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1

Liu, Keke, Wenhui Li, Yanbin Yao, Congzheng Li, and Shuqiang Li. "The first record of the thomisid genus Ibana Benjamin, 2014 (Araneae, Thomisidae) from China, with the description of a new species." Biodiversity Data Journal 10 (September 29, 2022): e93637. https://doi.org/10.3897/BDJ.10.e93637.

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The genus <i>Ibana</i> Benjamin, 2014 was established, based on the type species <i>Ibana senagang</i> Benjamin, 2014 from Borneo, Malaysia. No species of this genus has been recorded from China.A new species of <i>Ibana</i> is described and illustrated, representing the first record of the genus for China. <i>Ibana gan</i> <b>sp. n.</b> differs from its congener by the yellowishbrown longitudinal band on the abdomen and the round, contiguous spermathecae. The distribution of the new species in Jiangxi Province is mapped.
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2

Benjamin, Suresh P. "Two new species of Pharta Thorell, 1891 with the description of Ibana senagang gen. et sp. nov. (Araneae: Thomisidae)." Zootaxa 3894, no. 1 (2014): 177–82. https://doi.org/10.11646/zootaxa.3894.1.15.

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Benjamin, Suresh P. (2014): Two new species of Pharta Thorell, 1891 with the description of Ibana senagang gen. et sp. nov. (Araneae: Thomisidae). Zootaxa 3894 (1): 177-182, DOI: 10.11646/zootaxa.3894.1.15
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3

Dhiya'ulhaq, Naufal Urfi, Suresh P. Benjamin, Damayanti Buchori, Purnama Hidayat, Stefan Scheu, and Jochen Drescher. "Expanding the taxonomy of crab spiders (Araneae, Thomisidae) in Sumatra: a new genus, five new species, and regional records." ZooKeys 1241 (June 13, 2025): 205–46. https://doi.org/10.3897/zookeys.1241.148348.

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The taxonomy of crab spiders (Thomisidae) has been the focus of many reviews, adding new genera such as Ibana and Crockeria while synonymising Ascurisoma with Cebrenninus, and describing many new species. A collection of crab spiders from Jambi Province (Sumatra, Indonesia) revealed further diversity, resulting in the description of a new genus, Rangkayo Dhiya’ulhaq &amp; Benjamin, gen. nov., and five new species: Crockeria neofelis Dhiya’ulhaq &amp; Benjamin, sp. nov. (♂♀), Ibana svarnadvipa Dhiya’ulhaq &amp; Benjamin, sp. nov. (♂♀), Pharta roseomaculata Dhiya’ulhaq &amp; Benjamin, sp. nov. (♀), Rangkayo hitam Dhiya’ulhaq &amp; Benjamin, sp. nov. (♂♀), and Rangkayo perkaso Dhiya’ulhaq &amp; Benjamin, sp. nov. (♂♀). Additionally, new records of Angaeus christae Benjamin, 2013 (♂), Angaeus verrucosus Benjamin, 2017 (♂), Crockeria kinabalu Benjamin, 2016 (♂), Epidius elongatus Benjamin, 2017 (♂), and Pharta bimaculata Thorell, 1891 (♂♀) are provided for Sumatra, as well as high-resolution images of Cebrenninus magnus Benjamin, 2016 (♂) and Cebrenninus rugosus Simon, 1887 (♀). The present study highlights the considerable biodiversity of tropical crab spiders and underscores the importance of continued taxonomic and ecological research in Southeast Asia in general, and the Indonesian archipelago in particular.
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4

A’yun, Qurrotul, Kusnul Prianto, and Muhamad Ratodi. "Acoustic Design for Urban Educational Buildings by Using Noise Tools, IBANA Calc and Ecotect." IOP Conference Series: Earth and Environmental Science 1169, no. 1 (2023): 012047. http://dx.doi.org/10.1088/1755-1315/1169/1/012047.

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Abstract Classroom is an integral part of learning activities in educational buildings. Learning in the classroom can be effective and focused if it has a good acoustic design. Unfortunately, most educational buildings are spread out in urban areas, which have a high noise level. This research aims to find the best acoustic design for educational buildings in urban areas. By using Noise Tools, IBANA Calc and Ecotect as simulation method, the research discusses the handling of acoustic design for educational buildings in urban areas through 3 (three) things. (1) Providing a barrier with a height of 2.5 m can reduce noise in the outdoor area of the building from 47.5 to 60.9 dB; (2) The use of block concreates materials, glass laminated and metal panels on the facade of the building, reducing noise to a level of 27dB; (3) The use of framed plaster board and suspended ceiling materials, providing an acoustic response with an estimated decay at all frequencies under 3 seconds.
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5

Anak Anggo, Fujica, and Louis Laja. "The Function and Role in the IBAN Social Rank in their Communities." International Journal of Engineering & Technology 7, no. 2.29 (2018): 639. http://dx.doi.org/10.14419/ijet.v7i2.29.13989.

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The Sea Dayaks, better known as the Ibans, inhabit nearly the whole of Sarawak. The Ibans belong to the Proto-Malay groups and historically, they were from the Kapuas Valley in West Kalimantan, Indonesia. They migrated to Sarawak about fifteen generations ago in the mid 16th century (the 1630s). They went to the state through the Kumpang Valley and inhabit Batang Ai and then split to several places in Sarawak (Morgan, 1968). Although the Ibans have a social status in their traditional belief, they do not have a hierarchy of social status such as the Orang Ulu. However, they have elevated the status so-called Pengulu, Tuai Rumah, Tuai Burung, Lemambang, Manang, Beliau, Tukang Sabak, dan Indu Takar. The era of modernization has led to changes to the knowledge of the young generation, especially the younger generation of the Ibans who lack knowledge about the function and role of each rank status in their communities. Therefore, this study was conducted qualitatively through an interview with expert informants, observation, and documentation. This research was hoped to contribute to the general knowledge of the Iban community and other communities in the preservation of the function and role of each social status in the Iban community.
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6

Rahmawati, Dewi Shafa, and Indah Susanti. "Looking at the Audial Quality of the Auditorium in the Campus Area: Auditorium of the Faculty of Economics and Business Education, Universitas Pendidikan Indonesia." IOP Conference Series: Earth and Environmental Science 1404, no. 1 (2024): 012025. http://dx.doi.org/10.1088/1755-1315/1404/1/012025.

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Abstract An auditorium, a fairly large room, can do many things, especially in higher education. It can help both academic and non-academic activities. The purpose of this study is to evaluate the noise level that can affect the hearing comfort of people using the auditorium room in the campus area. The main purpose of this study is to determine the quality of sound that is considered comfortable in the Auditorium Room from the influence of noise generated by motorized vehicles and tools that are in the process of construction around Building A of the Faculty of Economics and Business Education. The prominent noise comes from passing vehicles and the sound of carpentry tools that are building or repairing buildings around it. To determine the sound quality in the auditorium, this research uses a case study with quantitative descriptive analysis. To collect data, this study used the Decibel X Sound Meter application. The noise level around the Auditorium outbuildings was analyzed with NoiseTools and IBANA-Calc. Based on the Decree of the Minister of Environment Number KEP-48/MENLH/11/1996 on environmental noise. The simulation results of Noise Quality at the Auditorium of the Faculty of Economics and Business Education showed results at -8 dB which means very good and comfortable.
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7

Aziz, Muhamad Abdul, and Try Ramadhan. "Secondary Skin Facade for Urban Noise Reduction: A Case Study of Bandung Creative Hub Co-working Space." IOP Conference Series: Earth and Environmental Science 1404, no. 1 (2024): 012049. http://dx.doi.org/10.1088/1755-1315/1404/1/012049.

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Abstract In recent years, the proliferation of co-working spaces has offered a collaborative environment for entrepreneurs, freelancers, and small businesses in urban areas. However, the issue of environmental noise within these spaces presents a challenge to comfort and productivity. This study focuses on the Bandung Creative Hub (BCH), a prominent co-working space in Bandung, Indonesia, and investigates the efficacy of facade engineering solutions, particularly the installation of secondary skin, in mitigating urban noise pollution. Through a comprehensive analysis utilizing both empirical measurements and computational simulations, the study aims to understand the intricacies of noise dynamics within the BCH co-working space. Empirical measurements using the Noise Tool software capture ambient noise levels, while computational simulations with IBANA provide predictive modeling of acoustic conditions. The results reveal a significant reduction in noise levels, with the sound level around the workspace corridor decreasing by approximately 23.3%, from 62 dB to 47 dB, indicating the effectiveness of facade engineering interventions. The limitations of prior research, which concentrated solely on barrier intervention methods and spacing ratio. Nevertheless, this study introduces a fresh perspective by examining the efficacy of secondary skin facade engineering in achieving noise standards and enhancing the quality of urban environments.
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8

Gumelar, R., T. Ramadhan, and J. Maknun. "Evaluation of the Audial Comfort of the Mosque on the Cross-City Route: Al-Ghani Mosque Ciamis." IOP Conference Series: Earth and Environmental Science 1058, no. 1 (2022): 012003. http://dx.doi.org/10.1088/1755-1315/1058/1/012003.

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Abstract Mosques are places of worship for Muslims, there are various factors for mosques so that worship activities can run smoothly and solemnly, one of which is audial comfort which is very important in a place of worship. Some mosques are located in environments with high noise levels which affect the quality of the audial comfort in the mosque. This case study examines the audial comfort problem in the mosque which is on the edge of a cross-city road. The purpose of this study was to evaluate the audial comfort of the Al-Ghani Mosque which is located on the edge of the city lane and find solutions to reduce the noise impact by high traffic of vehicles. This study uses a case study method with a quantitative descriptive approach that aims to evaluate the audial comfort of a mosque. This study conducted data through field measurement. Noisetools.net and IBANA Calc-Software were used to analyse noise level of surrounding and indoor buildings. Indonesian National Standard (SNI) was used to judge the noise level quality. The results of this study indicate a high level of noise in the mosque and not reach the standard. Barrier and building material design intervened to achieve the standard target through simulation. This study provides an overview of how the mosque should be built by considering various factors, especially audial comfort.
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9

Hidayat, Rahma Sari, Sri Hasniar Rahayu, and Ana Ramdani Sari. "Evaluation of Faculty of Mathematics and Science Education’s Auditorium Audial Quality at Universitas Pendidikan Indonesia in Bandung, Indonesia." IOP Conference Series: Earth and Environmental Science 1404, no. 1 (2024): 012026. http://dx.doi.org/10.1088/1755-1315/1404/1/012026.

