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Books on the topic 'Ian (1948-....)'

Author: Grafiati

Published: 4 June 2021

Last updated: 17 February 2022

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1

Nish, Ian. The History of Manchuria, 1840-1948. GB Folkestone: Amsterdam University Press, 2016. http://dx.doi.org/10.5117/9781898823421.

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In A History of Manchuria, Ian Nish describes the turbulent times which the three Northeastern Provinces of China experienced in the last two centuries. The site of three serious wars in 1894, 1904 and 1919, the territory rarely enjoyed peace though its economy progressed because of the building of arterial railways. From 1932 it came under the rule of the Japanese-inspired government of Manchukuo based at Changchun. But that was short-lived, being brought to an end by the punitive incursion and occupation of the country by Soviet forces in 1945. Thereafter the devastated territory was fought over by Chinese Nationalist and Communist armies until Mukden (Shenyang) fell to the Communists in October 1948. Manchuria, under-populated but strategically important, was the location for disputes between China, Russia and Japan, the three powers making up the 'triangle' which gives the name to the sub-title of this study. These countries were hardly ever at peace with one another, the result being that the economic growth of a potentially wealthy country was seriously retarded. The story is illustrated by extracts drawn from contemporary documents of the three triangular powers.

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2

Ian Fleming. London: Weidenfeld & Nicolson, 1995.

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3

Ian Fleming. London: Phoenix, 2008.

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4

McKeever, Ian. McKeever: Ian McKeever : paintings 1978-1990. London: Whitechapel Art Gallery, 1990.

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5

McKeever, Ian. McKeever: Ian McKeever paintings 1978-1990. London: Whitechapel Art Gallery, 1990.

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6

Godfrey, Ian. Ian Godfrey, 1942-1992: A celebration. London: Galerie Besson, 1993.

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7

McKeever, Ian. McKeever: Ian McKeever : paintings 1978-1990. London: Whitechapel Art Gallery, 1990.

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8

Cabell, Craig. Ian Fleming's secret war. Barnsley, England: Pen & Sword Military, 2008.

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9

Ian Fleming's secret war. Barnsley, England: Pen & Sword Military, 2008.

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10

1947-, Ritchie Ian, ed. Ian Ritchie: Technoecology. New York: Whitney Library of Design, 1998.

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11

McKeever, Ian. Ian McKeever, a history of rocks, 1986-1988. München: Kunstforum, Städtische Galerie im Lenbachhaus, 1990.

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12

in Mecklenburg-Vorpommern und Schleswig-Holstein Landeszentralbank in der Freien und Hansestadt Hamburg. 50 Jahre Landeszentralbank, 1948-1998. Hamburg: Die Landeszentralbank, 1998.

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13

Galerie Rudolfinum (Prague, Czech Republic), ed. Československý socialistický realismus, 1948-1958. Praha: Gallery, 2002.

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14

Willikens, Ben. Canvases 1988-1998. Edited by Simon Robert and Schneckenburger Manfred. Ostfildern: Cantz, 1998.

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15

Horst, Janssen. Frauenbildnisse, 1947-1988. Hamburg: Verlag St. Gertrude, 1988.

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16

Stanczak, Julian. Julian Stanczak: A retrospective 1948-1998. Youngstown, Ohio: Butler Institute of American Art, 1998.

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17

Finlay, Ian Hamilton. Ian Hamilton Finlay & The Wild Hawthorn Press 1958-1991. Edinburgh: Graeme Murray, 1991.

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18

A soldier's life: General Sir Ian Hamilton, 1853-1947. London: Macmillian, 2000.

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19

Le donne della sinistra: 1944-1948. Roma: Carocci, 2005.

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20

Cavarocchi, Francesca, and Valeria Galimi, eds. Firenze in guerra 1940-1944. Florence: Firenze University Press, 2015. http://dx.doi.org/10.36253/978-88-6655-737-1.

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Il volume riproduce il percorso documentario della mostra Firenze in guerra 1940-1944 promossa dall’Istituto Storico della Resistenza in Toscana in occasione del 70° anniversario della Resistenza e della Liberazione. I contributi introduttivi illustrano il work in progress che ha accompagnato il progetto espositivo e intendono guidare il lettore attraverso una serie di questioni storiografiche al centro della mostra: la centralità della fase 1940-1943, finora rimasta sullo sfondo, le trasformazioni economiche, i nodi del consenso e del controllo sociale, i caratteri dell’occupazione tedesca, il ruolo della Chiesa e la complessa trama della Resistenza fiorentina. Obiettivo della ricerca è stato quello di indagare da vicino l’impatto della guerra sulla popolazione di una grande area urbana, provando a evidenziarne specificità e connessioni con la cornice nazionale.

