presented. The publisher Petro Volyniak in 1947 in a separate publication of the February issue of the weekly summarizes the third year of activity, providing statistics on the publication of periodicals, books, postcards, calendars, various small format materials. The analyzed material demonstrated the experience of combining creative work and commercial activity.
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Alesina, Alberto, and Jeffrey Sachs. Political Parties and the Business Cycle in the United States, 1948-1984. Cambridge, MA: National Bureau of Economic Research, June 1986. http://dx.doi.org/10.3386/w1940.

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Reuss, Robert. Surprise and Deception in the Early War Years, 1940-1942. Fort Belvoir, VA: Defense Technical Information Center, April 1993. http://dx.doi.org/10.21236/ada265486.

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Jong, Ivo M. de. Implementing New Strategy in Combat: Ira C. Eaker 1942-1943. Fort Belvoir, VA: Defense Technical Information Center, February 2012. http://dx.doi.org/10.21236/ada561499.

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Caruana, Leonard, and Hugh Rockoff. A Wolfram in Sheep's Clothing: U.S. Economic Warfare in Spain, 1940-1944. Cambridge, MA: National Bureau of Economic Research, January 2001. http://dx.doi.org/10.3386/h0132.

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Boskin, Michael, Laurence Kotlikoff, and Michael Knetter. Changes in the Age Distribution of Income in the United States, 1968-1984. Cambridge, MA: National Bureau of Economic Research, October 1985. http://dx.doi.org/10.3386/w1766.

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Carter, Kit C., and Robert Mueller. U.S. Army Air Forces in World War II. Combat Chronology 1941-1945. Fort Belvoir, VA: Defense Technical Information Center, January 1991. http://dx.doi.org/10.21236/ada529766.

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Krueger, Daniel W. Calculated Risk? Military Theory and the Allies Campaign in Italy, 1943- 1944. Fort Belvoir, VA: Defense Technical Information Center, May 1988. http://dx.doi.org/10.21236/ada196038.

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Kump, Mary. Truman's election in 1948. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.2468.

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Mollahan, David J., Thomas J. DeVine, Ross A. Victor, and Edward Mayer. The Japanese Campaign in Malaya: December 1941-February 1942, A Study in Joint Warfighting. Fort Belvoir, VA: Defense Technical Information Center, September 2002. http://dx.doi.org/10.21236/ada421611.

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