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Abstract Auditorium is a large-capacity room that is suitable for various activities. Due to the function itself, the auditorium needs a great audial quality so it can fulfill the user needs and ensure that the noises will not interrupt the event that was held inside the auditorium. Noise is an unwanted sound that will make the receiver feel uncomfortable or even disturbed when carrying out their activities, and it is one of the important factors to consider when designing a building or facility with the aim that the users of the building or facility can use it comfortably in accordance with the purpose of its creation. The main purpose of this research is to determine that the audial quality in the Auditorium room of the Faculty of Mathematics and Science Educations at Universitas Pendidikan Indonesia in Bandung has met the standard level of comfort according to the standard from KEP-48/MENLH/11/1996. The result from this research is the auditorium has a good result of noise level and is already in line with the standard level. Research using the method of measuring the decibel of the noise source with Decibel X, then analyzed the results with Noisetools.net to get the noise level that has been received by the receiver and using IBANA-Calc software to analyze the final noise level.
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10

Supiandi, Markus Iyus, and Leliavia Leliavia. "The source traditional medication knowledge: The dayak iban in lanjak deras village." JPBIO (Jurnal Pendidikan Biologi) 5, no. 2 (2020): 184–92. http://dx.doi.org/10.31932/jpbio.v5i2.751.

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West Kalimantan consists of 151 sub-ethnics. One of them is the Iban found in Lanjak Deras Village, Batang Lupar District, Kapuas Hulu Regency, Indonesia. The Iban has such a long history regarding their insiht into traditional medicine to deal with health problems experienced by local people. However, their knowledge of traditional medication has not been well documented. Therefore, knowledge of traditional medication is considered very important to be documented as an effort to preserve cultural heritage. This study aimed to analyze the source of traditional medication knowledge in the Iban. The method used in this study was survey techniques. The data were obtained through semi-structured interviews. Descriptive qualitative was used to analyze the data. The result showed that the sources of the Ibans knowledge for traditional medication were derived from: family (100%), customary leader (100%), shaman (100%), experience (75%), experiment (75%), dreams (50%), verbally (100%), be informed (100%) and ask a question (100%). This shows that the dayak Iban tribe people get traditional medical knowledge from various sources.Keywords: Analysis, traditional medicine, plants medicine, dayak iban
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11

BENJAMIN, SURESH P. "Two new species of Pharta Thorell, 1891 with the description of Ibana senagang gen. et sp. nov. (Araneae: Thomisidae)." Zootaxa 3894, no. 1 (2014): 177. http://dx.doi.org/10.11646/zootaxa.3894.1.15.

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12

KIYAI, GREGORY, Raemah Abdullah Hashim, Khairun Nisa Mustaffa Halabi, and Noor Hafiza Ismail. "WHAT SO DISTINCTIVE OF THE IBANS CULTURAL ARTEFACTS IN THEIR LONGHOUSES IN SARAWAK?" International Journal of Applied and Creative Arts 6, no. 1 (2023): 12–32. http://dx.doi.org/10.33736/ijaca.5561.2023.

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Prior to the establishment of a museum in Sarawak by the Brooke family in 1891, the Iban society preserved cultural objects in their longhouses using their own distinct methods. Traditional care is the foundation based on their beliefs and conceptions of the world's existence. This ethnography study examines the traditional conservation of Iban cultural relics in longhouses. Qualitative research technique, including fieldwork, documentation, and interviews was employed. Data collection was done based on the collection of pieces of informant memory. The findings indicate that the traditional management and maintenance of the Iban cultural artifacts is enchanting because it mixes parts of their beliefs, the mysticism and believing those cultural items would come to life and active so that they can be used in rituals and ceremonies. This research provides a new perspective on the cultural insight of an indigenous ethnic group the Ibans’ residing in the Borneo archipelago in with the anticipation that their identity known to the world and will be inherited for the new generations.
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13

Salaberri, Patxi. "Izen geografikoen inguruan." Fontes Linguae Vasconum, no. 55 (July 31, 1990): 65–71. http://dx.doi.org/10.35462/flv55.8.

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Lantxo honetan, A. lrigoien jaunak Euskera aldizkarian argitaratutako artikulu batean oinarriturik, zehaztapen batzuk egin nahi izan ditugu izen geografikoen gainean, erreferentziatzat batez ere Oibar aldeko toponimia hartuta, inoiz edo behin Nafarroako beste toki batzutako berri ere ematen dugun arren. Aztertzen ditugun izenen artean iparragerria eta eguzkiagerria-ren osagarria den agerria 'agerian dagoen tokia', altxunbidea 'ardibidea', berokia 'babes-lekua', erregua 'odia', 'erreka'; eztoma 'malda xuta'; ibina 'ibintzea', lakua 'ura darion eremua', portilua 'atea', potxe 'zintzurra', ugaldea eta urandia 'ibaia' aipa daitezke, besteak beste.
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14

Heppell, Michael. "Iban Heirloom Beads in an Evolutionary Framework." Sarawak Museum Journal LXXV, no. 96 (2015): 1–44. http://dx.doi.org/10.61507/smj22-2015-v71q-01.

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This paper tests a hypothesis that as early as the first millennium CE before the Iban1 had their cotton to include and developed technologies gins and spinning wheels, they began using beads and cord to construct accessories which led to increasingly sophisticated garments. If the hypothesis has any merit, it will provide suggestive evidence why the Iban eventually treated beaded and cotton garments as two parallel costly signals in the arena of sexual selection. Beaded garments signaled the wealth of a household and the good genes that were necessary to acquire it. Textiles enabled women to promote their desirability as long term sexual partners by signaling their intelligence. Both also signaled a capacity for hard work, a particularly desirable trait in sexual selection. With the Iban, beadwork survived until the end of the 2nd millennium. Examples of a range of beadwork survive to this day. To set the historical context, this paper briefly describes Ibanic migrations (the Ibanic includes a number of groups like the Kantu’ Desa, Mualang, Bugau, Iban and others who speak what linguists call an Ibanic language) from the southwest of Borneo in the Ketapang area to the upper Kapuas and then into Sarawak.2 [Fig. 1] The migrations are interesting to this paper because one Iban group which has good oral histories left the ‘original homeland’ many centuries after the main body and caught up with it in the 17th century but does not appear to have made the same investment in beadwork as other Iban groups.
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Leary, Charles, Anna Durin, and Candida Jau Emang. "Sunken Monuments: Notes on Bedil of Resistance." Sarawak Museum Journal LXXIII, no. 94 (2014): 57–72. http://dx.doi.org/10.61507/smj22-2014-qh0x-04.

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Although the enemy ran off in haste, they had time to hide many things of value: but our Dyaks allowed no leaf to pass unturned; and at a place in the river where I had been sitting and bathing for hours to-day, along with hundreds of Malays, I was surprised to see, towards the evening, a few Dyaks come to take their last luck before retiring after their day’s work: when lo! And behold, they traced a small line to a twig, and brought up a large brass gun. Such is their quickness of vision; only Dyaks can kill Dyaks. - Charles Brooke, Ten Years in Sarawak (1866) The above passage from the diaries of the then Tuan Muda (and later second Rajah of Sarawak), describing an evening repose during his 1856 expedition against the Ibans of Julau, illustrates the aura and allure of the desired object of the cannon for the Iban of Sarawak, in addition to being a significant weapon during the conflicts of this period. At the same time, the Tuan Muda’s remarks reveal a certain tendency of these heavy instruments to find themselves sinking underwater in Sarawak’s rivers - while the scene of uncanny detection also somehow allows Brooke to conclude that indeed, “only Dyaks can kill Dyaks,”as the Rajah James Brooke enlisted Iban tribes in war against those Iban tribes not yet agreeable to his government, expanding the domain of Sarawak and the scope of his rule.
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Jumpo, Sonny Anak, and Mohammad Puad bin Bebit. "The Depiction of Asian Tattoos in Popular Culture and the Mainstream media." 12th GLOBAL CONFERENCE ON BUSINESS AND SOCIAL SCIENCES 12, no. 1 (2021): 12. http://dx.doi.org/10.35609/gcbssproceeding.2021.12(12).

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Tattoos add a perceived aesthetic value to the body of the wearer. In instances where tattoos are worn – by choice – to enhance the outer appearance of the wearer, they are a vivid expression of artistic freedom, individualism and even a mark of belonging. For the same reasons that their appearance becomes conspicuous, tattoo wearers are vulnerable to receive negative first impressions. Tattoos are broadly divided into three types: those that are of tribal origins, those that are linked with criminal communities, and those that are forcefully given to mark prisoners or given as punishment. In the main stream media, the tattoos shown are often worn by antagonists or characters of a criminal nature. Recognizable Asian tattoos range from Japanese Horimono to Borneo tribal tattoos. A well-known example of tribal tattoo are the ones worn by Borneo Ibans. This paper will explain the importance of semiotics studies by looking at the cultural value of a particular tribal tattoo. The bunga terung is an Iban tattoo that a man will get when he goes for bejalai, a journey comparable to a walkabout. The theory of semiotics and representation by Charles Sanders Peirce will cover the knowledge process towards understanding the bunga terung. This research will enable us to differentiate between a tattoo that represents a particular indigenous community and a tattoo that represents a criminal one. Keywords: Bunga Terung, Gang Tattoo, Tribal Tattoo, Cultural Identity, Iban Tattoo.
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Ting, Su-hie, Youri Ajan Alvin, and Collin Jerome. "Blame It on My Parents! - Parental Heritage Influence on Iban Popular Music Consumption and Ethnic Identity Among Iban Youths in Malaysia." Journal of Ethnic and Cultural Studies 10, no. 2 (2023): 109–28. http://dx.doi.org/10.29333/ejecs/1512.