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21

Boia, Lucian, writer of added commentary, ed. Istoria antisemitismului din România: Pogromurile de la Dorohoi (1 iulie 1940), București (21-23 ian. 1941) și Iași (28-29 iunie 1941). București: Editura TEȘU, 2013.

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22

Dictionary of World War I: [Ian V. Hogg]. Lincolnwood, Ill: NTC, 1997.

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23

Ratni dnevnik 1941-1945. Beograd: Otkrovenje, 2011.

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24

Ian Fleming: The man behind James Bond. Atlanta: Turner Pub., 1995.

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25

Probst, Volker G. Albert König: Baumzeichnungen 1928-1942. Unterlüss: Albert-König-Museum, 1992.

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26

Bartolini, Giuseppe. Giuseppe Bartolini: Opere, 1958-1998. Milano: Electa, 1998.

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27

Macrí, Oreste, and Vittorio Pagano. Lettere 1942-1978. Edited by Dario Collini. Florence: Firenze University Press, 2016. http://dx.doi.org/10.36253/978-88-6453-369-8.

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Sullo sfondo delle ‘dimore vitali’ di Lecce, Parma e Firenze tra gli anni Quaranta e Settanta del secolo scorso, spiccano in primo piano un autore pressoché dimenticato (poeta, traduttore dal francese, narratore) e il suo «maestro», tra i critici più agguerriti del nostro Novecento. Sono molte le storie che si intrecciano nei 142 pezzi epistolari raccolti in questo volume, accuratamente trascritti e annotati da Dario Collini. Storie personali – alle lettere è in primis affidato l’inedito e intrigante ritratto di un Pagano poliedrico, complesso, sfuggente – e storie collettive, come quelle di «Libera Voce» e del «Critone», tra le imprese culturali che contribuirono ad avvicinare la periferica realtà salentina ai maggiori centri letterari della penisola. Lungo un ampio arco cronologico, a palesarsi è anche la storia di una profonda amicizia, che senza la pretesa di annullare le distanze fra i due corrispondenti avrebbe continuato nel tempo ad alimentarsi di «gratitudine», «stima», «fiducia».

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28

Bardelot, Brigite. Nicolas Lavarenne, sculptures, 1984-1998. Nice: StArt, 1998.

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29

International Automotive Manufacturing Conference & Exhibition (1998 Detroit, MI). Proceedings of the 1998 IAM Conference. Warrendale, PA: Society of Automotive Engineers, 1998.

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30

Marilena, Pasquali, ed. Zoran Music: Gli acquerelli veneziani, 1947-1949 = Zoran Music : the Venetian watercolours, 1947-1949. Bologna: Grafis, 1998.

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31

Festival internazionale cinema giovani (7th). Neorealismo: Cinema italiano, 1945-1949. Torino: EDT, 1989.

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32

Barroso, Luís Machado. Salazar e Ian Smith: O apoio da Portugal à Rodésia (1964-1968). Lisboa: Ministério dos Negócios Estrangeiros, 2009.

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33

Saviv la-medurah ba-salon: Śedeh ha-omanut ha-Yehudi be-Yiśraʼel, 1948-1949 = Jewish art scene in Israel, 1948-1949. Ḳiryat Śedeh-Boḳer: Mekhon Ben-Gurion le-ḥeḳer Yiśraʼel ṿeha-Tsiyonut, Universiṭat Ben-Guryon ba-Negev, 2013.

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34

Unesco. Regional Center for Higher Education in Latin America and the Caribbean. Actividades del CRESALC, 1978-1988. Caracas: CRESALC, 1989.

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35

El teatro del absurdo en Cuba, 1948-1968. Madrid: Editorial Verbum, 2002.

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36

Despaux, Georges. Georges Despaux: Buchenwald, 1944-1945. Brussel: Kunst en Democratie, 2006.

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37

Budrowska, Kamila. Literatura i pisarze wobec cenzury PRL 1948-1958. Białystok: Wyd. Uniwersytetu w Białymstoku, 2009.

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38

Hines, James R. Recovery in Europe, Pair Skating, and Ice Dancing. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039065.003.0010.

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This chapter discusses figure skating in Europe after World War II. The war in Europe ended in May 1945, but not until atomic bombs were dropped on Hiroshima and Nagasaki in August did Japan capitulate. Formal terms of surrender were signed a month later. The International Skating Union Council met in July 1946 and set dates for the resumption of competition. European Championships commenced at Davos on January 31, 1947, while the World Championships followed two weeks later at Stockholm. Participation at the championships demonstrated the sport's durability and stature. The ladies' and pairs' events boasted more entries than in 1939. Not surprisingly, men's events had fewer entries. Participation increased in the men's event in 1948 but not to the prewar level.