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The Iban is an indigenous group living in the Malaysian state of Sarawak, located on Borneo Kalimantan. The study examined ethnic identity and consumption of Iban pop songs by investigating the influence of half- or full-Iban parentage on knowledge, attitudes and practices of listening to Iban pop songs. Questionnaire data were collected from 189 Iban participants (21.16% half-Iban; 78.84% full-Iban). The favourite genre of Iban pop songs is ballads but 74.6% of the participants could sing the iconic Iban rock song, Biar Bekikis Bulu Betis. A majority of the Iban participants listened to Iban pop songs on YouTube channels although a fair number still used the radio and mobile phones. The participants believed that Iban songs can unite the Iban and represent the Sarawakian identity. The male participants were more familiar with Iban pop songs than the female participants. Consumption of Iban music does not differ significantly with monthly income and education level. The results showed that full-Iban participants are more interested in, knowledgeable about, and positive about Iban pop songs, compared to half-Iban participants. The full-Iban participants felt strongly that Iban songs can represent the Malaysian identity, and modern Iban culture and attain the international standard. The findings suggest that Iban parents shape their children's interest in Iban popular music by inculcating a strong Iban ethnic identity.
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18

Asri, Adilawati, and Noria Tugang. "PENGARAP LAMA DALAM BUDAYA IBAN: PENELITIAN ANIMISME IBAN." Jurnal Borneo Arkhailogia (Heritage, Archaeology and History) 9, no. 1 (2025): 31–52. https://doi.org/10.51200/jba.v9i1.5623.

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Budaya Iban di Sarawak, Malaysia, sangat kaya dengan elemen animisme yang tercermin dalam amalan Pengarap Lama Iban, iaitu ritual dan kepercayaan warisan yang diwarisi secara turun temurun. Penelitian ini bertujuan untuk mendalami Pengarap Lama Iban dan mengkaji peranannya dalam amalan kepercayaan warisan atau animisme masyarakat Iban. Melalui pendekatan kualitatif, penelitian ini melibatkan temu bual secara In-depth Interview dengan golongan pakar adat Iban. Hasil penelitian menunjukkan bahawa Pengarap Lama Iban memainkan peranan penting dalam menghubungkan masyarakat Iban dengan alam semesta, roh leluhur, etika malah sebagai penanda hidup serta panduan moral untuk melestarikan kebaikan dalam kehidupan mereka. Ini kerana walaupun berlakunya perubahan zaman, penganutan agama-agama besar, seperti agama Islam dan agama Kristian, akan tetapi masih ada masyarakat Iban sehingga hari ini yang masih berpegang kuat dengan Pengarap Lama Iban. Sehubungan dengan itu, diharapkan penelitian ini dapat menyumbang kepada kefahaman yang lebih mendalam dan secara terperinci mengenai Pengarap Lama Iban yang merupakan warisan terpenting dalam budaya Iban di Sarawak.
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Primadani, M. Riza, Suhendra Suhendra, and Eri Dahlan. "Perencanaan Baja Ringan Sebagai Salah Satu Alternatif Pengganti Kayu Pada Struktur Rangka Atap Bangunan." Jurnal Talenta Sipil 4, no. 2 (2021): 193. http://dx.doi.org/10.33087/talentasipil.v4i2.74.

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Seiring perkembangan jaman, kebutuhan akan kayu sebagai ibahan idasar irangka iatap isemakin imeningkat, namun tidak diiringi dengan kualitasidan kuantitas kayu itu sendiri. Semakin langkanya pohon terutama pohonidenganikualitasikayu baik menyebabkan hargaikayuimenjadiirelatifimahal.iHaliini menjadi dasar pemikiran produseniuntukimenciptakaniinovasi baru berupa baja ringan untukimembuat rangkaiatap.iBajairinganidipilih sebagaiialternatifipenggantiikayuisebagaiirangka atap ikarena ibaja iringan imemiliki ifaktor ikeawetan, itahan irayap idan itahan ikarat. Tujuan idari ipenelitian iini iuntuk imenganalisis irangka ikuda-kuda ibaja iringan idan ikuda-kuda ikayu, serta membandingkan ibesarnya ibiaya iatap iyang imenggunakan ikonstruksi irangka ibajairingan idan ikonstruksi irangka ikayu.iMaterial istruktur ikayu imenggunakan imaterial ikayu ikelas iII idan imaterial ibaja imenggunakan iBaja iRingan iC75.75.iBangunan iyang idi ijadikan iobjek iadalah ibangunan i72 im2 idengan iluas iarea ibangunan i8 im ix i9 im. Pada ipenelitian iini idiperoleh iPersentase iharga ipada ikuda-kuda ibaja iringan i101,93% ikali iharga ipada ikuda-kuda ikayu.iDan ipersentase iberat ikuda-kuda ibaja iringan i11,25% idari iberat ikuda-kuda ikayu.iTerdapat iperbedaan ibiaya ipada irangka iatap iyaitu ipada ipembangunan irangka iatap ibaja iringan idengan iluas i72m2 ididapatkan itotal ibiaya iyang idikeluarkan isebesar iRp.63.278.178, iSedangkan imenggunakan irangka iatap ikayu itotal ibiaya iyang idikeluarkan isebesar iRp.62.082.444.iPerbandingan ibiaya ipada ipembangunan irangka iatap iatap ibaja iringan idan irangka iatap ikayu iadalah isebesar iRp.1.195.734.iJadi ikesimpulan iyang ibisa idiambil idari ikedua iperbandingan ibiaya itersebut iadalah ipembuatan irangka iatap imenggunakan irangka iatap ibaja iringan ilebih imahal idari ipada ibiaya imenggunakan irangka iatap ikayu.
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Black, Stephanie, and Amy Verbos. "Native Nations’ Social Enterprise: A Tribal Critical Race Theory Model." Indigenous Business & Public Administration 1, no. 1 (2022): 5. http://dx.doi.org/10.33972/ibapa.24.

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Stewart, Daniel. "Why Here, Why Now: The Genesis of a Native American Business Journal." Indigenous Business & Public Administration 1, no. 1 (2022): 1. http://dx.doi.org/10.33972/ibapa.25.

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Levi, Nwosu Ndubuisi. "CUSTOMER SERVICES IN FINANCIAL INSTITUTIONS: A STEP TOWARDS IMPROVING PROFITABILITY (A STUDY OF ACCESS BANK PLC UMUDIKE)." Corporate Sustainable Management Journal 2, no. 1 (2023): 27–31. https://doi.org/10.26480/csmj.01.2024.27.31.

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Inirecentitime, the iservice isector iof ithe ieconomy ihas iincreasingly iassumed iand iis playing ian iimportant irole iin ialmost iall ithe ieconomics iof ithe iworld. i iThis iservice-based ieconomics ihas icontinued ito iimprove ithe iliving istandard iof icitizens iliving iin such ieconomics. iThe ibroad iobjective iof ithe istudy iwas ito iinvestigate icustome4 iservices iin ifinancial iinstitutions, itowards iimproving iprofitability iin iAccess iBank iPlc, iUmudike iin iAbia iState. i iThe ispecific iobjectives iwere ito; idetermine ithe ieffect iof ion-time idelivery ion ithe iprofitability iof iAccess ibank iPlc, iUmudike iin iAbia iState, iexamine ithe irelationship ibetween iconvenience iand iprofitability iin iAccess iBank iPlc, iUmudike iin iAbia iState. iThe iresearcher ideveloped ithe ifollowing ihypotheses. iOn-time idelivery ihas ino isignificant ieffect ion iprofitability iin iAccess iBank iPlc, iUmudike iin iAbia iState. i iThere iis ino isignificant irelationship ibetween iconvenience iand iprofitability iof iAccess ibank iPlc. iCommunication ihas ino isignificant ieffect ion iprofitability iof iAccess ibank iPlc. iThe isample isize iof ithe istudy iwas i200 iusing ipurposive isampling itechnique. iThe ifindings ifrom ithe iresults ishowed ithat ion-time idelivery idoes ihave ian ieffect ion ithe iprofitability iof iAccess iBank iPlc, iat ia i1% isignificant ilevel. iThe ifindings ialso irevealed ithat ithere iexists ia ipositive irelationship ibetween iconvenience iand iprofitability. iThe ifindings ifurther irevealed ithat icommunication ithat ithe icustomers ienjoyed ihas ian ieffect ion ithe iprofitability iof iAccess iBank iPlc, iUmudike. iThe iresearcher, ibased ion ithe ifindings iof ithe istudy, ithe iresearcher imade ithe ifollowing irecommendations. iThe imanagement iof iAccess iBank iPlc, iUmudike, iAbia istate, iNigeria ishould ido ieverything iwithin iits ipower ito iensure ithat ion-time idelivery isystem iis imaintained iby ithe ibank, isince iit ihas ishown ias ibeing ieffective ion ithe iprofitability iof ithe ibank iand ithe iconvenience ithat ithe icustomers ienjoyed ishould inot ibe itampered iwith inegative, irather ishould ibe iimprove ito iincrease iprofitability, ias ithere iexists ia isignificant irelationship ibetween iconvenience iand iprofitability.
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Ali Osman, Mohammad Sufiyan, Adilawati Asri, and Noria Tugang. "Asal Usul dan Peranan Tradisi Bertatu dalam Budaya Masyarakat Iban." Melayu: Jurnal Antarabangsa Dunia Melayu 17, no. 1 (2024): 35–56. http://dx.doi.org/10.37052/jm.17(1)no2.

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Penyelidikan ini menjelaskan tentang asal usul dan tujuan tradisi bertatu yang dilakukan dalam budaya masyarakat Iban di Sarawak. Tradisi bertatu merupakan sebahagian daripada budaya masyarakat Iban yang dianggap suci kerana dipercayai dapat menghubungkan jiwa masyarakat Iban kepada petara (tuhan) mereka. Penyelidik menggunakan pendekatan kualitatif dalam penyelidikan ini. Data yang diperoleh menggunakan pendekatan kualitatif yang menggunakan kaedah pemerhatian turut serta dan temu bual dengan informan yang mempunyai kepakaran dalam tradisi tatu. Penyelidik mendapati bahawa setiap motif tatu masyarakat Iban mempunyai makna dan fungsi yang tersendiri kepada golongan individu yang memilikinya. Dalam kepercayaan warisan masyarakat Iban, tatu dipercayai merupakan simbol yang melambangkan anugerah daripada petarakepada sesuatu pencapaian ataupun kejayaan yang dikecapi oleh masyarakat Iban dalam kehidupan seharian mereka. Oleh itu, tradisi bertatu ini dilihat sebagai satu tradisi budaya yang bersifat sakral dan mistik dalam budaya masyarakat Iban. Pada zaman dahulu, masyarakat Iban tinggal di persekitaran alam semula jadi yang terdapat di kepulauan Borneo. Bagi masyarakat Iban, alam semula jadi dijadikan sebagai sumber idea dan inspirasi untuk menghasilkan motif tatu. Perkara ini memperlihatkan bahawa masyarakat Iban dan alam semula jadi mempunyai hubungan yang rapat dan saling memerlukan antara satu sama lain. Fenomena ini memperlihatkan bahawa masyarakat Iban amat menghargai alam semula jadi yang dijadikan sebagai idea utama dalam membentuk tradisi budaya mereka. Melalui alam semula jadi, masyarakat Iban menghasilkan tradisi bertatu yang menggambarkan sifat dan perwatakan diri seseorang tersebut mempunyai ciri-ciri yang mirip dengan hidupan alam semula jadi yang terdapat di persekitaran komuniti mereka. Masyarakat Iban percaya bahawa petara (tuhan) menciptakan alam semula jadi sebagai sumber rezeki dan penempatan bagi masyarakat Iban. Fenomena ini memperlihatkan bahawa kewujudan alam semula jadi merupakan wadah bagi masyarakat Iban untuk menghasilkan tradisi bertatu bagi menzahirkan kepercayaan mereka terhadap petara dan kuasa-kuasa luar biasa.
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Chelum, Alexander, Anna Durin, Connie Lim Keh Nie, Muhammad Qawiem Hamizan, and Mohd Jefri Samaroon. "The Iban Textiles." Journal of Borneo-Kalimantan 4, no. 1 (2018): 1–7. http://dx.doi.org/10.33736/jbk.915.2018.

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The Iban traditional textiles are very well decorated with beautiful motifs. Some motifs are small and simple but some are complex (Durin, 2011). Both the simple and complex motifs are embedded meaning and symbols which depict the Iban traditional culture especially their traditional beliefs. This research aims to relate the motif of the Iban Textile and their traditional belief. Secondly, this research is also to analyse the usage of Pua Kumbu traditionally and currently. The data collection are carried out through observation and interviewing the experts in Iban textiles weaving in Kuching, Betong and Bintulu. The analysis method is used for the data collection is content analysis. In the research finding it is proven that the usage Pua Kumbu currently is not only confined to ritual purposes but also for the daily used as decorative accessories. It’s also proven, not only the Iban community weave the Pua Kumbu but few communities also weave the Iban’s textile motif. For example, Azmeer Sharkawi in Betong.
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Saging, Sylvia, and Zainuddin Baco. "SEJARAH ASAL USUL DAN TUJUAN MENGUKIR TATU DALAM KALANGAN MASYARAKAT IBAN, RUMAH PANJANG DI LUBUK ANTU, SARAWAK." Jurnal Borneo Arkhailogia (Heritage, Archaeology and History) 7, no. 1 (2022): 115–30. https://doi.org/10.51200/jba.v7i1.6448.

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Secara umumnya, amalan mengukir tatu tradisional Iban dianggap sebagai simbol suci yang menghubungkan masyarakat Iban kepada Tuhan mereka dan melindungi mereka daripada roh jahat. Masyarakat Iban juga menganggap tatu sebagai ganjaran dan ilustrasi perjalanan hidup mereka. Oleh itu, wujud hubungan yang erat antara amalan mengukir tatu dan budaya masyarakat Iban. Artikel ini akan mengupas sejarah asal usul amalan mengukir tatu dalam kalangan masyarakat Iban yang dikaitkan dengan tradisi lisan. Artikel ini turut mengupas tujuan utama amalan mengukir tatu dalam kalangan masyarakat Iban. Penulisan artikel ini diharap dapat memberi gambaran awal kepada generasi muda mengenai tujuan asal amalan mengukir tatu dan mengubah stereotaip sesetengah masyarakat kepada individu Iban yang bertatu tradisional.
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Ramos, Marlon, Albert Lasam, Antonio Tamayao, et al. "COMMUNITY PANTRY: A FRAMEWORK FOR (Re) INTERPRETING IBANAG YOUTH’S CONCEPT ON KAPWA AND PAKIKIPAGKAPWA." Azal Arts and Humanities 1, no. 2 (2024): 23–43. https://doi.org/10.55687/aah.v1i2.88.

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This study unraveled the modern interpretation of the Ibanag Youth’s concept on kapwa and pakikipagkapwa through the formation of the community pantry. Specifically, it explored the Ibanag Youth’s experiences, views, and values using the community pantry as a framework. Descriptive Phenomenological Analysis research design was used. Nine Ibanag youths who have been involved in the conduct of the community pantry were interviewed. Thematic analysis was employed which include steps such as familiarization, coding, generating themes, reviewing themes, defining themes, defining and naming themes, and writing up. The results uncovered the Ibanag concepts of kasittolay and makikasittolay. The kasittolay has an unknown identity while makikasittolay is the act of partaking into the lives of others in a positive light. The underlying motives of the Ibanag youths in establishing the community pantries were both intrinsic and extrinsic and these have led to the promotion of pammacappianan na magaru (common good). The community pantries played a significant role in promoting and developing the Ibanag concepts and values (pabboluntaryu, minagiyawa, mapammakatalakkan, vuka ta ngamin, mappanono ta adalam, and makidaddam), which were unveiled to be inward or outward-looking. The study affirmed that the Ibanag concepts and values were consistent with the mainstream Filipino values. Thus, the community pantry is a good framework in interpreting the Ibanag concepts of kapwa and pakikipagkapwa. The community pantry served as a good paradigm in unraveling and defining the Ibanag concepts of kapwa and pakikipagkapwa. It is a fertile ground to nourish the Ibanags’ concepts of kapwa and pakikipagkapwa allowing the inward and outward-looking values to flourish. The indigenous values of the Ibanags were proven to be consistent with the existing Filipino values and concepts of kapwa and pakikipagkapwa. Hence, the Ibanags’ age-old culture and values still live on in the 21st century as the Ibanag youths have used the community pantry as a modern way to preserve and aggrandize them for the next generations. In light of the findings, it is recommended that the community pantry shall be continued in different localities as it is a powerful catalyst not only for socio-economic purposes but also for cultural preservation. It is also recommended that the LGUs, NGOs, and private organizations should collaborate to support existing community pantries. More Ibanag youths should also be encouraged to participate in socio-civic activities through existing school and civic organizations. The findings of this study may be incorporated in subjects such as Edukasyon sa Pagpapakatao, Araling Panlipunan, and Understanding the Self to delve deeper into the Ibanag mind and soul.
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Han, Jie, Chaoyang Huang, Jiukun Jiang, and Dongmei Jiang. "Activation of autophagy during farnesyl pyrophosphate synthase inhibition is mediated through PI3K/AKT/mTOR signaling." Journal of International Medical Research 48, no. 4 (2019): 030006051987537. http://dx.doi.org/10.1177/0300060519875371.

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Objectives Autophagy is divided into three phases: autophagosome engulfment of intracellular organelles and proteins, autophagosome fusion with lysosomes, and autolysosome degradation. The farnesyl pyrophosphate synthase inhibitor ibandronate (IBAN) has in vivo cardioprotective properties, potentially via anti-oxidant effects. Whether autophagy is involved in the cardioprotective effect of IBAN remains unexplored. Methods Human umbilical vein endothelial cells (HUVECs) were treated in vitro with IBAN to assess autophagy induction. Lysosomal activation and phosphatidylinositol 3-kinase (PI3K)/protein kinase B (AKT)/mammalian target of rapamycin (mTOR) signaling were assessed using a LysoTracker assay, acridine orange staining and western blotting. An MTS assay was used to assess cellular proliferation. Autophagy was inhibited using chloroquine or RNA silencing of autophagy-related 7 (Atg7) expression. Results IBAN induced autophagy in HUVECs. Moreover, IBAN activated lysosomal function, which is pivotal to autophagy induction. PI3K/AKT/mTOR activity was inhibited in IBAN-treated HUVECs, indicating the involvement of this pathway in IBAN-induced autophagy. Inhibition of autophagy using either chloroquine or Atg7 siRNA potentiated inhibition of HUVEC growth by IBAN, suggesting the involvement of non-autophagy pathways in the antiproliferative effects of IBAN. Conclusions These findings provide insights into the role of autophagy in the cardioprotective effects of IBAN and the molecular mechanisms underlying autophagy induction by IBAN.
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Siringoringo, Januaster, Thomas Pandawa Efrata Tarigan, and Christin Liliana Pane. "Pengaruh Kecakapan Mengajar Guru PAK Terhadap Minat dan Hasil Belajar Siswa." Didache: Journal of Christian Education 1, no. 2 (2021): 187. http://dx.doi.org/10.46445/djce.v1i2.353.

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Penelitian ini bertujuan mencari besar kontribusi persepsi siswa tentang kecakapan mengajar guru PAK (X) terhadap minat belajar siswa (Y1) kelas VII SMP Era Ibang Medan, kedua; besar kontribusi persepsi siswa tentang kecakapan mengajar guru PAK terhadap hasil belajar PAK siswa (Y2) kelas VII SMP Era Ibang Medan. Ketiga: besar kontribusi Persepsi siswa tentang kecakapan mengajar guru PAK terhadap minat dan hasil belajar PAK siswa kelas VII SMP Era Ibang Medan. Sampel penelitian ini berjumlah 130 orang. Untuk mengetahui ada tidaknya hubungan antara Variabel bebas dan terikat, dianalisis dengan menggunakan rumus korelasi produk Moment dari Person. Berdasarkan hasil penelitian yang telah dilakukan kontribusi Persepsi siswa tentang kecakapan mengajar guru PAK terhadap minat belajar siswa kelas VII SMP Era Ibang Medan diperoleh nilai 0,382&gt;0,361, kontribusi Persepsi siswa untuk kecakapan mengajar guru PAK terhadap hasil belajar PAK siswa kelas VII SMP Era Ibang Medan diperoleh nilai 0,698 &gt; 13,040 dan kontribusi Persepsi siswa tentang kecakapan mengajar guru PAK terhadap minat dan hasil belajar PAK siswa kelas VII SMP Era Ibang Medan. Karena itu perlu evaluasi yang terukur untuk melihat kecakapan guru PAK dalam mengajar demi meningkatkan minat dan hasil belajar siswa.
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Douglas, Rynna Sha’erra Mindew, Mary Fatimah Subet, and Muhammad Zaid Daud. "JELMAAN REPTILIA DALAM AKAL BUDI MASYARAKAT IBAN: ANALISIS SEMANTIK INKUISITIF." Asian People Journal (APJ) 6, no. 2 (2023): 1–19. http://dx.doi.org/10.37231/apj.2023.6.2.318.