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39

Eley, Geoff. Corporatism and the Social Democratic Moment: The Postwar Settlement, 1945–1973. Edited by Dan Stone. Oxford University Press, 2012. http://dx.doi.org/10.1093/oxfordhb/9780199560981.013.0002.

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Certain facts about postwar Europe seem self-evidently true. Undoubtedly the most salient was the division of Europe and the political, economic, social, and cultural antinomies that separated western capitalism from Soviet-style communism in the overarching context of the Cold War. If the Cold War itself stretched across four decades, from the heightening of international tensions in 1947–1948 to the collapse of the Soviet Union in 1989–1991, the postwar settlement's reliable solidities had already been breaking apart in the 1970s. The global economic downturn of 1973–1974 ended the postwar boom, shelving its promises of permanent growth and continuously unfolding prosperity. In those terms, the core of the postwar settlement lies in the years 1947–1973. This article explores the single most striking particularity of the post-1945 settlement, namely the centrality acquired by organised labour for the polities, social imaginaries, and public cultures of postwar European societies. First, it discusses democracy as a cultural project during 1945–1968. The article then looks at corporatism and social democracy, and concludes by assessing patterns of stability in Europe during the postwar period.

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40

Ian Fleming. 2013.

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41

Lycett, Andrew. Ian Fleming. Phoenix (an Imprint of The Orion Publishing Group Ltd ), 1996.

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42

Lycett, Andrew. Ian Fleming. Trafalgar Square, 1995.

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43

Clements, R. N., and J. M. Robbins. Irish Locomotives, 1949 (Ian Allan Abc). Ian Allan Ltd, 2000.

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44

British Locomotives, 1944 (Ian Allan Abc). Ian Allan Ltd, 2001.

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45

Symonds, Dominic. “You’ve Got to Be Carefully Taught”. Edited by Robert Gordon. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780195391374.013.0003.

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This chapter explores some of the influence Sondheim’s mentor Oscar Hammerstein II may have had on the composer. With close analysis of the ways in which lyric patterning guided the structure of the music in several Rodgers and Hammerstein shows, the chapter suggests that one of their primary contributions to musical theater was to structure the dramatic dynamic of a show into the score through a use of extended song-form. I note in particular the way this works inCarousel(1945),Allegro(1947), andSouth Pacific(1949). The chapter then speculates about how Sondheim has developed this technique through a modular montaging of scenes and through the creation of palindromic trajectories within a whole show inA Little Night Music(1973) andSunday in the Park with George(1984).

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46

Sica, Emanuele. Conclusion. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039850.003.0013.

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This conclusion evaluates the nature of Italy’s military occupation of France during World War II. It compares the occupation of Menton with the German occupations in Alsace-Lorraine and the Italian invasion of the French Riviera in November 1942 with the German occupation of the region from September 1943 to August 1944, and then contrasts it with the Italian occupations in the Balkans. It shows that the Italian occupation of the strip of land including Menton in the summer of 1940 bore some similarities with Germany’s occupation of Alsace-Lorraine. It also highlights the differences between the German and Italian occupation policies both in terms of breadth and enforcement. Finally, it argues that the worst enemy of Italian Army commanders in southeastern France was the low morale of their troops, stemming from the growing sense that the tide of war had irremediably turned against the Axis side by the fall of 1942.

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47

Elswit, Kate. Back Again? Valeska Gert’s Exiles. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036767.003.0008.

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This chapter questions what exile means for an artist whose performances relied on a strategy of estrangement. In so doing, it follows Valeska Gert (1892–1978) through her American exile and back to Germany, exploring the shifting dynamics of her reception abroad and upon her return to a very changed homeland. Gert came into the public eye as a soloist in the late teens, touring mostly through Germany but also abroad during the Weimar Republic. From 1933 to 1938, Gert appeared in European cities, including London, Paris, Budapest, Krakow, and Prague, as well as in New York. In 1939 she emigrated to the United States and eventually ran one of the more successful exile cabarets in New York from 1941 to 1945, named the Beggar Bar. After the Beggar Bar closed for licensing problems, she decided to return to Germany.

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48

Pearson, John. Life of Ian Fleming. Bloomsbury Publishing Plc, 2015.

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49

Cabell, Craig. Ian Fleming's Secret War. Pen & Sword Books Limited, 2008.

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50

Cabell, Craig. Ian Fleming's Secret War. Pen & Sword Books Limited, 2008.

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