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Abstract: Images of reptile animals are often debated in various fields such as science, education and their use in proverbs of Malay idioms and Iban idioms. Observation of the characteristics of animals in these classes makes the Iban community more sensitive toward their surroundings. In the Iban idioms, the images of reptiles used are due to the inherent properties of the animals that are equated or reflected in the nature and actions of men in the past. A total of 15 Iban idioms using images of reptiles were generated from Bup Sempama Iban, a book written by Casper Kayong Umping (2011).. The proverbs data were analyzed using the Semantic Inquisitive Approach by applying the Bridging Cross Reference toward the corpus data. Based on the analysis, the proverbs using the images of reptiles show the traits possessed by humans and they are conveyed by the use of proverbs (Sempama Jaku Iban) with implied meanings and subtle language to keep the recipient's heart or listeners. The merging of data, the applied theory, and the culture applied in this study has successfully explained the implicit meaning behind the Iban idioms and the reflection of the minds of the speakers.&#x0D; Keywords: Iban proverbs, iban mind, semantic inquisitive approach, bridging cross reference&#x0D; Abstrak: Imej haiwan kelas reptilia sering kali dibahaskan dalam pelbagai bidang seperti sains, pendidikan dan juga penggunaannya dalam peribahasa sama ada peribahasa Melayu dan peribahasa Iban. Pengamatan terhadap sifat-sifat haiwan tersebut menjadikan masyarakat Iban lebih peka terhadap persekitaran mereka. Dalam peribahasa Iban, imej reptilia digunakan adalah disebabkan oleh sifat yang ada pada haiwan tersebut yang disamakan atau direfleksikan kepada sifat dan tindakan manusia pada masa lalu. Sebanyak 15 data peribahasa Iban menggunakan imej reptilia dijana dari buku Bup Sempama Iban yang ditulis oleh Casper Kayong Umping. Data peribahasa dianalisis dengan menggunakan Pendekatan Semantik Inkuisitif dengan mengaplikasikan Rangka Rujuk Silang terhadap data korpus. Berdasarkan analisis yang dilakukan, peribahasa yang menggunakan imej reptilia menunjukkan sifat-sifat yang dimiliki oleh manusia dan ia disampaikan dengan menggunakan peribahasa (sempama jaku Iban) yang mempunyai makna yang tersirat dan bahasa yang halus dengan tujuan menjaga hati penerima atau pendengar. Gabungan data peribahasa, teori yang diaplikasikan dan budaya yang digunakan dalam kajian ini telah berjaya merungkai makna implisit di sebalik sempama jaku Iban dan akal budi penuturnya.&#x0D; Kata kunci: peribahasa, sempama jaku Iban, akal budi, semantik inkuisitif, rangka rujuk silang
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Asri, Adilawati, and Noria Tugang. "Fungsi Dan Signifikan Penciptaan Parang Ilang Dalam Budaya Masyarakat Iban Di Sarawak." Sains Insani 9, no. 2 (2024): 258–73. https://doi.org/10.33102/sainsinsani.vol9no2.682.

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Abstrak: Parang Ilang merupakan sejenis senjata tradisional yang memainkan peranan penting dalam kebudayaan material masyarakat Iban. Kajian ini dilakukan berdasarkan sejarah mengenai fungsi dan signifikan penciptaan parang Ilang dalam budaya masyarakat Iban. Ia dikaji melalui peradaban masyarakat Iban dan kebudayaan yang menjadi mercu tanda keagungan dan kegemilangan dalam menzahirkan ketamadunan mereka di Sarawak. Parang Ilang yang disimpan dan dimiliki oleh masyarakat Iban mempunyai nilai yang sangat signifikan sehingga diklasifikasikan sebagai warisan dan pusaka mereka. Walau bagaimanapun, pelbagai faktor telah mengubah corak kebudayaan masyarakat Iban semasa era kolonialisme. Tambahan pula, pembangunan moden serta arus globalisasi yang melanda kehidupan masyarakat Iban memperlihatkan ketidakupayaan untuk memahami fungsi dan signifikan penciptaan parang Ilang terdahulu dalam budaya mereka. Kajian ini meneliti signifikan penciptaan parang Ilang terdahulu dalam konteks budaya Iban. Parang Ilang bukan sahaja digunakan sebagai alat pertahanan dan perburuan, malah sebagai simbol status sosial dan keberanian. Ia sering dijadikan sebagai simbol kekuatan oleh pahlawan sebagai tanda keperwiraan dan semangat juang. Selain itu, parang Ilang juga digunakan dalam upacara dan ritual adat Iban. Melalui analisis sejarah, budaya, dan sosial, kajian ini berusaha mendalami fungsi dan signifikan penciptaan parang Ilang dalam mengekalkan identiti dan warisan budaya masyarakat Iban. Kajian ini menggunakan pendekatan kualitatif berbentuk etnografi yang didasari oleh kerja lapangan melalui kaedah pemerhatian dan temu bual dengan informan yang pakar dalam adat dan budaya Iban. Hasil kajian mendapati bahawa penciptaan parang Ilang memainkan peranan yang sangat signifikan dalam mengukuhkan identiti budaya masyarakat Iban, serta dalam menghubungkan generasi muda dengan warisan nenek moyang mereka. Abstract: Ilang machete is a type of traditional weapon that plays an important role in Iban material culture. This study is based on the history of Ilang machete which is about its function and significance in Iban culture. It is based on the civilization of the Iban community and the culture that is a landmark of majesty and glory in revealing their civilization in Sarawak. Ilang machete that is kept and owned by the Iban community has a very significant value so much so that it is classified as their heritage and heirloom. However, various factors have changed the cultural pattern of the Iban community during the era of colonialization. Furthermore, modern development as well as globalization currents that hit the lives of the Iban community show the inability to understand the function and significance of the creation of Ilang machete in their culture. This study examines the function and significance of the creation of Ilang machete in the context of Iban culture. Ilang machete is not only used as a defense and hunting tool, but also as a symbol of social status and bravery. It is often used as a symbol of strength by warriors as a sign of bravery and fighting spirit. In addition, Ilang machete is also used in traditional Iban ceremonies and rituals. Through historical, cultural, and social analysis, this study seeks to deepen the function and significance of the creation of Ilang machete in maintaining the identity and cultural heritage of the Iban community. This study uses a qualitative approach in the form of ethnography based on field work through the method of observation and interviewing informants who are experts in Iban customs and culture. The results of the study found that Ilang machete plays a very significant role in strengthening the cultural identity of the Iban community, as well as in connecting the younger generation with the heritage of their ancestors.
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Keh Nie, Connie Lim. "Alternative Conceptions of Modernity in the History of Iban Popular Music." Sarawak Museum Journal LXXVI, no. 97 (2016): 78–88. http://dx.doi.org/10.61507/smj22-2016-27z1-04.

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The Iban make up one third of the Sarawakian population and is the largest ethnic group in Sarawak, Malaysia. As with other ethnicities in the nation, modernity has presented challenges for socio-cultural development and lifestyle of Iban people. Historically, the Iban are a cultural group located geographically and politically in Sarawak, Malaysia. Iban society had gone through a state of flux where people have gone through the process of readapting themselves in meeting the demanding challenges of modernisation. Drawing upon Barendregt’s (2014) ‘alternative conceptions of modernity’ this paper examines how the Iban associate both a national as well as a local music industry particularly through their use of language as an expression of Iban. First the paper will examine changes in Iban society through political and economic modernisation. Differential transformation within Iban music industry is examined in relation to exposure to agents of change such as the influence through Christian missionary and education. This reflects how the Iban react and interact in adaptation of modem demands of change as a result of the effects of historical processes on the social, cultural and physical environments.
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Rosano, Andi. "Pengujian Alpha dan Beta pada Pengembangan Sistem Internet Banking (Ibank) PT Bank Mega, Tbk." REMIK (Riset dan E-Jurnal Manajemen Informatika Komputer) 3, no. 2 (2019): 34. http://dx.doi.org/10.33395/remik.v3i2.10096.

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Sistem internet banking (Ibank) memiliki peranan sangat penting dalam mendukung dunia bisnis dan menjadi kebutuhan masyarakat saat ini. Banyak bank masih menggunakan cara konvensional dalam memberikan layanan transaksi dan informasi perbankan kepada nasabah, sehingga nasabah harus datang ke kantor cabang bank. Untuk itu perlu dibangun sistem internet banking (Ibank) yang dapat menunjang kelancaran transaksi perbankan tanpa kendala tempat dan waktu. Penelitian ini merupakan upaya untuk membuat sistem internet banking (Ibank) sebagai solusi mengatasi kendala tempat dan waktu bagi nasabah bank. Pada penelitian ini diharapkan pembuatan sistem internet banking (Ibank) yang dihasilkan nantinya akan mampu mengatasi masalah pelayanan bank kepada nasabah dari kendala tempat dan waktu. Untuk perancangan dan pengembangan aplikasi, peneliti menggunakan metode Waterfall sebagai landasan dalam penelitian ini.
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Saging, Sylvia, and Zainuddin Baco. "SIMBOLIK MOTIF-MOTIF TATU TRADISIONAL MASYARAKAT KAUM IBAN DI LUBOK ANTU, SRI AMAN, SARAWAK." Jurnal Borneo Arkhailogia (Heritage, Archaeology and History) 7, no. 1 (2022): 130–44. http://dx.doi.org/10.51200/jba.v7i1.4137.

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Tatu tradisional Iban dianggap sebagai simbol suci yang dapat menghubungkan kaum Iban dengan petara (Tuhan) dan melindungi mereka daripada gangguan roh jahat. Pada zaman dahulu, masyarakat Iban menerima tatu sebagai ganjaran dan ilustrasi perjalanan hidup mereka. Tatu sebenarnya merupakan sebahagian daripada ritual tradisional kaum Iban di Sarawak yang mempunyai hubungan kuat dengan adat dan kesenian. Tatu berada pada tubuh secara kekal sehingga menjadi penandaan yang tidak dapat dihilangkan sehingga kematian. Makalah ini memfokuskan tentang simbolik motif-motif tatu tradisional kaum Iban di Lubok Antu, Sri Aman, Sarawak. Penyelidikan ini menggunakan kaedah kualitatif di mana tiga jenis kaedah pengumpulan maklumat yang digunakan menerusi temu bual, kaedah kepustakaan, dan melayari laman web. Hasil kajian ini mendapati bahawa kepelbagaian motif tatu tradisional Iban pada zaman dahulu bukan sahaja diukir sekadar hiasan semata-mata, namun setiap corak motif tersebut digunakan untuk tujuan tertentu dan mempunyai maksud yang tersendiri di mana setiap motif tersebut pada dasarnya mempunyai simbolik dan syarat-syarat khusus dari segi pemilikannya yang tidak boleh diukir secara sesuka hati. Walau bagaimanapun, peredaran zaman telah menyebabkan berlaku inovasi terhadap tatu tradisional di mana tatu Iban pada era moden ini tidak lagi diritualisasikan dan berhubung kait dengan unsur kepercayaan tradisi (animisme) seperti yang diamalkan pada zaman dahulu. Pada masa kini, kebanyakan masyarakat Iban terutamanya dalam kalangan generasi muda tidak mempunyai pengetahuan yang mendalam tentang sejarah tatu tradisional kaum mereka. Pengetahuan tentang dunia tatu kaum Iban pada masa kini menjadi penting kerana menjadi satu-satunya cara untuk memahami dan mendedahkan keindahan budaya kaum Iban, sama ada dari segi kepercayaan mahupun gaya hidup sebenar masyarakat Iban pada zaman dahulu.
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Jeckie, Valerie, and Asma Hanee Ariffin. "Interactive Mobile Application in Learning Iban Language." International Journal of Recent Technology and Applied Science (IJORTAS) 5, no. 2 (2023): 81–89. http://dx.doi.org/10.36079/lamintang.ijortas-0502.571.

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My Iban application is an interactive mobile application for learning the Iban language. The aim of this study is to develop a mobile application that is focusing on creating alternative tools in learning Iban language where it will ease the students to learn. This application development is based on the problem that occurred when there is no suitable application in learning Iban language among the students in primary school. The methodology that has been chosen in developing the application is the Evolutionary Prototyping model. Quantitative technique is used to test and evaluate My Iban applications. Based on the findings obtained from the users through a survey, it finds out that My Iban application have gained positive feedback. The functionality and the usability of My Iban application has been tested and approved by the user. For future works, the use of interactive multimedia elements in developing mobile applications need to be improved. In conclusion, the application hopefully can encourage the students to learn the Iban language better via mobile application.
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ANAK JEFFREY, RUSSEL DUNDANG, and MARY FATIMAH SUBET. "Unsur Alam Dalam Peribahasa Iban (Jaku’ Sempama): Satu Analisis Semantik Inkiusitif(Elements of Nature in Iban Proverbs (Jaku’ Sempama): An Inqusitive Semantics Analysis)." Trends in Undergraduate Research 1, no. 1 (2018): f10–15. http://dx.doi.org/10.33736/tur.1169.2018.

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Penggunaan peribahasa dalam masyarakat Iban menggambarkan bahawa masyarakat ini juga turut menjaga kesantunan berbahasa dalam memberikan teguran, nasihat atau sindiran kepada orang lain. Unsur-unsur yang digunakan dalam peribahasa juga mencerminkan dan memaparkan budaya yang terdapat pada masyarakat ini dengan mengaplikasikan pengalaman dan pengamatan mereka terhadap alam sekeliling. Kajian ini dijalankan untuk menganalisis unsur alam dalam jaku’ sempama Iban menggunakan analisis semantik Inkuisitif. Kajian ini berpandukan dua objektif iaitu menyenaraikan dan mengenal pasti peribahasa Iban (jaku’ sempama) yang mengandungi unsur alam dalam penciptaannya dan menganalisis akal budi dan falsafah masyarakat Iban dalam penciptaan peribahasa Iban (jaku’ sempama) dengan menggunakan semantik Inkuisitif. Unsur alam tersebut akan dibahagikan kepada 4 domain iaitu haiwan, tumbuhan, sumber atau tenaga, dan alam semesta. Kajian ini ialah kajian kualitatif. Data korpus diperoleh dan 2 informan ditemu bual. Analisis dalam kajian ini turut menggunakan pendekatan semantik inkuisitif bagi menjelaskan makna, kognitif dan memasukkan falsafah serta akal budi masyarakat Iban berkenaan peribahasa yang dipilih. Kajian ini juga memasukkan ilmu daripada bidang lain dalam mencungkil persoalan penggunaan unsur alam dalam peribahasa Iban. Hasil kajian mendapati terdapatnya falsafah di sebalik penciptaan sesuatu peribahasa masyarakat Iban yang dapat dikaitkan dengan budaya masyarakat yang mendukung peribahasa tersebut.Kata kunci: Akal budi, falsafah, jaku’ sempama, masyarakat Iban, semantik inkuisitif,
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Rosli, Erni Zunatasha, Fatin Amirah Huwaida Jakariya, Izyan Khaliesah Empang Mohd Khir Nasirruddin, Natasha Dayang Brain, Nik Nur’ain Dalila Nik Azman, and Nur Iylia Maisarah Syaharudy. "Perbandingan Pantang Larang Kaum Iban Dan Kaum Melanau Comparison Of Taboos Of The Iban And Melanau People." Jurnal Melayu Sedunia 6, no. 1 (2023): 1–12. http://dx.doi.org/10.22452/melayusedunia.vol6no1.1.

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Pantang larang bermaksud perbuatan yang dilarang untuk dilakukan. Pantang larang ini wujud dalam sesebuah adat dan kepercayaan sesuatu kaum. Dalam konteks masyarakat Iban dan Melanau, pantang larang terbentuk akibat kepercayaan terhadap kekuatan kuasa jahat. Masyarakat Iban dan Melanau percaya bahawa pelanggaran pantang larang akan menyebabkan berlakunya kecelakaan. Namun, terdapat perbezaan pantang larang di antara kedua-dua kaum tersebut terutama dari segi unsur simbol. Objektif pertama kajian ini, ialah mengenal pasti simbol dalam pantang larang masyarakat Iban dan Melanau, kedua menghuraikan perbezaan pantang larang kaum Iban dan Melanau secara umum dan yang terakhir, ialah menganalisis perbezaan unsur simbol dalam pantang larang kaum Iban dan Melanau. Kajian ini menggunakan kajian kepustakaan dan kaedah penyelidikan lapangan di mana data diperoleh melalui temu bual enam orang informan yang berasal dari Bintangor (berketurunan Iban) dan Mukah (berketurunan Melanau). Hasil analisis kajian ini mendapati unsur simbol seperti tumbuhan, perbuatan, benda, dan haiwan dalam pantang larang kaum Iban dan kaum Melanau. Misalnya Melanau mempunyai simbol tumbuhan midin dan kulat, manakala kaum Iban mempunyai simbol tumbuhan padi, labu dan pokok pisang. Secara keseluruhannya, kajian ini membincangkan perbandingan unsur simbol dan makna dalam pantang larang kaum Iban dan Melanau. Ia bertujuan untuk menjaga tatatertib dalam kehidupan masyarakatnya sekali gus memperingati masyarakatnya untuk sering berhati-hati dan menjauhkan diri daripada sebarang bahaya yang akan mendatang.
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Tugang, Noria, and Gregory Kiyai. "Worldview Mali dalam Kearifan Tempatan Penganan Iban di Sarawak: Satu Penelitian Warisan Tidak Ketara." Journal of Humanities and Social Sciences 4, no. 1 (2022): 37–51. http://dx.doi.org/10.36079/lamintang.jhass-0401.346.

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Masyarakat Iban di Sarawak memiliki demensi atau pandangan yang tersendiri dalam menginterprestasi kepercayaan mereka terhadap dunia dan kehidupan. Kepercayaan atau worldview tersebut memiliki nilai yang signifikan dalam manifestasi kebudayaan ketara dan tidak ketara masyarakat Iban. Oleh itu, penyelidikan ini adalah bersifat etnografi yang memfokuskan kepada kepercayaan Mali dalam kearifan tempatan membuat Penganan iaitu sejenis kuih tradisional Iban. Pendekatan penyelidikan ini adalah menggunakan kaedah kualitatif iaitu dengan melakukan kerja lapangan, mendokumentasi dan menemu bual informan yang mempunyai kepakaran dalam budaya Iban. Kawasan penyelidikan iaitu di Lubok Antu, Betong, Sri Aman dan Limbang telah dipilih sebagai lokasi penyelidikan untuk mendapatkan kepelbagaian data dari setiap penempatan geografi masyarakat Iban. Tujuan penyelidikan ini adalah sebagai satu usaha untuk mengarkibkan dan mengkonservasi kepercayaan Mali sebagai sebuah warisan tidak ketara. Hasil dapatan mendapati bahawa, kepercayaan Mali masih menjadi sebuah warisan dalam bentuk kolektif memori dan diamalkan dalam kehidupan masyarakat Iban kini walaupun mereka telah menganuti agama baharu iaitu agama Islam dan Kristian. Melalui penyelidikan ini diharapkan mampu memberikan satu kefahaman yang komprenhensif mengenai adat resam dan kepercayaan masyarakat pribumi di Malaysia, khususnya masyarakat Iban di Sarawak.&#x0D; Worldview ‘Mali’ in the Local Wisdom of ‘Penganan’ Iban in Sarawak: an Intangible Heritage Study&#x0D; Abstract: The Iban in Sarawak possessed their own dimension or perspectives in interpreting belief in the world and life. For the Iban, the belief or worldview have significant value in manifesting tangible and intangible culture. Therefore, this is an ethnography studies focus the belief of Mali from the local expertise in making the traditional Iban food Penganan. This study applied the qualitative approach by conducting field work, documentation and interview with informant adept in the Iban culture. The studies sites were Lubok Antu, Betong, Sri Aman and Limbang for the purpose of collecting numerous data from each Iban’s settlement. This study is an effort to archive and conserve the belief of Mali as an intangible culture. The studies have discovered the belief of Mali is still regard as a heritage in the form of collective memory. This belief is still practice by the Iban although they have converted to the new religion of Islam and Christian. It is this studies aspiration to produce a comprehensive understanding concerning the custom and belief of the indigenous community in Malaysia especially the Iban in Sarawak.&#x0D; Keywords: Custom, Iban, Indigenous Belief, Traditional Culture, Worldview.
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Douglas, Rynna Sha’erra Mindew, Mary Fatimah Subet, and Muhammad Zaid Daud. "AKAL BUDI DALAM SEMPAMA JAKU IBAN (PERIBAHASA) BERIMEJKAN MAMALIA BERDASARKAN PERSPEKTIF SEMANTIK INKUISITIF." RENTAS: Jurnal Bahasa, Sastera dan Budaya 3, no. 1 (2024): 95–117. http://dx.doi.org/10.32890/rentas2024.3.5.

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Peribahasa telah digunakan oleh masyarakat Iban untuk menyampaikan nilai-nilai (positif dan negatif), ajaran (nasihat dan petunjuk), kearifan tempatan, dan pengalaman hidup. Masyarakat Iban juga menggunakan imej perlambangan di sekitar mereka untuk menonjolkan hubungan antara sikap manusia atau situasi kehidupan. Contohnya, imej perlambangan haiwan (mamalia). Maka, kajian ini bertujuan untuk menganalisis peribahasa Iban yang menggunakan imej perlambangan haiwan (mamalia) berpandukan pendekatan semantik inkuisitif (Nor Hashimah Jalaluddin, 2014). Data kajian pula diperoleh daripada Bup Sempama Iban yang ditulis oleh Casper Kayong Umping (2011). Hasil kajian mendapati bahawa, penciptaan peribahasa yang melibatkan imej perlambangan (mamalia) dalam masyarakat Iban terbahagi kepada dua, iaitu: (1) hidupan lautan, seperti ‘ikan iyu’, serta (2) hidupan daratan, seperti ‘mayau’, ‘tupai’, ‘ukui’, ‘jugam’, ‘kera’, ‘kijang’, dan ‘empeliau’. Rumusannya, keterlibatan imej perlambangan (mamalia) dalam peribahasa dapat mencerminkan pandangan masyarakat Iban terhadap alam dan haiwan sebagai sumber inspirasi. Masyarakat Iban juga memberikan penekanan pada nilai-nilai seperti kejujuran, ketelitian, disiplin, dan tindakan nyata dalam usaha mencapai tujuan hidup melalui penciptaan peribahasa berimejkan mamalia.
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Norahim, Norazuna, and Claudia Vica Bandan. "Kajian Awal Kekerabatan Bahasa Remun dan Iban Undop." Journal of Borneo-Kalimantan 9, no. 1 (2023): 13–25. http://dx.doi.org/10.33736/jbk.5143.2023.

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ABSTRAK&#x0D; &#x0D; Bahasa Remun sering menarik minat pengkaji untuk meneliti aspek bahasanya kerana ciri linguistiknya yang agak berbeza daripada dialek-dialek Iban lain di Sarawak. Malah, ada pengkaji beranggapan varian Iban Remun ini berstatus “bahasa tersendiri” dan tidak menganggapnya sebagai dialek bahasa Iban. Justeru, kajian ini bertujuan untuk menentukan tahap hubungan kekerabatan di antara bahasa Remun dengan varian Iban lain di Sarawak khususnya bahasa Iban Undop. Selain kaedah leksikostatistik iaitu perbandingan kosa kata asas bagi menentukan peratusan kognat di antara kedua-dua varian ini, kajian ini juga membuat perbandingan kosa kata tambahan dan ciri fonologi. Hasil kajian mendapati tahap peratusan kata berkognat di antara varian-varian ini ialah 94.7%. Ini bermakna bahasa Iban Remun dan Iban Undop mempunyai hubungan dialektal. Data kajian turut menunjukkan banyak persamaan dari segi inventori fonem dan lingkungan kehadiran fonem dalam kata. Berdasarkan perbandingan kosa kata tambahan pula, didapati banyak perbezaan di antara varian-varian ini yang boleh menjejaskan kesalingfahaman di antara penutur mereka. Kajian ini juga menyarankan perlu dijalankan kajian susulan yang menyelusuri sejarah penyebaran dialek bahasa Iban di Sarawak serta perbandingan lebih terperinci bahasa Remun dengan varian Ibanik di Kalimantan.&#x0D; Kata kunci: Borneo, Ibanik, kekerabatan bahasa, leksikostatistik, Remun
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Kiyai, Gregory, and Noria Anak Tugang. "THE STUDY OF MATERIAL CULTURE OF THE IBAN COMMUNITY IN SARAWAK: NGEPAN." International Journal of Applied and Creative Arts 4, no. 1 (2021): 80–97. http://dx.doi.org/10.33736/ijaca.4204.2021.

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Cultural identity is a specific word that refers to individuals and communities in distinguishing themselves from others. One of the most dominant identities in a community culture is traditional clothing. In Sarawak, the traditional dress for the Iban is commonly known as Ngepan Indu. The Ngepan Indu is often worn during the Gawai Dayak celebration season as well as several other ritual ceremonies such as the Miring ceremony (Offerings) and Melah Pinang (Marriage). The Iban community believes that the Ngepan Iban is an identity and cultural icon in today's customs. Apart from that, Ngepan Iban is one of the treasures and legacies of Petara (God) who inhabited a kingdom called Panggau Libau, Tinting Gawai Gasing Gerah Layang so that Iban always remembered Petara and the origin of Iban's ancestors. This paper aims to analyze and understand the Ngepan Indu in the context of the custom and culture of the Iban community by using the qualitative research method based on the collective memory of the Iban cultural experts in Sarawak. Through this research, it is expected to have an effective and progressive impact to regenerate the spirit of Iban culture to continue persistently preserve the Ngepan Iban as a cultural heritage from the ancestors of the past, so that it will continue to be preserved for the future.
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Ali Osman, Mohammad Sufiyan, Adilawati Asri, and Noria Tugang. "Analisis Kepentingan dan Motif Tatu dalam Budaya Masyarakat Iban melalui Falsafah "Alam Takambang Jadi Guru"." Melayu: Jurnal Antarabangsa Dunia Melayu 17, no. 2 (2024): 221–36. http://dx.doi.org/10.37052/jm.17(2)no3.

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Penyelidikan ini menjelaskan tentang kearifan tradisi etnik Iban, iaitu tradisi bertatu. Pengamalan tradisi bertatu dalam etnik Iban dilihat sebagai satu kebudayaan yang unik kerana mempunyai penceritaan dan tujuan yang tersendiri. Simbolisme tatu dengan unsur alam semula jadi melalui konsep “alam takambang jadi guru” sering digunakan untuk menyatakan idea serta makna tentang budaya dan kehidupan. Objektif kajian ini ialah untuk mengenal pasti hubungan alam sebagai guru dalam etnik Iban, membincangkan kepentingan tatu berunsur alam kepada etnik Iban dan menganalisis maksud motif tatu dalam etnik Iban. Penyelidikan ini menggunakan pendekatan kualitatif menggunakan kaedah pemerhatian penuh dan temu bual secara mendalam dengan informan. Hasil kajian mendapati bahawa etnik Iban percaya bahawa alam semula jadi mengajar manusia untuk berfikir secara kreatif. Oleh itu, melalui alam semula jadi, etnik Iban menghasilkan kreativiti yang menggunakan sumber alam pada tradisi bertatu yang menunjukkan kearifan tradisi dalam budaya etnik tersebut. Setiap peristiwa yang berlaku dalam kehidupan etnik Iban tidak dapat dipisahkan dengan alam semula jadi, iaitu mereka percaya bahawa alam semula jadi mempunyai roh, jiwa dan semangat yang perlu dihormati. Nilai estetika pada tradisi bertatu juga dapat dilihat pada motif yang dihasilkan dengan berinspirasikan alam semula jadi. Motif tatu berunsurkan alam semula jadi juga dianggap dapat menyuntik elemen kekuatan, melambangkan status sosial dan pencapaian seseorang dalam pelbagai perkara. Perkara ini menunjukkan bahawa alam semula jadi berperanan sebagai guru atau sebagai panduan bagi etnik Iban dalam menjalani kehidupan seharian mereka.
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Tugang, Noria, and Gregory Kiyai @ Keai. "Penganan Iban: Satu Penelitian Di Rumah Panjang Kunjang, Undop Sri Aman, Rumah Panjang Liam, Rantau Kembayau Manis, Lubok Antu Dan Rumah Bujang, Rantau Kiran, Limbang." Sarawak Museum Journal LXXXIV, no. 105 (2021): 59–76. http://dx.doi.org/10.61507/smj22-2021-8yy7-04.

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Makanan tradisional merupakan salah satu elemen yang disenaraikan dalam sub kategori warisan tidak ketara. Bagi masyarakat Iban di Sarawak, makanan tradisional Penganan yang diperbuat daripada serbuk beras dan dicampur bersama gula apong telah menjadi satu juadah wajib yang harus disajikan terutamanya ketika musim perayaan Gawai Dayak dan wajar dilestarikan bagi pembangunan budaya dan warisan masyarakat Iban. Oleh itu, penyelidikan ini memfokuskan Penganan sebagai makanan warisan dalam masyarakat Iban di Sarawak. Kaedah penyelidikan ini adalah menggunakan metodologi kualitatif iaitu dengan menemubual dan mendokumentasi tiga kawasan penempatan Iban di Sarawak. Penempatan tersebut adalah Rumah Kunjang di Entawa Asal, Sri Aman, Rumah Liam di Rantau Kembayau Manis, Lubok Antu dan Rumah Bujang, Rantau Kiran, Nanga Medamit Limbang. Hasil dapatan mendapati bahawa, Penganan bukan hanya merupakan legasi warisan bagi masyarakat Iban di Sarawak, bahkan turut mempunyai nilai estetikanya yang tersendiri dalam adat, budaya dan pantang larang. Walaupun pembuatan Penganan kini telah menjadi lebih kontemporari dalam budaya Iban, namun penerimaanya masih utuh dan kekal relevan sebagai makanan tradisional yang dikongsikan bersama. Melalui makalah ini diharap dapat membantu dalam mengkonservasi makanan tradisional masyarakat Iban di Sarawak dalam konteks warisan tidak ketara. Fokus utama penyelidikan ini adalah bertujuan untuk mengarkibkan dan mengkonservasi makanan tradisional masyarakat Iban iaitu Penganan dalam mengklasifikasikan jenis-jenis Penganan, cara-cara pembuatannya dan signifikannya dalam kebudayaan masyarakat Iban di Sarawak melalui penyelidikan etnografi.
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Nie, Connie Lim Keh. "Alternative Conceptions of Modernity in the History of Iban Popular Music." International Journal of Creative and Arts Studies 3, no. 2 (2017): 55. http://dx.doi.org/10.24821/ijcas.v3i2.1845.

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This paper examines how modernity has historically shaped developments in the industry of Iban popular music. The Iban make up one third of the Sarawakian population and are the largest indigenous ethnic group in Sarawak, Malaysia. As with other ethnicities in the nationstate, modernity has presented challenges for socio-cultural development and lifestyle of Iban people. Historically, the Iban are a cultural group located geographically and politically on the periphery of the multi-cultural nation of Malaysia. Throughout much of the 20th century, the music industry has experienced a rapid embrace of modernity through the nation to the detriment of traditional practices in culture in order to adapt themselves in the era of modernization. Iban society had gone through a state of flux where people have gone through the process of readapting themselves in meeting the demanding challenges of Malaysian nationalism. Drawing upon Barendregt’s (2014) ‘alternative conceptions of modernity’ this paper examines how the Iban reference both a national as well as a local music industry particularly through their use of language as an expression of Iban. First the paper will examine changes in Iban society through political and economic modernization. Then I look at differential transformation within Iban music industry because of relative exposure to agents of change such as the influence through Christian missionary and education. This reflects how the Iban react and reflect in adaptation of modern demands of change as a result of the effects of historical processes on the social, cultural and physical environments.
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Taibi, Malia, Neilson Ilan Mersat, and Remmy Gedat. "Older Adult Listeners’ Perception on the Language Used and Quality of the Programme at Wai FM Iban." Jurnal Komunikasi: Malaysian Journal of Communication 38, no. 4 (2022): 412–24. http://dx.doi.org/10.17576/jkmjc-2022-3804-23.

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Community radio is still relevant in today's world despite the rapid changes taking place in communication information technology. It is a faster platform for disseminating information apart from other traditional media, mobile phone and the Internet. In Sarawak, Wai FM Iban is popular among the Iban community especially those living in rural areas. This is because it is the fastest way for the local community to obtain information. This study aims to examine how older adult listeners of Wai FM Iban evaluate the language used by the broadcasters and the quality of radio programmes produced by the radio station. As listening to the radio has become a daily activity among Iban community, Wai FM Iban has a vital role to play in disseminating information to the Iban community throughout Sarawak. It plays a role to ensure proper and correct Iban language is used on air. This study employs a qualitative approach where focus group discussion is used for data collection. Findings show that older listeners of Wai FM Iban are concerned about the use of code-mixing and code-switching among broadcasters that would lead to the deterioration of the language. Findings also indicated that older adult listeners are concerned about the quality of language used and programmes produced by the radio station. As the custodian of Iban language, custom and tradition, they believed that the language used by the broadcasters will determine the quality of programmes produced by the radio station. Keywords: Community radio, Iban language, code-switching, code-mixing, customs and traditions.
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Kunaping, Joan, and Manisah Mohd Ali. "Penerimaan Masyarakat Iban terhadap Orang Kurang Upaya (OKU): Satu Kajian Kes." Malaysian Journal of Social Sciences and Humanities (MJSSH) 7, no. 8 (2022): e001727. http://dx.doi.org/10.47405/mjssh.v7i8.1727.

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Masyarakat Iban merupakan masyarakat peribumi di Sarawak yang kaya dengan kepercayaan adat tradisi yang diwarisi secara turun temurun. Kajian ini bertujuan untuk meneroka penerimaan masyarakat Iban terhadap golongan Orang Kurang Upaya. Kajian kes ini juga menumpukan kepada persepsi yang wujud dalam kalangan masyarakat dan juga meneroka kesediaan mereka dalam menerima golongan Orang Kurang Upaya. Seramai 5 orang masyarakat Iban dari sebuah rumah panjang dipilih sebagai sampel kajian melalui teknik pensampelan bertujuan. Satu set protokol temu bual digunakan sebagai instrumen kajian. Data yang diperoleh menerusi temu bual dianalisis secara verbatim. Dapatan kajian menunjukkan bahawa penerimaan masyarakat Iban terhadap golongan OKU adalah positif. Masyarakat Iban kini lebih bersedia dalam menerima golongan OKU untuk hidup bermasyarakat. Masyarakat Iban sedar bahawa golongan OKU bukan beban tetapi perlu diberikan perhatian yang sewajarnya. Walau bagaimanapun terdapat beberapa cabaran yang dihadapi dalam meningkatkan kesedaran masyarakat Iban terhadap golongan OKU seperti penjagaan OKU, kurangnya pendedahan berkaitan OKU dan masyarakat yang berpegang teguh kepada pantang larang. Kajian ini memberi gambaran yang jelas tentang pentingnya penerimaan dan perhatian masyarakat terhadap golongan OKU.
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Kiyai @ keai, Gregory, and Noria Tugang. "PENELITIAN KOLEKSI AKSESORI PERAK NGEPAN INDU “BIAH ANAK ANJI” DALAM KONTEKS BUDAYA BENDA MASYARAKAT IBAN." Asian People Journal (APJ) 3, no. 2 (2020): 169–80. http://dx.doi.org/10.37231/apj.2020.3.2.202.

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This research paper is an ethnographic research based on cultural objects of a community in Malaysia. The focus of this research is based on the silver accessories or "perengka pirak" which belongs to Biah anak Anji in which, the accessory is important for Iban women for their traditional costume, the "Ngepan Indu". This research was done through qualitative method, based on the data collection from documentation and interviews by using the Collective Memory technique along with the experts in Iban community culture at Sarawak and the heir to the collection, Biah anak Anji that is Chermai Iri that was from Rumah Bujang, Rantau Kiran, Nanga Medamit. Therefore, findings of this research found that silver accessories have significant roles in the culture and belief practices of Iban community at Sarawak in forming their identity as Dayak Iban. &#x0D; Keywords: Artifacts, culture, Iban, ngepan, object&#x0D; &#x0D; Abstrak: Kertas kerja ini adalah merupakan kajian etnografi berdasarkan budaya benda sesebuah masyarakat di Malaysia. Fokus utama penyelidikan ini adalah berdasarkan kepada koleksi aksesori perak atau perengka pirak milik Biah anak Anji iaitu merupakan perhiasan penting yang digunakan oleh wanita Iban dalam mengayakan busana tradisional Ngepan Indu. Matalamat penyelidiakan ini adalah bertujuan untuk mengkonservasi material budaya akesori perak milik Biah anak Anji. Penyelidikan ini menggunakan kaedah kualitatif berdasarkan kepada pengumpulan data melalui dokumentasi dan temubual menggunakan teknik Collective memory bersama-sama dengan pakar budaya masyarakat Iban di Sarawak dan pewaris koleksi Biah anak Anji iaitu Chermai Iri yang berasal dari Rumah Bujang, Rantau Kiran, Nanga Medamit. Oleh itu, dapatan penyelidikan mendapati bahawa aksesori perak mempunyai peranan yang signifikan dalam budaya dan amalan kepercayaan masyarakat Iban di Sarawak dalam membentuk identiti mereka sebagai Dayak Iban.&#x0D; Kata Kunci: Artifak, budaya, Iban, ngepan, objek
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Burgmaier, Stefanie. "Dank IBAN und BIC." Bankmagazin 64, no. 1 (2015): 3. http://dx.doi.org/10.1365/s35127-015-0375-0.

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Mertens, Peter. "Die IBAN kritisch gesehen." Bankmagazin 64, no. 9 (2015): 48–49. http://dx.doi.org/10.1007/s35127-015-0625-1.

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49

PERRY, ESTHER JOHN, and COLLIN JEROME. "‘A CURSE OR A BLESSING?’: THE FATE OF IBAN WOMEN IN ‘ADAT NGUAI’ AS ILLUSTRATED BY LITERARY DEVICES IN IBAN SONG LYRICS." Iasaýı ýnıversıtetіnіń habarshysy 122, no. 4 (2021): 20–26. http://dx.doi.org/10.47526/2021-4/2664-0686.02.

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Abstract:
Numerous studies have examined the depictions of men and women inIban songs. Such depictions revolve around the traditional roles of Iban men and women in both public and private domains. More studies, however, are needed to examine the nuances of these depictions, given the fact that many Iban popular songs portray gender in traditional Iban society. This paper aims to examine such nuances by exploring the fate of women in female Iban songs particularly on their rights and treatment by others as illustrated in the song lyrics. This study adopts the qualitative research design by using content analysis to analyze the description of Iban married women who decided to move out and live at their spouse home in two songs namely, ‘Tusah Belaki Nguai’ by Swaylin and ‘Tusah Nyadi Menantu’ by Linda Simai. The results show that the Iban women are 1) depicted as ‘nguai’ to her husband, who are submissive to the in laws and the husband, and 2) expected to display the quality of ‘indu tampun puji’ or ‘menantu ke dipilih’, that refers to the ideal concept of an Iban woman who is both hardworking and capable to manage the household.
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50

Kalinda, Mory Vital, Pancras Ndokoye, and Onesphole Ndagijimana. "Analyzing anthropogenic impact on Ibanda-Makera natural forest in Kirehe district." Journal of Forests 10, no. 1 (2023): 8–18. http://dx.doi.org/10.18488/jof.v10i1.3378.

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Human pressure from farming activities on marginal lands, and on forest reserves in particular, have resulted in the loss of the large number of hectares of natural forests. This problem also occurred on Ibanda-Makera natural forest locating in Kirehe District, Eastern Province of Rwanda. In this study, we study anthropogenic impact on Ibanda-Makera natural forest. The identification of anthropogenic activities affecting Ibanda-Makera natural forest was done; their impacts on forest was analyzed; and the level of degradation in terms of forest cover of Ibanda-Makera was determined. The study adopted both qualitative and quantitative methods to collect data from a sample of 97 individuals in the target population of 3,330 people. Data were collected using questionnaire, interview guide techniques and documentation. Through SPSS analysis, Pearson correlation between anthropogenic activities and forest degradation, the results showed that people have an understanding on factors leading to the forest degradation and that land use activities surround the Ibanda-Makera area were not in way of protecting forest as priority. Change detection from analysis of 2012, 2017 and 2022 images under supervised classification using remote sensing data of Ibanda-Makera natural forest, showed spatial variation where degradation is high between 2012 to 2017 and low between 2017 to 2022 expressing that between 2017 to 2022 under some environmental guidelines the damaged area moved to the restoration mechanisms. The recommendation to government, regular monitoring of forest boundaries to prevent potential damages that may occur on the forest and set a local system of protection.
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